Good Readings: “The Music of Erich Zann” by H. P. Lovecraft (in English)

I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.

                That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.

                The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached.

                I have never seen another street as narrow and steep as the Rue d’Auseil. It was almost a cliff, closed to all vehicles, consisting in several places of flights of steps, and ending at the top in a lofty ivied wall. Its paving was irregular, sometimes stone slabs, sometimes cobblestones, and sometimes bare earth with struggling greenish-grey vegetation. The houses were tall, peaked-roofed, incredibly old, and crazily leaning backward, forward, and sidewise. Occasionally an opposite pair, both leaning forward, almost met across the street like an arch; and certainly they kept most of the light from the ground below. There were a few overhead bridges from house to house across the street.

                The inhabitants of that street impressed me peculiarly; At first I thought it was because they were all silent and reticent; but later decided it was because they were all very old. I do not know how I came to live on such a street, but I was not myself when I moved there. I had been living in many poor places, always evicted for want of money; until at last I came upon that tottering house in the Rue d’Auseil kept by the paralytic Blandot. It was the third house from the top of the street, and by far the tallest of them all.

                My room was on the fifth story; the only inhabited room there, since the house was almost empty. On the night I arrived I heard strange music from the peaked garret overhead, and the next day asked old Blandot about it. He told me it was an old German viol-player, a strange dumb man who signed his name as Erich Zann, and who played evenings in a cheap theater orchestra; adding that Zann’s desire to play in the night after his return from the theater was the reason he had chosen this lofty and isolated garret room, whose single gable window was the only point on the street from which one could look over the terminating wall at the declivity and panorama beyond.

                Thereafter I heard Zann every night, and although he kept me awake, I was haunted by the weirdness of his music. Knowing little of the art myself, I was yet certain that none of his harmonies had any relation to music I had heard before; and concluded that he was a composer of highly original genius. The longer I listened, the more I was fascinated, until after a week I resolved to make the old man’s acquaintance.

                One night as he was returning from his work, I intercepted Zann in the hallway and told him that I would like to know him and be with him when he played. He was a small, lean, bent person, with shabby clothes, blue eyes, grotesque, satyrlike face, and nearly bald head; and at my first words seemed both angered and frightened. My obvious friendliness, however, finally melted him; and he grudgingly motioned to me to follow him up the dark, creaking and rickety attic stairs. His room, one of only two in the steeply pitched garret, was on the west side, toward the high wall that formed the upper end of the street. Its size was very great, and seemed the greater because of its extraordinary barrenness and neglect. Of furniture there was only a narrow iron bedstead, a dingy wash-stand, a small table, a large bookcase, an iron music-rack, and three old-fashioned chairs. Sheets of music were piled in disorder about the floor. The walls were of bare boards, and had probably never known plaster; whilst the abundance of dust and cobwebs made the place seem more deserted than inhabited. Evidently Erich Zann’s world of beauty lay in some far cosmos of the imagination.

                Motioning me to sit down, the dumb man closed the door, turned the large wooden bolt, and lighted a candle to augment the one he had brought with him. He now removed his viol from its motheaten covering, and taking it, seated himself in the least uncomfortable of the chairs. He did not employ the music-rack, but, offering no choice and playing from memory, enchanted me for over an hour with strains I had never heard before; strains which must have been of his own devising. To describe their exact nature is impossible for one unversed in music. They were a kind of fugue, with recurrent passages of the most captivating quality, but to me were notable for the absence of any of the weird notes I had overheard from my room below on other occasions.

                Those haunting notes I had remembered, and had often hummed and whistled inaccurately to myself, so when the player at length laid down his bow I asked him if he would render some of them. As I began my request the wrinkled satyrlike face lost the bored placidity it had possessed during the playing, and seemed to show the same curious mixture of anger and fright which I had noticed when first I accosted the old man. For a moment I was inclined to use persuasion, regarding rather lightly the whims of senility; and even tried to awaken my host’s weirder mood by whistling a few of the strains to which I had listened the night before. But I did not pursue this course for more than a moment; for when the dumb musician recognized the whistled air his face grew suddenly distorted with an expression wholly beyond analysis, and his long, cold, bony right hand reached out to stop my mouth and silence the crude imitation. As he did this he further demonstrated his eccentricity by casting a startled glance toward the lone curtained window, as if fearful of some intruder - a glance doubly absurd, since the garret stood high and inaccessible above all the adjacent roofs, this window being the only point on the steep street, as the concierge had told me, from which one could see over the wall at the summit.

