Thursday, 3 April 2025

Thursday's Serial: “The Importance of Being Earnest: A Trivial Comedy for Serious People” by Oscar Wilde (in English) - II

 

SECOND ACT

SCENE - Garden at the Manor House. A flight of grey stone steps leads up to the house. The garden, an old-fashioned one, full of roses. Time of year, July. Basket chairs, and a table covered with books, are set under a large yew-tree.

[Miss Prism discovered seated at the table. Cecily is at the back watering flowers.]

MISS PRISM - [Calling.] Cecily, Cecily! Surely such a utilitarian occupation as the watering of flowers is rather Moulton’s duty than yours? Especially at a moment when intellectual pleasures await you. Your German grammar is on the table. Pray open it at page fifteen. We will repeat yesterday’s lesson.

CECILY - [Coming over very slowly.] But I don’t like German. It isn’t at all a becoming language. I know perfectly well that I look quite plain after my German lesson.

MISS PRISM - Child, you know how anxious your guardian is that you should improve yourself in every way. He laid particular stress on your German, as he was leaving for town yesterday. Indeed, he always lays stress on your German when he is leaving for town.

CECILY - Dear Uncle Jack is so very serious! Sometimes he is so serious that I think he cannot be quite well.

MISS PRISM - [Drawing herself up.] Your guardian enjoys the best of health, and his gravity of demeanour is especially to be commended in one so comparatively young as he is. I know no one who has a higher sense of duty and responsibility.

CECILY - I suppose that is why he often looks a little bored when we three are together.

MISS PRISM - Cecily! I am surprised at you. Mr. Worthing has many troubles in his life. Idle merriment and triviality would be out of place in his conversation. You must remember his constant anxiety about that unfortunate young man his brother.

CECILY - I wish Uncle Jack would allow that unfortunate young man, his brother, to come down here sometimes. We might have a good influence over him, Miss Prism. I am sure you certainly would. You know German, and geology, and things of that kind influence a man very much. [Cecily begins to write in her diary.]

MISS PRISM - [Shaking her head.] I do not think that even I could produce any effect on a character that according to his own brother’s admission is irretrievably weak and vacillating. Indeed I am not sure that I would desire to reclaim him. I am not in favour of this modern mania for turning bad people into good people at a moment’s notice. As a man sows so let him reap. You must put away your diary, CECILY -  I really don’t see why you should keep a diary at all.

CECILY - I keep a diary in order to enter the wonderful secrets of my life. If I didn’t write them down, I should probably forget all about them.

MISS PRISM - Memory, my dear Cecily, is the diary that we all carry about with us.

CECILY - Yes, but it usually chronicles the things that have never happened, and couldn’t possibly have happened. I believe that Memory is responsible for nearly all the three-volume novels that Mudie sends us.

MISS PRISM - Do not speak slightingly of the three-volume novel, CECILY -  I wrote one myself in earlier days.

CECILY - Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don’t like novels that end happily. They depress me so much.

MISS PRISM - The good ended happily, and the bad unhappily. That is what Fiction means.

CECILY - I suppose so. But it seems very unfair. And was your novel ever published?

MISS PRISM - Alas! no. The manuscript unfortunately was abandoned. [Cecily starts.] I use the word in the sense of lost or mislaid. To your work, child, these speculations are profitless.

CECILY - [Smiling.] But I see dear Dr. Chasuble coming up through the garden.

MISS PRISM - [Rising and advancing.] Dr. Chasuble! This is indeed a pleasure.

[Enter Canon Chasuble.]

CHASUBLE - And how are we this morning? Miss Prism, you are, I trust, well?

CECILY - Miss Prism has just been complaining of a slight headache. I think it would do her so much good to have a short stroll with you in the Park, Dr. Chasuble.

MISS PRISM - Cecily, I have not mentioned anything about a headache.

CECILY - No, dear Miss Prism, I know that, but I felt instinctively that you had a headache. Indeed I was thinking about that, and not about my German lesson, when the Rector came in.

CHASUBLE - I hope, Cecily, you are not inattentive.

CECILY - Oh, I am afraid I am.

CHASUBLE - That is strange. Were I fortunate enough to be Miss Prism’s pupil, I would hang upon her lips. [Miss Prism glares.] I spoke metaphorically.—My metaphor was drawn from bees. Ahem! Mr. Worthing, I suppose, has not returned from town yet?

MISS PRISM - We do not expect him till Monday afternoon.

CHASUBLE - Ah yes, he usually likes to spend his Sunday in London. He is not one of those whose sole aim is enjoyment, as, by all accounts, that unfortunate young man his brother seems to be. But I must not disturb Egeria and her pupil any longer.

MISS PRISM - Egeria? My name is Lætitia, Doctor.

CHASUBLE - [Bowing.] A classical allusion merely, drawn from the Pagan authors. I shall see you both no doubt at Evensong?

MISS PRISM - I think, dear Doctor, I will have a stroll with you. I find I have a headache after all, and a walk might do it good.

CHASUBLE - With pleasure, Miss Prism, with pleasure. We might go as far as the schools and back.

MISS PRISM - That would be delightful. Cecily, you will read your Political Economy in my absence. The chapter on the Fall of the Rupee you may omit. It is somewhat too sensational. Even these metallic problems have their melodramatic side.

[Goes down the garden with Dr. Chasuble.]

CECILY - [Picks up books and throws them back on table.] Horrid Political Economy! Horrid Geography! Horrid, horrid German!

[Enter Merriman with a card on a salver.]

MERRIMAN - Mr. Ernest Worthing has just driven over from the station. He has brought his luggage with him.

CECILY - [Takes the card and reads it.] ‘Mr. Ernest Worthing, B. 4, The Albany, W.’ Uncle Jack’s brother! Did you tell him Mr. Worthing was in town?

MERRIMAN - Yes, Miss. He seemed very much disappointed. I mentioned that you and Miss Prism were in the garden. He said he was anxious to speak to you privately for a moment.

CECILY - Ask Mr. Ernest Worthing to come here. I suppose you had better talk to the housekeeper about a room for him.

MERRIMAN - Yes, Miss.

[Merriman goes off.]

CECILY - I have never met any really wicked person before. I feel rather frightened. I am so afraid he will look just like every one else.

[Enter Algernon, very gay and debonnair.] He does!

ALGERNON - [Raising his hat.] You are my little cousin Cecily, I’m sure.

CECILY - You are under some strange mistake. I am not little. In fact, I believe I am more than usually tall for my age. [Algernon is rather taken aback.] But I am your cousin CECILY -  You, I see from your card, are Uncle Jack’s brother, my cousin Ernest, my wicked cousin Ernest.

ALGERNON - Oh! I am not really wicked at all, cousin CECILY -  You mustn’t think that I am wicked.

CECILY - If you are not, then you have certainly been deceiving us all in a very inexcusable manner. I hope you have not been leading a double life, pretending to be wicked and being really good all the time. That would be hypocrisy.

ALGERNON - [Looks at her in amazement.] Oh! Of course I have been rather reckless.

CECILY - I am glad to hear it.

