Monday's Illustrated Word: " The Last of the Glanamores" by unknown writer (in English)

art by unknown artist - Ghost Comics #8 - Fiction House, 1953.

 

 

Excellent Readings: Sonnet C by William Shakespeare (in English)

Where art thou Muse that thou forget'st so long,
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return forgetful Muse, and straight redeem,
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make Time's spoils despised every where.
   Give my love fame faster than Time wastes life,
   So thou prevent'st his scythe and crooked knife.

Friday's Sung Word: "Tenho Raiva de Quem Sabe" by Noel Rosa, Kid Pepe and Zé Pretinho (in Portuguese)

Não sei e nem quero saber
Tenho raiva de quem sabe
Do seu modo de viver
Eu pago pra ninguém me incomodar
E não me perguntar por você

Depois de tanta briga
Hoje em dia eu suspeito
Que talvez você me diga
Que lhe odeio por despeito
Tanto me sacrificava
Sem ter o menor direito
Juro que não esperava
Levar fama sem proveito

Rasguei o seu retrato
Suas cartas eu queimei
Desta vez, briguei de fato
De você, já enjoei
Para evitar perigo
Eu imploro a você
Quando encontrar comigo
Simular que não me vê.

 

You can listen "Tenho Raiva de Quem Sabe" sung by Mário Reis here.

Thursday's Serial: “The Light of Western Stars” by Zane Grey (in English) - IV

 

V - THE ROUND-UP

It was a crackling and roaring of fire that awakened Madeline next morning, and the first thing she saw was a huge stone fireplace in which lay a bundle of blazing sticks. Some one had kindled a fire while she slept. For a moment the curious sensation of being lost returned to her. She just dimly remembered reaching the ranch and being taken into a huge house and a huge, dimly lighted room. And it seemed to her that she had gone to sleep at once, and had awakened without remembering how she had gotten to bed.

But she was wide awake in an instant. The bed stood near one end of an enormous chamber. The adobe walls resembled a hall in an ancient feudal castle, stone-floored, stone-walled, with great darkened rafters running across the ceiling. The few articles of furniture were worn out and sadly dilapidated. Light flooded into the room from two windows on the right of the fireplace and two on the left, and another large window near the bedstead. Looking out from where she lay, Madeline saw a dark, slow up-sweep of mountain. Her eyes returned to the cheery, snapping fire, and she watched it while gathering courage to get up. The room was cold. When she did slip her bare feet out upon the stone floor she very quickly put them back under the warm blankets. And she was still in bed trying to pluck up her courage when, with a knock on the door and a cheerful greeting, Florence entered, carrying steaming hot water.

“Good mawnin', Miss Hammond. Hope you slept well. You sure were tired last night. I imagine you'll find this old rancho house as cold as a barn. It'll warm up directly. Al's gone with the boys and Bill. We're to ride down on the range after a while when your baggage comes.”

Florence wore a woolen blouse with a scarf round her neck, a short corduroy divided skirt, and boots; and while she talked she energetically heaped up the burning wood in the fireplace, and laid Madeline's clothes at the foot of the bed, and heated a rug and put that on the floor by the bedside. And lastly, with a sweet, direct smile, she said:

“Al told me—and I sure saw myself—that you weren't used to being without your maid. Will you let me help you?”

“Thank you, I am going to be my own maid for a while. I expect I do appear a very helpless individual, but really I do not feel so. Perhaps I have had just a little too much waiting on.”

“All right. Breakfast will be ready soon, and after that we'll look about the place.”

Madeline was charmed with the old Spanish house, and the more she saw of it the more she thought what a delightful home it could be made. All the doors opened into a courtyard, or patio, as Florence called it. The house was low, in the shape of a rectangle, and so immense in size that Madeline wondered if it had been a Spanish barracks. Many of the rooms were dark, without windows, and they were empty. Others were full of ranchers' implements and sacks of grain and bales of hay. Florence called these last alfalfa. The house itself appeared strong and well preserved, and it was very picturesque. But in the living-rooms were only the barest necessities, and these were worn out and comfortless.

However, when Madeline went outdoors she forgot the cheerless, bare interior. Florence led the way out on a porch and waved a hand at a vast, colored void. “That's what Bill likes,” she said.

At first Madeline could not tell what was sky and what was land. The immensity of the scene stunned her faculties of conception. She sat down in one of the old rocking-chairs and looked and looked, and knew that she was not grasping the reality of what stretched wondrously before her.

“We're up at the edge of the foothills,” Florence said. “You remember we rode around the northern end of the mountain range? Well, that's behind us now, and you look down across the line into Arizona and Mexico. That long slope of gray is the head of the San Bernardino Valley. Straight across you see the black Chiricahua Mountains, and away down to the south the Guadalupe Mountains. That awful red gulf between is the desert, and far, far beyond the dim, blue peaks are the Sierra Madres in Mexico.”

Madeline listened and gazed with straining eyes, and wondered if this was only a stupendous mirage, and why it seemed so different from all else that she had seen, and so endless, so baffling, so grand.

“It'll sure take you a little while to get used to being up high and seeing so much,” explained Florence. “That's the secret—we're up high, the air is clear, and there's the whole bare world beneath us. Don't it somehow rest you? Well, it will. Now see those specks in the valley. They are stations, little towns. The railroad goes down that way. The largest speck is Chiricahua. It's over forty miles by trail. Here round to the north you can see Don Carlos's rancho. He's fifteen miles off, and I sure wish he were a thousand. That little green square about half-way between here and Don Carlos—that's Al's ranch. Just below us are the adobe houses of the Mexicans. There's a church, too. And here to the left you see Stillwell's corrals and bunk-houses and his stables all falling to pieces. The ranch has gone to ruin. All the ranches are going to ruin. But most of them are little one-horse affairs. And here—see that cloud of dust down in the valley? It's the round-up. The boys are there, and the cattle. Wait, I'll get the glasses.”

By their aid Madeline saw in the foreground a great, dense herd of cattle with dark, thick streams and dotted lines of cattle leading in every direction. She saw streaks and clouds of dust, running horses, and a band of horses grazing; and she descried horsemen standing still like sentinels, and others in action.

“The round-up! I want to know all about it—to see it,” declared Madeline. “Please tell me what it means, what it's for, and then take me down there.”

