Thursday, 13 January 2022

Thursday's Serial: "Sonny, a Christmas Guest" by Ruth McEnery Stuart (in English) - I

TO MY SON

STIRLING McENERY STUART

 

SONNY

A CHRISTMAS GUEST

A boy, you say, doctor? An' she don't know it yet? Then what 're you tellin' me for? No, sir—take it away. I don't want to lay my eyes on it till she's saw it—not if I am its father. She's its mother, I reckon!

Better lay it down somew'eres an' go to her—not there on the rockin'-cheer, for somebody to set on—'n' not on the trunk, please. That ain't none o' yo' ord'nary new-born bundles, to be dumped on a box that'll maybe be opened sudden d'rec'ly for somethin' needed, an' be dropped ag'in' the wall-paper behind it.

It's hers, whether she knows it or not. Don't, for gracious sakes, lay 'im on the table! Anybody knows that's bad luck.

You think it might bother her on the bed? She's that bad? An' they ain't no fire kindled in the settin'-room, to lay it in there.

S-i-r? Well, yas, I—I reck'n I'll haf to hold it, ef you say so—that is—of co'se—

Wait, doctor! Don't let go of it yet! Lordy! but I'm thess shore to drop it! Lemme set down first, doctor, here by the fire an' git het th'ugh. Not yet! My ol' shin-bones stan' up thess like a pair o' dog-irons. Lemme bridge 'em over first 'th somethin' soft. That'll do. She patched that quilt herself. Hold on a minute, 'tel I git the aidges of it under my ol' boots, to keep it f'om saggin' down in the middle.

There, now! Merciful goodness, but I never! I'd rather trus' myself with a whole playin' fountain in blowed glass'n sech ez this.

Stoop down there, doctor, please, sir, an' shove the end o' this quilt a leetle further under my foot, won't you? Ef it was to let up sudden, I wouldn't have no more lap 'n what any other fool man's got.

'N' now—you go to her.

I'd feel a heap safeter ef this quilt was nailed to the flo' on each side o'my legs. They're trimblin' so I dunno what minute my feet'll let go their holt.

An' she don't know it yet! An' he layin' here, dressed up in all the little clo'es she sewed! She mus' be purty bad. I dunno, though; maybe that's gen'ally the way.

They're keepin' mighty still in that room. Blessed ef I don't begin to feel 'is warmth in my ol' knee-bones! An' he's a-breathin' thess ez reg'lar ez that clock, on'y quicker. Lordy! An' she don't know it yet! An' he a boy! He taken that after the Joneses; we've all been boys in our male branch. When that name strikes, seem like it comes to stay. Now for a girl—

Wonder if he ain't covered up mos' too close-t. Seem like he snuffles purty loud—for a beginner.

Doctor! oh, doctor! I say, doctor!

Strange he don't hear—'n' I don't like to holler no louder. Wonder ef she could be worse? Ef I could thess reach somethin' to knock with! I daresn't lif' my foot, less'n the whole business'd fall through.

Oh, doc'! Here he comes now—Doctor, I say, don't you think maybe he's covered up too—

How's she, doctor? "Thess the same," you say? 'n' she don't know yet—about him? "In a couple o' hours," you say? Well, don't lemme keep you, doctor. But, tell me, don't you think maybe he's covered up a leetle too close-t?

That's better. An' now I've saw him befo' she did! An' I didn't want to, neither.

Poor leetle, teenchy, weenchy bit of a thing! Ef he ain't the very littlest! Lordy, Lordy, Lordy! But I s'pose all thet's needed in a baby is a startin'-p'int big enough to hol' the fam'ly ch'racteristics. I s'pose maybe he is, but the po' little thing mus' feel sort o' scrouged with 'em, ef he's got 'em all—the Joneses' an' the Simses'. Seem to me he favors her a little thess aroun' the mouth.

An' she don't know it yet!

Lord! But my legs ache like ez if they was bein' wrenched off. I've got 'em on sech a strain, somehow. An' he on'y a half hour ol', an' two hours mo' 'fo' I can budge! Lord, Lord! how will I stand it!

God bless 'im! Doc! He's a-sneezin'! Come quick! Shore ez I'm here, he snez twice-t!

Don't you reckon you better pile some mo' wood on the fire an'—

What's that you say? "Fetch 'im along"? An' has she ast for 'im? Bless the Lord! I say. But a couple of you 'll have to come help me loosen up 'fo' I can stir, doctor.

Here, you stan' on that side the quilt, whiles I stir my foot to the flo' where it won't slip—an' Dicey—where's that nigger Dicey? You Dicey, come on here, an' tromp on the other side o' this bedquilt till I h'ist yo' young marster up on to my shoulder.

No, you don't take 'im, neither. I'll tote 'im myself.

Now, go fetch a piller till I lay 'im on it. That's it. And now git me somethin' stiff to lay the piller on. There! That lapboa'd 'll do. Why didn't I think about that befo'? It's a heap safeter 'n my ole knee-j'ints. Now, I've got 'im secure. Wait, doctor—hold on! I'm afeered you 'll haf to ca'y 'im in to her, after all. I'll cry ef I do it. I'm trimblin' like ez ef I had a'ager, thess a-startin' in with 'im—an seein' me give way might make her nervious. You take 'im to her, and lemme come in sort o' unconcerned terreckly, after she an' him've kind o' got acquainted. Dast you hold 'im that-a-way, doctor, 'thout no support to 'is spinal colume? I s'pose he is too sof' to snap, but I wouldn't resk it. Reckon I can slip in the other do' where she won't see me, an' view the meetin'.