ALGERNON - In fact, now you mention the subject, I have been very bad in my own small way.

CECILY - I don’t think you should be so proud of that, though I am sure it must have been very pleasant.

ALGERNON - It is much pleasanter being here with you.

CECILY - I can’t understand how you are here at all. Uncle Jack won’t be back till Monday afternoon.

ALGERNON - That is a great disappointment. I am obliged to go up by the first train on Monday morning. I have a business appointment that I am anxious . . . to miss?

CECILY - Couldn’t you miss it anywhere but in London?

ALGERNON - No: the appointment is in London.

CECILY - Well, I know, of course, how important it is not to keep a business engagement, if one wants to retain any sense of the beauty of life, but still I think you had better wait till Uncle Jack arrives. I know he wants to speak to you about your emigrating.

ALGERNON - About my what?

CECILY - Your emigrating. He has gone up to buy your outfit.

ALGERNON - I certainly wouldn’t let Jack buy my outfit. He has no taste in neckties at all.

CECILY - I don’t think you will require neckties. Uncle Jack is sending you to Australia.

ALGERNON - Australia! I’d sooner die.

CECILY - Well, he said at dinner on Wednesday night, that you would have to choose between this world, the next world, and Australia.

ALGERNON - Oh, well! The accounts I have received of Australia and the next world, are not particularly encouraging. This world is good enough for me, cousin CECILY -

CECILY - Yes, but are you good enough for it?

ALGERNON - I’m afraid I’m not that. That is why I want you to reform me. You might make that your mission, if you don’t mind, cousin CECILY -

CECILY - I’m afraid I’ve no time, this afternoon.

ALGERNON - Well, would you mind my reforming myself this afternoon?

CECILY - It is rather Quixotic of you. But I think you should try.

ALGERNON - I will. I feel better already.

CECILY - You are looking a little worse.

ALGERNON - That is because I am hungry.

CECILY - How thoughtless of me. I should have remembered that when one is going to lead an entirely new life, one requires regular and wholesome meals. Won’t you come in?

ALGERNON - Thank you. Might I have a buttonhole first? I never have any appetite unless I have a buttonhole first.

CECILY - A Marechal Niel? [Picks up scissors.]

ALGERNON - No, I’d sooner have a pink rose.

CECILY - Why? [Cuts a flower.]

ALGERNON - Because you are like a pink rose, Cousin CECILY -

CECILY - I don’t think it can be right for you to talk to me like that. Miss Prism never says such things to me.

ALGERNON - Then Miss Prism is a short-sighted old lady. [Cecily puts the rose in his buttonhole.] You are the prettiest girl I ever saw.

CECILY - Miss Prism says that all good looks are a snare.

ALGERNON - They are a snare that every sensible man would like to be caught in.

CECILY - Oh, I don’t think I would care to catch a sensible man. I shouldn’t know what to talk to him about.

[They pass into the house. Miss Prism and Dr. Chasuble return.]

MISS PRISM - You are too much alone, dear Dr. Chasuble. You should get married. A misanthrope I can understand—a womanthrope, never!

CHASUBLE - [With a scholar’s shudder.] Believe me, I do not deserve so neologistic a phrase. The precept as well as the practice of the Primitive Church was distinctly against matrimony.

MISS PRISM - [Sententiously.] That is obviously the reason why the Primitive Church has not lasted up to the present day. And you do not seem to realise, dear Doctor, that by persistently remaining single, a man converts himself into a permanent public temptation. Men should be more careful; this very celibacy leads weaker vessels astray.

CHASUBLE - But is a man not equally attractive when married?

MISS PRISM - No married man is ever attractive except to his wife.

CHASUBLE - And often, I’ve been told, not even to her.

MISS PRISM - That depends on the intellectual sympathies of the woman. Maturity can always be depended on. Ripeness can be trusted. Young women are green. [Dr. Chasuble starts.] I spoke horticulturally. My metaphor was drawn from fruits. But where is Cecily?

CHASUBLE - Perhaps she followed us to the schools.

[Enter Jack slowly from the back of the garden. He is dressed in the deepest mourning, with crape hatband and black gloves.]

MISS PRISM - Mr. Worthing!

CHASUBLE - Mr. Worthing?

MISS PRISM - This is indeed a surprise. We did not look for you till Monday afternoon.

JACK - [Shakes Miss Prism’s hand in a tragic manner.] I have returned sooner than I expected. Dr. Chasuble, I hope you are well?

CHASUBLE - Dear Mr. Worthing, I trust this garb of woe does not betoken some terrible calamity?

JACK - My brother.

MISS PRISM - More shameful debts and extravagance?

CHASUBLE - Still leading his life of pleasure?

JACK - [Shaking his head.] Dead!

CHASUBLE - Your brother Ernest dead?

JACK - Quite dead.

MISS PRISM - What a lesson for him! I trust he will profit by it.

CHASUBLE - Mr. Worthing, I offer you my sincere condolence. You have at least the consolation of knowing that you were always the most generous and forgiving of brothers.

JACK - Poor Ernest! He had many faults, but it is a sad, sad blow.

CHASUBLE - Very sad indeed. Were you with him at the end?

JACK - No. He died abroad; in Paris, in fact. I had a telegram last night from the manager of the Grand Hotel.

CHASUBLE - Was the cause of death mentioned?

JACK - A severe chill, it seems.

MISS PRISM - As a man sows, so shall he reap.

CHASUBLE - [Raising his hand.] Charity, dear Miss Prism, charity! None of us are perfect. I myself am peculiarly susceptible to draughts. Will the interment take place here?

JACK - No. He seems to have expressed a desire to be buried in Paris.

CHASUBLE - In Paris! [Shakes his head.] I fear that hardly points to any very serious state of mind at the last. You would no doubt wish me to make some slight allusion to this tragic domestic affliction next Sunday. [Jack presses his hand convulsively.] My sermon on the meaning of the manna in the wilderness can be adapted to almost any occasion, joyful, or, as in the present case, distressing. [All sigh.] I have preached it at harvest celebrations, christenings, confirmations, on days of humiliation and festal days. The last time I delivered it was in the Cathedral, as a charity sermon on behalf of the Society for the Prevention of Discontent among the Upper Orders. The Bishop, who was present, was much struck by some of the analogies I drew.

JACK - Ah! that reminds me, you mentioned christenings I think, Dr. Chasuble? I suppose you know how to christen all right? [Dr. Chasuble looks astounded.] I mean, of course, you are continually christening, aren’t you?

MISS PRISM - It is, I regret to say, one of the Rector’s most constant duties in this parish. I have often spoken to the poorer classes on the subject. But they don’t seem to know what thrift is.

CHASUBLE - But is there any particular infant in whom you are interested, Mr. Worthing? Your brother was, I believe, unmarried, was he not?

JACK - Oh yes.

MISS PRISM - [Bitterly.] People who live entirely for pleasure usually are.

JACK - But it is not for any child, dear Doctor. I am very fond of children. No! the fact is, I would like to be christened myself, this afternoon, if you have nothing better to do.

