Tuesday, 4 August 2026

Tuesday's Serial: “Green Mansions: A Romance of the Tropical Forest” by W. H. Hudson - VI.

 

CHAPTER 6

Thinking about the forest girl while lying awake that night, I came to the conclusion that I had made it sufficiently plain to her how little her capricious behavior had been relished, and had therefore no need to punish myself more by keeping any longer out of my beloved green mansions. Accordingly, next day, after the heavy rain that fell during the morning hours had ceased, I set forth about noon to visit the wood. Overhead the sky was clear again; but there was no motion in the heavy sultry atmosphere, while dark blue masses of banked-up clouds on the western horizon threatened a fresh downpour later in the day. My mind was, however, now too greatly excited at the prospect of a possible encounter with the forest nymph to allow me to pay any heed to these ominous signs.

I had passed through the first strip of wood and was in the succeeding stony sterile space when a gleam of brilliant color close by on the ground caught my sight. It was a snake lying on the bare earth; had I kept on without noticing it, I should most probably have trodden upon or dangerously near it. Viewing it closely, I found that it was a coral snake, famed as much for its beauty and singularity as for its deadly character. It was about three feet long, and very slim; its ground color a brilliant vermilion, with broad jet-black rings at equal distances round its body, each black ring or band divided by a narrow yellow strip in the middle. The symmetrical pattern and vividly contrasted colors would have given it the appearance of an artificial snake made by some fanciful artist, but for the gleam of life in its bright coils. Its fixed eyes, too, were living gems, and from the point of its dangerous arrowy head the glistening tongue flickered ceaselessly as I stood a few yards away regarding it.

"I admire you greatly, Sir Serpent," I said, or thought, "but it is dangerous, say the military authorities, to leave an enemy or possible enemy in the rear; the person who does such a thing must be either a bad strategist or a genius, and I am neither."

Retreating a few paces, I found and picked up a stone about as big as a man's hand and hurled it at the dangerous-looking head with the intention of crushing it; but the stone hit upon the rocky ground a little on one side of the mark and, being soft, flew into a hundred small fragments. This roused the creature's anger, and in a moment with raised head he was gliding swiftly towards me. Again I retreated, not so slowly on this occasion; and finding another stone, I raised and was about to launch it when a sharp, ringing cry issued from the bushes growing near, and, quickly following the sound, forth stepped the forest girl; no longer elusive and shy, vaguely seen in the shadowy wood, but boldly challenging attention, exposed to the full power of the meridian sun, which made her appear luminous and rich in color beyond example. Seeing her thus, all those emotions of fear and abhorrence invariably excited in us by the sight of an active venomous serpent in our path vanished instantly from my mind: I could now only feel astonishment and admiration et the brilliant being as she advanced with swift, easy, undulating motion towards me; or rather towards the serpent, which was now between us, moving more and more slowly as she came nearer.

The cause of this sudden wonderful boldness, so unlike her former habit, was unmistakable. She had been watching my approach from some hiding-place among the bushes, ready no doubt to lead me a dance through the wood with her mocking voice, as on previous occasions, when my attack on the serpent caused that outburst of wrath. The torrent of ringing and to me inarticulate sounds in that unknown tongue, her rapid gestures, and, above all, her wide-open sparkling eyes and face aflame with color made it impossible to mistake the nature of her feeling.

In casting about for some term or figure of speech in which to describe the impression produced on me at that moment, I think of waspish, and, better still, avispada—literally the same word in Spanish, not having precisely the same meaning nor ever applied contemptuously—only to reject both after a moment's reflection. Yet I go back to the image of an irritated wasp as perhaps offering the best illustration; of some large tropical wasp advancing angrily towards me, as I have witnessed a hundred times, not exactly flying, but moving rapidly, half running and half flying, over the ground, with loud and angry buzz, the glistening wings open and agitated; beautiful beyond most animated creatures in its sharp but graceful lines, polished surface, and varied brilliant coloring, and that wrathfulness that fits it so well and seems to give it additional luster.

Wonder-struck at the sight of her strange beauty and passion, I forgot the advancing snake until she came to a stop at about five yards from me; then to my horror I saw that it was beside her naked feet. Although no longer advancing, the head was still raised high as if to strike; but presently the spirit of anger appeared to die out of it; the lifted head, oscillating a little from side to side, sunk down lower and lower to rest finally on the girl's bare instep; and lying there motionless, the deadly thing had the appearance of a gaily colored silken garter just dropped from her leg. It was plain to see that she had no fear of it, that she was one of those exceptional persons, to be found, it is said, in all countries, who possess some magnetic quality, which has a soothing effect on even the most venomous and irritable reptiles.

Following the direction of my eyes, she too glanced down, but did not move her foot; then she made her voice heard again, still loud and sharp, but the anger was not now so pronounced.

"Do not fear, I shall not harm it," I said in the Indian tongue.

She took no notice of my speech and continued speaking with increasing resentment.

