Thursday, 22 August 2024

Thursday Serial: “The Human Chord” by Algernon Blackwood (in English) - VII

 

Chapter 8

I

Spinrobin lingered a while in the library after Miriam was gone, then feeling slightly ill at ease in the room now that her presence was withdrawn, put the lights out, saw that the windows were properly barred and fastened, and went into the hall on his way to bed.

He looked at the front door, tried the chain, and made sure that both top and bottom bolts were thrown. Why he should have taken these somewhat unusual precautions was not far to seek, though at the moment he could not probably have explained. The desire for protection was awake in his being, and he took these measures of security and defense because it sought to express itself, as it were, even automatically. Spinrobin was afraid.

Up the broad staircase he went softly with his lighted candle, leaving the great hall behind him full to the brim with shadows--shadows that moved and took shape. His own head and shoulders in monstrous outline poured over the walls and upper landings, and thence leaped to the skylight overhead. As he passed the turn in the stairs, the dark contents of the hall below rushed past in a single mass, like an immense extended wing, and settled abruptly at his back, following him thence to the landing.

Once there, he went more quickly, moving on tiptoe, and so reached his own room halfway down. He passed two doors to get there; another two lay beyond; all four, as he believed, being always locked. It was these four rooms that conjured mightily with his imagination always, for these were the rooms he pictured to himself, though without a vestige of proof, as being occupied. It was from the further ones--one or other of them--he believed Mr. Skale came when he had passed down the corridor at two in the morning, stealthily, hurriedly, on the heels of that rush of sound that made him shake in his bed as he heard it.

In his own room, however, surrounded by the familiar and personal objects that reminded him of normal life, he felt more at home. He undressed quickly, all his candles alight, and then sat before the fire in the armchair to read a little before getting into bed.

And he read for choice Hebrew--Hebrew poetry, and on this particular occasion, the books of Job and Ezekiel. For nothing had so soothing and calming an effect upon him as the mighty yet simple imagery of these sonorous stanzas; they invariably took him "out of himself," or at any rate out of the region of small personal alarms. And thus, letting his fancy roam, it seems, he was delighted to find that gradually the fears which had dominated him during the day and evening disappeared. He passed with the poetry into that region of high adventure which his nature in real life denied him. The verses uplifted him in a way that made his recent timidity seem the mere mood of a moment, or at least negligible. His memory, as one thing suggested another, began to give up its dead, and some of Blake's drawings, seen recently in London with prodigious effect, began to pass vividly before his mental vision.

The symbolism of what he was reading doubtless suggested the memory. He felt himself caught in the great invisible nets of wonder that forever swept the world. The littleness of modern life, compared to that ancient and profound spirit which sought the permanent things of the soul, haunted him with curious insistence. He suffered a keen, though somewhat mixed realization of his actual insignificance, yet of his potential sublimity could he but identify himself with his ultimate Self in the region of vision.... His soul was aware of finding itself alternately ruffled and exalted as he read ... and pondered ... as he visualized to some degree the giant Splendors, the wonderful Wheels, the spirit Wings and Faces and all the other symbols of potent imagery evoked by the imagination of that old Hebrew world....

So that when, an hour later, pacified and sleepy, he rose to go to bed, this poetry seems to have left a very marked effect upon his mind--mingled, naturally enough, with the thought of Mr. Skale. For on his way across the floor, having adjusted the fire-screen, he distinctly remembered thinking what a splendid "study" the clergyman would have made for one of Blake's representations of the Deity--the flowing beard, the great nose, the imposing head and shoulders, the potentialities of the massive striding figure, surrounded by a pictorial suggestion of all the sound-forces he was forever talking about....

This thought was his last, and it was without fear of any kind. Merely, he insists, that his imagination was touched, and in a manner perfectly accountable, considering the ingredients of its contents at the time.

And so he hopped nimbly into bed. On the little table beside him stood the candle and the copy of the Hebrew text he had been reading, with its parallel columns in the two languages. His Jaeger slippers were beneath the chair, his clothes, carefully folded, on the sofa, his collar, studs and necktie in a row on the top of the mahogany chest of drawers. On the mantelpiece stood the glass jar of heather, filled that very day by Miriam. He saw it just as he blew out the candle, and Miriam, accordingly, was the last vision that journeyed with him into the country of dreams and sweet forgetfulness.

The night was perfectly still. Winter, black and hard, lay about the house like an iron wall. No wind stirred. Snow covered the world of mountain and moor outside, and Silence, supreme at midnight, poured all her softest forces upon the ancient building and its occupants. Spinrobin, curled up in the middle of the big four-poster, slept like a tired baby.

 

 

II

It was a good deal later when somewhere out of that mass of silence rose the faint beginnings of a sound that stirred first cautiously about the very foundations of the house, and then, mounting inch by inch, through the hall, up the staircase, along the corridor, reached the floor where the secretary slept so peacefully, and finally entered his room. Its muffled tide poured most softly over all. At first only this murmur was audible, as of "footsteps upon wool," of wind or drifting snow, a mere ghost of sound; but gradually it grew, though still gentle and subdued, until it filled the space from ceiling unto floor, pressing in like water dripping into a cistern with ever-deepening note as its volume increased. The trembling of air in a big belfry where bells have been a-ringing represents best the effect, only it was a trifle sharper in quality--keener, more alive.