CHASUBLE - But surely, Mr. Worthing, you have been christened already?

JACK - I don’t remember anything about it.

CHASUBLE - But have you any grave doubts on the subject?

JACK - I certainly intend to have. Of course I don’t know if the thing would bother you in any way, or if you think I am a little too old now.

CHASUBLE - Not at all. The sprinkling, and, indeed, the immersion of adults is a perfectly canonical practice.

JACK - Immersion!

CHASUBLE - You need have no apprehensions. Sprinkling is all that is necessary, or indeed I think advisable. Our weather is so changeable. At what hour would you wish the ceremony performed?

JACK - Oh, I might trot round about five if that would suit you.

CHASUBLE - Perfectly, perfectly! In fact I have two similar ceremonies to perform at that time. A case of twins that occurred recently in one of the outlying cottages on your own estate. Poor Jenkins the carter, a most hard-working man.

JACK - Oh! I don’t see much fun in being christened along with other babies. It would be childish. Would half-past five do?

CHASUBLE - Admirably! Admirably! [Takes out watch.] And now, dear Mr. Worthing, I will not intrude any longer into a house of sorrow. I would merely beg you not to be too much bowed down by grief. What seem to us bitter trials are often blessings in disguise.

MISS PRISM - This seems to me a blessing of an extremely obvious kind.

[Enter Cecily from the house.]

CECILY - Uncle Jack! Oh, I am pleased to see you back. But what horrid clothes you have got on! Do go and change them.

MISS PRISM - Cecily!

CHASUBLE - My child! my child! [Cecily goes towards Jack; he kisses her brow in a melancholy manner.]

CECILY - What is the matter, Uncle Jack? Do look happy! You look as if you had toothache, and I have got such a surprise for you. Who do you think is in the dining-room? Your brother!

JACK - Who?

CECILY - Your brother Ernest. He arrived about half an hour ago.

JACK - What nonsense! I haven’t got a brother.

CECILY - Oh, don’t say that. However badly he may have behaved to you in the past he is still your brother. You couldn’t be so heartless as to disown him. I’ll tell him to come out. And you will shake hands with him, won’t you, Uncle Jack? [Runs back into the house.]

CHASUBLE - These are very joyful tidings.

MISS PRISM - After we had all been resigned to his loss, his sudden return seems to me peculiarly distressing.

JACK - My brother is in the dining-room? I don’t know what it all means. I think it is perfectly absurd.

[Enter Algernon and Cecily hand in hand. They come slowly up to JACK - ]

JACK - Good heavens! [Motions Algernon away.]

ALGERNON - Brother John, I have come down from town to tell you that I am very sorry for all the trouble I have given you, and that I intend to lead a better life in the future. [Jack glares at him and does not take his hand.]

CECILY - Uncle Jack, you are not going to refuse your own brother’s hand?

JACK - Nothing will induce me to take his hand. I think his coming down here disgraceful. He knows perfectly well why.

CECILY - Uncle Jack, do be nice. There is some good in every one. Ernest has just been telling me about his poor invalid friend Mr. Bunbury whom he goes to visit so often. And surely there must be much good in one who is kind to an invalid, and leaves the pleasures of London to sit by a bed of pain.

JACK - Oh! he has been talking about Bunbury, has he?

CECILY - Yes, he has told me all about poor Mr. Bunbury, and his terrible state of health.

JACK - Bunbury! Well, I won’t have him talk to you about Bunbury or about anything else. It is enough to drive one perfectly frantic.

ALGERNON - Of course I admit that the faults were all on my side. But I must say that I think that Brother John’s coldness to me is peculiarly painful. I expected a more enthusiastic welcome, especially considering it is the first time I have come here.

CECILY - Uncle Jack, if you don’t shake hands with Ernest I will never forgive you.

JACK - Never forgive me?

CECILY - Never, never, never!

JACK - Well, this is the last time I shall ever do it. [Shakes with Algernon and glares.]

CHASUBLE - It’s pleasant, is it not, to see so perfect a reconciliation? I think we might leave the two brothers together.

MISS PRISM - Cecily, you will come with us.

CECILY - Certainly, Miss Prism. My little task of reconciliation is over.

CHASUBLE - You have done a beautiful action to-day, dear child.

MISS PRISM - We must not be premature in our judgments.

CECILY - I feel very happy. [They all go off except Jack and ALGERNON - ]

JACK - You young scoundrel, Algy, you must get out of this place as soon as possible. I don’t allow any Bunburying here.

[Enter MERRIMAN - ]

MERRIMAN - I have put Mr. Ernest’s things in the room next to yours, sir. I suppose that is all right?

JACK - What?

MERRIMAN - Mr. Ernest’s luggage, sir. I have unpacked it and put it in the room next to your own.

JACK - His luggage?

MERRIMAN - Yes, sir. Three portmanteaus, a dressing-case, two hat-boxes, and a large luncheon-basket.

ALGERNON - I am afraid I can’t stay more than a week this time.

JACK - Merriman, order the dog-cart at once. Mr. Ernest has been suddenly called back to town.

MERRIMAN - Yes, sir. [Goes back into the house.]

ALGERNON - What a fearful liar you are, Jack -  I have not been called back to town at all.

JACK - Yes, you have.

ALGERNON - I haven’t heard any one call me.

JACK - Your duty as a gentleman calls you back.

ALGERNON - My duty as a gentleman has never interfered with my pleasures in the smallest degree.

JACK - I can quite understand that.

ALGERNON - Well, Cecily is a darling.

JACK - You are not to talk of Miss Cardew like that. I don’t like it.

ALGERNON - Well, I don’t like your clothes. You look perfectly ridiculous in them. Why on earth don’t you go up and change? It is perfectly childish to be in deep mourning for a man who is actually staying for a whole week with you in your house as a guest. I call it grotesque.

JACK - You are certainly not staying with me for a whole week as a guest or anything else. You have got to leave . . . by the four-five train.

ALGERNON - I certainly won’t leave you so long as you are in mourning. It would be most unfriendly. If I were in mourning you would stay with me, I suppose. I should think it very unkind if you didn’t.

JACK - Well, will you go if I change my clothes?

ALGERNON - Yes, if you are not too long. I never saw anybody take so long to dress, and with such little result.

JACK - Well, at any rate, that is better than being always over-dressed as you are.

ALGERNON - If I am occasionally a little over-dressed, I make up for it by being always immensely over-educated.

JACK - Your vanity is ridiculous, your conduct an outrage, and your presence in my garden utterly absurd. However, you have got to catch the four-five, and I hope you will have a pleasant journey back to town. This Bunburying, as you call it, has not been a great success for you.

[Goes into the house.]

ALGERNON - I think it has been a great success. I’m in love with Cecily, and that is everything. [Enter Cecily at the back of the garden. She picks up the can and begins to water the flowers.] But I must see her before I go, and make arrangements for another Bunbury. Ah, there she is.

CECILY - Oh, I merely came back to water the roses. I thought you were with Uncle JACK -

ALGERNON - He’s gone to order the dog-cart for me.