“It's sure a sight, Miss Hammond. I'll be glad to take you down, but I fancy you'll not want to go close. Few Eastern people who regularly eat their choice cuts of roast beef and porterhouse have any idea of the open range and the struggle cattle have to live and the hard life of cowboys. It'll sure open your eyes, Miss Hammond. I'm glad you care to know. Your brother would have made a big success in this cattle business if it hadn't been for crooked work by rival ranchers. He'll make it yet, in spite of them.”

“Indeed he shall,” replied Madeline. “But tell me, please, all about the round-up.”

“Well, in the first place, every cattleman has to have a brand to identify his stock. Without it no cattleman, nor half a hundred cowboys, if he had so many, could ever recognize all the cattle in a big herd. There are no fences on our ranges. They are all open to everybody. Some day I hope we'll be rich enough to fence a range. The different herds graze together. Every calf has to be caught, if possible, and branded with the mark of its mother. That's no easy job. A maverick is an unbranded calf that has been weaned and shifts for itself. The maverick then belongs to the man who finds it and brands it. These little calves that lose their mothers sure have a cruel time of it. Many of them die. Then the coyotes and wolves and lions prey on them. Every year we have two big round-ups, but the boys do some branding all the year. A calf should be branded as soon as it's found. This is a safeguard against cattle-thieves. We don't have the rustling of herds and bunches of cattle like we used to. But there's always the calf-thief, and always will be as long as there's cattle-raising. The thieves have a good many cunning tricks. They kill the calf's mother or slit the calf's tongue so it can't suck and so loses its mother. They steal and hide a calf and watch it till it's big enough to fare for itself, and then brand it. They make imperfect brands and finish them at a later time.

“We have our big round-up in the fall, when there's plenty of grass and water, and all the riding-stock as well as the cattle are in fine shape. The cattlemen in the valley meet with their cowboys and drive in all the cattle they can find. Then they brand and cut out each man's herd and drive it toward home. Then they go on up or down the valley, make another camp, and drive in more cattle. It takes weeks. There are so many Greasers with little bands of stock, and they are crafty and greedy. Bill says he knows Greaser cowboys, vaqueros, who never owned a steer or a cow, and now they've got growing herds. The same might be said of more than one white cowboy. But there's not as much of that as there used to be.”

“And the horses? I want to know about them,” said Madeline, when Florence paused.

“Oh, the cow-ponies! Well, they sure are interesting. Broncos, the boys call them. Wild! they're wilder than the steers they have to chase. Bill's got broncos heah that never have been broken and never will be. And not every boy can ride them, either. The vaqueros have the finest horses. Don Carlos has a black that I'd give anything to own. And he has other fine stock. Gene Stewart's big roan is a Mexican horse, the swiftest and proudest I ever saw. I was up on him once and—oh, he can run! He likes a woman, too, and that's sure something I want in a horse. I heard Al and Bill talking at breakfast about a horse for you. They were wrangling. Bill wanted you to have one, and Al another. It was funny to hear them. Finally they left the choice to me, until the round-up is over. Then I suppose every cowboy on the range will offer you his best mount. Come, let's go out to the corrals and look over the few horses left.”

For Madeline the morning hours flew by, with a goodly part of the time spent on the porch gazing out over that ever-changing vista. At noon a teamster drove up with her trunks. Then while Florence helped the Mexican woman get lunch Madeline unpacked part of her effects and got out things for which she would have immediate need. After lunch she changed her dress for a riding-habit and, going outside, found Florence waiting with the horses.

The Western girl's clear eyes seemed to take stock of Madeline's appearance in one swift, inquisitive glance and then shone with pleasure.

“You sure look—you're a picture, Miss Hammond. That riding-outfit is a new one. What it 'd look like on me or another woman I can't imagine, but on you it's—it's stunning. Bill won't let you go within a mile of the cowboys. If they see you that'll be the finish of the round-up.”

While they rode down the slope Florence talked about the open ranges of New Mexico and Arizona.

“Water is scarce,” she said. “If Bill could afford to pipe water down from the mountains he'd have the finest ranch in the valley.”

She went on to tell that the climate was mild in winter and hot in summer. Warm, sunshiny days prevailed nearly all the year round. Some summers it rained, and occasionally there would be a dry year, the dreaded ano seco of the Mexicans. Rain was always expected and prayed for in the midsummer months, and when it came the grama-grass sprang up, making the valleys green from mountain to mountain. The intersecting valleys, ranging between the long slope of foothills, afforded the best pasture for cattle, and these were jealously sought by the Mexicans who had only small herds to look after. Stillwell's cowboys were always chasing these vaqueros off land that belonged to Stillwell. He owned twenty thousand acres of unfenced land adjoining the open range. Don Carlos possessed more acreage than that, and his cattle were always mingling with Stillwell's. And in turn Don Carlos's vaqueros were always chasing Stillwell's cattle away from the Mexican's watering-place. Bad feeling had been manifested for years, and now relations were strained to the breaking-point.

As Madeline rode along she made good use of her eyes. The soil was sandy and porous, and she understood why the rain and water from the few springs disappeared so quickly. At a little distance the grama-grass appeared thick, but near at hand it was seen to be sparse. Bunches of greasewood and cactus plants were interspersed here and there in the grass. What surprised Madeline was the fact that, though she and Florence had seemed to be riding quite awhile, they had apparently not drawn any closer to the round-up. The slope of the valley was noticeable only after some miles had been traversed. Looking forward, Madeline imagined the valley only a few miles wide. She would have been sure she could walk her horse across it in an hour. Yet that black, bold range of Chiricahua Mountains was distant a long day's journey for even a hard-riding cowboy. It was only by looking back that Madeline could grasp the true relation of things; she could not be deceived by distance she had covered.

Gradually the black dots enlarged and assumed shape of cattle and horses moving round a great dusty patch. In another half-hour Madeline rode behind Florence to the outskirts of the scene of action. They drew rein near a huge wagon in the neighborhood of which were more than a hundred horses grazing and whistling and trotting about and lifting heads to watch the new-comers. Four cowboys stood mounted guard over this drove of horses. Perhaps a quarter of a mile farther out was a dusty melee. A roar of tramping hoofs filled Madeline's ears. The lines of marching cattle had merged into a great, moving herd half obscured by dust.

“I can make little of what is going on,” said Madeline. “I want to go closer.”