But, also, there was something more in it--something gong-like and metallic, yet at the same time oddly and suspiciously human. It held a temper, too, that somehow woke the "panic sense," as does the hurried note of a drum--some quick emotional timbre that stirs the sleeping outposts of apprehension and alarm. On the other hand, it was constant, neither rising nor falling, and thus ordinarily, it need not have stirred any emotion at all--least of all the emotion of consternation. Yet, there was that in it which struck at the root of security and life. It was a revolutionary sound.

And as it took possession of the room, covering everything with its garment of vibration, it slipped in also, so to speak, between the crevices of the sleeping, unprotected Spinrobin, coloring his dreams--his innocent dreams--with the suggestion of nightmare dread. Of course, he was too deeply wrapped in slumber to receive the faintest intimation of this waking analysis. Otherwise he might, perhaps, have recognized the kind of primitive, ancestral dread his remote forefathers knew when the inexplicable horror of a tidal wave or an eclipse of the sun overwhelmed them with the threatened alteration of their entire known universe.

The sleeping figure in that big four-poster moved a little as the tide of sound played upon it, fidgeting this way and that. The human ball uncoiled, lengthened, straightened out. The head, half hidden by folds of sheet and pillowcase, emerged.

Spinrobin unfolded, then opened his eyes and stared about him, bewildered, in the darkness.

"Who's there? Is that you--anybody?" he asked in a whisper, the confusion of sleep still about him.

His voice seemed dead and smothered, as though the other sound overwhelmed it. The same instant, more widely awake, he realized that his bedroom was humming.

"What's that? What's the matter?" he whispered again, wondering uneasily at the noise.

There was no answer. The vague dread transferred itself adroitly from his dream-consciousness to his now thoroughly awakened mind. It began to dawn upon him that something was wrong. He noticed that the fire was out, and the room dark and heavy. He realized dimly the passage of time--a considerable interval of time--and that he must have been asleep several hours. Where was he? Who was he? What, in the name of mystery and night, had been going on during the interval? He began to shake all over--feverishly. Whence came this noise that made everything in the darkness tremble?

As he fumbled hurriedly for the matchbox, his fingers caught in the folds of pillowcase and sheet, and he struggled violently to get them clear again. It was while doing this that the impression first reached him that the room was no longer quite the same. It had changed while he slept. Even in the darkness he felt this, and shuddering pulled the blankets over his head and shoulders, for this idea of the changed room plucked at the center of his heart, where terror lay waiting to leap out upon him.

After what seemed five minutes he found the matchbox and struck a light, and all the time the torrent of sound poured about his ears with such an effect of bewilderment that he hardly realized what he was doing. A strange terror poured into him that he would change with the room. At length the match flared, and while he lit the candle with shaking fingers, he looked wildly, quickly about him. At once the sounds rushed upon him from all directions, burying him, so to speak, beneath vehement vibrations of the air that rained in upon him.... Yes, the room had indeed changed, actually changed ... but before he could decide where the difference lay the candle died down to a mere spark, waiting for the wick to absorb the grease. It seemed like half an hour before the yellow tongue grew again, so that he finally saw clearly.

But--saw what? Saw that the room had horribly altered while he slept, yes! But how altered? What in the name of all the world's deities was the matter with it? The torrent of sound, now growing louder and louder, so confused him at first, and the dancing patchwork of light and shadow the candle threw so increased his bewilderment, that for some minutes he sought in vain to steady his mind to the point of accurate observation.

"God of my Fathers!" cried Spinrobin at last under his breath, and hardly knowing what he said, "if it's not moving!"

For this, indeed, was what he saw while the candle flame burned steadily upon a room that was no longer quite recognizable.

At first, with the natural exaggeration due to shock, he thought the whole room moved, but as his powers of sight came with time to report more truly, he perceived that this was only true of certain things in it. It was not the ceiling that poured down in fluid form to meet a floor ever gliding and shifting forward into outlandish proportions, but it was certain objects--one here, another there--midway between the two that, having assumed new and unaccustomed outlines, lent to the rest of the chamber a general appearance of movement and an entirely altered expression. And these objects, he perceived, holding tightly to the bedclothes with both hands as he stared, were two: the dark, old-fashioned cupboard on his left, and the plush curtains that draped the window on his right. He himself, and the bed and the rest of the furniture were stationary. The room as a whole stood still, while these two common and familiar articles of household furnishing took on a form and an expression utterly foreign to what he had always known as a cupboard and a curtain. This outline, this expression, moreover, if not actually sinister, was grotesque to the verge of the sinister: monstrous.

The difficulty of making any accurate observation at all was further increased by the perplexity of having to observe two objects, not even on the same side of the room. Their outlines, however, Spinrobin claims, altered very slowly, wavering like the distorted reflections seen in moving water, and unquestionably obeying in some way the pitch and volume of the sound that continued to pour its resonant tide about the room. The sound manipulated the shape; the connection between the two was evident. That, at least, he grasped. Somebody hidden elsewhere in the house--Mr. Skale probably, of course, in one of his secret chambers--was experimenting with the "true names" of these two "common objects," altering their normal forms by inserting the vibrations of sound between their ultimate molecules.