I shook my head, replying that her language was unknown to me. Then by means of signs I tried to make her understand that the creature was safe from further molestation. She pointed indignantly at the stone in my hand, which I had forgotten all about. At once I threw it from me, and instantly there was a change; the resentment had vanished, and a tender radiance lit her face like a smile.

I advanced a little nearer, addressing her once more in the Indian tongue; but my speech was evidently unintelligible to her, as she stood now glancing at the snake lying at her feet, now at me. Again I had recourse to signs and gestures; pointing to the snake, then to the stone I had cast away, I endeavored to convey to her that in the future I would for her sake be a friend to all venomous reptiles, and that I wished her to have the same kindly feelings towards me as towards these creatures. Whether or not she understood me, she showed no disposition to go into hiding again, and continued silently regarding me with a look that seemed to express pleasure at finding herself at last thus suddenly brought face to face with me. Flattered at this, I gradually drew nearer until at the last I was standing at her side, gazing down with the utmost delight into that face which so greatly surpassed in loveliness all human faces I had ever seen or imagined.

And yet to you, my friend, it probably will not seem that she was so beautiful, since I have, alas! only the words we all use to paint commoner, coarser things, and no means to represent all the exquisite details, all the delicate lights, and shades, and swift changes of color and expression. Moreover, is it not a fact that the strange or unheard of can never appear beautiful in a mere description, because that which is most novel in it attracts too much attention and is given undue prominence in the picture, and we miss that which would have taken away the effect of strangeness—the perfect balance of the parts and harmony of the whole? For instance, the blue eyes of the northerner would, when first described to the black-eyed inhabitants of warm regions, seem unbeautiful and a monstrosity, because they would vividly see with the mental vision that unheard-of blueness, but not in the same vivid way the accompanying flesh and hair tints with which it harmonizes.

Think, then, less of the picture as I have to paint it in words than of the feeling its original inspired in me when, looking closely for the first time on that rare loveliness, trembling with delight, I mentally cried: "Oh, why has Nature, maker of so many types and of innumerable individuals of each, given to the world but one being like this?"

Scarcely had the thought formed itself in my mind before I dismissed it as utterly incredible. No, this exquisite being was without doubt one of a distinct race which had existed in this little-known corner of the continent for thousands of generations, albeit now perhaps reduced to a small and dwindling remnant.

Her figure and features were singularly delicate, but it was her color that struck me most, which indeed made her differ from all other human beings. The color of the skin would be almost impossible to describe, so greatly did it vary with every change of mood—and the moods were many and transient—and with the angle on which the sunlight touched it, and the degree of light.

Beneath the trees, at a distance, it had seemed a somewhat dim white or pale gray; near in the strong sunshine it was not white, but alabastrian, semi-pellucid, showing an underlying rose color; and at any point where the rays fell direct this color was bright and luminous, as we see in our fingers when held before a strong firelight. But that part of her skin that remained in shadow appeared of a dimmer white, and the underlying color varied from dim, rosy purple to dim blue. With the skin the color of the eyes harmonized perfectly.

At first, when lit with anger, they had appeared flame-like; now the iris was of a peculiar soft or dim and tender red, a shade sometimes seen in flowers. But only when looked closely at could this delicate hue be discerned, the pupils being large, as in some gray eyes, and the long, dark, shading lashes at a short distance made the whole eye appear dark. Think not, then, of the red flower, exposed to the light and sun in conjunction with the vivid green of the foliage; think only of such a hue in the half-hidden iris, brilliant and moist with the eye's moisture, deep with the eye's depth, glorified by the outward look of a bright, beautiful soul.

Most variable of all in color was the hair, this being due to its extreme fineness and glossiness, and to its elasticity, which made it lie fleecy and loose on head, shoulders, and back; a cloud with a brightness on its surface made by the freer outer hairs, a fit setting and crown for a countenance of such rare changeful loveliness. In the shade, viewed closely, the general color appeared a slate, deepening in places to purple; but even in the shade the nimbus of free flossy hairs half veiled the darker tints with a downy pallor; and at a distance of a few yards it gave the whole hair a vague, misty appearance. In the sunlight the color varied more, looking now dark, sometimes intensely black, now of a light uncertain hue, with a play of iridescent color on the loose surface, as we see on the glossed plumage of some birds; and at a short distance, with the sun shining full on her head, it sometimes looked white as a noonday cloud. So changeful was it and ethereal in appearance with its cloud colors that all other human hair, even of the most beautiful golden shades, pale or red, seemed heavy and dull and dead looking by comparison.

But more than form and color and that enchanting variability was the look of intelligence, which at the same time seemed complementary to and one with the all-seeing, all-hearing alertness appearing in her face; the alertness one remarks in a wild creature, even when in repose and fearing nothing; but seldom in man, never perhaps in intellectual or studious man. She was a wild, solitary girl of the woods, and did not understand the language of the country in which I had addressed her. What inner or mind life could such a one have more than that of any wild animal existing in the same conditions? Yet looking at her face it was not possible to doubt its intelligence.