They trotted across half the intervening distance, and when Florence halted again Madeline was still not satisfied and asked to be taken nearer. This time, before they reined in again, Al Hammond saw them and wheeled his horse in their direction. He yelled something which Madeline did not understand, and then halted them.

“Close enough,” he called; and in the din his voice was not very clear. “It's not safe. Wild steers! I'm glad you came, girls. Majesty, what do you think of that bunch of cattle?”

Madeline could scarcely reply what she thought, for the noise and dust and ceaseless action confused her.

“They're milling, Al,” said Florence.

“We just rounded them up. They're milling, and that's bad. The vaqueros are hard drivers. They beat us all hollow, and we drove some, too.” He was wet with sweat, black with dust, and out of breath. “I'm off now. Flo, my sister will have enough of this in about two minutes. Take her back to the wagon. I'll tell Bill you're here, and run in whenever I get a minute.”

The bawling and bellowing, the crackling of horns and pounding of hoofs, the dusty whirl of cattle, and the flying cowboys disconcerted Madeline and frightened her a little; but she was intensely interested and meant to stay there until she saw for herself what that strife of sound and action meant. When she tried to take in the whole scene she did not make out anything clearly and she determined to see it little by little.

“Will you stay longer?” asked Florence; and, receiving an affirmative reply, she warned Madeline: “If a runaway steer or angry cow comes this way let your horse go. He'll get out of the way.”

That lent the situation excitement, and Madeline became absorbed. The great mass of cattle seemed to be eddying like a whirlpool, and from that Madeline understood the significance of the range word “milling.” But when Madeline looked at one end of the herd she saw cattle standing still, facing outward, and calves cringing close in fear. The motion of the cattle slowed from the inside of the herd to the outside and gradually ceased. The roar and tramp of hoofs and crack of horns and thump of heads also ceased in degree, but the bawling and bellowing continued. While she watched, the herd spread, grew less dense, and stragglers appeared to be about to bolt through the line of mounted cowboys.

From that moment so many things happened, and so swiftly, that Madeline could not see a tenth of what was going on within eyesight. It seemed horsemen darted into the herd and drove out cattle. Madeline pinned her gaze on one cowboy who rode a white horse and was chasing a steer. He whirled a lasso around his head and threw it; the rope streaked out and the loop caught the leg of the steer. The white horse stopped with wonderful suddenness, and the steer slid in the dust. Quick as a flash the cowboy was out of the saddle, and, grasping the legs of the steer before it could rise, he tied them with a rope. It had all been done almost as quickly as thought. Another man came with what Madeline divined was a branding-iron. He applied it to the flank of the steer. Then it seemed the steer was up with a jump, wildly looking for some way to run, and the cowboy was circling his lasso. Madeline saw fires in the background, with a man in charge, evidently heating the irons. Then this same cowboy roped a heifer which bawled lustily when the hot iron seared its hide. Madeline saw the smoke rising from the touch of the iron, and the sight made her shrink and want to turn away, but she resolutely fought her sensitiveness. She had never been able to bear the sight of any animal suffering. The rough work in men's lives was as a sealed book to her; and now, for some reason beyond her knowledge, she wanted to see and hear and learn some of the every-day duties that made up those lives.

“Look, Miss Hammond, there's Don Carlos!” said Florence. “Look at that black horse!”

Madeleine saw a dark-faced Mexican riding by. He was too far away for her to distinguish his features, but he reminded her of an Italian brigand. He bestrode a magnificent horse.

Stillwell rode up to the girls then and greeted them in his big voice.

“Right in the thick of it, hey? Wal, thet's sure fine. I'm glad to see, Miss Majesty, thet you ain't afraid of a little dust or smell of burnin' hide an' hair.”

“Couldn't you brand the calves without hurting them?” asked Madeline.

“Haw, haw! Why, they ain't hurt none. They jest bawl for their mammas. Sometimes, though, we hev to hurt one jest to find which is his mamma.”

“I want to know how you tell what brand to put on those calves that are separated from their mothers,” asked Madeline.

“Thet's decided by the round-up bosses. I've one boss an' Don Carlos has one. They decide everything, an' they hev to be obyed. There's Nick Steele, my boss. Watch him! He's ridin' a bay in among the cattle there. He orders the calves an' steers to be cut out. Then the cowboys do the cuttin' out an' the brandin'. We try to divide up the mavericks as near as possible.”

At this juncture Madeline's brother joined the group, evidently in search of Stillwell.

“Bill, Nels just rode in,” he said.

“Good! We sure need him. Any news of Danny Mains?”

“No. Nels said he lost the trail when he got on hard ground.”

“Wal, wal. Say, Al, your sister is sure takin' to the round-up. An' the boys are gettin' wise. See thet sun-of-a-gun Ambrose cuttin' capers all around. He'll sure do his prettiest. Ambrose is a ladies' man, he thinks.”

The two men and Florence joined in a little pleasant teasing of Madeline, and drew her attention to what appeared to be really unnecessary feats of horsemanship all made in her vicinity. The cowboys evinced their interest in covert glances while recoiling a lasso or while passing to and fro. It was all too serious for Madeline to be amused at that moment. She did not care to talk. She sat her horse and watched.

The lithe, dark vaqueros fascinated her. They were here, there, everywhere, with lariats flying, horses plunging back, jerking calves and yearlings to the grass. They were cruel to their mounts, cruel to their cattle. Madeline winced as the great silver rowels of the spurs went plowing into the flanks of their horses. She saw these spurs stained with blood, choked with hair. She saw the vaqueros break the legs of calves and let them lie till a white cowboy came along and shot them. Calves were jerked down and dragged many yards; steers were pulled by one leg. These vaqueros were the most superb horsemen Madeline had ever seen, and she had seen the Cossacks and Tatars of the Russian steppes. They were swift, graceful, daring; they never failed to catch a running steer, and the lassoes always went true. What sharp dashes the horses made, and wheelings here and there, and sudden stops, and how they braced themselves to withstand the shock!