                The old man’s glance brought Blandot’s remark to my mind, and with a certain capriciousness I felt a wish to look out over the wide and dizzying panorama of moonlit roofs and city lights beyond the hilltop, which of all the dwellers in the Rue d’Auseil only this crabbed musician could see. I moved toward the window and would have drawn aside the nondescript curtains, when with a frightened rage even greater than before, the dumb lodger was upon me again; this time motioning with his head toward the door as he nervously strove to drag me thither with both hands. Now thoroughly disgusted with my host, I ordered him to release me, and told him I would go at once. His clutch relaxed, and as he saw my disgust and offense, his own anger seemed to subside. He tightened his relaxing grip, but this time in a friendly manner, forcing me into a chair; then with an appearance of wistfulness crossing to the littered table, where he wrote many words with a pencil, in the labored French of a foreigner.

                The note which he finally handed me was an appeal for tolerance and forgiveness. Zann said that he was old, lonely, and afflicted with strange fears and nervous disorders connected with his music and with other things. He had enjoyed my listening to his music, and wished I would come again and not mind his eccentricities. But he could not play to another his weird harmonies, and could not bear hearing them from another; nor could he bear having anything in his room touched by another. He had not known until our hallway conversation that I could overhear his playing in my room, and now asked me if I would arrange with Blandot to take a lower room where I could not hear him in the night. He would, he wrote, defray the difference in rent.

                As I sat deciphering the execrable French, I felt more lenient toward the old man. He was a victim of physical and nervous suffering, as was I; and my metaphysical studies had taught me kindness. In the silence there came a slight sound from the window - the shutter must have rattled in the night wind, and for some reason I started almost as violently as did Erich Zann. So when I had finished reading, I shook my host by the hand, and departed as a friend.

                The next day Blandot gave me a more expensive room on the third floor, between the apartments of an aged money-lender and the room of a respectable upholsterer. There was no one on the fourth floor.

                It was not long before I found that Zann’s eagerness for my company was not as great as it had seemed while he was persuading me to move down from the fifth story. He did not ask me to call on him, and when I did call he appeared uneasy and played listlessly. This was always at night - in the day he slept and would admit no one. My liking for him did not grow, though the attic room and the weird music seemed to hold an odd fascination for me. I had a curious desire to look out of that window, over the wall and down the unseen slope at the glittering roofs and spires which must lie outspread there. Once I went up to the garret during theater hours, when Zann was away, but the door was locked.

                What I did succeed in doing was to overhear the nocturnal playing of the dumb old man. At first I would tip-toe up to my old fifth floor, then I grew bold enough to climb the last creaking staircase to the peaked garret. There in the narrow hall, outside the bolted door with the covered keyhole, I often heard sounds which filled me with an indefinable dread - the dread of vague wonder and brooding mystery. It was not that the sounds were hideous, for they were not; but that they held vibrations suggesting nothing on this globe of earth, and that at certain intervals they assumed a symphonic quality which I could hardly conceive as produced by one player. Certainly, Erich Zann was a genius of wild power. As the weeks passed, the playing grew wilder, whilst the old musician acquired an increasing haggardness and furtiveness pitiful to behold. He now refused to admit me at any time, and shunned me whenever we met on the stairs.

                Then one night as I listened at the door, I heard the shrieking viol swell into a chaotic babel of sound; a pandemonium which would have led me to doubt my own shaking sanity had there not come from behind that barred portal a piteous proof that the horror was real - the awful, inarticulate cry which only a mute can utter, and which rises only in moments of the most terrible fear or anguish. I knocked repeatedly at the door, but received no response. Afterward I waited in the black hallway, shivering with cold and fear, till I heard the poor musician’s feeble effort to rise from the floor by the aid of a chair. Believing him just conscious after a fainting fit, I renewed my rapping, at the same time calling out my name reassuringly. I heard Zann stumble to the window and close both shutter and sash, then stumble to the door, which he falteringly unfastened to admit me. This time his delight at having me present was real; for his distorted face gleamed with relief while he clutched at my coat as a child clutches at its mother’s skirts.

                Shaking pathetically, the old man forced me into a chair whilst he sank into another, beside which his viol and bow lay carelessly on the floor. He sat for some time inactive, nodding oddly, but having a paradoxical suggestion of intense and frightened listening. Subsequently he seemed to be satisfied, and crossing to a chair by the table wrote a brief note, handed it to me, and returned to the table, where he began to write rapidly and incessantly. The note implored me in the name of mercy, and for the sake of my own curiosity, to wait where I was while he prepared a full account in German of all the marvels and terrors which beset him. I waited, and the dumb man’s pencil flew.

                It was perhaps an hour later, while I still waited and while the old musician’s feverishly written sheets still continued to pile up, that I saw Zann start as from the hint of a horrible shock. Unmistakably he was looking at the curtained window and listening shudderingly. Then I half fancied I heard a sound myself; though it was not a horrible sound, but rather an exquisitely low and infinitely distant musical note, suggesting a player in one of the neighboring houses, or in some abode beyond the lofty wall over which I had never been able to look. Upon Zann the effect was terrible, for, dropping his pencil, suddenly he rose, seized his viol, and commenced to rend the night with the wildest playing I had ever heard from his bow save when listening at the barred door.