Yas; I 'm right here, honey! (The idea o' her a-callin' for me—an' him in 'er arms!) I 'm right here, honey—mother! Don't min' me a-cryin'! I'm all broke up, somehow; but don't you fret. I 'm right here by yo' side on my knees, in pure thankfulness.

Bless His name, I say! You know he's a boy, don't yer? I been a holdin' 'im all day—'t least ever sence they dressed 'im, purty nigh a' hour ago. An' he's slep'—an' waked up—an' yawned—an' snez—an' wunk—an' sniffed—'thout me sayin' a word. Opened an' shet his little fist, once-t, like ez ef he craved to shake hands, howdy! He cert'n'y does perform 'is functions wonderful.

Yas, doctor; I'm a-comin', right now.

 

Go to sleep now, honey, you an' him, an' I'll be right on the spot when needed. Lemme whisper to her thess a minute, doctor?

I thess want to tell you, honey, thet you never, even in yo' young days, looked ez purty to my eyes ez what you do right now. An' that boy is yo' boy, an' I ain't a-goin' to lay no mo' claim to 'im 'n to see thet you have yo' way with 'im—you hear? An' now good night, honey, an' go to sleep.

 

* * *

They wasn't nothin' lef for me to do but to come out here in this ol' woodshed where nobody wouldn't see me ac' like a plumb baby.

An' now, seem like I can't git over it! The idee o' me, fifty year ol', actin' like this!

An' she knows it! An' she's got 'im—a boy—layin' in the bed 'longside 'er.

"Mother an' child doin' well!" Lord, Lord! How often I've heerd that said! But it never give me the all-overs like it does now, some way.

Guess I'll gether up a' armful o' wood, an' try to act unconcerned—an' laws-a-mercy me! Ef—to-day—ain't—been—Christmas! My! my! my! An' it come an' gone befo' I remembered!

I'll haf to lay this wood down ag'in an' think.

I've had many a welcome Christmas gif' in my life, but the idee o' the good Lord a-timin' this like that!

Christmas! An' a boy! An' she doin' well!

No wonder that ol' turkey-gobbler sets up on them rafters blinkin' at me so peaceful! He knows he's done passed a critical time o' life.

You've done crossed another bridge safe-t, ol' gobbly, an' you can afford to blink—an' to set out in the clair moonlight, 'stid o' roostin' back in the shadders, same ez you been doin'.

You was to 've died by ax-ident las' night, but the new visitor thet's dropped in on us ain't cut 'is turkey teeth yet, an' his mother—

Lord, how that name sounds! Mother! I hardly know 'er by it, long ez I been tryin' to fit it to 'er—an' fearin' to, too, less'n somethin' might go wrong with either one.

I even been callin' him "it" to myself all along, so 'feerd thet ef I set my min' on either the "he" or the "she" the other one might take a notion to come—an' I didn't want any disappointment mixed in with the arrival.

But now he's come,—an' registered, ez they say at the polls,—I know I sort o' counted on the boy, some way.

Lordy! but he's little! Ef he hadn't 'a' showed up so many of his functions spontaneous, I'd be oneasy less'n he mightn't have 'em; but they're there! Bless goodness, they're there!

An' he snez prezac'ly, for all the world, like my po' ol' pap—a reg'lar little cat sneeze, thess like all the Joneses.

Well, Mr. Turkey, befo' I go back into the house, I'm a-goin' to make you a solemn promise.

You go free till about this time next year, anyhow. You an' me'll celebrate the birthday between ourselves with that contrac'. You needn't git oneasy Thanksgivin', or picnic-time, or Easter, or no other time 'twixt this an' nex' Christmas—less'n, of co'se, you stray off an' git stole.

An' this here reprieve, I want you to understand, is a present from the junior member of this firm.

Lord! but I'm that tickled! This here wood ain't much needed in the house,—the wood-boxes 're all full,—but I can't devise no other excuse for vacatin'—thess at this time.

S'pose I might gether up some eggs out 'n the nestes, but it'd look sort o' flighty to go egg-huntin' here at midnight—an' he not two hours ol'.

I dunno, either, come to think; she might need a new-laid egg—sof b'iled. Reckon I'll take a couple in my hands—an' one or two sticks o' wood—an' I'll draw a bucket o' water too—an' tote that in.

Goodness! but this back yard is bright ez day! Goin' to be a clair, cool night—moon out, full an' white. Ef this ain't the stillest stillness!

Thess sech a night, for all the world, I reckon, ez the first Christmas, when He come—

 

When shepherds watched their flocks by night,

  All seated on the ground,

The angel o' the Lord come down,

  An' glory shone around—

 

thess like the hymn says.

The whole o' this back yard is full o' glory this minute. Th' ain't nothin' too low down an' mean for it to shine on, neither—not even the well-pump or the cattle-trough—'r the pig-pen—or even me.