Only, this simple statement that his clearing mind made to itself in no way accounted for the fascination of horror that accompanied the manifestation. For he recognized it as the joy of horror and not alone the torment. His blood ran swiftly to the rhythm of these humming vibrations that filled the space about him; and his terror, his bewilderment, his curious sense of elation seemed to him as messengers of far more terrific sensations that communicated to him dimly the rushing wonder of some aspect of the Unknown in its ultimate nature essentially beautiful.

This, however, only dawned upon him later, when the experiment was complete and he had time to reflect upon it all next day; for, meanwhile, to see the proportions he had known since childhood alter thus before his eyes was unbelievably dreadful. To see your friend sufficiently himself still to be recognizable, yet in essentials, at the same time, grotesquely altered, would doubtless touch a climax of distress and horror for you. The changing of these two things, so homely and well-known in themselves, into something that was not themselves, involved an idea of destruction that was worse than even death, for it meant that the idea in the mind no longer corresponded to the visible object there before the eyes. The correspondence was no longer a true one. The result was a lie.

To describe the actual forms assumed by these shifting and wavering bodies is not possible, for when Spinrobin gives the details one simply fails to recognize either cupboard or curtain. To say that the dark, lumbering cupboard, standing normally against the wall down there in the shadows, loomed suddenly forward and upward, bent, twisted, and stretched out the whole of one side towards him like a misshapen arm, can convey nothing of the world of new sensations that the little secretary felt while actually watching it in progress in that haunted chamber of Skale's mansion among the hills. Nor can one be thrilled with the extraordinary sense of wonder that thrilled Spinrobin when he saw the faded plush curtain hang across the window in such a way that it might well have wrapped the whole of Wales into a single fold, yet without extending its skirts beyond the actual walls of the room. For what he saw apparently involved contradictions in words, and the fact is that no description of what he saw is really possible at all.

"Hark! By thunder!" he exclaimed, creeping out of bed with sheer stress of excitement, while the sounds poured up through the floor as though from cellars and tunnels where they lay stored beneath the house. They sang and trembled about him with the menaces of a really exquisite alarm. He moved cautiously out into the center of the room, not daring to approach too close to the affected objects, yet furiously anxious to discover how it was all done. For he was uncommonly "game" through it all, and had himself well in hand from beginning to end. He was really too excited, probably, to feel ordinary fear; it all swept him away too mightily for that; he did not even notice the sting of the hot candle-grease as it fell upon his bare feet.

There he stood, plucky little Spinny, steady amid this shifting world, master of his soul amid dissolution, his hair pointing out like ruffled feathers, his blue eyes wide open and charged with a speechless wonder, his face pale as chalk, lips apart, jaw a trifle dropped, one hand in the pocket of his dressing-gown, and the other holding the candle at an angle that showered grease upon the carpet of the Rev. Philip Skale as well as upon his own ankles. There he stood, face to face with the grotesque horror of familiar outlines gone wrong, the altered panorama of his known world moving about him in a strange riot of sound and form. It was, he understood, an amazing exhibition of the transforming power of sound--of sound playing tricks with the impermanence and the illusion of Form. Skale was making his words good.

And behind the scenes he divined, with a shudder of genuine admiration, the figure of the master of the ceremonies, somehow or other grown colossal, as he had thought of him just before going to sleep--Philip Skale, hidden in the secret places of the building, directing the operations of this dreadful aspect of his revolutionary Discovery.... And yet the thought brought a measure of comfort in its train, for was he not also himself now included in the mighty scheme?... In his mind he saw this giant Skale, with his great limbs and shoulders, his flowing, shaggy beard, his voice of thunder and his portentous speculations, and, so doing, felt himself merged in a larger world that made his own little terrors and anxieties of but small account. Once again the sense of his own insignificance disappeared as he realized that at last he was in the full flood of an adventure that was providing the kind of escape he had always longed for.

Inevitably, then, his thought flew to Miriam, and as he remembered her final word to him a few short hours ago in the hall below, he already felt ashamed of the fear with which he had met the beginning of the "test." He instantly felt steeped instead in the wonder and power of the whole thing. His mind, though still trembling and shaken, came to rest. He drew, that is, upon the larger powers of the Chord.

And the interesting thing was that the moment this happened he noticed a change begin to come over the room. With extraordinary swiftness the tide of vibration lessened and the sound withdrew; the humming seemed to sink back into the depths of the house; the thrill and delight of his recent terrors fled with it. The air gradually ceased to shake and tremble; the furniture, with a curious final shiver as of spinning coins about to settle, resumed its normal shape. Once more the room, and with it the world, became commonplace and dull. The test apparently was over. He had met it with success.

Spinrobin, holding the candle straight for the first time, turned back towards the bed. He caught a passing glimpse of himself in the mirror as he went--white and scattered he describes his appearance.... He climbed again into bed, blew the candle out, put the matchbox under his pillow within easy reach, and so once more curled himself up into a ball and composed himself to sleep.