CECILY - Oh, is he going to take you for a nice drive?

ALGERNON - He’s going to send me away.

CECILY - Then have we got to part?

ALGERNON - I am afraid so. It’s a very painful parting.

CECILY - It is always painful to part from people whom one has known for a very brief space of time. The absence of old friends one can endure with equanimity. But even a momentary separation from anyone to whom one has just been introduced is almost unbearable.

ALGERNON - Thank you.

[Enter MERRIMAN - ]

MERRIMAN - The dog-cart is at the door, sir. [Algernon looks appealingly at CECILY - ]

CECILY - It can wait, Merriman for . . . five minutes.

MERRIMAN - Yes, Miss. [Exit MERRIMAN - ]

ALGERNON - I hope, Cecily, I shall not offend you if I state quite frankly and openly that you seem to me to be in every way the visible personification of absolute perfection.

CECILY - I think your frankness does you great credit, Ernest. If you will allow me, I will copy your remarks into my diary. [Goes over to table and begins writing in diary.]

ALGERNON - Do you really keep a diary? I’d give anything to look at it. May I?

CECILY - Oh no. [Puts her hand over it.] You see, it is simply a very young girl’s record of her own thoughts and impressions, and consequently meant for publication. When it appears in volume form I hope you will order a copy. But pray, Ernest, don’t stop. I delight in taking down from dictation. I have reached ‘absolute perfection’. You can go on. I am quite ready for more.

ALGERNON - [Somewhat taken aback.] Ahem! Ahem!

CECILY - Oh, don’t cough, Ernest. When one is dictating one should speak fluently and not cough. Besides, I don’t know how to spell a cough. [Writes as Algernon speaks.]

ALGERNON - [Speaking very rapidly.] Cecily, ever since I first looked upon your wonderful and incomparable beauty, I have dared to love you wildly, passionately, devotedly, hopelessly.

CECILY - I don’t think that you should tell me that you love me wildly, passionately, devotedly, hopelessly. Hopelessly doesn’t seem to make much sense, does it?

ALGERNON - Cecily!

[Enter MERRIMAN - ]

MERRIMAN - The dog-cart is waiting, sir.

ALGERNON - Tell it to come round next week, at the same hour.

MERRIMAN - [Looks at Cecily, who makes no sign.] Yes, sir.

[Merriman retires.]

CECILY - Uncle Jack would be very much annoyed if he knew you were staying on till next week, at the same hour.

ALGERNON - Oh, I don’t care about Jack -  I don’t care for anybody in the whole world but you. I love you, Cecily-  You will marry me, won’t you?

CECILY - You silly boy! Of course. Why, we have been engaged for the last three months.

ALGERNON - For the last three months?

CECILY - Yes, it will be exactly three months on Thursday.

ALGERNON - But how did we become engaged?

CECILY - Well, ever since dear Uncle Jack first confessed to us that he had a younger brother who was very wicked and bad, you of course have formed the chief topic of conversation between myself and Miss Prism. And of course a man who is much talked about is always very attractive. One feels there must be something in him, after all. I daresay it was foolish of me, but I fell in love with you, Ernest.

ALGERNON - Darling! And when was the engagement actually settled?

CECILY - On the 14th of February last. Worn out by your entire ignorance of my existence, I determined to end the matter one way or the other, and after a long struggle with myself I accepted you under this dear old tree here. The next day I bought this little ring in your name, and this is the little bangle with the true lover’s knot I promised you always to wear.

ALGERNON - Did I give you this? It’s very pretty, isn’t it?

CECILY - Yes, you’ve wonderfully good taste, Ernest. It’s the excuse I’ve always given for your leading such a bad life. And this is the box in which I keep all your dear letters. [Kneels at table, opens box, and produces letters tied up with blue ribbon.]

ALGERNON - My letters! But, my own sweet Cecily, I have never written you any letters.

CECILY - You need hardly remind me of that, Ernest. I remember only too well that I was forced to write your letters for you. I wrote always three times a week, and sometimes oftener.

ALGERNON - Oh, do let me read them, Cecily?

CECILY - Oh, I couldn’t possibly. They would make you far too conceited. [Replaces box.] The three you wrote me after I had broken off the engagement are so beautiful, and so badly spelled, that even now I can hardly read them without crying a little.

ALGERNON - But was our engagement ever broken off?

CECILY - Of course it was. On the 22nd of last March. You can see the entry if you like. [Shows diary.] ‘To-day I broke off my engagement with Ernest. I feel it is better to do so. The weather still continues charming.’

ALGERNON - But why on earth did you break it off? What had I done? I had done nothing at all. Cecily, I am very much hurt indeed to hear you broke it off. Particularly when the weather was so charming.

CECILY - It would hardly have been a really serious engagement if it hadn’t been broken off at least once. But I forgave you before the week was out.

ALGERNON - [Crossing to her, and kneeling.] What a perfect angel you are, Cecily -

CECILY - You dear romantic boy. [He kisses her, she puts her fingers through his hair.] I hope your hair curls naturally, does it?

ALGERNON - Yes, darling, with a little help from others.

CECILY - I am so glad.

ALGERNON - You’ll never break off our engagement again, Cecily?

CECILY - I don’t think I could break it off now that I have actually met you. Besides, of course, there is the question of your name.

ALGERNON - Yes, of course. [Nervously.]

CECILY - You must not laugh at me, darling, but it had always been a girlish dream of mine to love some one whose name was Ernest. [Algernon rises, Cecily also.] There is something in that name that seems to inspire absolute confidence. I pity any poor married woman whose husband is not called Ernest.

ALGERNON - But, my dear child, do you mean to say you could not love me if I had some other name?

CECILY - But what name?

ALGERNON - Oh, any name you like—Algernon—for instance . . .

CECILY - But I don’t like the name of Algernon -

ALGERNON - Well, my own dear, sweet, loving little darling, I really can’t see why you should object to the name of Algernon -  It is not at all a bad name. In fact, it is rather an aristocratic name. Half of the chaps who get into the Bankruptcy Court are called Algernon -  But seriously, Cecily . . . [Moving to her] . . . if my name was Algy, couldn’t you love me?

CECILY - [Rising.] I might respect you, Ernest, I might admire your character, but I fear that I should not be able to give you my undivided attention.

ALGERNON - Ahem! Cecily! [Picking up hat.] Your Rector here is, I suppose, thoroughly experienced in the practice of all the rites and ceremonials of the Church?

CECILY - Oh, yes. Dr. Chasuble is a most learned man. He has never written a single book, so you can imagine how much he knows.

ALGERNON - I must see him at once on a most important christening—I mean on most important business.

CECILY - Oh!

ALGERNON - I shan’t be away more than half an hour.

CECILY - Considering that we have been engaged since February the 14th, and that I only met you to-day for the first time, I think it is rather hard that you should leave me for so long a period as half an hour. Couldn’t you make it twenty minutes?

ALGERNON - I’ll be back in no time.

[Kisses her and rushes down the garden.]

CECILY - What an impetuous boy he is! I like his hair so much. I must enter his proposal in my diary.