Thess look at me, covered over with it! An' how it does shine on the roof o' the house where they lay—her an' him!

I suppose that roof has shined that-a-way frosty nights 'fo' to-night; but some way I never seemed to see it.

Don't reckon the creakin' o' this windlass could disturb her—or him.

Reckon I might go turn a little mo' cotton-seed in the troughs for them cows—an' put some extry oats out for the mules an' the doctor's mare—an' onchain Rover, an' let 'im stretch 'is legs a little. I'd like everything on the place to know he's come, an' to feel the diff'ence.

Well, now I'll load up—an' I do hope nobody won't notice the redic'lousness of it.

You say she's asleep, doctor, an' th' ain't nothin' mo' needed to be did—an' yo' 're goin'!

Don't, for gracious sakes! go, doctor, an' leave me! I wont know what on top o' the round earth to do, ef—ef—You know she—she might wake up—or he!

You say Dicey she knows. But she's on'y a nigger, doctor. Yes; I know she's had exper'ence with the common run o' babies, but—

Lemme go an' set down this bucket, an' lay this stick o' wood on the fire, an' put these eggs down, so's I can talk to you free-handed.

Step here to the do', doctor. I say, doc, ef it's a question o' the size o' yo' bill, you can make it out to suit yo'self—or, I'll tell you what I'll do. You stay right along here a day or so—tell to-morrer or nex' day, anyhow—an' I'll sen' you a whole bale o' cotton—an' you can sen' back any change you see fit—or none—or none, I say. Or, ef you'd ruther take it out in pertaters an' corn an' sorghum, thess say so, an' how much of each.

But what? "It wouldn't be right? Th' ain't no use," you say? An' you'll shore come back to-morrer? Well. But, by the way, doctor, did you know to-day was Christmas? Of co'se I might've knew you did—but I never. An' now it seems to me like Christmas, an' Fo'th o' July, an' "Hail Columbia, happy lan'," all b'iled down into one big jubilee!

But tell me, doctor, confidential—sh!—step here a leetle further back—tell me, don't you think he's to say a leetle bit undersized? Speak out, ef he is.

Wh—how'd you say? "Mejum," eh? Thess mejum! An' they do come even littler yet? An' you say mejum babies're thess ez liable to turn out likely an' strong ez over-sizes, eh? Mh-hm! Well, I reckon you know—an' maybe the less they have to contend with at the start the better.

Oh, thanky, doctor! Don't be afeered o' wrenchin' my wris'! A thousand thankies! Yo' word for it, he's a fine boy! An' you've inspected a good many, an' of co'se you know—yas, yas! Shake ez hard ez you like—up an' down—up an' down!

An' now I'll go git yo' horse—an' don't ride 'er too hard to-night, 'cause I've put a double po'tion of oats in her trough awhile ago. The junior member he give instructions that everything on the place was to have a' extry feed to-night—an' of co'se I went and obeyed orders.

Now—'fo' you start, doctor—I ain't got a thing stronger 'n raspberry corjal in the house—but ef you'll drink a glass o' that with me? (Of co'se he will!)

She made this 'erself, doctor—picked the berries an' all—an' I raised the little sugar thet's in it. Well, good-night, doctor! To-morrer, shore!

Sh-h!

How that do'-latch does click! Thess like thunder!

Sh-h! Dicey, you go draw yo' pallet close-t outside the do', an' lay down—an' I'll set here by the fire an' keep watch.

How my ol' stockin'-feet do tromp! Do lemme hurry an' set down! Seem like this room's awful rackety, the fire a-poppin' an' tumblin', an' me breathin' like a porpoise. Even the clock ticks ez excited ez I feel. Wonder how they sleep through it all! But they do. He beats her a-snorin' a'ready, blest ef he don't! Wonder ef he knows he's born into the world, po' little thing! I reckon not; but they's no tellin'. Maybe that's the one thing the good Lord gives 'em to know, so's they'll realize what to begin to study about—theirselves an' the world—how to fight it an' keep friends with it at the same time. Ef I could giggle an' sigh both at once-t, seem like I'd be relieved. Somehow I feel sort o' tight 'roun' the heart—an' wide awake an'—

How that clock does travel—an' how they all keep time, he—an' she—an' it—an' me—an' the fire roa'in' up the chimbley, playin' a tune all around us like a' organ, an' he—an' she—an' he—an' it—an' he—an'—

Blest ef I don't hear singing—an' how white the moonlight is! They's angels all over the house—-an' their robes is breshin' the roof whilst they sing—

His head had fallen. He was dreaming.

 

THE BOY

Here's the doctor, now! Hello, Doc, come right in! Here's yo' patient, settin' up on the po'ch, big ez life; but when we sent for you this mornin' it seemed thess hit an' miss whether he'd come thoo or not.

Thess the same sort o' spells he's had all along, doctor,—seems you can't never see 'im in one,—all brought on by us a-crossin' 'im. His gran'ma insisted on hidin' the clock when he wanted it; but I reckon she'll hardly resk it ag'in, she's that skeert. He's been settin' on the flo' there thess the way you see 'im now, with that clock in his lap, all mornin'.