 

 

Chapter 9

I

But he was hardly settled--there had not even been time to warm the sheets again--when he was aware that the test, instead of being over, was, indeed, but just beginning; and the detail that conveyed this unwelcome knowledge to him, though small enough in itself, was yet fraught with a crowded cargo of new alarms. It was a step upon the staircase, approaching his room.

He heard it the instant he lay still in bed after the shuffling process known generally as "cuddling down." And he knew that it was approaching because of the assistance the hall clock brought to his bewildered ears. For the hall clock--a big, dignified piece of furniture with a deep note--happened just then to strike the hour of two in the morning, and there was a considerable interval between the two notes. He first heard the step far below in the act of leaving the flagged hall for the staircase; then the clock drowned it with its first stroke, and perhaps a dozen seconds later, when the second stroke had died away, he heard the step again, as it passed from the top of the staircase on to the polished boards of the landing. The owner of the step, meanwhile, had passed up the whole length of the staircase in the interval, and was now coming across the landing in a direct line towards his bedroom door.

"It is a step, I suppose," it seems he muttered to himself, as with head partially raised above the blankets he listened intently. "It's a step, I mean...?" For the sound was more like a light tapping of a little hammer than an actual step--some hard substance drumming automatically upon the floor, while yet moving in advance. He recognized, however, that there was intelligence behind its movements, because of the sense of direction it displayed, and by the fact that it had turned the sharp corner of the stairs; but the idea presented itself in fugitive fashion to his mind--Heaven alone knows why--that it might be some mechanical contrivance that was worked from the hall by a hand. For the sound was too light to be the tread of a person, yet too "conscious" to be merely a sound of the night operating mechanically. And it was unlike the noise that the feet of any animal would make, any animal that he could think of, that is. A four-footed creature suggested itself to his mind, but without approval.

The puzzling characteristics of the sound, therefore, contradictory as they were, left him utterly perplexed, so that for some little time he could not make up his mind whether to be frightened, interested or merely curious.

This uncertainty, however, lasted but a moment or two at the most, for an appreciable pause outside his door was next followed by a noise of scratching upon the panels, as of hands or paws, and then by the shuffling of some living body that was flattening itself in an attempt to squeeze through the considerable crack between door and flooring, and so to enter the room.

And, hearing it, Spinrobin this time was so petrified with an instantaneous rush of terror, that at first he dared not even move to find the matches again under his pillow.

The pause was dreadful. He longed for brilliant light that should reveal all parts of the room equally, or else for a thick darkness that should conceal him from everything in the world. The uncertain flicker of a single candle playing miserably between the two was the last thing in the world to appeal to him.

And then events crowded too thick and fast for him to recognize any one emotion in particular from all the fire of them passing so swiftly in and out among his hopelessly disorganized thoughts. Terror flashed, but with it flashed also wonder and delight--the audacity of unreflecting courage--and more--even a breathless worship of the powers, knowledge and forces that lifted for him in that little bedroom the vast Transparency that hides from men the Unknown.

It is soon told. For a moment there was silence, and then he knew that the invader had effected an entrance. There was barely time to marvel at the snake-like thinness of the living creature that could avail itself of so narrow a space, when to his amazement he heard the quick patter of feet across the space of boarded flooring next the wall, and then the silence that muffled them as they reached the carpet proper.

Almost at the same second something leaped upon his bed, and there shot swiftly across him a living thing with light, firm tread--a creature, so far as he could form any judgment at all, about the size of a rabbit or a cat. He felt the feet pushing through sheets and blankets upon his body. They were little feet; how many, at that stage, he could not guess. Then he heard the thud as it dropped to the floor upon the other side.

The panic terror that in the dark it would run upon his bare exposed face thus passed; and in that moment of intense relief Spinrobin gripped his soul, so to speak, with both hands and made the effort of his life. Whatever happened now he must have a light, be it only the light of a single miserable candle. In that moment he felt that he would have sacrificed all his hopes of the hereafter to have turned on a flood of searching and brilliant sunshine into every corner of the room--instantaneously. The thought that the creature might jump again upon the bed and touch him before he could see, gave him energy to act.

With dashes of terror shooting through him like spears of ice, he grabbed the matchbox, and after a frenzied entanglement again with sheets and pillow-case, succeeded in breaking four matches in quick succession. They cracked, it seemed to him, like pistol shots, till he half expected that this creature, waiting there in the darkness, must leap out in the direction of the sound to attack him. The fifth lit, and a moment later the candle was burning dimly, but with its usual exasperating leisure and delay. As the flare died down, then gradually rose again, he fairly swallowed the room with a single look, wishing there were eyes all over his body. It was a very faint light. At first he saw nothing, heard nothing--nothing alive, that is.

"I must act! I must do something--at once!" he remembered thinking. For, to wait meant to leave the choice and moment of attack to this other....

Cautiously, and very slowly, therefore, he wriggled to the edge of the bed and slid over, searching with his feet for slippers, but finding none, yet not daring to lower his eyes to look; then stood upright with a sudden rush, shading the candle from his eyes with one hand and peering over it.

