Tuesday, 22 September 2026

Tuesday's Serial: “Green Mansions: A Romance of the Tropical Forest” by W. H. Hudson - XII.

 

CHAPTER 13

That evening by the fire old Nuflo, lately so miserable, now happy in his delusions, was more than usually gay and loquacious. He was like a child who by timely submission has escaped a threatened severe punishment. But his lightness of heart was exceeded by mine; and, with the exception of one other yet to come, that evening now shines in memory as the happiest my life has known. For Rima's sweet secret was known to me; and her very ignorance of the meaning of the feeling she experienced, which caused her to fly from me as from an enemy, only served to make the thought of it more purely delightful.

On this occasion she did not steal away like a timid mouse to her own apartment, as her custom was, but remained to give that one evening a special grace, seated well away from the fire in that same shadowy corner where I had first seen her indoors, when I had marveled at her altered appearance. From that corner she could see my face, with the firelight full upon it, she herself in shadow, her eyes veiled by their drooping lashes.

Sitting there, the vivid consciousness of my happiness was like draughts of strong, delicious wine, and its effect was like wine, imparting such freedom to fancy, such fluency, that again and again old Nuflo applauded, crying out that I was a poet, and begging me to put it all into rhyme. I could not do that to please him, never having acquired the art of improvisation — that idle trick of making words jingle which men of Nuflo's class in my country so greatly admire; yet it seemed to me on that evening that my feelings could be adequately expressed only in that sublimated language used by the finest minds in their inspired moments; and, accordingly, I fell to reciting. But not from any modern, nor from the poets of the last century, nor even from the greater seventeenth century. I kept to the more ancient romances and ballads, the sweet old verse that, whether glad or sorrowful, seems always natural and spontaneous as the song of a bird, and so simple that even a child can understand it.

It was late that night before all the romances I remembered or cared to recite were exhausted, and not until then did Rima come out of her shaded corner and steal silently away to her sleeping-place.

Although I had resolved to go with them, and had set Nuflo's mind at rest on the point, I was bent on getting the request from Rima's own lips; and the next morning the opportunity of seeing her alone presented itself, after old Nuflo had sneaked off with his dogs. From the moment of his departure I kept a close watch on the house, as one watches a bush in which a bird one wishes to see has concealed itself, and out of which it may dart at any moment and escape unseen.

At length she came forth, and seeing me in the way, would have slipped back into hiding; for, in spite of her boldness on the previous day, she now seemed shyer than ever when I spoke to her.

"Rima," I said, "do you remember where we first talked together under a tree one morning, when you spoke of your mother, telling me that she was dead?"

"Yes."

"I am going now to that spot to wait for you. I must speak to you again in that place about this journey to Riolama." As she kept silent, I added: "Will you promise to come to me there?"

She shook her head, turning half away.

"Have you forgotten our compact, Rima?"

"No," she returned; and then, suddenly coming near, spoke in a low tone: "I will go there to please you, and you must also do as I tell you."

"What do you wish, Rima?"

She came nearer still. "Listen! You must not look into my eyes, you must not touch me with your hands."

"Sweet Rima, I must hold your hand when I speak with you."

"No, no, no," she murmured, shrinking from me; and finding that it must be as she wished, I reluctantly agreed.

Before I had waited long, she appeared at the trysting-place, and stood before me, as on a former occasion, on that same spot of clean yellow sand, clasping and unclasping her fingers, troubled in mind even then. Only now her trouble was different and greater, making her shyer and more reticent.

"Rime, your grandfather is going to take you to Riolama. Do you wish me to go with you?"

"Oh, do you not know that?" she returned, with a swift glance at my face.

"How should I know?"

Her eyes wandered away restlessly. "On Ytaioa you told me a hundred things which I did not know," she replied in a vague way, wishing, perhaps, to imply that with so great a knowledge of geography it was strange I did not know everything, even her most secret thoughts.

"Tell me, why must you go to Riolama?"

"You have heard. To speak to my people."

"What will you say to them? Tell me."

"What you do not understand. How tell you?"

"I understand you when you speak in Spanish."

"Oh, that is not speaking."

"Last night you spoke to your mother in Spanish. Did you not tell her everything?"

"Oh no—not then. When I tell her everything I speak in another way, in a low voice—not on my knees and praying. At night, and in the woods, and when I am alone I tell her. But perhaps she does not hear me; she is not here, but up there—so far! She never answers, but when I speak to my people they will answer me."

Then she turned away as if there was nothing more to be said.