Of co'se it thess took him about ten minutes to bu'st all the little things his gran'ma give him to play with, 'n' then he nachelly called for the clock; 'n' when she wasn't forthcomin' immejate, why, he thess stiffened out in a spell.

Of co'se we put the timepiece into his hands quick ez we could onclinch 'em, an' sent for you. But quick ez he see the clock, he come thoo. But you was already gone for, then.

His gran'ma she got considerable fretted because he's broke off the long han' o' the clock; but I don't see much out o' the way about that. Ef a person thess remembers thet the long han' is the short han'—why, 't ain't no trouble.

An' she does make 'im so contented an' happy! Thess look at his face, now! What is the face-vally of a clock, I like to know, compared to that?

But of co'se the ol' lady she's gettin' on in years, and then she's my wife's mother, which makes her my direc' mother-in-law; an' so I'm slow to conterdic' anything she says, an' I guess her idees o' regulatin' childern—not to say clocks—is sort o' diff'rent to wife's an' mine. She goes in for reg'lar discipline, same ez she got an' survived in her day; an' of co'se, ez Sonny come to her ez gran'son the same day he was born to us ez plain son, we never like to lift our voices ag'in anything she says.

She loves him thess ez well ez we do, only on a diff'rent plan. She give him the only spankin' he's ever had—an' the only silver cup.

Even wife an' me we had diff'rent idees on the subjec' o' Sonny's raisin'; but somehow, in all our ca'culations, we never seemed to realize that he'd have idees.

Why, that two-year-old boy settin' there regulatin' that clock warn't no mo' 'n to say a pink spot on the piller 'fo' he commenced to set fo'th his idees, and he ain't never backed down on no principle thet he set fo'th, to this day.

For example, wife an' me, why, we argued back an' fo'th consider'ble on the subjec' of his meal-hours, ez you might say, she contendin' for promiskyus refreshment an' me for schedule time.

This, of co'se, was thess projeckin' 'fo' the new boa'der ac-chilly arrived, He not bein' here yet, we didn't have much to do but speculate about him. Lookin' back'ards now, it seems to me we couldn't'a' had nothin' to do, day or night, 'fo' he come.

But, ez I was sayin', she was for meals at all hours, an' I was for the twenty-minutes-for-refreshment plan, an' we discussed it consider'ble, me always knowin', but never lettin' on, thet of co'se she, havin' what you might call a molopoly on the restaurant, could easy have things her own way, ef she'd choose.

But, sir, from the time he looked over that bill o' fare an' put his finger on what he'd have, an' when, that boy ain't never failed to call for it, an' get it, day 'r night.

But, talkin' 'bout the clock, it did seem funny for him to keep her goin' 'thout no key.

But somehow he'd work it thet that alarm 'd go off in the dead hours o' night, key or no key, an' her an' me we'd jump out o' bed like ez ef we was shot; and do you b'lieve thet that baby, not able to talk, an' havin' on'y half 'is teeth, he ain't never failed to wake up an' roa' out a-laughin' ever' time that clock 'd go off in the night!

Why, sir, it's worked on me so, sometimes, thet I've broke out in a col' sweat, an' set up the balance o' the night—an' I ain't to say high-strung, neither.

No, sir, we ain't never named 'im yet. Somehow, we don't seem to be able to confine ourselves to no three or four names for 'im, for so we thess decided to let it run along so—he thess goin' by the name o' "Sonny" tell sech a time ez he sees fit to name 'isself.

Of co'se I sort o' ca'culate on him takin' the "Junior," an' lettin' me tack a capital "S" an' a little "r" to my name 'fo' I die; which would nachelly call attention to him direc' eve'y time I'd sign my signature.

Deuteronomy Jones ain't to say a purty name, maybe; but it's scriptu'al—so far ez my parents could make it. Of co'se the Jones—well, they couldn't help that no mo' 'n I can help it, or Sonny, or his junior, thet, of co'se, may never be called on to appear in the flesh, Sonny not bein' quite thoo with his stomach-teeth yet, an' bein' subject to croup, both of which has snapped off many a fam'ly tree fore to-day. But I reckon the Joneses ain't suffered much that a-way. I doubt ef any of 'em has ever left 'thout passin' the name on—not knowin' positive, but thess jedgin'. None o' mine ain't, I know, leastwise none of my direc' ancestors—they couldn't have, an' me here, an' Sonny.

Don't jump, doctor! That's the supper-bell. 'Tis purty loud, but that's on account o' my mother-in-law. She's stone-deef—can't hear thunder; but I told wife thet I thought we owed it to her to do the best we could to reach her, and I had that bell made a-purpose.

Now, some men they'd slight a mother-in-law like that, an' maybe ring a dummy at her; but that's thess where I differ. I don't forget where I get my benefits, an' ef it hadn't 'a' been for her, the family circle o' Deuteronomy Jones would be quite diff'rent to what it is. She's handed down some of Sonny's best traits to him, too.

I don't say she give him his hearin', less'n she give 'm all she had—which, of co'se, I'm thess a-jokin', which is a sin, an' her stone-deef, and Sonny thess come thoo a death-spell!

Me havin' that extry sized bell made thess out of respects to her tickled her mightily.