As a rule, in moments of overwhelming emotion, the eyes search too eagerly, too furiously, to see properly at all; but this does not seem to have been the case with Spinrobin. The shadows ran about like water and the flickering of the candle-flame dazzled, but there, opposite to him, over by the darkness of the dead fireplace, he saw instantly the small black object that was the immediate cause of his terror. Its actual shape was merged too much in the dark background to be clearly ascertainable, but near the top of it, where presumably the head was, the candle-flame shone reflected in two brilliant points of light that were directed straight upon his face, and he knew that he was looking into the eyes of a living creature that was not the very least on the defensive. It was a living creature, aggressive and unafraid.

For perhaps a couple of minutes--or was it seconds only?--these two beings with the breath of life in them faced one another. Then Spinrobin made a step cautiously in advance; lowering his candle he moved towards it. This he did, partly to see better, partly to protect his bare legs. The idea of protection, however, seems to have been merely instinct, for at once this notion that it might dash forward to attack him was merged in the unaccountable realization of a far grander emotion, as he perceived that this "living creature" facing him was, for all its diminutive size, both dignified and imposing. Something in its atmosphere, something about its mysterious presentment there upon the floor in its dark corner, something, perhaps, that flashed from its brilliant and almost terrible eyes, managed to convey to him that it was clothed with an importance and a significance not attached normally to the animal world. It had "an air." It bore itself with power, with value, almost with pride.

This incongruous impression bereft him of the sensations of ordinary fear, while it increased the sources of his confusion. Yet it convinced. He knew himself face to face with some form of life that was considerable in the true sense--spiritually. It exercised a fascination over him that was at the moment beyond either explanation or belief.

As he moved, moreover, the little dark object also moved--away from him, as though resenting closer inspection. With action--again unlike the action of any animal he could think of, and essentially dignified--both rapid and nicely calculated, it ran towards the curtains behind. This appearance of something stately that went with it was indefinable and beyond everything impressive; for how in the world could such small proportions and diminutive movements convey grandeur? And again Spinrobin found it impossible to decide precisely how it moved--whether on four legs or on two.

Keeping the two points of light always turned upon him, it shot across the floor, leaped easily upon a chair, passed with a nimble spring from this to a table by the wall, still too much in obscurity to permit a proper view; and then, while the amazed secretary approached cautiously to follow its movements better, it crawled to the edge of the table, and in so doing passed for the first time full across the pale zone of flickering candlelight.

Spinrobin, in that quick second, caught a glimpse of flying hair, and saw that it moved either as a human being or as a bird--on two legs.

The same moment it sprang deftly from the high table to the mantelpiece, turned, stood erect, and looked at him with the whole glare of the light upon its face; and Spinrobin, bereft of all power of intelligible sensation whatever, saw to his unutterable distress that it was--a man. The dignity of its movements had already stirred vaguely his sense of awe, but now the realization beyond doubt of its diminutive human shape added a singularly acute touch of horror; and it was the combination of the two emotions, possibly, that were responsible also for the two remarkable impulses of which he was first conscious: first, a mad desire to strike and kill; secondly, an imperious feeling that he must hide his eyes in some act or other of worship!

And it was then he realized that the man was--Philip Skale!

Mr. Skale, scarcely a foot high, dressed as usual in black, flowing beard, hooked nose, lambent, flashing eyes and all, stood there upon the mantelpiece level with his secretary's face, not three feet separating them, and--smiled at him. He was small as a Tanagra figure, and in perfect proportion.

It was unspeakably terrible.

 

 

II

"Of course--I'm dreaming," cried Spinrobin, half aloud, half to the figure before him. He searched behind him with one hand for solid support. "You're a dream thing. It's some awful trick--God will protect me--!"

Mr. Skale's tiny lips moved. "No, no," his voice said, and it sounded as from a great distance. "I'm no dream thing at all, and you are wide awake. Look at me well. I am the man you know--Philip Skale. Look straight into my eyes and be convinced." Again he smiled his kindly, winning smile. "What you now see is nothing but a result of sounding my true name in a certain way--very softly--to increase the cohesion of my physical molecules and reduce my visible expression. Listen, and watch!"

And Spinrobin, half stupefied, obeyed, feeling that his weakening knees must in another moment give way and precipitate him to the floor. He was utterly unnerved. The onslaught of terror and amazement was overwhelming. For something dreadful beyond all words lay in the sight of this man, whom he was accustomed to reverence in his gigantic everyday shape, here reduced to the stature of a pygmy, yet compelling as ever, terrific even when thus dwarfed. And to hear the voice of thunder that he knew so well come to him disguised within this thin and almost wailing tone, passed equally beyond the limits of what he could feel as emotion or translate into any intelligible words or gesture.

While, therefore, the secretary stood in awful wonder, doing as he was told simply because he could do nothing else, the figure of the clergyman moved with tiny steps to the edge of the mantelpiece, until it seemed as though he meant in another moment to leap on to his companion's shoulder, or into his arms. At the edge, however, he stopped--the brink of a precipice, to him!--and Spinrobin then became aware that from his moving lips, doll-like though bearded, his voice was issuing with an ever-growing volume of sound and power.