"Is this all I am to hear from you, Rima—these few words?" I exclaimed. "So much did you say to your grandfather, so much to your dead mother, but to me you say so little!"

She turned again, and with eyes cast down replied:

"He deceived me—I had to tell him that, and then to pray to mother. But to you that do not understand, what can I say? Only that you are not like him and all those that I knew at Voa. It is so different—and the same. You are you, and I am I; why is it—do you know?"

"No; yes—I know, but cannot tell you. And if you find your people, what will you do—leave me to go to them? Must I go all the way to Riolama only to lose you?"

"Where I am, there you must be."

"Why?"

"Do I not see it there?" she returned, with a quick gesture to indicate that it appeared in my face.

"Your sight is keen, Rima—keen as a bird's. Mine is not so keen. Let me look once more into those beautiful wild eyes, then perhaps I shall see in them as much as you see in mine."

"Oh no, no, not that!" she murmured in distress, drawing away from me; then with a sudden flash of brilliant color cried:

"Have you forgotten the compact—the promise you made me?"

Her words made me ashamed, and I could not reply. But the shame was as nothing in strength compared to the impulse I felt to clasp her beautiful body in my arms and cover her face with kisses. Sick with desire, I turned away and, sitting on a root of the tree, covered my face with my hands.

She came nearer: I could see her shadow through my fingers; then her face and wistful, compassionate eyes.

"Forgive me, dear Rima," I said, dropping my hands again. "I have tried so hard to please you in everything! Touch my face with your hand—only that, and I will go to Riolama with you, and obey you in all things."

For a while she hesitated, then stepped quickly aside so that I could not see her; but I knew that she had not left me, that she was standing just behind me. And after waiting a moment longer I felt her fingers touching my skin, softly, trembling over my cheek as if a soft-winged moth had fluttered against it; then the slight aerial touch was gone, and she, too, moth-like, had vanished from my side.

Left alone in the wood, I was not happy. That fluttering, flattering touch of her finger-tips had been to me like spoken language, and more eloquent than language, yet the sweet assurance it conveyed had not given perfect satisfaction; and when I asked myself why the gladness of the previous evening had forsaken me—why I was infected with this new sadness when everything promised well for me, I found that it was because my passion had greatly increased during the last few hours; even during sleep it had been growing, and could no longer be fed by merely dwelling in thought on the charms, moral and physical, of its object, and by dreams of future fruition.

I concluded that it would be best for Rima's sake as well as my own to spend a few of the days before setting out on our journey with my Indian friends, who would be troubled at my long absence; and, accordingly, next morning I bade good-bye to the old man, promising to return in three or four days, and then started without seeing Rima, who had quitted the house before her usual time. After getting free of the woods, on casting back my eyes I caught sight of the girl standing under an isolated tree watching me with that vague, misty, greenish appearance she so frequently had when seen in the light shade at a short distance.

"Rima!" I cried, hurrying back to speak to her, but when I reached the spot she had vanished; and after waiting some time, seeing and hearing nothing to indicate that she was near me, I resumed my walk, half thinking that my imagination had deceived me.

I found my Indian friends home again, and was not surprised to observe a distinct change in their manner towards me. I had expected as much; and considering that they must have known very well where and in whose company I had been spending my time, it was not strange. Coming across the savanna that morning I had first begun to think seriously of the risk I was running. But this thought only served to prepare me for a new condition of things; for now to go back and appear before Rima, and thus prove myself to be a person not only capable of forgetting a promise occasionally, but also of a weak, vacillating mind, was not to be thought of for a moment.

I was received—not welcomed—quietly enough; not a question, not a word, concerning my long absence fell from anyone; it was as if a stranger had appeared among them, one about whom they knew nothing and consequently regarded with suspicion, if not actual hostility. I affected not to notice the change, and dipped my hand uninvited in the pot to satisfy my hunger, and smoked and dozed away the sultry hours in my hammock. Then I got my guitar and spent the rest of the day over it, tuning it, touching the strings so softly with my finger-tips that to a person four yards off the sound must have seemed like the murmur or buzz of an insect's wings; and to this scarcely audible accompaniment I murmured in an equally low tone a new song.

In the evening, when all were gathered under the roof and I had eaten again, I took up the instrument once more, furtively watched by all those half-closed animal eyes, and swept the strings loudly, and sang aloud. I sang an old simple Spanish melody, to which I had put words in their own language—a language with no words not in everyday use, in which it is so difficult to express feelings out of and above the common.