Come along, Sonny! He heerd the bell, an' he knows what it means. That's right—fetch the clock along.

Sonny's cheer is toler'ble low, an' he's took a notion to set on the clock mealtimes. I thess lay 'er face down'ards in his cheer, 'n' I don't know ez it hurts her any; 'n' then it saves the dictionary, too.

She did strike that a-way one day, and Sonny was so tickled he purty near choked on a batter-cake, he laughed so. He has broke sev'ral casters tryin' to jostle her into doin' it again, but somehow she won't. Seem like a clock kin be about ez contrary ez anything else, once't git her back up.

He got so worked up over her not strikin' that a-way one day thet he stiffened out in a spell, then an' there.

You say they ain't apt to be fatal, doctor—them spells!

Well—but you ain't never saw him in one yet. They're reg'lar death-spells, doctor.

Tell you the truth, they was the 'casion of us j'inin' the church, them spells was.

Says I to wife—standin' beside him one day, and he black in the face—says I, "Wife," says I, "I reckon you an' me better try to live mo' righteously 'n what we've been doin', or he'll be took from us." An', sir, the very nex' communion we both up an' perfessed. An' I started sayin' grace at table, an' lef' off the on'y cuss-word I ever did use, which was "durn." An', maybe I oughtn't to say it, but I miss that word yet. I didn't often call on it, but I always knowed 't was there when needed, and it backed me up, somehow—thess the way knowin' I had a frock-coat in the press has helped me wear out ol' clo'es. I ain't never had on that frock-coat sence I was married in it seventeen year ago; but, sir, ever sence I've knew the moths had chawed it up, th' ain't been a day but I've felt shabby.

Sir? Yas, sir; we've waited a long time. It's seventeen year, come this spring, sence we married. Our first child could easy 'a' been sixteen year ol', 'stid o' two, ef Sonny'd come on time, but he ain't never been known to hurry hisself. But it does look like, with seventeen year for reflection, an' nothin' to do but study up other folks's mistakes with their childern, we ought to be able to raise him right. Wife an' me we fully agree upon one p'int, 'n' that is, thet mo' childern 'r' sp'iled thoo bein' crossed an' hindered 'n any other way. Why, sir, them we 've see' grow up roun' this country hev been fed on daily rations of "dont's!" an' "stops!" an' "quits!"—an' most of 'em brought up by hand at that!

An' so, ez I say, we don't never cross Sonny, useless. Of co'se when he's been sick we have helt his little nose an' insisted on things; but I reckon we 've made it up to him afterwards, so's he wouldn't take it amiss.

Oh, yas, sir; he called me "daddy" hisself, 'n' I never learned it to him, neither. I was layin' out to learn 'im to say "papa" to me, in time; but I 'lowed I 'd hol' back tell he called her name first. Seemed like that was her right, somehow, after all thet had passed 'twixt him an' her; an' in all her baby-talk to him I took notice she'd bring the "mama" in constant.

So of co'se I laid low, hopin' some day he 'd ketch it—an' he did. He wasn't no mo' 'n 'bout three months ol' when he said it; 'n' then, 'fo' I could ketch my breath, hardly, an put in my claim, what does he do but square aroun', an', lookin' at me direc', say "dada!" thess like that.

There's the secon' bell, doctor. 'Sh! Don't ring no mo', Dicey! We're a-comin'!

At the first bell the roller-towel an' basin gen'ally holds a reception; but to-day bein' Sunday—

What? Can't stay? But you must. Quick ez Sonny come thoo this mornin', wife took to the kitchen, 'cause, she says, says she, "Likely ez not the doctor 'll miss his dinner on the road, 'n' I 'll turn in with Dicey an' see thet he makes it up on supper."

"Eat an' run?" Why not, I like to know? Come on out. Wife's at the roller-towel now, and she 'll be here in a minute.

Come on, Sonny. Let "dada" tote the clock for you. No? Wants to tote 'er hisself? Well, he shall, too.

But befo' we go out, doc, say that over ag'in, please.

Yas, I understan'. Quick ez he's took with a spell, you say, th'ow col' water in his face, an' "never min' ef he cries"!

I'll try it, doctor; but, 'twixt me an' you, I doubt ef anybody on the lot'll have the courage to douse 'im. Maybe we might call in somebody passin', an' git them to do it. But for the rest,—the bath an' the mustard,—of co'se it shall be did correct. You see, the trouble hez always been thet befo' we could git any physic measured out, he come thoo.

Many's the time that horse hez been saddled to sen' for you befo' to-day. He thess happened to get out o' sight to-day when Sonny seemed to feel the clock in his hands, an' he come thoo 'thout us givin' him anything but the clock—an' it external.

Walk out, doctor.

Wednesday, 12 January 2022

Good Reading: Letter from Oscar Wilde to Bernulf Clegg (in English)

    16, TITE STREET,

    CHELSEA. S.W.

 

    My dear Sir

 

    Art is useless because its aim is simply to create a mood. It is not meant to instruct, or to influence action in any way. It is superbly sterile, and the note of its pleasure is sterility. If the contemplation of a work of art is followed by activity of any kind, the work is either of a very second-rate order, or the spectator has failed to realise the complete artistic impression.