Vibrations of swiftly-increasing depth and wave-length were spreading through the air about him, filling the room from floor to ceiling. What the syllables actually uttered may have been he was too dazed to realize, for no degree of concentration was possible to his mind at all; he only knew that, before his smarting eyes, with this rising of the voice to its old dominant inflexion, the figure of Mr. Philip Skale grew likewise, indescribably; swelled, rose, spread upwards and outwards, but with the parts ever passing slowly in consistent inter-relation, from minute to minute. He became, always in perfect proportion, magnified and extended. The growing form, moreover, kept pace exactly, and most beautifully, with the increasing tide of sonorous vibration that flooded himself, its utterer and the whole room.

Spinrobin, it seems, had just sufficient self-control left to realize that this sound was similar in quality to that which had first awakened him and caused the outlines of the furniture to alter, when the sight of Mr. Skale's form changing thus terribly before his eyes, and within the touch of his very hand, became too much for him altogether....

What precisely happened he never knew. The sounds first enveloped him, then drove him backwards with a sense of immense applied resistance. He collapsed upon the sofa a few feet behind him, as though irresistibly pushed. The power that impelled him charged vehemently through the little room till it seemed the walls must burst asunder to give it scope, while the sounds rose to such a volume that he figured himself drowned and overpowered by their mighty vibrations as by the storm swells of the Atlantic. Before he lost them as sound he seems thus to have been aware of them as moving waves of air.... The next thing he took in was that amid the waste of silence that now followed his inability to hear, the figure of Philip Skale towered aloft towards the ceiling, till it seemed positively to occupy all the available space in the room about him.

Had he dropped upon the floor instead of upon the sofa it is probable that at this point Spinrobin would have lost consciousness, at any rate for a period; but that sofa, which luckily for his bones was so close behind, galvanized him sharply back into some measure of self-control again. Being provided with powerful springs, it shot him up into the air, whence he relapsed with a series of smaller bounds into a normal sitting posture. Still holding the lighted candle as best he could, the little secretary bounced upon that sofa like a tennis ball. And the violent motion shook him into himself, as it were. His tottering universe struggled back into shape once more. He remembered vaguely that all this was somehow a test of his courage and fitness. And this thought, strengthened by a law of his temperament which forced him to welcome the sweet, mad terror of the whole adventure, helped to call out the reserves of his failing courage.

He bounced upon his feet again--those bare feet plastered with candle grease--and, turning his head, saw the clergyman, of incredible stature, yet still apparently increasing, already over by the door. He was turning the key with a hand the size--O horror!--of Spinrobin's breast. The next moment his vast stooping body filled the entire entrance, blotting out whole portions of the walls on either side, then was gone from the room.

Leaving the candlestick on the sofa, his heart aflame with a fearful ecstasy of curiosity, he dashed across the floor in pursuit, but Mr. Skale, silently and with the swiftness of a river, was already down the stairs before he had covered half the distance.

Through the framework of the door Spinrobin saw this picture:

Skale, like some awful Cyclops, stood upon the floor of the hall some twenty feet below, yet rearing terrifically up through the well of the building till his head and shoulders alone seemed to fill the entire space beneath the skylight. Though his feet rested unquestionably upon the ground, his face, huge as a planet in the sky, rose looming and half lighted above the banisters of this second storey, his tangled locks sweeping the ceiling, and his beard, like some dark river of hair, flowing downwards through the night. And this spreading countenance of cloud it was, hanging in the semi-darkness, that Spinrobin saw turn slowly towards him across the faint flicker of the candlelight, look straight down into his face, and smile. The great mouth and eyes unquestionably smiled. And that smile, for all its vast terror, was beyond words enchanting--like the spread laughter of a summer landscape.

Among the spaces of the immense visage--reminding him curiously of his boyhood's conception of the Creator--Spinrobin lost himself and grew dizzy with a deadly yet delicious faintness. The mighty tenderness, the compassion, the splendor of that giant smile overpowered him and swallowed him up.

For one second, in dreadful silence, he gazed. Then, rising to meet the test with a courage that he felt might somehow involve the alteration if not the actual destruction of his own little personality, but that also proved his supreme gameness at the same time, he tried to smile in return.... The strange and pitiful attempt upon his own face perhaps, in the semi-obscurity, was not seen. He only remembers that he somehow found strength to crawl forward and close the door with a bang, though not the strength to turn the key and lock it, and that two seconds later, having kicked the candle over and out in his flying leap, he was in the middle of the bed under a confused pile of sheets and blankets, weeping with muffled sobs in the darkness as though his heart must burst with the wonder and terror of all he had witnessed.

For, to the simple in heart, at the end of all possible stress and strain of emotion, comes mercifully the blinding relief of tears....

And then, although too overcome to be able to prove it even to himself, it was significant that, lying there smothered among the bedclothes, he became aware of the presence of something astonishingly sweet and comforting in his consciousness. It came quite suddenly upon him; the reaction he experienced, he says, was very wonderful, for with it the sense of absolute safety and security returned to him. Like a terrified child in the darkness who suddenly knows that its mother stands by the bed, all-powerful to soothe, he felt certain that some one had moved into the room, was close beside him, and was even trying to smooth his pillow and arrange the twisted bedclothes.