The cowboys, likewise, showed wonderful horsemanship, and, reckless as they were, Madeline imagined she saw consideration for steed and cattle that was wanting in the vaqueros. They changed mounts oftener than the Mexican riders, and the horses they unsaddled for fresh ones were not so spent, so wet, so covered with lather. It was only after an hour or more of observation that Madeline began to realize the exceedingly toilsome and dangerous work cowboys had to perform. There was little or no rest for them. They were continually among wild and vicious and wide-horned steers. In many instances they owed their lives to their horses. The danger came mostly when the cowboy leaped off to tie and brand a calf he had thrown. Some of the cows charged with lowered, twisting horns. Time and again Madeline's heart leaped to her throat for fear a man would be gored. One cowboy roped a calf that bawled loudly. Its mother dashed in and just missed the kneeling cowboy as he rolled over. Then he had to run, and he could not run very fast. He was bow-legged and appeared awkward. Madeline saw another cowboy thrown and nearly run over by a plunging steer. His horse bolted as if it intended to leave the range. Then close by Madeline a big steer went down at the end of a lasso. The cowboy who had thrown it nimbly jumped down, and at that moment his horse began to rear and prance and suddenly to lower his head close to the ground and kick high. He ran round in a circle, the fallen steer on the taut lasso acting as a pivot. The cowboy loosed the rope from the steer, and then was dragged about on the grass. It was almost frightful for Madeline to see that cowboy go at his horse. But she recognized the mastery and skill. Then two horses came into collision on the run. One horse went down; the rider of the other was unseated and was kicked before he could get up. This fellow limped to his mount and struck at him, while the horse showed his teeth in a vicious attempt to bite.

All the while this ceaseless activity was going on there was a strange uproar—bawl and bellow, the shock of heavy bodies meeting and falling, the shrill jabbering of the vaqueros, and the shouts and banterings of the cowboys. They took sharp orders and replied in jest. They went about this stern toil as if it were a game to be played in good humor. One sang a rollicking song, another whistled, another smoked a cigarette. The sun was hot, and they, like their horses, were dripping with sweat. The characteristic red faces had taken on so much dust that cowboys could not be distinguished from vaqueros except by the difference in dress. Blood was not wanting on tireless hands. The air was thick, oppressive, rank with the smell of cattle and of burning hide.

Madeline began to sicken. She choked with dust, was almost stifled by the odor. But that made her all the more determined to stay there. Florence urged her to come away, or at least move back out of the worst of it. Stillwell seconded Florence. Madeline, however, smilingly refused. Then her brother said: “Here, this is making you sick. You're pale.” And she replied that she intended to stay until the day's work ended. Al gave her a strange look, and made no more comment. The kindly Stillwell then began to talk.

“Miss Majesty, you're seein' the life of the cattleman an' cowboy—the real thing—same as it was in the early days. The ranchers in Texas an' some in Arizona hev took on style, new-fangled idees thet are good, an' I wish we could follow them. But we've got to stick to the old-fashioned, open-range round-up. It looks cruel to you, I can see thet. Wal, mebbe so, mebbe so. Them Greasers are cruel, thet's certain. Fer thet matter, I never seen a Greaser who wasn't cruel. But I reckon all the strenuous work you've seen to-day ain't any tougher than most any day of a cowboy's life. Long hours on hossback, poor grub, sleepin' on the ground, lonesome watches, dust an' sun an' wind an' thirst, day in an' day out all the year round—thet's what a cowboy has.

“Look at Nels there. See, what little hair he has is snow-white. He's red an' thin an' hard—burned up. You notice thet hump of his shoulders. An' his hands, when he gets close—jest take a peep at his hands. Nels can't pick up a pin. He can't hardly button his shirt or untie a knot in his rope. He looks sixty years—an old man. Wal, Nels 'ain't seen forty. He's a young man, but he's seen a lifetime fer every year. Miss Majesty, it was Arizona thet made Nels what he is, the Arizona desert an' the work of a cowman. He's seen ridin' at Canyon Diablo an' the Verdi an' Tonto Basin. He knows every mile of Aravaipa Valley an' the Pinaleno country. He's ranged from Tombstone to Douglas. He hed shot bad white men an' bad Greasers before he was twenty-one. He's seen some life, Nels has. My sixty years ain't nothin'; my early days in the Staked Plains an' on the border with Apaches ain't nothin' to what Nels has seen an' lived through. He's just come to be part of the desert; you might say he's stone an' fire an' silence an' cactus an' force. He's a man, Miss Majesty, a wonderful man. Rough he'll seem to you. Wal, I'll show you pieces of quartz from the mountains back of my ranch an' they're thet rough they'd cut your hands. But there's pure gold in them. An' so it is with Nels an' many of these cowboys.

“An' there's Price—Monty Price. Monty stands fer Montana, where he hails from. Take a good look at him, Miss Majesty. He's been hurt, I reckon. Thet accounts fer him bein' without hoss or rope; an' thet limp. Wal, he's been ripped a little. It's sure rare an seldom thet a cowboy gets foul of one of them thousands of sharp horns; but it does happen.”

Madeline saw a very short, wizened little man, ludicrously bow-legged, with a face the color and hardness of a burned-out cinder. He was hobbling by toward the wagon, and one of his short, crooked legs dragged.

“Not much to look at, is he?” went on Stillwell. “Wal; I know it's natural thet we're all best pleased by good looks in any one, even a man. It hedn't ought to be thet way. Monty Price looks like hell. But appearances are sure deceivin'. Monty saw years of ridin' along the Missouri bottoms, the big prairies, where there's high grass an' sometimes fires. In Montana they have blizzards that freeze cattle standin' in their tracks. An' hosses freeze to death. They tell me thet a drivin' sleet in the face with the mercury forty below is somethin' to ride against. You can't get Monty to say much about cold. All you hev to do is to watch him, how he hunts the sun. It never gets too hot fer Monty. Wal, I reckon he was a little more prepossessin' once. The story thet come to us about Monty is this: He got caught out in a prairie fire an' could hev saved himself easy, but there was a lone ranch right in the line of fire, an' Monty knowed the rancher was away, an' his wife an' baby was home. He knowed, too, the way the wind was, thet the ranch-house would burn. It was a long chance he was takin'. But he went over, put the woman up behind him, wrapped the baby an' his hoss's haid in a wet blanket, an' rode away. Thet was sure some ride, I've heerd. But the fire ketched Monty at the last. The woman fell an' was lost, an' then his hoss. An' Monty ran an' walked an' crawled through the fire with thet baby, an' he saved it. Monty was never much good as a cowboy after thet. He couldn't hold no jobs. Wal, he'll have one with me as long as I have a steer left.”