                It would be useless to describe the playing of Erich Zann on that dreadful night. It was more horrible than anything I had ever overheard, because I could now see the expression of his face, and could realize that this time the motive was stark fear. He was trying to make a noise; to ward something off or drown something out - what, I could not imagine, awesome though I felt it must be. The playing grew fantastic, delirious, and hysterical, yet kept to the last the qualities of supreme genius which I knew this strange old man possessed. I recognized the air - it was a wild Hungarian dance popular in the theaters, and I reflected for a moment that this was the first time I had ever heard Zann play the work of another composer.

                Louder and louder, wilder and wilder, mounted the shrieking and whining of that desperate viol. The player was dripping with an uncanny perspiration and twisted like a monkey, always looking frantically at the curtained window. In his frenzied strains I could almost see shadowy satyrs and bacchanals dancing and whirling insanely through seething abysses of clouds and smoke and lightning. And then I thought I heard a shriller, steadier note that was not from the viol; a calm, deliberate, purposeful, mocking note from far away in the West.

                At this juncture the shutter began to rattle in a howling night wind which had sprung up outside as if in answer to the mad playing within. Zann’s screaming viol now outdid itself emitting sounds I had never thought a viol could emit. The shutter rattled more loudly, unfastened, and commenced slamming against the window. Then the glass broke shiveringly under the persistent impacts, and the chill wind rushed in, making the candles sputter and rustling the sheets of paper on the table where Zann had begun to write out his horrible secret. I looked at Zann, and saw that he was past conscious observation. His blue eyes were bulging, glassy and sightless, and the frantic playing had become a blind, mechanical, unrecognizable orgy that no pen could even suggest.

                A sudden gust, stronger than the others, caught up the manuscript and bore it toward the window. I followed the flying sheets in desperation, but they were gone before I reached the demolished panes. Then I remembered my old wish to gaze from this window, the only window in the Rue d’Auseil from which one might see the slope beyond the wall, and the city outspread beneath. It was very dark, but the city’s lights always burned, and I expected to see them there amidst the rain and wind. Yet when I looked from that highest of all gable windows, looked while the candles sputtered and the insane viol howled with the night-wind, I saw no city spread below, and no friendly lights gleamed from remembered streets, but only the blackness of space illimitable; unimagined space alive with motion and music, and having no semblance of anything on earth. And as I stood there looking in terror, the wind blew out both the candles in that ancient peaked garret, leaving me in savage and impenetrable darkness with chaos and pandemonium before me, and the demon madness of that night-baying viol behind me.

                I staggered back in the dark, without the means of striking a light, crashing against the table, overturning a chair, and finally groping my way to the place where the blackness screamed with shocking music. To save myself and Erich Zann I could at least try, whatever the powers opposed to me. Once I thought some chill thing brushed me, and I screamed, but my scream could not be heard above that hideous viol. Suddenly out of the blackness the madly sawing bow struck me, and I knew I was close to the player. I felt ahead, touched the back of Zann’s chair, and then found and shook his shoulder in an effort to bring him to his senses.

                He did not respond, and still the viol shrieked on without slackening. I moved my hand to his head, whose mechanical nodding I was able to stop, and shouted in his ear that we must both flee from the unknown things of the night. But he neither answered me nor abated the frenzy of his unutterable music, while all through the garret strange currents of wind seemed to dance in the darkness and babel. When my hand touched his ear I shuddered, though I knew not why - knew not why till I felt the still face; the ice-cold, stiffened, unbreathing face whose glassy eyes bulged uselessly into the void. And then, by some miracle, finding the door and the large wooden bolt, I plunged wildly away from that glassy-eyed thing in the dark, and from the ghoulish howling of that accursed viol whose fury increased even as I plunged.

                Leaping, floating, flying down those endless stairs through the dark house; racing mindlessly out into the narrow, steep, and ancient street of steps and tottering houses; clattering down steps and over cobbles to the lower streets and the putrid canyon-walled river; panting across the great dark bridge to the broader, healthier streets and boulevards we know; all these are terrible impressions that linger with me. And I recall that there was no wind, and that the moon was out, and that all the lights of the city twinkled.

                Despite my most careful searches and investigations, I have never since been able to find the Rue d’Auseil. But I am not wholly sorry; either for this or for the loss in undreamable abysses of the closely-written sheets which alone could have explained the music of Erich Zann.

Tuesday's Serial: "BEN-HUR: a tale of the Christ." by Lew Wallace - XIII (in English)

CHAPTER III

                The fourth day out, and the Astroea - so the galley was named - speeding through the Ionian Sea. The sky was clear, and the wind blew as if bearing the good-will of all the gods.