What I had been constructing and practicing all the afternoon sotto voce was a kind of ballad, an extremely simple tale of a poor Indian living alone with his young family in a season of dearth; how day after day he ranged the voiceless woods, to return each evening with nothing but a few withered sour berries in his hand, to find his lean, large-eyed wife still nursing the fire that cooked nothing, and his children crying for food, showing their bones more plainly through their skins every day; and how, without anything miraculous, anything wonderful, happening, that barrenness passed from earth, and the garden once more yielded them pumpkin and maize, and manioc, the wild fruits ripened, and the birds returned, filling the forest with their cries; and so their long hunger was satisfied, and the children grew sleek, and played and laughed in the sunshine; and he wife, no longer brooding over the empty pot, wove a hammock of silk grass, decorated with blue-and-scarlet feathers of the macaw; and in that new hammock the Indian rested long from his labors, smoking endless cigars.

When I at last concluded with a loud note of joy, a long, involuntary suspiration in the darkening room told me that I had been listened to with profound interest; and, although no word was spoken, though I was still a stranger and under a cloud, it was plain that the experiment had succeeded, and that for the present the danger was averted.

I went to my hammock and slept, but without undressing. Next morning I missed my revolver and found that the holster containing it had been detached from the belt. My knife had not been taken, possibly because it was under me in the hammock while I slept. In answer to my inquiries I was informed that Runi had BORROWED my weapon to take it with him to the forest, where he had gone to hunt, and that he would return it to me in the evening. I affected to take it in good part, although feeling secretly ill at ease. Later in the day I came to the conclusion that Runi had had it in his mind to murder me, that I had softened him by singing that Indian story, and that by taking possession of the revolver he showed that he now only meant to keep me a prisoner.

Subsequent events confirmed me in this suspicion. On his return he explained that he had gone out to seek for game in the woods; and, going without a companion, he had taken my revolver to preserve him from dangers—meaning those of a supernatural kind; and that he had had the misfortune to drop it among the bushes while in pursuit of some animal. I answered hotly that he had not treated me like a friend; that if he had asked me for the weapon it would have been lent to him; that as he had taken it without permission he must pay me for it. After some pondering he said that when he took it I was sleeping soundly; also, that it would not be lost; he would take me to the place where he had dropped it, when we could search together for it.

He was in appearance more friendly towards me now, even asking me to repeat my last evening's song, and so we had that performance all over again to everybody's satisfaction. But when morning came he was not inclined to go to the woods: there was food enough in the house, and the pistol would not be hurt by lying where it had fallen a day longer. Next day the same excuse; still I disguised my impatience and suspicion of him and waited, singing the ballad for the third time that evening. Then I was conducted to a wood about a league and a half away and we hunted for the lost pistol among the bushes, I with little hope of finding it, while he attended to the bird voices and frequently asked me to stand or lie still when a chance of something offered.

The result of that wasted day was a determination on my part to escape from Runi as soon as possible, although at the risk of making a deadly enemy of him and of being compelled to go on that long journey to Riolama with no better weapon than a hunting-knife. I had noticed, while appearing not to do so, that outside of the house I was followed or watched by one or other of the Indians, so that great circumspection was needed.

On the following day I attacked my host once more about the revolver, telling him with well-acted indignation that if not found it must be paid for. I went so far as to give a list of the articles I should require, including a bow and arrows, zabatana, two spears, and other things which I need not specify, to set me up for life as a wild man in the woods of Guyana. I was going to add a wife, but as I had already been offered one it did not appear to be necessary. He seemed a little taken aback at the value I set upon my weapon, and promised to go and look for it again. Then I begged that Kua-ko, in whose sharpness of sight I had great faith, might accompany us. He consented, and named the next day but one for the expedition. Very well, thought I, tomorrow their suspicion will be less, and my opportunity will come; then taking up my rude instrument, I gave them an old Spanish song: Desde aquel doloroso momento; but this kind of music had lost its charm for them, and I was asked to give them the ballad they understood so well, in which their interest seemed to increase with every repetition.

In spite of anxiety it amused me to see old Cla-cla regarding me fixedly with owlish eyes and lips moving. My tale had no wonderful things in it, like hers of the olden time, which she told only to send her hearers to sleep. Perhaps she had discovered by now that it was the strange honey of melody, which made the coarse, common cassava bread of everyday life in my story so pleasant to the palate. I was quite prepared to receive a proposal to give her music and singing lessons, and to bequeath a guitar to her in my last will and testament. For, in spite of her hoary hair and million wrinkles, she, more than any other savage I had met with, seemed to have taken a draught from Ponce de Leon's undiscovered fountain of eternal youth. Poor old witch!