This union in her of two opposite qualities, which, with us, cannot or do not exist together, although so novel, yet struck me as the girl's principal charm. Why had Nature not done this before—why in all others does the brightness of the mind dim that beautiful physical brightness which the wild animals have? But enough for me that that which no man had ever looked for or hoped to find existed here; that through that unfamiliar luster of the wild life shone the spiritualizing light of mind that made us kin.

These thoughts passed swiftly through my brain as I stood feasting my sight on her bright, piquant face; while she on her part gazed back into my eyes, not only with fearless curiosity, but with a look of recognition and pleasure at the encounter so unmistakably friendly that, encouraged by it, I took her arm in my hand, moving at the same time a little nearer to her. At that moment a swift, startled expression came into her eyes; she glanced down and up again into my face; her lips trembled and slightly parted as she murmured some sorrowful sounds in a tone so low as to be only just audible.

Thinking she had become alarmed and was on the point of escaping out of my hands, and fearing, above all things, to lose sight of her again so soon, I slipped my arm around her slender body to detain her, moving one foot at the same time to balance myself; and at that moment I felt a slight blow and a sharp burning sensation shoot into my leg, so sudden and intense that I dropped my arm, at the same time uttering a cry of pain, and recoiled one or two paces from her. But she stirred not when I released her; her eyes followed my movements; then she glanced down at her feet. I followed her look, and figure to yourself my horror when I saw there the serpent I had so completely forgotten, and which even that sting of sharp pain had not brought back to remembrance! There it lay, a coil of its own thrown round one of her ankles, and its head, raised nearly a foot high, swaying slowly from side to side, while the swift forked tongue flickered continuously. Then—only then—I knew what had happened, and at the same time I understood the reason of that sudden look of alarm in her face, the murmuring sounds she had uttered, and the downward startled glance. Her fears had been solely for my safety, and she had warned me! Too late! Too late! In moving I had trodden on or touched the serpent with my foot, and it had bitten me just above the ankle. In a few moments I began to realize the horror of my position.

"Must I die! must I die! Oh, my God, is there nothing that can save me?" I cried in my heart.

She was still standing motionless in the same place: her eyes wandered back from me to the snake; gradually its swaying head was lowered again, and the coil unwound from her ankle; then it began to move away, slowly at first, and with the head a little raised, then faster, and in the end it glided out of sight. Gone! – but it had left its venom in my blood—O cursed reptile!

Back from watching its retreat, my eyes returned to her face, now strangely clouded with trouble; her eyes dropped before mine, while the palms of her hands were pressed together, and the fingers clasped and unclasped alternately. How different she seemed now; the brilliant face grown so pallid and vague-looking! But not only because this tragic end to our meeting had pierced her with pain: that cloud in the west had grown up and now covered half the sky with vast lurid masses of vapor, blotting out the sun, and a great gloom had fallen on the earth.

That sudden twilight and a long roll of approaching thunder, reverberating from the hills, increased my anguish and desperation. Death at that moment looked unutterably terrible. The remembrance of all that made life dear pierced me to the core—all that nature was to me, all the pleasures of sense and intellect, the hopes I had cherished—all was revealed to me as by a flash of lightning. Bitterest of all was the thought that I must now bid everlasting farewell to this beautiful being I had found in the solitude this lustrous daughter of the Didi— just when I had won her from her shyness—that I must go away into the cursed blackness of death and never know the mystery of her life! It was that which utterly unnerved me, and made my legs tremble under me, and brought great drops of sweat to my forehead, until I thought that the venom was already doing its swift, fatal work in my veins.

With uncertain steps I moved to a stone a yard or two away and sat down upon it. As I did so the hope came to me that this girl, so intimate with nature, might know of some antidote to save me. Touching my leg, and using other signs, I addressed her again in the Indian language.

"The snake has bitten me," I said. "What shall I do? Is there no leaf, no root you know that would save me from death? Help me! help me!" I cried in despair.

My signs she probably understood if not my words, but she made no reply; and still she remained standing motionless, twisting and untwisting her fingers, and regarding me with a look of ineffable grief and compassion.

Alas! It was vain to appeal to her: she knew what had happened, and what the result would most likely be, and pitied, but was powerless to help me. Then it occurred to me that if I could reach the Indian village before the venom overpowered me something might be done to save me. Oh, why had I tarried so long, losing so many precious minutes! Large drops of rain were falling now, and the gloom was deeper, and the thunder almost continuous. With a cry of anguish I started to my feet and was about to rush away towards the village when a dazzling flash of lightning made me pause for a moment. When it vanished I turned a last look on the girl, and her face was deathly pale, and her hair looked blacker than night; and as she looked she stretched out her arms towards me and uttered a low, wailing cry.

"Good-bye for ever!" I murmured, and turning once more from her, rushed away like one crazed into the wood. But in my confusion I had probably taken the wrong direction, for instead of coming out in a few minutes into the open border of the forest, and on to the savanna, I found myself every moment getting deeper among the trees. I stood still, perplexed, but could not shake off the conviction that I had started in the right direction.