 

 

VI - A GIFT AND A PURCHASE

For a week the scene of the round-up lay within riding-distance of the ranch-house, and Madeline passed most of this time in the saddle, watching the strenuous labors of the vaqueros and cowboys. She overestimated her strength, and more than once had to be lifted from her horse. Stillwell's pleasure in her attendance gave place to concern. He tried to persuade her to stay away from the round-up, and Florence grew even more solicitous.

Madeline, however, was not moved by their entreaties. She grasped only dimly the truth of what it was she was learning—something infinitely more than the rounding up of cattle by cowboys, and she was loath to lose an hour of her opportunity.

Her brother looked out for her as much as his duties permitted; but for several days he never once mentioned her growing fatigue and the strain of excitement, or suggested that she had better go back to the house with Florence. Many times she felt the drawing power of his keen blue eyes on her face. And at these moments she sensed more than brotherly regard. He was watching her, studying her, weighing her, and the conviction was vaguely disturbing. It was disquieting for Madeline to think that Alfred might have guessed her trouble. From time to time he brought cowboys to her and introduced them, and laughed and jested, trying to make the ordeal less embarrassing for these men so little used to women.

Before the week was out, however, Alfred found occasion to tell her that it would be wiser for her to let the round-up go on without gracing it further with her presence. He said it laughingly; nevertheless, he was serious. And when Madeline turned to him in surprise he said, bluntly:

“I don't like the way Don Carlos follows you around. Bill's afraid that Nels or Ambrose or one of the cowboys will take a fall out of the Mexican. They're itching for the chance. Of course, dear, it's absurd to you, but it's true.”

Absurd it certainly was, yet it served to show Madeline how intensely occupied she had been with her own feelings, roused by the tumult and toil of the round-up. She recalled that Don Carlos had been presented to her, and that she had not liked his dark, striking face with its bold, prominent, glittering eyes and sinister lines; and she had not liked his suave, sweet, insinuating voice or his subtle manner, with its slow bows and gestures. She had thought he looked handsome and dashing on the magnificent black horse. However, now that Alfred's words made her think, she recalled that wherever she had been in the field the noble horse, with his silver-mounted saddle and his dark rider, had been always in her vicinity.

“Don Carlos has been after Florence for a long time,” said Alfred. “He's not a young man by any means. He's fifty, Bill says; but you can seldom tell a Mexican's age from his looks. Don Carlos is well educated and a man we know very little about. Mexicans of his stamp don't regard women as we white men do. Now, my dear, beautiful sister from New York, I haven't much use for Don Carlos; but I don't want Nels or Ambrose to make a wild throw with a rope and pull the Don off his horse. So you had better ride up to the house and stay there.”

“Alfred, you are joking, teasing me,” said Madeline. “Indeed not,” replied Alfred. “How about it, Flo?” Florence replied that the cowboys would upon the slightest provocation treat Don Carlos with less ceremony and gentleness than a roped steer. Old Bill Stillwell came up to be importuned by Alfred regarding the conduct of cowboys on occasion, and he not only corroborated the assertion, but added emphasis and evidence of his own.

“An', Miss Majesty,” he concluded, “I reckon if Gene Stewart was ridin' fer me, thet grinnin' Greaser would hev hed a bump in the dust before now.”

Madeline had been wavering between sobriety and laughter until Stillwell's mention of his ideal of cowboy chivalry decided in favor of the laughter.

“I am not convinced, but I surrender,” she said. “You have only some occult motive for driving me away. I am sure that handsome Don Carlos is being unjustly suspected. But as I have seen a little of cowboys' singular imagination and gallantry, I am rather inclined to fear their possibilities. So good-by.”

Then she rode with Florence up the long, gray slope to the ranch-house. That night she suffered from excessive weariness, which she attributed more to the strange working of her mind than to riding and sitting her horse. Morning, however, found her in no disposition to rest. It was not activity that she craved, or excitement, or pleasure. An unerring instinct, rising dear from the thronging sensations of the last few days, told her that she had missed something in life. It could not have been love, for she loved brother, sister, parents, friends; it could not have been consideration for the poor, the unfortunate, the hapless; she had expressed her sympathy for these by giving freely; it could not have been pleasure, culture, travel, society, wealth, position, fame, for these had been hers all her life. Whatever this something was, she had baffling intimations of it, hopes that faded on the verge of realizations, haunting promises that were unfulfilled. Whatever it was, it had remained hidden and unknown at home, and here in the West it began to allure and drive her to discovery. Therefore she could not rest; she wanted to go and see; she was no longer chasing phantoms; it was a hunt for treasure that held aloof, as intangible as the substance of dreams.

That morning she spoke a desire to visit the Mexican quarters lying at the base of the foothills. Florence protested that this was no place to take Madeline. But Madeline insisted, and it required only a few words and a persuading smile to win Florence over.

From the porch the cluster of adobe houses added a picturesque touch of color and contrast to the waste of gray valley. Near at hand they proved the enchantment lent by distance. They were old, crumbling, broken down, squalid. A few goats climbed around upon them; a few mangy dogs barked announcement of visitors; and then a troop of half-naked, dirty, ragged children ran out. They were very shy, and at first retreated in affright. But kind words and smiles gained their confidence, and then they followed in a body, gathering a quota of new children at each house. Madeline at once conceived the idea of doing something to better the condition of these poor Mexicans, and with this in mind she decided to have a look indoors. She fancied she might have been an apparition, judging from the effect her presence had upon the first woman she encountered. While Florence exercised what little Spanish she had command of, trying to get the women to talk, Madeline looked about the miserable little rooms. And there grew upon her a feeling of sickness, which increased as she passed from one house to another. She had not believed such squalor could exist anywhere in America. The huts reeked with filth; vermin crawled over the dirt floors. There was absolutely no evidence of water, and she believed what Florence told her—that these people never bathed. There was little evidence of labor. Idle men and women smoking cigarettes lolled about, some silent, others jabbering. They did not resent the visit of the American women, nor did they show hospitality. They appeared stupid. Disease was rampant in these houses; when the doors were shut there was no ventilation, and even with the doors open Madeline felt choked and stifled. A powerful penetrating odor pervaded the rooms that were less stifling than others, and this odor Florence explained came from a liquor the Mexicans distilled from a cactus plant. Here drunkenness was manifest, a terrible inert drunkenness that made its victims deathlike.