                As it was possible to overtake the fleet before reaching the bay east of the island of Cythera, designated for assemblage, Arrius, somewhat impatient, spent much time on deck. He took note diligently of matters pertaining to his ship, and as a rule was well pleased. In the cabin, swinging in the great chair, his thought continually reverted to the rower on number sixty.

                "Knowest thou the man just come from yon bench?" he at length asked of the hortator.

                A relief was going on at the moment.

                "From number sixty?" returned the chief.

                "Yes."

                The chief looked sharply at the rower then going forward.

                "As thou knowest," he replied "the ship is but a month from the maker's hand, and the men are as new to me as the ship."

                "He is a Jew," Arrius remarked, thoughtfully.

                "The noble Quintus is shrewd."

                "He is very young," Arrius continued.

                "But our best rower," said the other. "I have seen his oar bend almost to breaking."

                "Of what disposition is he?"

                "He is obedient; further I know not. Once he made request of me."

                "For what?"

                "He wished me to change him alternately from the right to the left."

                "Did he give a reason?"

                "He had observed that the men who are confined to one side become misshapen. He also said that some day of storm or battle there might be sudden need to change him, and he might then be unserviceable."

                "Perpol! The idea is new. What else hast thou observed of him?"

                "He is cleanly above his companions."

                "In that he is Roman," said Arrius, approvingly. "Have you nothing of his history?"

                "Not a word."

                The tribune reflected awhile, and turned to go to his own seat.

                "If I should be on deck when his time is up," he paused to say, "send him to me. Let him come alone."

                About two hours later Arrius stood under the aplustre of the galley; in the mood of one who, seeing himself carried swiftly towards an event of mighty import, has nothing to do but wait - the mood in which philosophy vests an even-minded man with the utmost calm, and is ever so serviceable. The pilot sat with a hand upon the rope by which the rudder paddles, one on each side of the vessel, were managed. In the shade of the sail some sailors lay asleep, and up on the yard there was a lookout. Lifting his eyes from the solarium set under the aplustre for reference in keeping the course, Arrius beheld the rower approaching.

                "The chief called thee the noble Arrius, and said it was thy will that I should seek thee here. I have come."

                Arrius surveyed the figure, tall, sinewy, glistening in the sun, and tinted by the rich red blood within - surveyed it admiringly, and with a thought of the arena; yet the manner was not without effect upon him: there was in the voice a suggestion of life at least partly spent under refining influences; the eyes were clear and open, and more curious than defiant. To the shrewd, demanding, masterful glance bent upon it, the face gave back nothing to mar its youthful comeliness - nothing of accusation or sullenness or menace, only the signs which a great sorrow long borne imprints, as time mellows the surface of pictures. In tacit acknowledgment of the effect, the Roman spoke as an older man to a younger, not as a master to a slave.

                "The hortator tells me thou art his best rower."

                "The hortator is very kind," the rower answered.

                "Hast thou seen much service?"

                "About three years."

                "At the oars?"

                "I cannot recall a day of rest from them."

                "The labor is hard; few men bear it a year without breaking, and thou - thou art but a boy."

                "The noble Arrius forgets that the spirit hath much to do with endurance. By its help the weak sometimes thrive, when the strong perish."

                "From thy speech, thou art a Jew."

                "My ancestors further back than the first Roman were Hebrews."

                "The stubborn pride of thy race is not lost in thee," said Arrius, observing a flush upon the rower's face.

                "Pride is never so loud as when in chains."

                "What cause hast thou for pride?"

                "That I am a Jew."

                Arrius smiled.

                "I have not been to Jerusalem," he said; "but I have heard of its princes. I knew one of them. He was a merchant, and sailed the seas. He was fit to have been a king. Of what degree art thou?"

                "I must answer thee from the bench of a galley. I am of the degree of slaves. My father was a prince of Jerusalem, and, as a merchant, he sailed the seas. He was known and honored in the guest-chamber of the great Augustus."

                "His name?"

                "Ithamar, of the house of Hur."

                The tribune raised his hand in astonishment.

                "A son of Hur - thou?"

                After a silence, he asked,

                "What brought thee here?"

                Judah lowered his head, and his breast labored hard. When his feelings were sufficiently mastered, he looked the tribune in the face, and answered,

                "I was accused of attempting to assassinate Valerius Gratus, the procurator."

                "Thou!" cried Arrius, yet more amazed, and retreating a step. "Thou that assassin! All Rome rang with the story. It came to my ship in the river by Lodinum."

                The two regarded each other silently.

                "I thought the family of Hur blotted from the earth," said Arrius, speaking first.

                A flood of tender recollections carried the young man's pride away; tears shone upon his cheeks.