The following day was the sixth of my absence from Rima, and one of intense anxiety to me, a feeling which I endeavored to hide by playing with the children, fighting our old comic stick fights, and by strumming noisily on the guitar. In the afternoon, when it was hottest, and all the men who happened to be indoors were lying in their hammocks, I asked Kua-ko to go with me to the stream to bathe. He refused—I had counted on that—and earnestly advised me not to bathe in the pool I was accustomed to, as some little caribe fishes had made their appearance there and would be sure to attack me. I laughed at his idle tale and, taking up my cloak, swung out of the door, whistling a lively air.

He knew that I always threw my cloak over my head and shoulders as a protection from the sun and stinging flies when coming out of the water, and so his suspicion was not aroused, and I was not followed. The pool was about ten minutes' walk from the house; I arrived at it with palpitating heart, and going round to its end, where the stream was shallow, sat down to rest for a few moments and take a few sips of cool water dipped up in my palm. Presently I rose, crossed the stream, and began running, keeping among the low trees near the bank until a dry gully, which extended for some distance across the savanna, was reached. By following its course the distance to be covered would be considerably increased, but the shorter way would have exposed me to sight and made it more dangerous. I had put forth too much speed at first, and in a short time my exertions, and the hot sun, together with my intense excitement, overcame me.

I dared not hope that my flight had not been observed; I imagined that the Indians, unencumbered by any heavy weight, were already close behind me, and ready to launch their deadly spears at my back. With a sob of rage and despair I fell prostrate on my face in the dry bed of the stream, and for two or three minutes remained thus exhausted and unmanned, my heart throbbing so violently that my whole frame was shaken. If my enemies had come on me then disposed to kill me, I could not have lifted a hand in defense of my life. But minutes passed and they came not.

I rose and went on, at a fast walk now, and when the sheltering streamed ended, I stooped among the sere dwarfed shrubs scattered about here and there on its southern side; and now creeping and now running, with an occasional pause to rest and look back, I at last reached the dividing ridge at its southern extremity. The rest of the way was over comparatively easy ground, inclining downwards; and with that glad green forest now full in sight, and hope growing stronger every minute in my breast, my knees ceased to tremble, and I ran on again, scarcely pausing until I had touched and lost myself in the welcome shadows.

Saturday, 19 September 2026

Sarurday's Good Reading: “Os filhos do Brasil” by César Benjamin (in Portuguese)

 You can read the original source (in Portuguese) here.

 

A prisão na Polícia do Exército da Vila Militar, em setembro de 1971, era especialmente ruim: eu ficava nu em uma cela tão pequena que só conseguia me recostar no chão de ladrilhos usando a diagonal. A cela era nua também, sem nada, a menos de um buraco no chão que os militares chamavam de "boi"; a única água disponível era a da descarga do "boi". Permanecia em pé durante as noites, em inúteis tentativas de espantar o frio. Comia com as mãos. Tinha 17 anos de idade.

Um dia a equipe de plantão abriu a porta de bom humor. Conduziram-me por dois corredores e colocaram-me em uma cela maior onde estavam três criminosos comuns, Caveirinha, Português e Nelson, incentivados ali mesmo a me usar como bem entendessem. Os três, porém, foram gentis e solidários comigo. Ofereceram-me logo um lençol, com o qual me cobri, passando a usá-lo nos dias seguintes como uma toga troncha de senador romano.

Oriundos de São Paulo, Caveirinha e Português disseram-me que "estavam pedidos" pelo delegado Sérgio Fleury, que provavelmente iria matá-los. Nelson, um mulato escuro, passava o tempo cantando Beatles, fingindo que sabia inglês e pedindo nossa opinião sobre suas caprichadas interpretações. Repetia uma ideia, pensando alto: "O Brasil não dá mais. Aqui só tem gente esperta. Quando sair dessa, vou para o Senegal. Vou ser rei do Senegal".

Voltei para a solitária alguns dias depois. Ainda não sabia que começava então um longo período que me levou ao limite.

Vegetei em silêncio, sem contato humano, vendo só quatro paredes -"sobrevivendo a mim mesmo como um fósforo frio", para lembrar Fernando Pessoa- durante três anos e meio, em diferentes quartéis, sem saber o que acontecia fora das celas. Até que, num fim de tarde, abriram a porta e colocaram-me em um camburão. Eu estava sendo transferido para fora da Vila Militar. A caçamba do carro era dividida ao meio por uma chapa de ferro, de modo que duas pessoas podiam ser conduzidas sem que conseguissem se ver. A vedação, porém, não era completa. Por uma fresta de alguns centímetros, no canto inferior à minha direita, apareceram dedos que, pelo tato, percebi serem femininos.