    A work of art is useless as a flower is useless. A flower blossoms for its own joy. We gain a moment of joy by looking at it. That is all that is to be said about our relations to flowers. Of course man may sell the flower, and so make it useful to him, but this has nothing to do with the flower. It is not part of its essence. It is accidental. It is a misuse. All this is I fear very obscure. But the subject is a long one.

 

    Truly yours,

 

Oscar Wilde

Tuesday, 11 January 2022

Tuesday's Serials: "The Epic of Hades" by Lewis Morris (in English) - I

TO ALL

WHO LOVE THE LITERATURE OF GREECE

THIS POEM IS DEDICATED

By the Author.

 

 BOOK I - TARTARUS.

 THE EPIC OF HADES.

 

In February, when the dawn was slow,

And winds lay still, I gazed upon the fields

Which stretched before me, lifeless, and the stream

Which laboured in the distance to the sea,

Sullen and cold. No force of fancy took

My thought to bloomy June, when all the land

Lay deep in crested grass, and through the dew

The landrail brushed, and the lush banks were set

With strawberries, and the hot noise of bees

Lulled the bright flowers. Rather I seemed to move

Thro' that weird land, Hellenic fancy feigned,

Beyond the fabled river and the bark

Of Charon; and forthwith on every side

Rose the thin throng of ghosts.

                                                   First thro' the gloom

Of a dark grove I strayed—a sluggish wood,

Where scarce the faint fires of the setting stars,

Or some cold gleam of half-discovered dawn,

Might pierce the darkling pines. A twilight drear

Brooded o'er all the depths, and filled the dank

And sunken hollows of the rocks with shapes

Of terror,—beckoning hands and noiseless feet

Flitting from shade to shade, wide eyes that stared

With horror, and dumb mouths which seemed to cry,

Yet cried not. An ineffable despair

Hung over them and that dark world and took

The gazer captive, and a mingled pang

Of grief and anger, grown to fierce revolt

And hatred of the Invisible Force which holds

The issue of our lives and binds us fast

Within the net of Fate; as the fisher takes

The little quivering sea-things from the sea

And flings them gasping on the beach to die

Then spreads his net for more. And then again

I knew myself and those, creatures who lie

Safe in the strong grasp of Unchanging Law,

Encompassed round by hands unseen, and chains

Which do support the feeble life that else

Were spent on barren space; and thus I came

To look with less of horror, more of thought,

And bore to see the sight of pain that yet

Should grow to healing, when the concrete stain

Of life and act were purged, and the cleansed soul,

Renewed by the slow wear and waste of time,

Soared after æons of days.

                                                    They seemed alone,

Those prisoners, thro' all time. Each soul shut fast

In its own jail of woe, apart, alone,

For evermore alone; no thought of kin,

Or kindly human glance, or fellowship

Of suffering or of sin, made light the load

Of solitary pain. Ay, though they walked

Together, or were prisoned in one cell

With the partners of their wrong, or with strange souls

Which the same Furies tore, they knew them not,

But suffered still alone; as in that shape

Of hell fools build on earth, where hopeless sin

Rots slow in solitude, nor sees the face

Of men, nor hears the sound of speech, nor feels

The touch of human hand, but broods a ghost,

Hating the bare blank cell—the other self,

Which brought it thither—hating man and God,

And all that is or has been.

 

 

TANTALUS

                                                  A great fear

And pity froze my blood, who seemed to see

A half-remembered form.

                                                An Eastern King

It was who lay in pain. He wore a crown

Upon his aching brow, and his white robe

Was jewelled with fair gems of price, the signs

Of pomp and honour and all luxury,

Which might prevent desire. But as I looked

There came a hunger in the gloating eyes,

A quenchless thirst upon the parching lips,

And such unsatisfied strainings in the hands

Stretched idly forth on what I could not see,

Some fatal food of fancy; that I knew

The undying worm of sense, which frets and gnaws

The unsatisfied stained soul.

                                               Seeing me, he said:

"What? And art thou too damned as I? Dost know

This thirst as I, and see as I the cool

Lymph drawn from thee and mock thy lips; and parch

For ever in continual thirst; and mark

The fair fruit offered to thy hunger fade

Before thy longing eyes? I thought there was

No other as I thro' all the weary lengths

Of Time the gods have made, who pined so long

And found fruition mock him.

                                                    Long ago,

When I was young on earth, 'twas a sweet pain

To ride all day in the long chase, and feel

Toil and the summer fire my blood and parch

My lips, while in my father's halls I knew

The cool bath waited, with its marble floor;

And juices from the ripe fruits pressed, and chilled

With snows from far-off peaks; and troops of slaves;

And music and the dance; and fair young forms.

And dalliance, and every joy of sense,

That haunts the dreams of youth, which strength and ease

Corrupt, and vacant hours. Ay, it was sweet

For a while to plunge in these, as fair boys plunge

Naked in summer streams, all veil of shame

Laid by, only the young dear body bathed

And sunk in its delight, while the firm earth,

The soft green pastures gay with innocent flowers,

Or sober harvest fields, show like a dream;

And nought is left, but the young life which floats

Upon the depths of death, to sink, maybe,

And drown in pleasure, or rise at length grown wise

And gain the abandoned shore.