                "Mother - mother! And my little Tirzah! Where are they? O tribune, noble tribune, if thou knowest anything of them" - he clasped his hands in appeal -”tell me all thou knowest. Tell me if they are living - if living, where are they? and in what condition? Oh, I pray thee, tell me!"

                He drew nearer Arrius, so near that his hands touched the cloak where it dropped from the latter's folded arms.

                "The horrible day is three years gone," he continued -”three years, O tribune, and every hour a whole lifetime of misery - a lifetime in a bottomless pit with death, and no relief but in labor - and in all that time not a word from any one, not a whisper. Oh, if, in being forgotten, we could only forget! If only I could hide from that scene - my sister torn from me, my mother's last look! I have felt the plague's breath, and the shock of ships in battle; I have heard the tempest lashing the sea, and laughed, though others prayed: death would have been a riddance. Bend the oar - yes, in the strain of mighty effort trying to escape the haunting of what that day occurred. Think what little will help me. Tell me they are dead, if no more, for happy they cannot be while I am lost. I have heard them call me in the night; I have seen them on the water walking. Oh, never anything so true as my mother's love! And Tirzah - her breath was as the breath of white lilies. She was the youngest branch of the palm - so fresh, so tender, so graceful, so beautiful! She made my day all morning. She came and went in music. And mine was the hand that laid them low! I -”

                "Dost thou admit thy guilt?" asked Arrius, sternly.

                The change that came upon Ben-Hur was wonderful to see, it was so instant and extreme. The voice sharpened; the hands arose tight-clenched; every fibre thrilled; his eyes inflamed.

                "Thou hast heard of the God of my fathers," he said; "of the infinite Jehovah. By his truth and almightiness, and by the love with which he hath followed Israel from the beginning, I swear I am innocent!"

                The tribune was much moved.

                "O noble Roman!" continued Ben-Hur, "give me a little faith, and, into my darkness, deeper darkening every day, send a light!"

                Arrius turned away, and walked the deck.

                "Didst thou not have a trial?" he asked, stopping suddenly.

                "No!"

                The Roman raised his head, surprised.

                "No trial - no witnesses! Who passed judgment upon thee?"

                Romans, it should be remembered, were at no time such lovers of the law and its forms as in the ages of their decay.

                "They bound me with cords, and dragged me to a vault in the Tower. I saw no one. No one spoke to me. Next day soldiers took me to the seaside. I have been a galley-slave ever since."

                "What couldst thou have proven?"

                "I was a boy, too young to be a conspirator. Gratus was a stranger to me. If I had meant to kill him, that was not the time or the place. He was riding in the midst of a legion, and it was broad day. I could not have escaped. I was of a class most friendly to Rome. My father had been distinguished for his services to the emperor. We had a great estate to lose. Ruin was certain to myself, my mother, my sister. I had no cause for malice, while every consideration - property, family, life, conscience, the Law - to a son of Israel as the breath of his nostrils - would have stayed my hand, though the foul intent had been ever so strong. I was not mad. Death was preferable to shame; and, believe me, I pray, it is so yet."

                "Who was with thee when the blow was struck?"

                "I was on the house-top - my father's house. Tirzah was with me - at my side - the soul of gentleness. Together we leaned over the parapet to see the legion pass. A tile gave way under my hand, and fell upon Gratus. I thought I had killed him. Ah, what horror I felt!"

                "Where was thy mother?"

                "In her chamber below."

                "What became of her?"

                Ben-Hur clenched his hands, and drew a breath like a gasp.

                "I do not know. I saw them drag her away - that is all I know. Out of the house they drove every living thing, even the dumb cattle, and they sealed the gates. The purpose was that she should not return. I, too, ask for her. Oh for one word! She, at least, was innocent. I can forgive - but I pray thy pardon, noble tribune! A slave like me should not talk of forgiveness or of revenge. I am bound to an oar for life."

                Arrius listened intently. He brought all his experience with slaves to his aid. If the feeling shown in this instance were assumed, the acting was perfect; on the other hand, if it were real, the Jew's innocence might not be doubted; and if he were innocent, with what blind fury the power had been exercised! A whole family blotted out to atone an accident! The thought shocked him.

                There is no wiser providence than that our occupations, however rude or bloody, cannot wear us out morally; that such qualities as justice and mercy, if they really possess us, continue to live on under them, like flowers under the snow. The tribune could be inexorable, else he had not been fit for the usages of his calling; he could also be just; and to excite his sense of wrong was to put him in the way to right the wrong. The crews of the ships in which he served came after a time to speak of him as the good tribune. Shrewd readers will not want a better definition of his character.

                In this instance there were many circumstances certainly in the young man's favor, and some to be supposed. Possibly Arrius knew Valerius Gratus without loving him. Possibly he had known the elder Hur. In the course of his appeal, Judah had asked him of that; and, as will be noticed, he had made no reply.