Fiquei muito perturbado (preso vive de coisas pequenas). Há anos eu não via, muito menos tocava, uma mulher. Fui desembarcado em um dos presídios do complexo penitenciário de Bangu, para presos comuns, e colocado na galeria F, "de alta periculosia", como se dizia por lá. Havia 30 a 40 homens, sem superlotação, e três eram travestis, a Monique, a Neguinha e a Eva. Revivi o pesadelo de sofrer uma curra, mas, mais uma vez, nada ocorreu. Era Carnaval, e a direção do presídio, excepcionalmente, permitira a entrada de uma televisão para que os detentos pudessem assistir ao desfile.

Estavam todos ocupados, torcendo por suas escolas. Pude então, nessa noite, ter uma longa conversa com as lideranças do novo lugar: Sapo Lee, Sabichão, Neguinho Dois, Formigão, Ari dos Macacos (ou Ari Navalhada, por causa de uma imensa cicatriz que trazia no rosto) e Chinês. Quando o dia amanheceu éramos quase amigos, o que não impediu que, durante algum tempo, eu fosse submetido à tradicional série de "provas de fogo", situações armadas para testar a firmeza de cada novato.

Quando fui rebatizado, estava aceito. Passei a ser o Devagar. Aos poucos, aprendi a "língua de congo", o dialeto que os presos usam entre si para não serem entendidos pelos estranhos ao grupo.

Com a entrada de um novo diretor, mais liberal, consegui reativar as salas de aula do presídio para turmas de primeiro e de segundo grau. Além de dezenas de presos, de todas as galerias, guardas penitenciários e até o chefe de segurança se inscreveram para tentar um diploma do supletivo. Era o que eu faria, também: clandestino desde os 14 anos, preso desde os 17, já estava com 22 e não tinha o segundo grau. Tornei-me o professor de todas as matérias, mas faria as provas junto com eles.

Passei assim a maior parte dos quase dois anos que fiquei em Bangu. Nos intervalos das aulas, traduzia livros para mim mesmo, para aprender línguas, e escrevia petições para advogados dos presos ou cartas de amor que eles enviavam para namoradas reais, supostas ou apenas desejadas, algumas das quais presas no Talavera Bruce, ali ao lado. Quanto mais melosas, melhor.

Como não havia sido levado a julgamento, por causa da menoridade na época da prisão, não cumpria nenhuma pena específica. Por isso era mantido nesse confinamento semiclandestino, segregado dos demais presos políticos. Ignorava quanto tempo ainda permaneceria nessa situação.

Lembro-me com emoção -toda essa trajetória me emociona, a ponto de eu nunca tê-la compartilhado- do dia em que circulou a notícia de que eu seria transferido. Recebi dezenas de catataus, de todas as galerias, trazidos pelos próprios guardas. Catatau, em língua de congo, é uma espécie de bilhete de apresentação em que o signatário afiança a seus conhecidos que o portador é "sujeito-homem" e deve ser ajudado nos outros presídios por onde passar.

Alguns presos propuseram-se a organizar uma rebelião, temendo que a transferência fosse parte de um plano contra a minha vida. A essa altura, já haviam compreendido há muito quem eu era e o que era uma ditadura.

Eu os tranquilizei: na Frei Caneca, para onde iria, estavam os meus antigos companheiros de militância, que reencontraria tantos anos depois. Descumprindo o regulamento, os guardas permitiram que eu entrasse em todas as galerias para me despedir afetuosamente de alunos e amigos. O Devagar ia embora.

 

São Paulo, 1994. Eu estava na casa que servia para a produção dos programas de televisão da campanha de Lula. Com o Plano Real, Fernando Henrique passara à frente, dificultando e confundindo a nossa campanha.

Nesse contexto, deixei trabalho e família no Rio e me instalei na produtora de TV, dormindo em um sofá, para tentar ajudar. Lá pelas tantas, recebi um presente de grego: um grupo de apoiadores trouxe dos Estados Unidos um renomado marqueteiro, cujo nome esqueci. Lula gravava os programas, mais ou menos, duas vezes por semana, de modo que convivi com o americano durante alguns dias sem que ele houvesse ainda visto o candidato.