Madeline could not extend her visit to the little mission-house. She saw a padre, a starved, sad-faced man who, she instinctively felt, was good. She managed to mount her horse and ride up to the house; but, once there, she weakened and Florence had almost to carry her in-doors. She fought off a faintness, only to succumb to it when alone in her room. Still, she did not entirely lose consciousness, and soon recovered to the extent that she did not require assistance.

Upon the morning after the end of the round-up, when she went out on the porch, her brother and Stillwell appeared to be arguing about the identity of a horse.

“Wal, I reckon it's my old roan,” said Stillwell, shading his eyes with his hand.

“Bill, if that isn't Stewart's horse my eyes are going back on me,” replied Al. “It's not the color or shape—the distance is too far to judge by that. It's the motion—the swing.”

“Al, mebbe you're right. But they ain't no rider up on thet hoss. Flo, fetch my glass.”

Florence went into the house, while Madeline tried to discover the object of attention. Presently far up the gray hollow along a foothill she saw dust, and then the dark, moving figure of a horse. She was watching when Florence returned with the glass. Bill took a long look, adjusted the glasses carefully, and tried again.

“Wal, I hate to admit my eyes are gettin' pore. But I guess I'll hev to. Thet's Gene Stewart's hoss, saddled, an' comin' at a fast clip without a rider. It's amazin' strange, an' some in keepin' with other things concernin' Gene.”

“Give me the glass,” said Al. “Yes, I was right. Bill, the horse is not frightened. He's coming steadily; he's got something on his mind.”

“Thet's a trained hoss, Al. He has more sense than some men I know. Take a look with the glasses up the hollow. See anybody?”

“No.”

“Swing up over the foothills—where the trail leads. Higher—along thet ridge where the rocks begin. See anybody?”

“By Jove! Bill—two horses! But I can't make out much for dust. They are climbing fast. One horse gone among the rocks. There—the other's gone. What do you make of that?”

“Wal, I can't make no more 'n you. But I'll bet we know somethin' soon, fer Gene's hoss is comin' faster as he nears the ranch.”

The wide hollow sloping up into the foothills lay open to unobstructed view, and less than half a mile distant Madeline saw the riderless horse coming along the white trail at a rapid canter. She watched him, recalling the circumstances under which she had first seen him, and then his wild flight through the dimly lighted streets of El Cajon out into the black night. She thrilled again and believed she would never think of that starry night's adventure without a thrill. She watched the horse and felt more than curiosity. A shrill, piercing whistle pealed in.

“Wal, he's seen us, thet's sure,” said Bill.

The horse neared the corrals, disappeared into a lane, and then, breaking his gait again, thundered into the inclosure and pounded to a halt some twenty yards from where Stillwell waited for him.

One look at him at close range in the clear light of day was enough for Madeline to award him a blue ribbon over all horses, even her prize-winner, White Stockings. The cowboy's great steed was no lithe, slender-bodied mustang. He was a charger, almost tremendous of build, with a black coat faintly mottled in gray, and it shone like polished glass in the sun. Evidently he had been carefully dressed down for this occasion, for there was no dust on him, nor a kink in his beautiful mane, nor a mark on his glossy hide.

“Come hyar, you son-of-a-gun,” said Stillwell.

The horse dropped his head, snorted, and came obediently up. He was neither shy nor wild. He poked a friendly nose at Stillwell, and then looked at Al and the women. Unhooking the stirrups from the pommel, Stillwell let them fall and began to search the saddle for something which he evidently expected to find. Presently from somewhere among the trappings he produced a folded bit of paper, and after scrutinizing it handed it to Al.

“Addressed to you; an' I'll bet you two bits I know what's in it,” he said.

Alfred unfolded the letter, read it, and then looked at Stillwell.

“Bill, you're a pretty good guesser. Gene's made for the border. He sent the horse by somebody, no names mentioned, and wants my sister to have him if she will accept.”

“Any mention of Danny Mains?” asked the rancher.

“Not a word.”

“Thet's bad. Gene'd know about Danny if anybody did. But he's a close-mouthed cuss. So he's sure hittin' for Mexico. Wonder if Danny's goin', too? Wal, there's two of the best cowmen I ever seen gone to hell an' I'm sorry.”

With that he bowed his head and, grumbling to himself, went into the house. Alfred lifted the reins over the head of the horse and, leading him to Madeline, slipped the knot over her arm and placed the letter in her hand.

“Majesty, I'd accept the horse,” he said. “Stewart is only a cowboy now, and as tough as any I've known. But he comes of a good family. He was a college man and a gentleman once. He went to the bad out here, like so many fellows go, like I nearly did. Then he had told me about his sister and mother. He cared a good deal for them. I think he has been a source of unhappiness to them. It was mostly when he was reminded of this in some way that he'd get drunk. I have always stuck to him, and I would do so yet if I had the chance. You can see Bill is heartbroken about Danny Mains and Stewart. I think he rather hoped to get good news. There's not much chance of them coming back now, at least not in the case of Stewart. This giving up his horse means he's going to join the rebel forces across the border. What wouldn't I give to see that cowboy break loose on a bunch of Greasers! Oh, damn the luck! I beg your pardon, Majesty. But I'm upset, too. I'm sorry about Stewart. I liked him pretty well before he thrashed that coyote of a sheriff, Pat Hawe, and afterward I guess I liked him more. You read the letter, sister, and accept the horse.”

In silence Madeline bent her gaze from her brother's face to the letter:

 

“Friend Al,—I'm sending my horse down to you because I'm going away and haven't the nerve to take him where he'd get hurt or fall into strange hands.

If you think it's all right, why, give him to your sister with my respects. But if you don't like the idea, Al, or if she won't have him, then he's for you. I'm not forgetting your kindness to me, even if I never showed it. And, Al, my horse has never felt a quirt or a spur, and I'd like to think you'd never hurt him. I'm hoping your sister will take him. She'll be good to him, and she can afford to take care of him. And, while I'm waiting to be plugged by a Greaser bullet, if I happen to have a picture in mind of how she'll look upon my horse, why, man, it's not going to make any difference to you. She needn't ever know it. Between you and me, Al, don't let her or Flo ride alone over Don Carlos's way. If I had time I could tell you something about that slick Greaser. And tell your sister, if there's ever any reason for her to run away from anybody when she's up on that roan, just let her lean over and yell in his ear. She'll find herself riding the wind. So long.