                                                    Ah, but at last

The swift desire waxed stronger and more strong,

And feeding on itself, grows tyrannous;

And the parched soul no longer finds delight

In the cool stream of old; nay, this itself,

Smitten by the fire of sense as by a flame,

Holds not its coolness more; and fevered limbs,

Seeking the fresh tides of their youth, may find

No more refreshment, but a cauldron fired

With the fires of nether hell; and a black rage

Usurps the soul, and drives it on to slake

Its thirst with crime and blood.

                                                   Longing Desire!

Unsatisfied, sick, impotent Desire!

Oh, I have known it ages long. I knew

Its pain on earth ere yet my life had grown

To its full stature, thro' the weary years

Of manhood, nay, in age itself; I knew

The quenchless weary thirst, unsatisfied

By all the charms of sense, by wealth and power

And homage; always craving, never quenched—

The undying curse of the soul! The ministers

And agents of my will drave far and wide

Through all the land for me, seeking to find

Fresh pleasures for me, who had spent my sum

Of pleasure, and had power, not even in thought,

Nor faculty to enjoy. They tore apart

The sacred claustral doors of home for me,

Defiled the inviolate hearth for me, laid waste

The flower of humble lives, in hope to heal

The sickly fancies of the king, till rose

A cry of pain from all the land; and I

Grew happier for it, since I held the power

To quench desire in blood.

                                                But even thus

The old pain faded not, but swift again

Revived; and thro' the sensual dull lengths

Of my seraglios I stalked, and marked

The glitter of the gems, the precious webs

Plundered from every clime by cruel wars

That strewed the sands with corpses; lovely eyes

That looked no look of love, and fired no more

Thoughts of the flesh; rich meats, and fruits, and wines

Grown flat and savourless; and loathed them all,

And only cared for power; content to shed

Rivers of innocent blood, if only thus

I might appease my thirst. Until I grew

A monster gloating over blood and pain.

Ah, weary, weary days, when every sense

Was satisfied, and nothing left to slake

The parched unhappy soul, except to watch

The writhing limbs and mark the slow blood drip,

Drop after drop, as the life ebbed with it;

In a new thrill of lust, till blood itself

Palled on me, and I knew the fiend I was,

Yet cared not—I who was, brief years ago,

Only a careless boy lapt round with ease,

Stretched by the soft and stealing tide of sense

Which now grew red; nor ever dreamed at all

What Furies lurked beneath it, but had shrunk

In indolent horror from the sight of tears

And misery, and felt my inmost soul

Sicken with the thought of blood. There comes a time

When the insatiate brute within the man,

Weary with wallowing in the mire, leaps forth

Devouring, and the cloven satyr-hoof

Grows to the rending claw, and the lewd leer

To the horrible fanged snarl, and the soul sinks

And leaves the man a devil, all his sin

Grown savourless, and yet he longs to sin

And longs in vain for ever.

                                               Yet, methinks,

It was not for the gods to leave me thus.

I stinted not their worship, building shrines

To all of them; the Goddess of Love I served

With hecatombs, letting the fragrant fumes

Of incense and the costly steam ascend

From victims year by year; nay, my own son

Pelops, my best beloved, I gave to them

Offering, as he must offer who would gain

The great gods' grace, my dearest.

                                                              I had gained

Through long and weary orgies that strange sense

Of nothingness and wasted days which blights

The exhausted life, bearing upon its front

Counterfeit knowledge, when the bitter ash

Of Evil, which the sick soul loathes, appears

Like the pure fruit of Wisdom. I had grown

As wizards seem, who mingle sensual rites

And forms impure with murderous spells and dark

Enchantments; till the simple people held

My very weakness wisdom, and believed

That in my blood-stained palace-halls, withdrawn,

I kept the inner mysteries of Zeus

And knew the secret of all Being; who was

A sick and impotent wretch, so sick, so tired,

That even bloodshed palled.

                                                   For my stained soul,

Knowing its sin, hastened to purge itself

With every rite and charm which the dark lore

Of priestcraft offered to it. Spells obscene,

The blood of innocent babes, sorceries foul

Muttered at midnight—these could occupy

My weary days; till all my people shrank

To see me, and the mother clasped her child

Who heard the monster pass.

                                                      They would not hear.

They listened not—the cold ungrateful gods—

For all my supplications; nay, the more

I sought them were they hidden.

                                                           At the last

A dark voice whispered nightly: 'Thou, poor wretch,

That art so sick and impotent, thyself

The source of all thy misery, the great gods

Ask a more precious gift and excellent

Than alien victims which thou prizest not

And givest without a pang. But shouldst thou take

Thy costliest and fairest offering,

'Twere otherwise. The life which thou hast given

Thou mayst recall. Go, offer at the shrine

Thy best belovèd Pelops, and appease

Zeus and the averted gods, and know again

The youth and joy of yore.'

                                                Night after night,

While all the halls were still, and the cold stars

Were fading into dawn, I lay awake

Distraught with warring thoughts, my throbbing brain

Filled with that dreadful voice. I had not shrunk

From blood, but this, the strong son of my youth—

How should I dare this thing? And all day long

I would steal from sight of him and men, and fight

Against the dreadful thought, until the voice

Seared all my burning brain, and clamoured, 'Kill!