Eventually I resolved to keep on for a hundred yards or so and then, if no opening appeared, to turn back and retrace my steps. But this was no easy matter. I soon became entangled in a dense undergrowth, which so confused me that at last I confessed despairingly to myself that for the first time in this wood I was hopelessly lost. And in what terrible circumstances! At intervals a flash of lightning would throw a vivid blue glare down into the interior of the wood and only serve to show that I had lost myself in a place where even at noon in cloudless weather progress would be most difficult; and now the light would only last a moment, to be followed by thick gloom; and I could only tear blindly on, bruising and lacerating my flesh at every step, falling again and again, only to struggle up and on again, now high above the surface, climbing over prostrate trees and branches, now plunged to my middle in a pool or torrent of water.

Hopeless—utterly hopeless seemed all my mad efforts; and at each pause, when I would stand exhausted, gasping for breath, my throbbing heart almost suffocating me, a dull, continuous, teasing pain in my bitten leg served to remind me that I had but a little time left to exist—that by delaying at first I had allowed my only chance of salvation to slip by.

How long a time I spent fighting my way through this dense black wood I know not; perhaps two or three hours, only to me the hours seemed like years of prolonged agony. At last, all at once, I found that I was free of the close undergrowth and walking on level ground; but it was darker here darker than the darkest night; and at length, when the lightning came and flared down through the dense roof of foliage overhead, I discovered that I was in a spot that had a strange look, where the trees were very large and grew wide apart, and with no undergrowth to impede progress beneath them. Here, recovering breath, I began to run, and after a while found that I had left the large trees behind me, and was now in a more open place, with small trees and bushes; and this made me hope for a while that I had at last reached the border of the forest.

But the hope proved vain; once more I had to force my way through dense undergrowth, and finally emerged on to a slope where it was open, and I could once more see for some distance around me by such light as came through the thick pall of clouds. Trudging on to the summit of the slope, I saw that there was open savanna country beyond, and for a moment rejoiced that I had got free from the forest. A few steps more, and I was standing on the very edge of a bank, a precipice not less than fifty feet deep. I had never seen that bank before, and therefore knew that I could not be on the right side of the forest. But now my only hope was to get completely away from the trees and then to look for the village, and I began following the bank in search of a descent. No break occurred, and presently I was stopped by a dense thicket of bushes.

I was about to retrace my steps when I noticed that a tall slender tree growing at the foot of the precipice, its green top not more than a couple of yards below my feet, seemed to offer a means of escape. Nerving myself with the thought that if I got crushed by the fall I should probably escape a lingering and far more painful death, I dropped into the cloud of foliage beneath me and clutched desperately at the twigs as I fell. For a moment I felt myself sustained; but branch after branch gave way beneath my weight, and then I only remember, very dimly, a swift flight through the air before losing consciousness.

Saturday, 1 August 2026

Satuday's Good Reading: "The Diary of Mr. Poynter" by Montague Rhodes James (in English).

 

The sale-room of an old and famous firm of book auctioneers in London is, of course, a great meeting-place for collectors, librarians, dealers: not only when an auction is in progress, but perhaps even more notably when books that are coming on for sale are upon view. It was in such a sale-room that the remarkable series of events began which were detailed to me not many months ago by the person whom they principally affected, namely, Mr. James Denton, M.A., F.S.A., etc., etc., some time of Trinity Hall, now, or lately, of Rendcomb Manor in the county of Warwick.

He, on a certain spring day not many years since, was in London for a few days upon business connected principally with the furnishing of the house which he had just finished building at Rendcomb. It may be a disappointment to you to learn that Rendcomb Manor was new; that I cannot help. There had, no doubt, been an old house; but it was not remarkable for beauty or interest. Even had it been, neither beauty nor interest would have enabled it to resist the disastrous fire which about a couple of years before the date of my story had razed it to the ground. I am glad to say that all that was most valuable in it had been saved, and that it was fully insured. So that it was with a comparatively light heart that Mr. Denton was able to face the task of building a new and considerably more convenient dwelling for himself and his aunt who constituted his whole ménage.

Being in London, with time on his hands, and not far from the sale-room at which I have obscurely hinted, Mr. Denton thought that he would spend an hour there upon the chance of finding, among that portion of the famous Thomas collection of MSS., which he knew to be then on view, something bearing upon the history or topography of his part of Warwickshire.

He turned in accordingly, purchased a catalogue and ascended to the sale-room, where, as usual, the books were disposed in cases and some laid out upon the long tables. At the shelves, or sitting about at the tables, were figures, many of whom were familiar to him. He exchanged nods and greetings with several, and then settled down to examine his catalogue and note likely items. He had made good progress through about two hundred of the five hundred lots—every now and then rising to take a volume from the shelf and give it a cursory glance—when a hand was laid on his shoulder, and he looked up. His interrupter was one of those intelligent men with a pointed beard and a flannel shirt, of whom the last quarter of the nineteenth century was, it seems to me, very prolific.