[Enter MERRIMAN - ]

MERRIMAN - A Miss Fairfax has just called to see Mr. Worthing. On very important business, Miss Fairfax states.

CECILY - Isn’t Mr. Worthing in his library?

MERRIMAN - Mr. Worthing went over in the direction of the Rectory some time ago.

CECILY - Pray ask the lady to come out here; Mr. Worthing is sure to be back soon. And you can bring tea.

MERRIMAN -

Yes, Miss. [Goes out.]

CECILY - Miss Fairfax! I suppose one of the many good elderly women who are associated with Uncle Jack in some of his philanthropic work in London. I don’t quite like women who are interested in philanthropic work. I think it is so forward of them.

[Enter MERRIMAN - ]

MERRIMAN - Miss Fairfax.

[Enter GWENDOLEN - Exit MERRIMAN - ]

CECILY - [Advancing to meet her.] Pray let me introduce myself to you. My name is Cecily Cardew.

GWENDOLEN - Cecily Cardew? [Moving to her and shaking hands.] What a very sweet name! Something tells me that we are going to be great friends. I like you already more than I can say. My first impressions of people are never wrong.

CECILY - How nice of you to like me so much after we have known each other such a comparatively short time. Pray sit down.

GWENDOLEN - [Still standing up.] I may call you Cecily, may I not?

CECILY - With pleasure!

GWENDOLEN - And you will always call me Gwendolen, won’t you?

CECILY - If you wish.

GWENDOLEN - Then that is all quite settled, is it not?

CECILY - I hope so. [A pause. They both sit down together.]

GWENDOLEN - Perhaps this might be a favourable opportunity for my mentioning who I am. My father is Lord Bracknell. You have never heard of papa, I suppose?

CECILY - I don’t think so.

GWENDOLEN - Outside the family circle, papa, I am glad to say, is entirely unknown. I think that is quite as it should be. The home seems to me to be the proper sphere for the man. And certainly once a man begins to neglect his domestic duties he becomes painfully effeminate, does he not? And I don’t like that. It makes men so very attractive. Cecily, mamma, whose views on education are remarkably strict, has brought me up to be extremely short-sighted; it is part of her system; so do you mind my looking at you through my glasses?

CECILY - Oh! not at all, GWENDOLEN -  I am very fond of being looked at.

GWENDOLEN - [After examining Cecily carefully through a lorgnette.] You are here on a short visit, I suppose.

CECILY - Oh no! I live here.

GWENDOLEN - [Severely.] Really? Your mother, no doubt, or some female relative of advanced years, resides here also?

CECILY - Oh no! I have no mother, nor, in fact, any relations.

GWENDOLEN - Indeed?

CECILY - My dear guardian, with the assistance of Miss Prism, has the arduous task of looking after me.

GWENDOLEN - Your guardian?

CECILY - Yes, I am Mr. Worthing’s ward.

GWENDOLEN - Oh! It is strange he never mentioned to me that he had a ward. How secretive of him! He grows more interesting hourly. I am not sure, however, that the news inspires me with feelings of unmixed delight. [Rising and going to her.] I am very fond of you, Cecily; I have liked you ever since I met you! But I am bound to state that now that I know that you are Mr. Worthing’s ward, I cannot help expressing a wish you were—well, just a little older than you seem to be—and not quite so very alluring in appearance. In fact, if I may speak candidly—

CECILY - Pray do! I think that whenever one has anything unpleasant to say, one should always be quite candid.

GWENDOLEN - Well, to speak with perfect candour, Cecily, I wish that you were fully forty-two, and more than usually plain for your age. Ernest has a strong upright nature. He is the very soul of truth and honour. Disloyalty would be as impossible to him as deception. But even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less than Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.

CECILY - I beg your pardon, Gwendolen, did you say Ernest?

GWENDOLEN - Yes.

CECILY - Oh, but it is not Mr. Ernest Worthing who is my guardian. It is his brother—his elder brother.

GWENDOLEN - [Sitting down again.] Ernest never mentioned to me that he had a brother.

CECILY - I am sorry to say they have not been on good terms for a long time.

GWENDOLEN - Ah! that accounts for it. And now that I think of it I have never heard any man mention his brother. The subject seems distasteful to most men. Cecily, you have lifted a load from my mind. I was growing almost anxious. It would have been terrible if any cloud had come across a friendship like ours, would it not? Of course you are quite, quite sure that it is not Mr. Ernest Worthing who is your guardian?

CECILY - Quite sure. [A pause.] In fact, I am going to be his.

GWENDOLEN - [Inquiringly.] I beg your pardon?

CECILY - [Rather shy and confidingly.] Dearest Gwendolen, there is no reason why I should make a secret of it to you. Our little county newspaper is sure to chronicle the fact next week. Mr. Ernest Worthing and I are engaged to be married.

GWENDOLEN - [Quite politely, rising.] My darling Cecily, I think there must be some slight error. Mr. Ernest Worthing is engaged to me. The announcement will appear in the Morning Post on Saturday at the latest.

CECILY - [Very politely, rising.] I am afraid you must be under some misconception. Ernest proposed to me exactly ten minutes ago. [Shows diary.]

GWENDOLEN - [Examines diary through her lorgnettte carefully.] It is certainly very curious, for he asked me to be his wife yesterday afternoon at 5.30. If you would care to verify the incident, pray do so. [Produces diary of her own.] I never travel without my diary. One should always have something sensational to read in the train. I am so sorry, dear Cecily, if it is any disappointment to you, but I am afraid I have the prior claim.

CECILY - It would distress me more than I can tell you, dear Gwendolen, if it caused you any mental or physical anguish, but I feel bound to point out that since Ernest proposed to you he clearly has changed his mind.

GWENDOLEN - [Meditatively.] If the poor fellow has been entrapped into any foolish promise I shall consider it my duty to rescue him at once, and with a firm hand.

CECILY - [Thoughtfully and sadly.] Whatever unfortunate entanglement my dear boy may have got into, I will never reproach him with it after we are married.

GWENDOLEN - Do you allude to me, Miss Cardew, as an entanglement? You are presumptuous. On an occasion of this kind it becomes more than a moral duty to speak one’s mind. It becomes a pleasure.

CECILY - Do you suggest, Miss Fairfax, that I entrapped Ernest into an engagement? How dare you? This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.

GWENDOLEN - [Satirically.] I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.

[Enter Merriman, followed by the footman. He carries a salver, table cloth, and plate stand. Cecily is about to retort. The presence of the servants exercises a restraining influence, under which both girls chafe.]

MERRIMAN - Shall I lay tea here as usual, Miss?

CECILY - [Sternly, in a calm voice.] Yes, as usual. [Merriman begins to clear table and lay cloth. A long pause. Cecily and Gwendolen glare at each other.]

GWENDOLEN - Are there many interesting walks in the vicinity, Miss Cardew?

CECILY - Oh! yes! a great many. From the top of one of the hills quite close one can see five counties.

GWENDOLEN - Five counties! I don’t think I should like that; I hate crowds.