He did not dare uncover his face to see, for he was still dominated by the memory of Mr. Skale's portentous visage; but his ears were not so easily denied, and he was positive that he heard a voice that called his name as though it were the opening phrase of some sweet, childhood lullaby. There was a touch about him somewhere, it seemed, of delicate cool hands that brought with them the fragrance as of a scented summer wind; and the last thing he remembered before he sank away into welcome unconsciousness was an impression, fugitive and dreamlike, of a gentle face, unstained and pale as marble, that bent above his pillow, and, singing, called him away to forgetfulness and peace.

 

 

III

And several hours later, when he woke after a refreshing sleep to find Mrs. Mawle smiling down upon him over a tray of steaming coffee, he recalled the events of the night with a sense of vivid reality that if possible increased his conviction of their truth, but without the smallest symptom of terror or dismay. For the blessing of the presence that had soothed him into sleep lay still upon him like a garment to protect. The test had come and he had not wholly failed.

With something approaching amusement, he watched the housekeeper pick up a candlestick from the middle of the floor and put his Jaeger slippers beneath the chair, having found one by the cupboard and the other over by the fireplace.

"Mr. Skale's compliments and Mr. Spinrobin is not to hurry himself," he heard her saying, as she put the tray beside the bed and went out of the room. He looked at his watch and saw that it was after ten o'clock.

Half an hour later he was dressed and on his way downstairs, conscious only of an overwhelming desire to see Mr. Skale, but to see him in his normal and fatherly aspect again. For a strain of worship mingled oddly with his devouring curiosity, and he was thirsty now for the rest of the adventure, for the complete revelation of the Discovery in all its bearings. And the moment he saw the clergyman in the hall he ran towards him, scarcely realizing what it was he meant to say or do. Mr. Skale stretched out both hands to meet him. His face was alight with pleasure.

But, before they could meet and touch, a door opened and in slipped Miriam between them; she, too, was radiant, and her hands outstretched.

"Me first, please! Me first!" she cried with happy laughter, and before Spinrobin realized what was happening, she had flung her arms about his neck and kissed him. "You were splendid!" she whispered in his ear, "and I am proud of you--ever so proud!"

The next minute Skale had him by the hands.

"Well done! well done!" his voice boomed, while he gazed down into his face with enthusiastic and unqualified approval. "It was all magnificent. My dear little fellow, you've got the heart of a god, and, by Heavens, you shall become as a god too! For you are worthy!" He shook him violently by both hands, while Miriam looked eagerly on with admiration in her wide grey eyes.

"I'm so glad, so awfully glad--" stammered the secretary, remembering with shame his moments of vivid terror. He hardly knew what he said at the moment.

"The properties of things," thundered the clergyman, "as you have now learned, are merely the 'muffled utterances of the Sounds that made them.' The thing itself is its name."

He spoke rapidly, with intense ardor and with reverence. "You have seen with your own eyes a scientific proof of my Discovery on its humblest level--how the physical properties of objects can be manipulated by the vibratory utterance of their true names--can be extended, reduced, glorified. Next you shall learn that spiritual qualities--the attributes of higher states of being--can be similarly dealt with and harnessed--exalted, intensified, invoked--and that the correct utterance of mighty Names can seduce their specific qualities into your own soul to make you mighty and eternal as themselves, and that to call upon the Great Names is no idle phrase.... When the time comes, Spinrobin, you shall not shrink, you shall not shrink...." He flung his arms out with a great gesture of delight.

"No," repeated Spinrobin, yet aware that he felt mentally battered at the prospect, "I shall not shrink. I think--now--I can manage--anything!"

And then, watching Miriam with lingering glance as she vanished laughing up the staircase, he followed Mr. Skale into the library, his thoughts tearing wildly to and fro, swelling with delight and pride, thrilling with the wonder of what was yet to come. There, with fewest possible sentences, the clergyman announced that he now accepted him and would, therefore, carry out the promise with regard to the bequeathal of his property to him in the event of any untoward circumstances arising later. He also handed to him in cash the salary for the "trial month," together with a check for the first quarter in advance. He was beaming with the satisfaction he felt at having found at last a really qualified helper. Spinrobin looked into his face as they shook hands over the bargain. He was thinking of other aspects he had seen of this amazing being but a few hours before--the minute, the colossal, the changing-between-the-two Skales....

"I'm game, Mr. Skale," he said simply, forgetting all his recent doubts and terrors.

"I know you are," the clergyman replied. "I knew it all along."

Wednesday, 21 August 2024

Wednesday's Good Reading: "A Transfiguração do Desastre" by Olavo de Carvalho (in Portuguese)

 

O Globo, 16 de junho de 2001

Sempre que os esquerdistas querem impor um novo item do seu programa, alegam que ele é a única maneira de curar determinados males. Invariavelmente, quando a proposta sai vencedora, os males que ela prometia eliminar são agravados. O normal seria que, em tais circunstâncias, a esquerda fosse responsabilizada pelo desastre. Mas isto jamais acontece, pois instantaneamente o argumento legitimador originário desaparece do repertório e é substituído por um novo sistema de alegações, que celebra o fracasso como um sucesso ou como necessidade histórica incontornável.