It is no part of my plan to repeat the whole conversation which ensued between the two. I must content myself with stating that it largely referred to common acquaintances, e.g., to the nephew of Mr. Denton’s friend who had recently married and settled in Chelsea, to the sister-in-law of Mr. Denton’s friend who had been seriously indisposed, but was now better, and to a piece of china which Mr. Denton’s friend had purchased some months before at a price much below its true value. From which you will rightly infer that the conversation was rather in the nature of a monologue. In due time, however, the friend bethought himself that Mr. Denton was there for a purpose, and said he, "What are you looking out for in particular? I don’t think there’s much in this lot." "Why, I thought there might be some Warwickshire collections, but I don’t see anything under Warwick in the catalogue." "No, apparently not," said the friend. "All the same, I believe I noticed something like a Warwickshire diary. What was the name again? Drayton? Potter? Painter—either a P or a D, I feel sure." He turned over the leaves quickly. "Yes, here it is. Poynter. Lot 486. That might interest you. There are the books, I think: out on the table. Some one has been looking at them. Well, I must be getting on. Good-bye, you’ll look us up, won’t you? Couldn’t you come this afternoon? we’ve got a little music about four. Well, then, when you’re next in town." He went off. Mr. Denton looked at his watch and found to his confusion that he could spare no more than a moment before retrieving his luggage and going for the train. The moment was just enough to show him that there were four largish volumes of the diary—that it concerned the years about 1710, and that there seemed to be a good many insertions in it of various kinds. It seemed quite worth while to leave a commission of five and twenty pounds for it, and this he was able to do, for his usual agent entered the room as he was on the point of leaving it.

That evening he rejoined his aunt at their temporary abode, which was a small dower-house not many hundred yards from the Manor. On the following morning the two resumed a discussion that had now lasted for some weeks as to the equipment of the new house. Mr. Denton laid before his relative a statement of the results of his visit to town—particulars of carpets, of chairs, of wardrobes, and of bedroom china. "Yes, dear," said his aunt, "but I don’t see any chintzes here. Did you go to ———?" Mr. Denton stamped on the floor (where else, indeed, could he have stamped?). "Oh dear, oh dear," he said, "the one thing I missed. I am sorry. The fact is I was on my way there and I happened to be passing Robins’s." His aunt threw up her hands. "Robins’s! Then the next thing will be another parcel of horrible old books at some outrageous price. I do think, James, when I am taking all this trouble for you, you might contrive to remember the one or two things which I specially begged you to see after. It’s not as if I was asking it for myself. I don’t know whether you think I get any pleasure out of it, but if so I can assure you it’s very much the reverse. The thought and worry and trouble I have over it you have no idea of, and you have simply to go to the shops and order the things." Mr. Denton interposed a moan of penitence. "Oh, aunt—" "Yes, that’s all very well, dear, and I don’t want to speak sharply, but you must know how very annoying it is: particularly as it delays the whole of our business for I can’t tell how long: here is Wednesday—the Simpsons come to-morrow, and you can’t leave them. Then on Saturday we have friends, as you know, coming for tennis. Yes, indeed, you spoke of asking them yourself, but, of course, I had to write the notes, and it is ridiculous, James, to look like that. We must occasionally be civil to our neighbours: you wouldn’t like to have it said we were perfect bears. What was I saying? Well, anyhow it comes to this, that it must be Thursday in next week at least, before you can go to town again, and until we have decided upon the chintzes it is impossible to settle upon one single other thing."

Mr. Denton ventured to suggest that as the paint and wallpapers had been dealt with, this was too severe a view: but this his aunt was not prepared to admit at the moment. Nor, indeed, was there any proposition he could have advanced which she would have found herself able to accept. However, as the day went on, she receded a little from this position: examined with lessening disfavour the samples and price lists submitted by her nephew, and even in some cases gave a qualified approval to his choice.

As for him, he was naturally somewhat dashed by the consciousness of duty unfulfilled, but more so by the prospect of a lawn-tennis party, which, though an inevitable evil in August, he had thought there was no occasion to fear in May. But he was to some extent cheered by the arrival on the Friday morning of an intimation that he had secured at the price of £12 10s. the four volumes of Poynter’s manuscript diary, and still more by the arrival on the next morning of the diary itself.

The necessity of taking Mr. and Mrs. Simpson for a drive in the car on Saturday morning and of attending to his neighbours and guests that afternoon prevented him from doing more than open the parcel until the party had retired to bed on the Saturday night. It was then that he made certain of the fact, which he had before only suspected, that he had indeed acquired the diary of Mr. William Poynter, Squire of Acrington (about four miles from his own parish)—that same Poynter who was for a time a member of the circle of Oxford antiquaries, the centre of which was Thomas Hearne, and with whom Hearne seems ultimately to have quarrelled—a not uncommon episode in the career of that excellent man. As is the case with Hearne’s own collections, the diary of Poynter contained a good many notes from printed books, descriptions of coins and other antiquities that had been brought to his notice, and drafts of letters on these subjects, besides the chronicle of everyday events. The description in the sale-catalogue had given Mr. Denton no idea of the amount of interest which seemed to lie in the book, and he sat up reading in the first of the four volumes until a reprehensibly late hour.