CECILY - [Sweetly.] I suppose that is why you live in town? [Gwendolen bites her lip, and beats her foot nervously with her parasol.]

GWENDOLEN - [Looking round.] Quite a well-kept garden this is, Miss Cardew.

CECILY - So glad you like it, Miss Fairfax.

GWENDOLEN - I had no idea there were any flowers in the country.

CECILY - Oh, flowers are as common here, Miss Fairfax, as people are in London.

GWENDOLEN - Personally I cannot understand how anybody manages to exist in the country, if anybody who is anybody does. The country always bores me to death.

CECILY - Ah! This is what the newspapers call agricultural depression, is it not? I believe the aristocracy are suffering very much from it just at present. It is almost an epidemic amongst them, I have been told. May I offer you some tea, Miss Fairfax?

GWENDOLEN - [With elaborate politeness.] Thank you. [Aside.] Detestable girl! But I require tea!

CECILY - [Sweetly.] Sugar?

GWENDOLEN - [Superciliously.] No, thank you. Sugar is not fashionable any more. [Cecily looks angrily at her, takes up the tongs and puts four lumps of sugar into the cup.]

CECILY - [Severely.] Cake or bread and butter?

GWENDOLEN - [In a bored manner.] Bread and butter, please. Cake is rarely seen at the best houses nowadays.

CECILY - [Cuts a very large slice of cake, and puts it on the tray.] Hand that to Miss Fairfax.

[Merriman does so, and goes out with footman. Gwendolen drinks the tea and makes a grimace. Puts down cup at once, reaches out her hand to the bread and butter, looks at it, and finds it is cake. Rises in indignation.]

GWENDOLEN - You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you have given me cake. I am known for the gentleness of my disposition, and the extraordinary sweetness of my nature, but I warn you, Miss Cardew, you may go too far.

CECILY - [Rising.] To save my poor, innocent, trusting boy from the machinations of any other girl there are no lengths to which I would not go.

GWENDOLEN - From the moment I saw you I distrusted you. I felt that you were false and deceitful. I am never deceived in such matters. My first impressions of people are invariably right.

CECILY - It seems to me, Miss Fairfax, that I am trespassing on your valuable time. No doubt you have many other calls of a similar character to make in the neighbourhood.

[Enter Jack - ]

GWENDOLEN - [Catching sight of him.] Ernest! My own Ernest!

JACK - Gwendolen! Darling! [Offers to kiss her.]

GWENDOLEN - [Draws back.] A moment! May I ask if you are engaged to be married to this young lady? [Points to CECILY - ]

JACK - [Laughing.] To dear little Cecily! Of course not! What could have put such an idea into your pretty little head?

GWENDOLEN - Thank you. You may! [Offers her cheek.]

CECILY - [Very sweetly.] I knew there must be some misunderstanding, Miss Fairfax. The gentleman whose arm is at present round your waist is my guardian, Mr. John Worthing.

GWENDOLEN - I beg your pardon?

CECILY - This is Uncle Jack -

GWENDOLEN - [Receding.] Jack! Oh!

[Enter Algernon - ]

CECILY - Here is Ernest.

ALGERNON - [Goes straight over to Cecily without noticing any one else.] My own love! [Offers to kiss her.]

CECILY - [Drawing back.] A moment, Ernest! May I ask you—are you engaged to be married to this young lady?

ALGERNON - [Looking round.] To what young lady? Good heavens! Gwendolen!

CECILY - Yes! to good heavens, Gwendolen, I mean to Gwendolen -

ALGERNON - [Laughing.] Of course not! What could have put such an idea into your pretty little head?

CECILY - Thank you. [Presenting her cheek to be kissed.] You may. [Algernon kisses her.]

GWENDOLEN - I felt there was some slight error, Miss Cardew. The gentleman who is now embracing you is my cousin, Mr. Algernon Moncrieff.

CECILY - [Breaking away from Algernon - ] Algernon Moncrieff! Oh! [The two girls move towards each other and put their arms round each other’s waists as if for protection.]

CECILY - Are you called Algernon?

ALGERNON - I cannot deny it.

CECILY - Oh!

GWENDOLEN - Is your name really John?

JACK - [Standing rather proudly.] I could deny it if I liked. I could deny anything if I liked. But my name certainly is John. It has been John for years.

CECILY - [To Gwendolen - ] A gross deception has been practised on both of us.

GWENDOLEN - My poor wounded Cecily!

CECILY - My sweet wronged Gwendolen!

GWENDOLEN - [Slowly and seriously.] You will call me sister, will you not? [They embrace. Jack and Algernon groan and walk up and down.]

CECILY - [Rather brightly.] There is just one question I would like to be allowed to ask my guardian.

GWENDOLEN - An admirable idea! Mr. Worthing, there is just one question I would like to be permitted to put to you. Where is your brother Ernest? We are both engaged to be married to your brother Ernest, so it is a matter of some importance to us to know where your brother Ernest is at present.

JACK - [Slowly and hesitatingly.] Gwendolen—Cecily—it is very painful for me to be forced to speak the truth. It is the first time in my life that I have ever been reduced to such a painful position, and I am really quite inexperienced in doing anything of the kind. However, I will tell you quite frankly that I have no brother Ernest. I have no brother at all. I never had a brother in my life, and I certainly have not the smallest intention of ever having one in the future.

CECILY - [Surprised.] No brother at all?

JACK - [Cheerily.] None!

GWENDOLEN - [Severely.] Had you never a brother of any kind?

JACK - [Pleasantly.] Never. Not even of any kind.

GWENDOLEN - I am afraid it is quite clear, Cecily, that neither of us is engaged to be married to any one.

CECILY - It is not a very pleasant position for a young girl suddenly to find herself in. Is it?

GWENDOLEN - Let us go into the house. They will hardly venture to come after us there.

CECILY - No, men are so cowardly, aren’t they?

[They retire into the house with scornful looks.]

JACK - This ghastly state of things is what you call Bunburying, I suppose?

ALGERNON - Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life.

JACK - Well, you’ve no right whatsoever to Bunbury here.

ALGERNON - That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.

JACK - Serious Bunburyist! Good heavens!

ALGERNON - Well, one must be serious about something, if one wants to have any amusement in life. I happen to be serious about Bunburying. What on earth you are serious about I haven’t got the remotest idea. About everything, I should fancy. You have such an absolutely trivial nature.

JACK - Well, the only small satisfaction I have in the whole of this wretched business is that your friend Bunbury is quite exploded. You won’t be able to run down to the country quite so often as you used to do, dear Algy. And a very good thing too.

ALGERNON - Your brother is a little off colour, isn’t he, dear Jack? You won’t be able to disappear to London quite so frequently as your wicked custom was. And not a bad thing either.

JACK - As for your conduct towards Miss Cardew, I must say that your taking in a sweet, simple, innocent girl like that is quite inexcusable. To say nothing of the fact that she is my ward.

ALGERNON - I can see no possible defence at all for your deceiving a brilliant, clever, thoroughly experienced young lady like Miss Fairfax. To say nothing of the fact that she is my cousin.