Dizia-me da importância do primeiro encontro, em que tentaria formatar a psicologia de Lula, saber o que lhe passava na alma, quem era ele, conhecer suas opiniões sobre o Brasil e o momento da campanha, para então propor uma estratégia. Para mim, nada disso fazia sentido, mas eu não queria tratá-lo mal. O primeiro encontro foi no refeitório, durante um almoço.

Na mesa, estávamos eu, o americano ao meu lado, Lula e o publicitário Paulo de Tarso em frente e, nas cabeceiras, Espinoza (segurança de Lula) e outro publicitário brasileiro que trabalhava conosco, cujo nome também esqueci. Lula puxou conversa: "Você esteve preso, não é Cesinha?" "Estive." "Quanto tempo?" "Alguns anos...", desconversei (raramente falo nesse assunto). Lula continuou: "Eu não aguentaria. Não vivo sem boceta".

Para comprovar essa afirmação, passou a narrar com fluência como havia tentado subjugar outro preso nos 30 dias em que ficara detido. Chamava-o de "menino do MEP", em referência a uma organização de esquerda que já deixou de existir. Ficara surpreso com a resistência do "menino", que frustrara a investida com cotoveladas e socos.

Foi um dos momentos mais kafkianos que vivi. Enquanto ouvia a narrativa do nosso candidato, eu relembrava as vezes em que poderia ter sido, digamos assim, o "menino do MEP" nas mãos de criminosos comuns considerados perigosos, condenados a penas longas, que, não obstante essas condições, sempre me respeitaram.

O marqueteiro americano me cutucava, impaciente, para que eu traduzisse o que Lula falava, dada a importância do primeiro encontro. Eu não sabia o que fazer. Não podia lhe dizer o que estava ouvindo. Depois do almoço, desconversei: Lula só havia dito generalidades sem importância. O americano achou que eu estava boicotando o seu trabalho. Ficou bravo e, felizmente, desapareceu.

 

Dias depois de ter retornado para a solitária, ainda na PE da Vila Militar, alguém empurrou por baixo da porta um exemplar do jornal "O Dia". A matéria da primeira página, com direito a manchete principal, anunciava que Caveirinha e Português haviam sido localizados no bairro do Rio Comprido por uma equipe do delegado Fleury e mortos depois de intensa perseguição e tiroteio. Consumara-se o assassinato que eles haviam antevisto.

Nelson, que amava os Beatles, não conseguiu ser o rei do Senegal: transferido para o presídio de Água Santa, liderou uma greve de fome contra os espancamentos de presos e perseverou nela até morrer de inanição, cerca de 60 dias depois. Seu pai, guarda penitenciário, servia naquela unidade.

Neguinho Dois também morreu na prisão. Sapo Lee foi transferido para a Ilha Grande; perdi sua pista quando o presídio de lá foi desativado. Chinês foi solto e conseguiu ser contratado por uma empreiteira que o enviaria para trabalhar em uma obra na Arábia, mas a empresa mudou os planos e o mandou para o Alasca. Na última vez que falei com ele, há mais de 20 anos, estava animado com a perspectiva do embarque: "Arábia ou Alasca, Devagar, é tudo as mesmas Alemanhas!" Ele quis ir embora para escapar do destino de seu melhor amigo, o Sabichão, que também havia sido solto, novamente preso e dessa vez assassinado. Não sei o que aconteceu com o Formigão e o Ari Navalhada.

A todos, autênticos filhos do Brasil, tão castigados, presto homenagem, estejam onde estiverem, mortos ou vivos, pela maneira como trataram um jovem branco de classe média, na casa dos 20 anos, que lhes esteve ao alcance das mãos. Eu nunca soube quem é o "menino do MEP". Suponho que esteja vivo, pois a organização era formada por gente com o meu perfil. Nossa sobrevida, em geral, é bem maior do que a dos pobres e pretos.

O homem que me disse que o atacou é hoje presidente da República. É conciliador e, dizem, faz um bom governo. Ganhou projeção internacional. Afastei-me dele depois daquela conversa na produtora de televisão, mas desejo-lhe sorte, pelo bem do nosso país. Espero que tenha melhorado com o passar dos anos.

Mesmo assim, não pretendo assistir a "O Filho do Brasil", que exala o mau cheiro das mistificações. Li nos jornais que o filme mostra cenas dos 30 dias em que Lula esteve detido e lembrei das passagens que registrei neste texto, que está além da política. Não pretende acusar, rotular ou julgar, mas refletir sobre a complexidade da condição humana, justamente o que um filme assim, a serviço do culto à personalidade, tenta esconder.