On the Sunday morning, after church, his aunt came into the study and was diverted from what she had been going to say to him by the sight of the four brown leather quartos on the table. "What are these?" she said suspiciously. "New, aren’t they? Oh! are these the things that made you forget my chintzes? I thought so. Disgusting. What did you give for them, I should like to know? Over Ten Pounds? James, it is really sinful. Well, if you have money to throw away on this kind of thing, there can be no reason why you should not subscribe—and subscribe handsomely—to my anti-Vivisection League. There is not, indeed, James, and I shall be very seriously annoyed if—. Who did you say wrote them? Old Mr. Poynter, of Acrington? Well, of course, there is some interest in getting together old papers about this neighbourhood. But Ten Pounds!" She picked up one of the volumes—not that which her nephew had been reading—and opened it at random, dashing it to the floor the next instant with a cry of disgust as a earwig fell from between the pages. Mr. Denton picked it up with a smothered expletive and said, "Poor book! I think you’re rather hard on Mr. Poynter." "Was I, my dear? I beg his pardon, but you know I cannot abide those horrid creatures. Let me see if I’ve done any mischief." "No, I think all’s well: but look here what you’ve opened him on." "Dear me, yes, to be sure! how very interesting. Do unpin it, James, and let me look at it."

It was a piece of patterned stuff about the size of the quarto page, to which it was fastened by an old-fashioned pin. James detached it and handed it to his aunt, carefully replacing the pin in the paper.

Now, I do not know exactly what the fabric was; but it had a design printed upon it, which completely fascinated Miss Denton. She went into raptures over it, held it against the wall, made James do the same, that she might retire to contemplate it from a distance: then pored over it at close quarters, and ended her examination by expressing in the warmest terms her appreciation of the taste of the ancient Mr. Poynter who had had the happy idea of preserving this sample in his diary. "It is a most charming pattern," she said, "and remarkable too. Look, James, how delightfully the lines ripple. It reminds one of hair, very much, doesn’t it. And then these knots of ribbon at intervals. They give just the relief of colour that is wanted. I wonder—" "I was going to say," said James with deference, "I wonder if it would cost much to have it copied for our curtains." "Copied? how could you have it copied, James?" "Well, I don’t know the details, but I suppose that is a printed pattern, and that you could have a block cut from it in wood or metal." "Now, really, that is a capital idea, James. I am almost inclined to be glad that you were so—that you forgot the chintzes on Monday. At any rate, I’ll promise to forgive and forget if you get this lovely old thing copied. No one will have anything in the least like it, and mind, James, we won’t allow it to be sold. Now I must go, and I’ve totally forgotten what it was I came in to say: never mind, it’ll keep."

After his aunt had gone James Denton devoted a few minutes to examining the pattern more closely than he had yet had a chance of doing. He was puzzled to think why it should have struck Miss Denton so forcibly. It seemed to him not specially remarkable or pretty. No doubt it was suitable enough for a curtain pattern: it ran in vertical bands, and there was some indication that these were intended to converge at the top. She was right, too, in thinking that these main bands resembled rippling—almost curling—tresses of hair. Well, the main thing was to find out by means of trade directories, or otherwise, what firm would undertake the reproduction of an old pattern of this kind. Not to delay the reader over this portion of the story, a list of likely names was made out, and Mr. Denton fixed a day for calling on them, or some of them, with his sample.

The first two visits which he paid were unsuccessful: but there is luck in odd numbers. The firm in Bermondsey which was third on his list was accustomed to handling this line. The evidence they were able to produce justified their being entrusted with the job. "Our Mr. Cattell" took a fervent personal interest in it. "It’s ’eartrending, isn’t it, sir," he said, "to picture the quantity of reelly lovely medeevial stuff of this kind that lays well-nigh unnoticed in many of our residential country ’ouses: much of it in peril, I take it, of being cast aside as so much rubbish. What is it Shakespeare says—unconsidered trifles. Ah, I often say he ’as a word for us all, sir. I say Shakespeare, but I’m well aware all don’t ’old with me there—I ’ad something of an upset the other day when a gentleman came in—a titled man, too, he was, and I think he told me he’d wrote on the topic, and I ’appened to cite out something about ’Ercules and the painted cloth. Dear me, you never see such a pother. But as to this, what you’ve kindly confided to us, it’s a piece of work we shall take a reel enthusiasm in achieving it out to the very best of our ability. What man ’as done, as I was observing only a few weeks back to another esteemed client, man can do, and in three to four weeks’ time, all being well, we shall ’ope to lay before you evidence to that effect, sir. Take the address, Mr. ’Iggins, if you please."