                For once the tribune was at loss, and hesitated. His power was ample. He was monarch of the ship. His prepossessions all moved him to mercy. His faith was won. Yet, he said to himself, there was no haste - or, rather, there was haste to Cythera; the best rower could not then be spared; he would wait; he would learn more; he would at least be sure this was the prince Ben-Hur, and that he was of a right disposition. Ordinarily, slaves were liars.

                "It is enough," he said aloud. "Go back to thy place."

                Ben-Hur bowed; looked once more into the master's face, but saw nothing for hope. He turned away slowly, looked back, and said,

                "If thou dost think of me again, O tribune, let it not be lost in thy mind that I prayed thee only for word of my people - mother, sister."

                He moved on.

                Arrius followed him with admiring eyes.

                "Perpol!" he thought. "With teaching, what a man for the arena! What a runner! Ye gods! what an arm for the sword or the cestus! - Stay!" he said aloud.

                Ben-Hur stopped, and the tribune went to him.

                "If thou wert free, what wouldst thou do?"

                "The noble Arrius mocks me!" Judah said, with trembling lips.

                "No; by the gods, no!"

                "Then I will answer gladly. I would give myself to duty the first of life. I would know no other. I would know no rest until my mother and Tirzah were restored to home. I would give every day and hour to their happiness. I would wait upon them; never a slave more faithful. They have lost much, but, by the God of my fathers, I would find them more!"

                The answer was unexpected by the Roman. For a moment he lost his purpose.

                "I spoke to thy ambition," he said, recovering. "If thy mother and sister were dead, or not to be found, what wouldst thou do?"

                A distinct pallor overspread Ben-Hur's face, and he looked over the sea. There was a struggle with some strong feeling; when it was conquered, he turned to the tribune.

                "What pursuit would I follow?" he asked.

                "Yes."

                "Tribune, I will tell thee truly. Only the night before the dreadful day of which I have spoken, I obtained permission to be a soldier. I am of the same mind yet; and, as in all the earth there is but one school of war, thither I would go."

                "The palaestra!" exclaimed Arrius.

                "No; a Roman camp."

                "But thou must first acquaint thyself with the use of arms."

                Now a master may never safely advise a slave. Arrius saw his indiscretion, and, in a breath, chilled his voice and manner.

                "Go now," he said, "and do not build upon what has passed between us. Perhaps I do but play with thee. Or" - he looked away musingly -”or, if thou dost think of it with any hope, choose between the renown of a gladiator and the service of a soldier. The former may come of the favor of the emperor; there is no reward for thee in the latter. Thou art not a Roman. Go!"

                A short while after Ben-Hur was upon his bench again.

                A man's task is always light if his heart is light. Handling the oar did not seem so toilsome to Judah. A hope had come to him, like a singing bird. He could hardly see the visitor or hear its song; that it was there, though, he knew; his feelings told him so. The caution of the tribune -”Perhaps I do but play with thee" - was dismissed often as it recurred to his mind. That he had been called by the great man and asked his story was the bread upon which he fed his hungry spirit. Surely something good would come of it. The light about his bench was clear and bright with promises, and he prayed.

                "O God! I am a true son of the Israel thou hast so loved! Help me, I pray thee!"

CHAPTER IV

                In the Bay of Antemona, east of Cythera the island, the hundred galleys assembled. There the tribune gave one day to inspection. He sailed then to Naxos, the largest of the Cyclades, midway the coasts of Greece and Asia, like a great stone planted in the centre of a highway, from which he could challenge everything that passed; at the same time, he would be in position to go after the pirates instantly, whether they were in the AEgean or out on the Mediterranean.

                As the fleet, in order, rowed in towards the mountain shores of the island, a galley was descried coming from the north. Arrius went to meet it. She proved to be a transport just from Byzantium, and from her commander he learned the particulars of which he stood in most need.

                The pirates were from all the farther shores of the Euxine. Even Tanais, at the mouth of the river which was supposed to feed Palus Maeotis, was represented among them. Their preparations had been with the greatest secrecy. The first known of them was their appearance off the entrance to the Thracian Bosphorus, followed by the destruction of the fleet in station there. Thence to the outlet of the Hellespont everything afloat had fallen their prey. There were quite sixty galleys in the squadron, all well manned and supplied. A few were biremes, the rest stout triremes. A Greek was in command, and the pilots, said to be familiar with all the Eastern seas, were Greek. The plunder had been incalculable. The panic, consequently, was not on the sea alone; cities, with closed gates, sent their people nightly to the walls. Traffic had almost ceased.

                Where were the pirates now?

                To this question, of most interest to Arrius, he received answer.

                After sacking Hephaestia, on the island of Lemnos, the enemy had coursed across to the Thessalian group, and, by last account, disappeared in the gulfs between Euboea and Hellas.