 

CÉSAR BENJAMIN, 55, militou no movimento estudantil secundarista em 1968 e passou para a clandestinidade depois da decretação do Ato Institucional nº 5, em 13 de dezembro desse ano, juntando-se à resistência armada ao regime militar. Foi preso em meados de 1971, com 17 anos, e expulso do país no final de 1976. Retornou em 1978. Ajudou a fundar o PT, do qual se desfiliou em 1995. Em 2006 foi candidato a vice-presidente na chapa liderada pela senadora Heloísa Helena, do PSOL, do qual também se desfiliou. Trabalhou na Fundação Getulio Vargas, na Sociedade Brasileira para o Progresso da Ciência, na Prefeitura do Rio de Janeiro e na Editora Nova Fronteira. É editor da Editora Contraponto e colunista da Folha.

Friday, 18 September 2026

Friday's Sung Word: "Espelho do Destino" by Benedito Lacerda and Aldo Cabral (in Portuguese).

Você que sabe ser presunçosa
Ó mulher pretensiosa
Que de mim já se esqueceu
Não vê que com esse orgulho todo
Quem tirou você do lôdo
Quem lhe deu a mão, fui eu.

Mas na estrada desta vida
Para toda alma perdida
O sofrer é uma lição
E é sofrendo que se aprende
Quem tarde se arrepende
Não merece mais perdão.

Porém, a você dou um conselho
Olhe bem para esse espelho
Que o destino sempre traz:
Uma folha desprendida
Do galho onde foi nascida
Não se ergue nunca mais.

You can listen "Espelho do Destino" sung by Orlando Silva (1939) here

You can listen "Espelho do Destino" sung by Orlando Silva (1961) here

Thursday, 17 September 2026

Thursday's Serial: “The Song of Hiawatha” by Henry Wadsworth Longfellow (in English) - XIX

 

XIX. THE GHOSTS.

Never stoops the soaring vulture

On his quarry in the desert,

On the sick or wounded bison,

But another vulture, watching

From his high aerial look-out,

Sees the downward plunge, and follows;

And a third pursues the second,

Coming from the invisible ether,

First a speck, and then a vulture,

Till the air is dark with pinions.

So disasters come not singly;

But as if they watched and waited,

Scanning one another's motions,

When the first descends, the others

Follow, follow, gathering flock-wise

Round then: victim, sick and wounded,

First a shadow, then a sorrow,

Till the air is dark with anguish.

Now, o'er all the dreary Northland,

Mighty Peboan, the Winter,

Breathing on the lakes and rivers,

Into stone had changed their waters.

From his hair he shook the snow-flakes,

Till the plains were strewn with whiteness,

One uninterrupted level,

As if, stooping, the Creator

With his hand had smoothed them over.

Through the forest, wide and wailing,

Roamed the hunter on his snow-shoes;

In the village worked the women,

Pounded maize, or dressed the deer-skin;

And the young men played together

On the ice the noisy ball-play,

On the plain the dance of snow-shoes.

One dark evening, after sundown,

In her wigwam Laughing Water

Sat with old Nokomis, waiting

For the steps of Hiawatha

Homeward from the hunt returning.

On their faces gleamed the fire-light,

Painting them with streaks of crimson,

In the eyes of old Nokomis

Glimmered like the watery moonlight,

In the eyes of Laughing Water

Glistened like the sun in water;

And behind them crouched their shadows

In the corners of the wigwam,

And the smoke in wreaths above them

Climbed and crowded through the smoke-flue.

Then the curtain of the doorway

From without was slowly lifted;

Brighter glowed the fire a moment,

And a moment swerved the smoke-wreath,

As two women entered softly,

Passed the doorway uninvited,

Without word of salutation,

Without sign of recognition,

Sat down in the farthest corner,

Crouching low among the shadows.

From their aspect and their garments,

Strangers seemed they in the village;

Very pale and haggard were they,

As they sat there sad and silent,

Trembling, cowering with the shadows.

Was it the wind above the smoke-flue,

Muttering down into the wigwam?

Was it the owl, the Koko-koho,

Hooting from the dismal forest?

Sure a voice said in the silence:

"These are corpses clad in garments,

These are ghosts that come to haunt you,

From the kingdom of Ponemah,

From the land of the Hereafter!"

Homeward now came Hiawatha

From his hunting in the forest,

With the snow upon his tresses,

And the red deer on his shoulders.

At the feet of Laughing Water

Down he threw his lifeless burden;

Nobler, handsomer she thought him,

Than when first he came to woo her,

First threw down the deer before her,

As a token of his wishes,

As a promise of the future.