JACK - I wanted to be engaged to Gwendolen, that is all. I love her.

ALGERNON - Well, I simply wanted to be engaged to Cecily -  I adore her.

JACK - There is certainly no chance of your marrying Miss Cardew.

ALGERNON - I don’t think there is much likelihood, Jack, of you and Miss Fairfax being united.

JACK - Well, that is no business of yours.

ALGERNON - If it was my business, I wouldn’t talk about it. [Begins to eat muffins.] It is very vulgar to talk about one’s business. Only people like stock-brokers do that, and then merely at dinner parties.

JACK - How can you sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless.

ALGERNON - Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.

JACK - I say it’s perfectly heartless your eating muffins at all, under the circumstances.

ALGERNON - When I am in trouble, eating is the only thing that consoles me. Indeed, when I am in really great trouble, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins. [Rising.]

JACK - [Rising.] Well, that is no reason why you should eat them all in that greedy way. [Takes muffins from Algernon - ]

ALGERNON - [Offering tea-cake.] I wish you would have tea-cake instead. I don’t like tea-cake.

JACK - Good heavens! I suppose a man may eat his own muffins in his own garden.

ALGERNON - But you have just said it was perfectly heartless to eat muffins.

JACK - I said it was perfectly heartless of you, under the circumstances. That is a very different thing.

ALGERNON - That may be. But the muffins are the same. [He seizes the muffin-dish from Jack - ]

JACK - Algy, I wish to goodness you would go.

ALGERNON - You can’t possibly ask me to go without having some dinner. It’s absurd. I never go without my dinner. No one ever does, except vegetarians and people like that. Besides I have just made arrangements with Dr. Chasuble to be christened at a quarter to six under the name of Ernest.

JACK - My dear fellow, the sooner you give up that nonsense the better. I made arrangements this morning with Dr. Chasuble to be christened myself at 5.30, and I naturally will take the name of Ernest. Gwendolen would wish it. We can’t both be christened Ernest. It’s absurd. Besides, I have a perfect right to be christened if I like. There is no evidence at all that I have ever been christened by anybody. I should think it extremely probable I never was, and so does Dr. Chasuble. It is entirely different in your case. You have been christened already.

ALGERNON - Yes, but I have not been christened for years.

JACK - Yes, but you have been christened. That is the important thing.

ALGERNON - Quite so. So I know my constitution can stand it. If you are not quite sure about your ever having been christened, I must say I think it rather dangerous your venturing on it now. It might make you very unwell. You can hardly have forgotten that some one very closely connected with you was very nearly carried off this week in Paris by a severe chill.

JACK - Yes, but you said yourself that a severe chill was not hereditary.

ALGERNON - It usen’t to be, I know—but I daresay it is now. Science is always making wonderful improvements in things.

JACK - [Picking up the muffin-dish.] Oh, that is nonsense; you are always talking nonsense.

ALGERNON - Jack, you are at the muffins again! I wish you wouldn’t. There are only two left. [Takes them.] I told you I was particularly fond of muffins.

JACK - But I hate tea-cake.

ALGERNON - Why on earth then do you allow tea-cake to be served up for your guests? What ideas you have of hospitality!

JACK - Algernon! I have already told you to go. I don’t want you here. Why don’t you go!

ALGERNON - I haven’t quite finished my tea yet! and there is still one muffin left. [Jack groans, and sinks into a chair. Algernon still continues eating.]

ACT DROP

Wednesday, 2 April 2025

Wednesday's Good Reading; quotes about art by various people (translated into English)

~Michelangelo:

"Good painting is nothing else but a copy of the perfections of God and a reminder of His painting."

"Good painting is a music and a melody which intellect only can appreciate, and with great difficulty."

“And who is so barbarous as not to understand that the foot of a man is nobler than his shoe, and his skin nobler than that of the sheep with which he is clothed.”

"If people knew how hard I worked to achieve my mastery, it wouldn’t seem so wonderful after all."

“I saw the angel in the marble and carved until I set him free”

 

~Pablo Picasso:

“As far as I am concerned, a painting speaks for itself. What is the use of giving explanations, when all is said and done? A painter has only one language.”

"It took me four years to paint like Raphael, but a lifetime to paint like a child."

"To draw, you must close your eyes and sing." 

"People don’t realize what they have when they own a picture by me. Each picture is a phial with my blood. That is what has gone into it."

“Art washes away from the soul the dust of everyday life.”

“My mother said to me, ‘If you are a soldier, you will become a general. If you are a monk, you will become the Pope.’ Instead, I was a painter, and became Picasso.”

 

~Al Capp:

“Abstract art is a product of the untalented, sold by the unprincipled to the utterly bewildered.”

 

~Bruce Lee:

"Absorb what is useful, reject what is useless, and add what is specifically your own."

 

~Chuck Close:

"Amateurs look for inspiration; the rest of us just get up and go to work."

 

~Dorothea Lange:

“The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.”

 

~E. Gibbons as inspired by Eugene Delacroix:

“To be an artist at twenty is to be twenty: to still be an artist at fifty is to be an artist.”

 

~Edmond & Jules de Goncourt:

“Surely nothing has to listen to so many stupid remarks as a painting in a museum.”

 

~Eugene Delacroix:

 “What moves those of genius, what inspires their work is not new ideas, but their obsession with the idea that what has already been said is still not enough.”

“Talent does whatever it wants to do…. Genius does only what it can.”

 

~Howard Hodgkin:

"To be a painter now is to be part of a very small, endangered species."

 

~James McNeill Whistler:

“An artist’s career always begins tomorrow.”

 

~John Ferrie:

"Paint like nobody is watching and paint like you don’t need any money."

 

~Leonardo da Vinci:

"O painter skilled in anatomy, beware lest the undue prominence of the bones, sinews and muscles cause you to become a wooden painter from the desire to make your nude figures reveal all."

 

~Lila Wallace:

"A painting is like a man. If you can live without it, then there isn’t much point in having it."

 

~Mark Kostabi:

"One secret to my success is that I am faithful to my dreams and don’t cheat on my dreams by taking drugs or blaming others when things don’t go right."

 

~Norman Rockwell:

"Everyone in those days expected that art students were wild, licentious characters. We didn’t know how to be, but we sure were anxious to learn."

 

~Pietro Aretino:

"Why should I be ashamed to describe what nature was not ashamed to create?"

 

~Robert Brault:

“The artist uses the talent he has, wishing he had more talent. The talent uses the artist it has, wishing it had more artist.”

 

~Salvador Dali:

"No masterpiece was ever created by a lazy artist."

 

~Vincent van Gogh:

"If we study Japanese art, we see a man who is undoubtedly wise, philosophic and intelligent, who spends his time doing what?… He studies a single blade of grass."

 

 

 

 


Tuesday, 1 April 2025

Tuesday's Serial: “The Messiah of the Cylinder” by Victor Rousseau (in Englsih) - VIII

 

CHAPTER XI - THE GODDESS OF THE TEMPLE

The man in blue with the machine badge on his shoulder, who was waiting for me at the entrance, surveyed me with a smile of tolerant amusement.