Zeus bids thee, and be happy.' Then I rose

At midnight, when the halls were still, and raised

The arras, and stole soft to where my son

Lay sleeping. For one moment on his face

And stalwart limbs I gazed, and marked the rise

And fall of his young breast, and the soft plume

Which drooped upon his brow, and felt a thrill

Of yearning; but the cold voice urging me

Burned me like fire. Three times I gazed and turned

Irresolute, till last it thundered at me,

'Strike, fool! thou art in hell; strike, fool! and lose

The burden of thy chains.' Then with slow step

I crept as creeps the tiger on the deer,

Raised high my arm, shut close my eyes, and plunged

My dagger in his heart.

                                          And then, with a flash,

The veil fell downward from my life and left

Myself to me—the daily sum of sense—

The long continual trouble of desire—

The stain of blood blotting the stain of lust—

The weary foulness of my days, which wrecked

My heart and brain, and left me at the last

A madman and accursèd; and I knew,

Far higher than the sensual slope which held

The gods whom erst I worshipped, a white peak

Of Purity, and a stern voice pealing doom—

Not the mad voice of old—which pierced so deep

Within my life, that with the reeking blade

Wet with the heart's blood of my child I smote

My guilty heart in twain.

                                             Ah! fool, to dream

That the long stain of time might fade and merge

In one poor chrism of blood. They taught of yore,

My priests who flattered me—nor knew at all

The greater God I know, who sits afar

Beyond those earthly shapes, passionless, pure,

And awful as the Dawn—that the gods cared

For costly victims, drinking in the steam

Of sacrifice when the choice hecatombs

Were offered for my wrong. Ah no! there is

No recompense in these, nor any charm

To cleanse the stain of sin, but the long wear

Of suffering, when the soul which seized too much

Of pleasure here, grows righteous by the pain[20]

That doth redress its ill. For what is Right

But equipoise of Nature, alternating

The Too Much and Too Little? Not on earth

The salutary silent forces work

Their final victory, but year on year

Passes, and age on age, and leaves the debt

Unsatisfied, while the o'erburdened soul

Unloads itself in pain.

                                         Therefore it is

I suffer as I suffered ere swift death

Set me not free, no otherwise; and yet

There comes a healing purpose in my pain

I never knew on earth; nor ever here

The once-loved evil grows, only the tale

Of penalties grown greater hourly dwarfs

The accomplished sum of wrong. And yet desire

Pursues me still—sick, impotent desire,

Fiercer than that of earth.

                                                We are ourselves

Our heaven and hell, the joy, the penalty,

The yearning, the fruition. Earth is hell

Or heaven, and yet not only earth; but still,

After the swift soul leaves the gates of death,

The pain grows deeper and less mixed, the joy

Purer and less alloyed, and we are damned

Or blest, as we have lived."

                                                   He ceased, with a wail

Like some complaining wind among the pines

Or pent among the fretful ocean caves,

A sick, sad sound.

                                Then as I looked, I saw

His eyes glare horribly, his dry parched lips

Open, his weary hands stretch idly forth

As if to clutch the air—infinite pain

And mockery of hope. "Seest thou them now?"

He said. "I thirst, I parch, I famish, yet

They still elude me, fair and tempting fruit

And cooling waters. Now they come again.

See, they are in my grasp, they are at my lips,

Now I shall quench me. Nay, again they fly

And mock me. Seest thou them, or am I shut

From hope for ever, hungering, thirsting still,

A madman and in Hell?"

                                            And as I passed

In horror, his large eyes and straining hands

Froze all my soul with pity.

Saturday, 8 January 2022

Excellent Readings: Sonnet LXXXV by William Shakespeare (in English)

My tongue-tied Muse in manners holds her still,
While comments of your praise richly compiled,
Reserve thy character with golden quill,
And precious phrase by all the Muses filed.
I think good thoughts, whilst others write good words,
And like unlettered clerk still cry 'Amen'
To every hymn that able spirit affords,
In polished form of well-refined pen.
Hearing you praised, I say ''tis so, 'tis true,'
And to the most of praise add something more;
But that is in my thought, whose love to you,
Though words come hindmost, holds his rank before.
   Then others, for the breath of words respect,
   Me for my dumb thoughts, speaking in effect.

Friday, 7 January 2022

Friday's Sung Word: "Mardade de Cabocla" by Noel Rosa (in Portuguese)

 No arraiá do Bom Jesus
A gente vê uma cruz
Que chama logo atenção
Quem fincou foi siá Chiquita
A caboca mais bonita
Que pisou no meu sertão

Essa moça era querida
Que por ela davam a vida
Os cabocos do rincão
Dois home se apaixonaram
E um dia quando se oiaram
Tiveram a mesma intenção

Tendo duas viola apostada
E também a namorada
Lá na festa do arraiá
Zé Simão indignou-se
Nos repentes intrapaiou-se
Perdeu pro Chico Ganzá

Perdendo a viola amada
E também a namorada
Não disse mais nada, não
Foi manhãzinha encontrado
Com um punhá bem enterrado
Pro riba do coração

 You can listen "Mardade de Cabocla"sung by José Souza Pinto here.