Gene Stewart.

 

Madeline thoughtfully folded the letter and murmured, “How he must love his horse!”

“Well, I should say so,” replied Alfred. “Flo will tell you. She's the only person Gene ever let ride that horse, unless, as Bill thinks, the little Mexican girl, Bonita, rode him out of El Cajon the other night. Well, sister mine, how about it—will you accept the horse?”

“Assuredly. And very happy indeed am I to get him. Al, you said, I think, that Mr. Stewart named him after me—saw my nickname in the New York paper?”

“Yes.”

“Well, I will not change his name. But, Al, how shall I ever climb up on him? He's taller than I am. What a giant of a horse! Oh, look at him—he's nosing my hand. I really believe he understood what I said. Al, did you ever see such a splendid head and such beautiful eyes? They are so large and dark and soft—and human. Oh, I am a fickle woman, for I am forgetting White Stockings.”

“I'll gamble he'll make you forget any other horse,” said Alfred. “You'll have to get on him from the porch.”

As Madeline was not dressed for the saddle, she did not attempt to mount.

“Come, Majesty—how strange that sounds!—we must get acquainted. You have now a new owner, a very severe young woman who will demand loyalty from you and obedience, and some day, after a decent period, she will expect love.”

Madeline led the horse to and fro, and was delighted with his gentleness. She discovered that he did not need to be led. He came at her call, followed her like a pet dog, rubbed his black muzzle against her. Sometimes, at the turns in their walk, he lifted his head and with ears forward looked up the trail by which he had come, and beyond the foothills. He was looking over the range. Some one was calling to him, perhaps, from beyond the mountains. Madeline liked him the better for that memory, and pitied the wayward cowboy who had parted with his only possession for very love of it.

That afternoon when Alfred lifted Madeline to the back of the big roan she felt high in the air.

“We'll have a run out to the mesa,” said her brother, as he mounted. “Keep a tight rein on him and ease up when you want him to go faster. But don't yell in his ear unless you want Florence and me to see you disappear on the horizon.”

He trotted out of the yard, down by the corrals, to come out on the edge of a gray, open flat that stretched several miles to the slope of a mesa. Florence led, and Madeline saw that she rode like a cowboy. Alfred drew on to her side, leaving Madeline in the rear. Then the leading horses broke into a gallop. They wanted to run, and Madeline felt with a thrill that she would hardly be able to keep Majesty from running, even if she wanted to. He sawed on the tight bridle as the others drew away and broke from pace to gallop. Then Florence put her horse into a run. Alfred turned and called to Madeline to come along.

“This will never do. They are running away from us,” said Madeline, and she eased up her hold on the bridle. Something happened beneath her just then; she did not know at first exactly what. As much as she had been on horseback she had never ridden at a running gait. In New York it was not decorous or safe. So when Majesty lowered and stretched and changed the stiff, jolting gallop for a wonderful, smooth, gliding run it required Madeline some moments to realize what was happening. It did not take long for her to see the distance diminishing between her and her companions. Still they had gotten a goodly start and were far advanced. She felt the steady, even rush of the wind. It amazed her to find how easily, comfortably she kept to the saddle. The experience was new. The one fault she had heretofore found with riding was the violent shaking-up. In this instance she experienced nothing of that kind, no strain, no necessity to hold on with a desperate awareness of work. She had never felt the wind in her face, the whip of a horse's mane, the buoyant, level spring of a tanning gait. It thrilled her, exhilarated her, fired her blood. Suddenly she found herself alive, throbbing; and, inspired by she knew not what, she loosened the bridle and, leaning far forward, she cried, “Oh, you splendid fellow, run!”

She heard from under her a sudden quick clattering roar of hoofs, and she swayed back with the wonderfully swift increase in Majesty's speed. The wind stung her face, howled in her ears, tore at her hair. The gray plain swept by on each side, and in front seemed to be waving toward her. In her blurred sight Florence and Alfred appeared to be coming back. But she saw presently, upon nearer view, that Majesty was overhauling the other horses, was going to pass them. Indeed, he did pass them, shooting by so as almost to make them appear standing still. And he ran on, not breaking his gait till he reached the steep side of the mesa, where he slowed down and stopped.

“Glorious!” exclaimed Madeline. She was all in a blaze, and every muscle and nerve of her body tingled and quivered. Her hands, as she endeavored to put up the loosened strands of hair, trembled and failed of their accustomed dexterity. Then she faced about and waited for her companions.

Alfred reached her first, laughing, delighted, yet also a little anxious.

“Holy smoke! But can't he run? Did he bolt on you?”

“No, I called in his ear,” replied Madeline.

“So that was it. That's the woman of you, and forbidden fruit. Flo said she'd do it the minute she was on him. Majesty, you can ride. See if Flo doesn't say so.”

The Western girl came up then with her pleasure bright in her face.

“It was just great to see you. How your hair burned in the wind! Al, she sure can ride. Oh, I'm so glad! I was a little afraid. And that horse! Isn't he grand? Can't he run?”

Alfred led the way up the steep, zigzag trail to the top of the mesa. Madeline saw a beautiful flat surface of short grass, level as a floor. She uttered a little cry of wonder and enthusiasm.

“Al, what a place for golf! This would be the finest links in the world.”

“Well, I've thought of that myself,” he replied. “The only trouble would be—could anybody stop looking at the scenery long enough to hit a ball? Majesty, look!”

And then it seemed that Madeline was confronted by a spectacle too sublime and terrible for her gaze. The immensity of this red-ridged, deep-gulfed world descending incalculable distances refused to be grasped, and awed her, shocked her.

“Once, Majesty, when I first came out West, I was down and out—determined to end it all,” said Alfred. “And happened to climb up here looking for a lonely place to die. When I saw that I changed my mind.”

Madeline was silent. She remained so during the ride around the rim of the mesa and down the steep trail. This time Alfred and Florence failed to tempt her into a race. She had been awe-struck; she had been exalted she had been confounded; and she recovered slowly without divining exactly what had come to her.