Such was the general drift of Mr. Cattell’s observations on the occasion of his first interview with Mr. Denton. About a month later, being advised that some samples were ready for his inspection, Mr. Denton met him again, and had, it seems, reason to be satisfied with the faithfulness of the reproduction of the design. It had been finished off at the top in accordance with the indication I mentioned, so that the vertical bands joined. But something still needed to be done in the way of matching the colour of the original. Mr. Cattell had suggestions of a technical kind to offer, with which I need not trouble you. He had also views as to the general desirability of the pattern which were vaguely adverse. "You say you don’t wish this to be supplied excepting to personal friends equipped with a authorization from yourself, sir. It shall be done. I quite understand your wish to keep it exclusive: lends it a catchit, does it not, to the suite? What’s every man’s, it’s been said, is no man’s."

"Do you think it would be popular if it were generally obtainable?" asked Mr. Denton.

"I ’ardly think it, sir," said Cattell, pensively clasping his beard. "I ’ardly think it. Not popular: it wasn’t popular with the man that cut the block, was it, Mr. ’Iggins?"

"Did he find it a difficult job?"

"He’d no call to do so, sir; but the fact is that the artistic temperament—and our men are artists, sir, every man of them—true artists as much as many that the world styles by that term—it’s apt to take some strange ’ardly accountable likes or dislikes, and here was an example. The twice or thrice that I went to inspect his progress: language I could understand, for that’s ’abitual to him, but reel distaste for what I should call a dainty enough thing, I did not, nor am I now able to fathom. It seemed," said Mr. Cattell, looking narrowly upon Mr. Denton, "as if the man scented something almost Hevil in the design."

"Indeed? did he tell you so? I can’t say I see anything sinister in it myself."

"Neether can I, sir. In fact I said as much. ‘Come, Gatwick,’ I said, ‘what’s to do here? What’s the reason of your prejudice—for I can call it no more than that?’ But, no! no explanation was forthcoming. And I was merely reduced, as I am now, to a shrug of the shoulders, and a cui bono. However, here it is," and with that the technical side of the question came to the front again.

The matching of the colours for the background, the hem, and the knots of ribbon was by far the longest part of the business, and necessitated many sendings to and fro of the original pattern and of new samples. During part of August and September, too, the Dentons were away from the Manor. So that it was not until October was well in that a sufficient quantity of the stuff had been manufactured to furnish curtains for the three or four bedrooms which were to be fitted up with it.

On the feast of Simon and Jude the aunt and nephew returned from a short visit to find all completed, and their satisfaction at the general effect was great. The new curtains, in particular, agreed to admiration with their surroundings. When Mr. Denton was dressing for dinner, and took stock of his room, in which there was a large amount of the chintz displayed, he congratulated himself over and over again on the luck which had first made him forget his aunt’s commission and had then put into his hands this extremely effective means of remedying his mistake. The pattern was, as he said at dinner, so restful and yet so far from being dull. And Miss Denton—who, by the way, had none of the stuff in her own room—was much disposed to agree with him.

At breakfast next morning he was induced to qualify his satisfaction to some extent—but very slightly. "There is one thing I rather regret," he said, "that we allowed them to join up the vertical bands of the pattern at the top. I think it would have been better to leave that alone."

"Oh?" said his aunt interrogatively.

"Yes: as I was reading in bed last night they kept catching my eye rather. That is, I found myself looking across at them every now and then. There was an effect as if some one kept peeping out between the curtains in one place or another, where there was no edge, and I think that was due to the joining up of the bands at the top. The only other thing that troubled me was the wind."

"Why, I thought it was a perfectly still night."

"Perhaps it was only on my side of the house, but there was enough to sway my curtains and rustle them more than I wanted."

That night a bachelor friend of James Denton’s came to stay, and was lodged in a room on the same floor as his host, but at the end of a long passage, halfway down which was a red baize door, put there to cut off the draught and intercept noise.

The party of three had separated. Miss Denton a good first, the two men at about eleven. James Denton, not yet inclined for bed, sat him down in an arm-chair and read for a time. Then he dozed, and then he woke, and bethought himself that his brown spaniel, which ordinarily slept in his room, had not come upstairs with him. Then he thought he was mistaken: for happening to move his hand which hung down over the arm of the chair within a few inches of the floor, he felt on the back of it just the slightest touch of a surface of hair, and stretching it out in that direction he stroked and patted a rounded something. But the feel of it, and still more the fact that instead of a responsive movement, absolute stillness greeted his touch, made him look over the arm. What he had been touching rose to meet him. It was in the attitude of one that had crept along the floor on its belly, and it was, so far as could be collected, a human figure. But of the face which was now rising to within a few inches of his own no feature was discernible, only hair. Shapeless as it was, there was about it so horrible an air of menace that as he bounded from his chair and rushed from the room he heard himself moaning with fear: and doubtless he did right to fly. As he dashed into the baize door that cut the passage in two, and—forgetting that it opened towards him—beat against it with all the force in him, he felt a soft ineffectual tearing at his back which, all the same, seemed to be growing in power, as if the hand, or whatever worse than a hand was there, were becoming more material as the pursuer’s rage was more concentrated. Then he remembered the trick of the door—he got it open—he shut it behind him—he gained his friend’s room, and that is all we need know.