Ninguém compreenderá nada da história do século XX — nem deste começo do XXI — se não conhecer esse mecanismo de justificação retroativa pelo qual se leva o povo a trabalhar em prol de metas não declaradas, que o escandalizariam se as conhecesse e que por isto só podem ser atingidas pela via indireta da cenoura-de-burro.

Alguns exemplos tornarão isso bem claro.

1) Quando o Partido Comunista lançou seu programa de destruição das instituições familiares “burguesas”, consubstanciado no que mais tarde viria a ser a “liberação sexual”, sua alegação principal, elaborada pelo dr. Wilhelm Reich, era que homossexualismo, sado-masoquismo, fetichismo etc. eram frutos da educação patriarcal repressiva. Eliminada a causa, essas condutas desviantes tenderiam a desaparecer do cenário social. Bem, os últimos residuos de valores patriarcais foram suprimidos da educação ocidental entre as décadas de 70 e 80, e o que se viu em seguida? A disseminação, em escala apocalíptica, daquelas mesmas condutas que se prometia eliminar. Obtido o resultado, essas condutas começaram a ser celebradas como saudáveis, dignas e meritórias, e toda crítica a elas passou a ser condenada — às vezes sob as penas da lei — como abuso intolerável e atentado contra os direitos humanos.

2) Quando a esquerda mundial começou a lutar pela legalização do aborto, um de seus argumentos principais era que o grande número de abortos era causado pela proibição, que facilitava a ação de charlatães, intrometidos e gente não habilitada em geral. A legalização, prometia-se, obrigaria a realizar o aborto em condições medicamente aceitáveis, portanto diminuindo o número de casos. Qual foi o resultado? No primeiro ano, o número de abortos nos EUA subiu de 100 mil para um milhão e não parou de crescer até hoje. Pelo menos 30 milhões de bebês já foram sacrificados, ao mesmo tempo que os apologistas da legalização, em vez de admitir a falácia do seu argumento inicial, festejam o fato consumado, tratando de marginalizar e criminalizar qualquer crítica ao novo estado de coisas.

3) Quando os esquerdistas norte-americanos inventaram a política de quotas e indenizações conhecida como “affirmative action”, alegavam que ela diminuiria a criminalidade entre a população negra. Oficializada a nova política, o número de crimes cometidos por negros contra brancos aumentou significativamente, segundo estatísticas do FBI. Que fizeram então os apóstolos da “affirmative action”? Reconheceram humildemente que reforçar o sentimento de identidade racial era alimentar preconceitos e conflitos de raça? Nada. Celebraram o aumento da hostilidade racial como um progresso da democracia.

4) Quando, querendo destruir a tradição norte-americana que considerava a educação um dever da comunidade, das igrejas e das famílias antes que do Estado, a esquerda norte-americana reivindicou a burocratização do ensino, um de seus argumentos básicos era que a delinqüência juvenil só poderia ser controlada mediante a ação educacional do Estado. Com Jimmy Carter, em 1980, os EUA passaram a ter pela primeira vez um Ministério da Educação e programas de ensino uniformes. Duas décadas depois, a delinqüência entre crianças e adolescentes não apenas vem crescendo muito mais que antes, mas adotou como seu quartel-general as escolas públicas, hoje transformadas em áreas de risco, ao ponto de que no começo do ano a prefeitura de Nova York estava privatizando as suas por não ter meios de controlar a violência nelas. Em resposta, que faz a esquerda? Admite que errou? Não. Luta pela uniformização estatal do ensino em escala mundial.

5) No Brasil, a única maneira de diminuir a violência nas áreas rurais, proclamavam os esquerdistas, era dar terras e dinheiro ao MST. Pois bem, as terras foram dadas — foi a maior distribuição de terras de toda a história humana, com muito dinheiro atrás. A violência não diminuiu: aumentou muito. A esquerda confessa que errou? Não. Trata de organizar a violência e celebrá-la como a conquista de um novo patamar histórico na luta pelo socialismo.

Os exemplos poderiam multiplicar-se “ad infinitum” — e notem que propositadamente evitei mencionar os casos extremos, sucedidos no próprio âmbito dos países socialistas, como a coletivização da agricultura na URSS, o Grande Salto para a Frente e a Revolução Cultural na China, a revolução cubana, etc. limitando-me a fatos sucedidos no mundo capitalista.

A promessa salvadora transfigurada em desastre e seguida da troca de discurso legitimador foi, em suma, o “modus agendi” essencial e constante da esquerda mundial ao longo de um século, e não se vê o menor sinal de que algum mentor esquerdista tenha problemas de consciência por isso. Ao contrário, todos continuam prometendo a solução dos males, ao mesmo tempo que já têm pronta, na gaveta, a futura legitimação dos males agravados. Prometem diminuir o consumo de drogas mediante a liberalização, controlar a corrupção mediante o “orçamento participativo”, reprimir a delinqüência mediante o desarmamento civil ou mediante o “direito alternativo” leninista que criminaliza antes a posição social do acusado do que o seu ato criminoso. Sabem perfeitamente aonde tudo isso leva — mas sabem também que ninguém os apoiaria se proclamassem em voz alta o que desejam.

No Brasil, acomodar-se a toda imposição dos mandantes é "estratégia".