She reached the ranch-house far behind her companions, and at supper-time was unusually thoughtful. Later, when they assembled on the porch to watch the sunset, Stillwell's humorous complainings inspired the inception of an idea which flashed up in her mind swift as lightning. And then by listening sympathetically she encouraged him to recite the troubles of a poor cattleman. They were many and long and interesting, and rather numbing to the life of her inspired idea.

“Mr. Stillwell, could ranching here on a large scale, with up-to-date methods, be made—well, not profitable, exactly, but to pay—to run without loss?” she asked, determined to kill her new-born idea at birth or else give it breath and hope of life.

“Wal, I reckon it could,” he replied, with a short laugh. “It'd sure be a money-maker. Why, with all my bad luck an' poor equipment I've lived pretty well an' paid my debts an' haven't really lost any money except the original outlay. I reckon thet's sunk fer good.”

“Would you sell—if some one would pay your price?”

“Miss Majesty, I'd jump at the chance. Yet somehow I'd hate to leave hyar. I'd jest be fool enough to go sink the money in another ranch.”

“Would Don Carlos and these other Mexicans sell?”

“They sure would. The Don has been after me fer years, wantin' to sell thet old rancho of his; an' these herders in the valley with their stray cattle, they'd fall daid at sight of a little money.”

“Please tell me, Mr. Stillwell, exactly what you would do here if you had unlimited means?” went on Madeline.

“Good Lud!” ejaculated the rancher, and started so he dropped his pipe. Then with his clumsy huge fingers he refilled it, relighted it, took a few long pulls, puffed great clouds of smoke, and, squaring round, hands on his knees, he looked at Madeline with piercing intentness. His hard face began to relax and soften and wrinkle into a smile.

“Wal, Miss Majesty, it jest makes my old heart warm up to think of sich a thing. I dreamed a lot when I first come hyar. What would I do if I hed unlimited money? Listen. I'd buy out Don Carlos an' the Greasers. I'd give a job to every good cowman in this country. I'd make them prosper as I prospered myself. I'd buy all the good horses on the ranges. I'd fence twenty thousand acres of the best grazin'. I'd drill fer water in the valley. I'd pipe water down from the mountains. I'd dam up that draw out there. A mile-long dam from hill to hill would give me a big lake, an' hevin' an eye fer beauty, I'd plant cottonwoods around it. I'd fill that lake full of fish. I'd put in the biggest field of alfalfa in the South-west. I'd plant fruit-trees an' garden. I'd tear down them old corrals an' barns an' bunk-houses to build new ones. I'd make this old rancho some comfortable an' fine. I'd put in grass an' flowers all around an' bring young pine-trees down from the mountains. An' when all thet was done I'd sit in my chair an' smoke an' watch the cattle stringin' in fer water an' stragglin' back into the valley. An' I see the cowboys ridin' easy an' heah them singin' in their bunks. An' thet red sun out there wouldn't set on a happier man in the world than Bill Stillwell, last of the old cattlemen.”

Madeline thanked the rancher, and then rather abruptly retired to her room, where she felt no restraint to hide the force of that wonderful idea, now full-grown and tenacious and alluring.

Upon the next day, late in the afternoon, she asked Alfred if it would be safe for her to ride out to the mesa.

“I'll go with you,” he said, gaily.

“Dear fellow, I want to go alone,” she replied.

“Ah!” Alfred exclaimed, suddenly serious. He gave her just a quick glance, then turned away. “Go ahead. I think it's safe. I'll make it safe by sitting here with my glass and keeping an eye on you. Be careful coming down the trail. Let the horse pick his way. That's all.”

She rode Majesty across the wide flat, up the zigzag trail, across the beautiful grassy level to the far rim of the mesa, and not till then did she lift her eyes to face the southwest.

Madeline looked from the gray valley at her feet to the blue Sierra Madres, gold-tipped in the setting sun. Her vision embraced in that glance distance and depth and glory hitherto unrevealed to her. The gray valley sloped and widened to the black sentinel Chiricahuas, and beyond was lost in a vast corrugated sweep of earth, reddening down to the west, where a golden blaze lifted the dark, rugged mountains into bold relief. The scene had infinite beauty. But after Madeline's first swift, all-embracing flash of enraptured eyes, thought of beauty passed away. In that darkening desert there was something illimitable. Madeline saw the hollow of a stupendous hand; she felt a mighty hold upon her heart. Out of the endless space, out of silence and desolation and mystery and age, came slow-changing colored shadows, phantoms of peace, and they whispered to Madeline. They whispered that it was a great, grim, immutable earth; that time was eternity; that life was fleeting. They whispered for her to be a woman; to love some one before it was too late; to love any one, every one; to realize the need of work, and in doing it to find happiness.

She rode back across the mesa and down the trail, and, once more upon the flat, she called to the horse and made him run. His spirit seemed to race with hers. The wind of his speed blew her hair from its fastenings. When he thundered to a halt at the porch steps Madeline, breathless and disheveled, alighted with the mass of her hair tumbling around her.

Alfred met her, and his exclamation, and Florence's rapt eyes shining on her face, and Stillwell's speechlessness made her self-conscious. Laughing, she tried to put up the mass of hair.

“I must—look a—fright,” she panted.

“Wal, you can say what you like,” replied the old cattleman, “but I know what I think.”

Madeline strove to attain calmness.

“My hat—and my combs—went on the wind. I thought my hair would go, too.... There is the evening star.... I think I am very hungry.”

And then she gave up trying to be calm, and likewise to fasten up her hair, which fell again in a golden mass.

“Mr. Stillwell,” she began, and paused, strangely aware of a hurried note, a deeper ring in her voice. “Mr. Stillwell, I want to buy your ranch—to engage you as my superintendent. I want to buy Don Carlos's ranch and other property to the extent, say, of fifty thousand acres. I want you to buy horses and cattle—in short, to make all those improvements which you said you had so long dreamed of. Then I have ideas of my own, in the development of which I must have your advice and Alfred's. I intend to better the condition of those poor Mexicans in the valley. I intend to make life a little more worth living for them and for the cowboys of this range. To-morrow we shall talk it all over, plan all the business details.”

Madeline turned from the huge, ever-widening smile that beamed down upon her and held out her hands to her brother.

“Alfred, strange, is it not, my coming out to you? Nay, don't smile. I hope I have found myself—my work—my happiness—here under the light of that western star.”