                Such were the tidings.

                Then the people of the island, drawn to the hill-tops by the rare spectacle of a hundred ships careering in united squadron, beheld the advance division suddenly turn to the north, and the others follow, wheeling upon the same point like cavalry in a column. News of the piratical descent had reached them, and now, watching the white sails until they faded from sight up between Rhene and Syros, the thoughtful among them took comfort, and were grateful. What Rome seized with strong hand she always defended: in return for their taxes, she gave them safety.

                The tribune was more than pleased with the enemy's movements; he was doubly thankful to Fortune. She had brought swift and sure intelligence, and had lured his foes into the waters where, of all others, destruction was most assured. He knew the havoc one galley could play in a broad sea like the Mediterranean, and the difficulty of finding and overhauling her; he knew, also, how those very circumstances would enhance the service and glory if, at one blow, he could put a finish to the whole piratical array.

                If the reader will take a map of Greece and the AEgean, he will notice the island of Euboea lying along the classic coast like a rampart against Asia, leaving a channel between it and the continent quite a hundred and twenty miles in length, and scarcely an average of eight in width. The inlet on the north had admitted the fleet of Xerxes, and now it received the bold raiders from the Euxine. The towns along the Pelasgic and Meliac gulfs were rich and their plunder seductive. All things considered, therefore, Arrius judged that the robbers might be found somewhere below Thermopylae. Welcoming the chance, he resolved to enclose them north and south, to do which not an hour could be lost; even the fruits and wines and women of Naxos must be left behind. So he sailed away without stop or tack until, a little before nightfall, Mount Ocha was seen upreared against the sky, and the pilot reported the Euboean coast.

                At a signal the fleet rested upon its oars. When the movement was resumed, Arrius led a division of fifty of the galleys, intending to take them up the channel, while another division, equally strong, turned their prows to the outer or seaward side of the island, with orders to make all haste to the upper inlet, and descend sweeping the waters.

                To be sure, neither division was equal in number to the pirates; but each had advantages in compensation, among them, by no means least, a discipline impossible to a lawless horde, however brave. Besides, it was a shrewd count on the tribune's side, if, peradventure, one should be defeated, the other would find the enemy shattered by his victory, and in condition to be easily overwhelmed.

                Meantime Ben-Hur kept his bench, relieved every six hours. The rest in the Bay of Antemona had freshened him, so that the oar was not troublesome, and the chief on the platform found no fault.

                People, generally, are not aware of the ease of mind there is in knowing where they are, and where they are going. The sensation of being lost is a keen distress; still worse is the feeling one has in driving blindly into unknown places. Custom had dulled the feeling with Ben-Hur, but only measurably. Pulling away hour after hour, sometimes days and nights together, sensible all the time that the galley was gliding swiftly along some of the many tracks of the broad sea, the longing to know where he was, and whither going, was always present with him; but now it seemed quickened by the hope which had come to new life in his breast since the interview with the tribune. The narrower the abiding-place happens to be, the more intense is the longing; and so he found. He seemed to hear every sound of the ship in labor, and listened to each one as if it were a voice come to tell him something; he looked to the grating overhead, and through it into the light of which so small a portion was his, expecting, he knew not what; and many times he caught himself on the point of yielding to the impulse to speak to the chief on the platform, than which no circumstance of battle would have astonished that dignitary more.

                In his long service, by watching the shifting of the meager sunbeams upon the cabin floor when the ship was under way, he had come to know, generally, the quarter into which she was sailing. This, of course, was only of clear days like those good-fortune was sending the tribune. The experience had not failed him in the period succeeding the departure from Cythera. Thinking they were tending towards the old Judean country, he was sensitive to every variation from the course. With a pang, he had observed the sudden change northward which, as has been noticed, took place near Naxos: the cause, however, he could not even conjecture; for it must be remembered that, in common with his fellow-slaves, he knew nothing of the situation, and had no interest in the voyage. His place was at the oar, and he was held there inexorably, whether at anchor or under sail. Once only in three years had he been permitted an outlook from the deck. The occasion we have seen. He had no idea that, following the vessel he was helping drive, there was a great squadron close at hand and in beautiful order; no more did he know the object of which it was in pursuit.

                When the sun, going down, withdrew his last ray from the cabin, the galley still held northward. Night fell, yet Ben-Hur could discern no change. About that time the smell of incense floated down the gangways from the deck.

                "The tribune is at the altar," he thought. "Can it be we are going into battle?"

                He became observant.

                Now he had been in many battles without having seen one. From his bench he had heard them above and about him, until he was familiar with all their notes, almost as a singer with a song. So, too, he had become acquainted with many of the preliminaries of an engagement, of which, with a Roman as well as a Greek, the most invariable was the sacrifice to the gods. The rites were the same as those performed at the beginning of a voyage, and to him, when noticed, they were always an admonition.