It seems curious that, during all the time that had elapsed since the purchase of Poynter’s diary, James Denton should not have sought an explanation of the presence of the pattern that had been pinned into it. Well, he had read the diary through without finding it mentioned, and had concluded that there was nothing to be said. But, on leaving Rendcomb Manor (he did not know whether for good), as he naturally insisted upon doing on the day after experiencing the horror I have tried to put into words, he took the diary with him. And at his seaside lodgings he examined more narrowly the portion whence the pattern had been taken. What he remembered having suspected about it turned out to be correct. Two or three leaves were pasted together, but written upon, as was patent when they were held up to the light. They yielded easily to steaming, for the paste had lost much of its strength, and they contained something relevant to the pattern.

The entry was made in 1707.

"Old Mr. Casbury, of Acrington, told me this day much of young Sir Everard Charlett, whom he remember’d Commoner of University College, and thought was of the same Family as Dr. Arthur Charlett, now master of ye Coll. This Charlett was a personable young gent., but a loose atheistical companion, and a great Lifter, as they then call’d the hard drinkers, and for what I know do so now. He was noted, and subject to severall censures at different times for his extravagancies: and if the full history of his debaucheries had bin known, no doubt would have been expell’d ye Coll., supposing that no interest had been imploy’d on his behalf, of which Mr. Casbury had some suspicion. He was a very beautiful person, and constantly wore his own Hair, which was very abundant, from which, and his loose way of living, the cant name for him was Absalom, and he was accustom’d to say that indeed he believ’d he had shortened old David’s days, meaning his father, Sir Job Charlett, an old worthy cavalier.

"Note that Mr. Casbury said that he remembers not the year of Sir Everard Charlett’s death, but it was 1692 or 3. He died suddenly in October. [Several lines describing his unpleasant habits and reputed delinquencies are omitted.] Having seen him in such topping spirits the night before, Mr. Casbury was amaz’d when he learn’d the death. He was found in the town ditch, the hair as was said pluck’d clean off his head. Most bells in Oxford rung out for him, being a nobleman, and he was buried next night in St. Peter’s in the East. But two years after, being to be moved to his country estate by his successor, it was said the coffin, breaking by mischance, proved quite full of Hair: which sounds fabulous, but yet I believe precedents are upon record, as in Dr. Plot’s History of Staffordshire.

"His chambers being afterwards stripp’d, Mr. Casbury came by part of the hangings of it, which ’twas said this Charlett had design’d expressly for a memorial of his Hair, giving the Fellow that drew it a lock to work by, and the piece which I have fasten’d in here was parcel of the same, which Mr. Casbury gave to me. He said he believ’d there was a subtlety in the drawing, but had never discover’d it himself, nor much liked to pore upon it.’

 

The money spent upon the curtains might as well have been thrown into the fire, as they were. Mr. Cattell’s comment upon what he heard of the story took the form of a quotation from Shakespeare. You may guess it without difficulty. It began with the words "There are more things."

 

Friday, 31 July 2026

Friday's Sung Word: "La Tramontana" by Daniele Pace and Mario Panzeri (in Italian).

Inventa quello che vuoi

per farci ridere un po'

inventa pure dicci dicci perche'

Quello che adesso diro'

per farvi ridere un po'

non e' invenzione ma e' la verita'

 

Da quando il giorno non e' piu' il giorno

da quando il sole non e' piu' sole

da quando l'alba si e' fatta strana

ho perduto la tramontana

Da quando il vento mi ha sussurrato

che lei va in giro col carrarmato

da quando ho visto che fai l'indiana

ho perduto la tramontana

l'ho perduta seguendo lei

 

E adesso cosa dirai

per farci ridere un po'

che cosa inventi dicci dicci perche'

Quello che adesso diro'

per farvi ridere un po'

non e' invenzione ma e' la verita'

 

Da quando Eva mangio' la mela

ha combinato dei grossi guai

ma se aspettava una settimana

non perdeva la tramontana

Invece io son qui che soffro

son qui che lotto tra il bene e il male

e per il filo di quella lana

ho perduto la tramontana

l'ho perduta seguendo lei

 

E adesso cosa dirai

per farci ridere un po'

che cosa inventi dicci dicci perche'

Quello che adesso diro'

per farvi ridere un po'

non e' invenzione ma e' la verita'

 

Se tutti voi mi prendete in giro

conosco tutte le vostre donne

e non e' detto che per Giuliana

io non perda la tramontana

Mi piaccion nere mi piaccion bionde

mi piaccion tutte le donne al mondo

e per il pizzo di una sottana

perdo sempre la tramontana

l'ho perduta e la perdero' 

 

You can watch  Antoine singing "La Tramontana" here.

 

You can listen  Amália Rodrigues singing "La Tramontana" here.