Then he turned and saw the strangers,

Cowering, crouching with the shadows;

Said within himself, "Who are they?

What strange guests has Minnehaha?"

But he questioned not the strangers,

Only spake to bid them welcome

To his lodge, his food, his fireside.

When the evening meal was ready,

And the deer had been divided,

Both the pallid guests, the strangers,

Springing from among the shadows,

Seized upon the choicest portions,

Seized the white fat of the roebuck,

Set apart for Laughing Water,

For the wife of Hiawatha;

Without asking, without thanking,

Eagerly devoured the morsels,

Flitted back among the shadows

In the corner of the wigwam.

Not a word spake Hiawatha,

Not a motion made Nokomis,

Not a gesture Laughing Water;

Not a change came o'er their features;

Only Minnehaha softly

Whispered, saying, "They are famished;

Let them do what best delights them;

Let them eat, for they are famished."

Many a daylight dawned and darkened,

Many a night shook off the daylight

As the pine shakes off the snow-flakes

From the midnight of its branches;

Day by day the guests unmoving

Sat there silent in the wigwam;

But by night, in storm or starlight,

Forth they went into the forest,

Bringing fire-wood to the wigwam,

Bringing pine-cones for the burning,

Always sad and always silent.

And whenever Hiawatha

Came from fishing or from hunting,

When the evening meal was ready,

And the food had been divided,

Gliding from their darksome corner,

Came the pallid guests, the strangers,

Seized upon the choicest portions

Set aside for Laughing Water,

And without rebuke or question

Flitted back among the shadows.

Never once had Hiawatha

By a word or look reproved them;

Never once had old Nokomis

Made a gesture of impatience;

Never once had Laughing Water

Shown resentment at the outrage.

All had they endured in silence,

That the rights of guest and stranger,

That the virtue of free-giving,

By a look might not be lessened,

By a word might not be broken.

Once at midnight Hiawatha,

Ever wakeful, ever watchful,

In the wigwam, dimly lighted

By the brands that still were burning,

By the glimmering, flickering fire-light,

Heard a sighing, oft repeated,

Heard a sobbing, as of sorrow.

From his couch rose Hiawatha,

From his shaggy hides of bison,

Pushed aside the deer-skin curtain,

Saw the pallid guests, the shadows,

Sitting upright on their couches,

Weeping in the silent midnight.

And he said: "O guests! why is it

That your hearts are so afflicted,

That you sob so in the midnight?

Has perchance the old Nokomis,

Has my wife, my Minnehaha,

Wronged or grieved you by unkindness,

Failed in hospitable duties?"

Then the shadows ceased from weeping,

Ceased from sobbing and lamenting,

And they said, with gentle voices:

"We are ghosts of the departed,

Souls of those who once were with you.

From the realms of Chibiabos

Hither have we come to try you,

Hither have we come to warn you.

"Cries of grief and lamentation

Reach us in the Blessed Islands;

Cries of anguish from the living,

Calling back their friends departed,

Sadden us with useless sorrow.

Therefore have we come to try you;

No one knows us, no one heeds us.

We are but a burden to you,

And we see that the departed

Have no place among the living.

"Think of this, O Hiawatha!

Speak of it to all the people,

That henceforward and for ever

They no more with lamentations

Sadden the souls of the departed

In the Islands of the Blessed.

"Do not lay such heavy burdens

In the graves of those you bury,

Not such weight of furs and wampum,

Not such weight of pots and kettles,

For the spirits faint beneath them.

Only give them food to carry,

Only give them fire to light them.

"Four days is the spirit's journey

To the land of ghosts and shadows,

Four its lonely night encampments;

Four times must their fires be lighted.

Therefore, when the dead are buried,

Let a fire, as night approaches,

Four times on the grave be kindled,

That the soul upon its journey

May not lack the cheerful fire-light,

May not grope about in darkness.

"Farewell, noble Hiawatha!

We have put you to the trial,

To the proof have put your patience,

By the insult of our presence,

By the outrage of our actions.

We have found you great and noble.

Fail not in the greater trial,

Faint not in the harder struggle."

When they ceased, a sudden darkness

Fell and filled the silent wigwam.

Hiawatha heard a rustle

As of garments trailing by him,

Heard the curtain of the doorway

Lifted by a hand he saw not,

Felt the cold breath of the night air,

For a moment saw the starlight;

But he saw the ghosts no longer,

Saw no more the wandering spirits

From the kingdom of Ponemah,

From the land of the Hereafter.