                A battle, it should be observed, possessed for him and his fellow-slaves of the oar an interest unlike that of the sailor and marine; it came, not of the danger encountered but of the fact that defeat, if survived, might bring an alteration of condition - possibly freedom - at least a change of masters, which might be for the better.

                In good time the lanterns were lighted and hung by the stairs, and the tribune came down from the deck. At his word the marines put on their armor. At his word again, the machines were looked to, and spears, javelins, and arrows, in great sheaves, brought and laid upon the floor, together with jars of inflammable oil, and baskets of cotton balls wound loose like the wicking of candles. And when, finally, Ben-Hur saw the tribune mount his platform and don his armor, and get his helmet and shield out, the meaning of the preparations might not be any longer doubted, and he made ready for the last ignominy of his service.

                To every bench, as a fixture, there was a chain with heavy anklets. These the hortator proceeded to lock upon the oarsmen, going from number to number, leaving no choice but to obey, and, in event of disaster, no possibility of escape.

                In the cabin, then, a silence fell, broken, at first, only by the sough of the oars turning in the leathern cases. Every man upon the benches felt the shame, Ben-Hur more keenly than his companions. He would have put it away at any price. Soon the clanking of the fetters notified him of the progress the chief was making in his round. He would come to him in turn; but would not the tribune interpose for him?

                The thought may be set down to vanity or selfishness, as the reader pleases; it certainly, at that moment, took possession of Ben-Hur. He believed the Roman would interpose; anyhow, the circumstance would test the man's feelings. If, intent upon the battle, he would but think of him, it would be proof of his opinion formed - proof that he had been tacitly promoted above his associates in misery - such proof as would justify hope.

                Ben-Hur waited anxiously. The interval seemed like an age. At every turn of the oar he looked towards the tribune, who, his simple preparations made, lay down upon the couch and composed himself to rest; whereupon number sixty chid himself, and laughed grimly, and resolved not to look that way again.

                The hortator approached. Now he was at number one - the rattle of the iron links sounded horribly. At last number sixty! Calm from despair, Ben-Hur held his oar at poise, and gave his foot to the officer. Then the tribune stirred - sat up - beckoned to the chief.

                A strong revulsion seized the Jew. From the hortator, the great man glanced at him; and when he dropped his oar all the section of the ship on his side seemed aglow. He heard nothing of what was said; enough that the chain hung idly from its staple in the bench, and that the chief, going to his seat, began to beat the sounding-board. The notes of the gavel were never so like music. With his breast against the leaded handle, he pushed with all his might - pushed until the shaft bent as if about to break.

                The chief went to the tribune, and, smiling, pointed to number sixty.

                "What strength!" he said.

                "And what spirit!" the tribune answered. "Perpol! He is better without the irons. Put them on him no more."

                So saying, he stretched himself upon the couch again.

                The ship sailed on hour after hour under the oars in water scarcely rippled by the wind. And the people not on duty slept, Arrius in his place, the marines on the floor.

                Once - twice - Ben-Hur was relieved; but he could not sleep. Three years of night, and through the darkness a sunbeam at last! At sea adrift and lost, and now land! Dead so long, and, lo! the thrill and stir of resurrection. Sleep was not for such an hour. Hope deals with the future; now and the past are but servants that wait on her with impulse and suggestive circumstance. Starting from the favor of the tribune, she carried him forward indefinitely. The wonder is, not that things so purely imaginative as the results she points us to can make us so happy, but that we can receive them as so real. They must be as gorgeous poppies under the influence of which, under the crimson and purple and gold, reason lies down the while, and is not. Sorrows assuaged, home and the fortunes of his house restored; mother and sister in his arms once more - such were the central ideas which made him happier that moment than he had ever been. That he was rushing, as on wings, into horrible battle had, for the time, nothing to do with his thoughts. The things thus in hope were unmixed with doubts - they WERE. Hence his joy so full, so perfect, there was no room in his heart for revenge. Messala, Gratus, Rome, and all the bitter, passionate memories connected with them, were as dead plagues - miasms of the earth above which he floated, far and safe, listening to singing stars.

                The deeper darkness before the dawn was upon the waters, and all things going well with the Astroea, when a man, descending from the deck, walked swiftly to the platform where the tribune slept, and awoke him. Arrius arose, put on his helmet, sword, and shield, and went to the commander of the marines.

                "The pirates are close by. Up and ready!" he said, and passed to the stairs, calm, confident, insomuch that one might have thought, "Happy fellow! Apicius has set a feast for him."

Monday's Illustrated Word: "Flaming Horror" by Unknown Writer (in English)

art by Unknown Artist - Strange Mysteries #8 - Superior Comic, November 1952.