“You are now at the heart of civilization,” he began. “Let me act as your guide, for I see that you are a stranger. Is it not wonderful to contemplate that here, upon a space of a few hektares, man has erected a monument that shall endure forever! This wing,” he added, “is Doctor Sanson’s domain, while Boss Lembken exercises his priestly function from the People’s House, under the dome.”

He led me within the portico and through a swing door on the north side of the building. I found myself within a circular chamber like a hospital theater, with marble seats rising almost to the roof around a small central platform, on which were a crystal table, a large silver tank, and a cabinet with glass doors, through which I could see surgical appliances.

“This is the Animal Vivisection Bureau,” said my guide. “It is not open to the public while demonstrations are being given. The Council does not permit the laity to acquire medical knowledge. We have several hundred dogs constantly kenneled beneath, in the sound-proof rooms; they are born there and, in general, die here.”

“You use only dogs?” I asked.

“At present, yes. Their trustfulness and docility make them the best subjects, for we are demonstrating to our classes the nature and symptoms of pain. Now here—”

I followed him through another swing door into a similar room, but at least twice the size.

“This is the Vivisection Bureau,” he continued, taking his stand beside a table of reddish marble mottled with blue veins, with a cup-like depression at the head. “The people call it, jocularly, of course, the Rest Cure Home. You can guess why. Criminals and other suitable subjects are never lacking for experimentation. Doctor Sanson is said to be making investigations which will prove of a revolutionary nature. Then, the supply of moron children appears to be inexhaustible. Again, of course, there is the annual Surgeons’ Day, when we round up the populace. The date being movable, the ignorant are kept in a state of wholesome apprehension. But let us follow that throng.”

Through the glass of the swing door I perceived a large crowd pouring into another part of the building, following in the wake of an old man, perhaps eighty years of age, who was being conducted by two of the blue-coated guards. Behind him trailed a little rat-faced man in blue, who glanced furtively about him with a smile of bravado. We went with the mob into a third chamber.

It was about the size of the second, and in the center was a large structure of steel, with a swing door. The brass rail which surrounded it kept back the spectators, who lined it, heaving and staring, and uttering loud exclamations of interest and delight. The room was filled with the nauseating stench of an anaesthetic.

One of the guards raised a drop-bar in the rail, and the old man passed through and walked with firm steps toward the steel structure. His white beard drifted over his breast, his blue eyes were fixed hard, and he had the poise of complete resignation. At the door he turned and addressed the spectators.

“It’s a bad world, and I am glad to go out of it,” he said. “I remember when the world was Christian. It was a better world then.”

He passed through, and the anaesthetic fumes suddenly became intensified. I heard the creak as of a chair inside the structure, a sigh, and the soft dabbing of a wet sponge. That was all, and the mob, struck silent, began to shuffle, and then to murmur. I saw the rat-faced man slinking away.

“This,” said my guide, “is popularly called the Comfortable Bedroom. The old man can no longer produce his hektone and a quarter monthly, and his grandson, who has the right to take over the burden, has just been mated. Most of our old qualify for life in senility, but no doubt he dissipated his credit margin in youth. Again, many prefer to go this way. Now if he had been a woman he would have been accredited thirty hektones for each child supplied to the State. That is Doctor Sanson’s method of assuring productivity.”

But I broke from the man in horror, forcing my passage through the crowd, which was dispersing already. I ran on through hall after hall, approaching the central part of the building, until I was again blocked by a crowd, this time of young men and women in blue, who were reading a lengthy list of letters and figures, suspended high in the center of this chamber. Most of these young people were in pairs, and, as they read, they nudged each other and exchanged facetious phrases.

But one pair I saw who, with clasped hands, turned wretchedly away and passed back slowly toward the entrance.

“This is more cheerful than the Comfortable Bedroom,” murmured a voice at my side.

The new speaker was a dapper young fellow with a small, pert mustache and an air of insinuating familiarity. He placed his hand upon my arm to detain me as I started to move away.

“The kindly Council, which relieves old age of the burden of life, also provides that the life to come shall be as efficient for productivity as possible,” he said. “I see you are a stranger and may not know that these young people are here to learn the names of their mates.”

“Do you mean that the Council decides whom each man or woman is to marry?” I asked.

“To mate? Yap, in ordinary cases. There is no mating for one-fourth of the population—that is to say, those of the morons whose germ-plasm contains impure dominants, and who are yet capable of sufficient productivity to be permitted to reach maturity. Grade 2, the ordinary defectives, who number another fourth of the people, are at present mated, though Doctor Sanson will soon abolish this practice. The sexes of this class are united in accordance with their Sanson rating, with a view to eliminating the dominants.”

“And these are defectives of what you call Grade 2?” I asked.

“No, these are all Grade 1 defectives,” he answered, regarding me with amusement. “Defectives such as us. We number forty-five per cent of the population and form the average type. They are free to choose within limits. The Council prepares periodically lists of young men and young women in whom the deficiencies are recessive, and those on one side of the list may mate with any of those upon the other side. Monogamy is, however, frowned upon. I suppose you, in your country, never heard of this plan?”

“Yes, it used to be called the totem, or group marriage, and was confined to the most degraded savages on earth, the Aborigines of Australia,” I answered. But the little man, who had evidently not heard of Australia, only looked at me blankly. A rush of people toward the next hall carried us apart, and, not loath to lose my companion, I followed the crowd, to find myself in the immense central auditorium, within which orators were addressing the people from various platforms.

Upon that nearest me a lecturer was holding forth with the enthusiasm of some Dominican of old.

“Produce! Produce!” he yelled, with wild gesticulations. “Out with the unproductive who cannot create a hektone and a quarter monthly! Out with the moron! Out with the defective! Out with the unadaptable! Out with the weak! Out with him who denies the consubstantiality of Force and Matter! No compromise! Sterilize, sterilize, as Doctor Sanson demands of you! There are defectives in the shops today, spreading the moron doctrines of Christianity. There are asymmetries and variations from the Sanson norm, cunningly concealed, legacies of malformations from degenerate ancestors, impure germ-plasm that menaces the future of the human race. Let us support Sanson, citizens! Go through the city with sickle and pruning-hook for the perfect race of the future, in the name of democracy! Praise the great Boss!”

“Hurrah!” shrieked the mob enthusiastically.

“Will you not go up and see the Temple goddess?” whispered a voice in my ear.

I started, but I could not discern the speaker. I looked up. On either side of the auditorium a high staircase of gleaming marble led to a gallery which surrounded it. Doors were set in the wall of this in many places, and above were more stairs and more galleries, tier above tier. At the head of each stairway one of the guards was posted. He stood there like a statue, picturesque in his blue uniform, which made a splotch of color against the white marble wall.

“Go up and ask no questions,” whispered somebody on my other side; and again I turned quickly, but none of those near me seemed to have spoken.

I went up the stairway, passing the guard, who did not stop or question me. As I stopped in the gallery, high above the auditorium, a door opened, and there came out a man of extreme age, dressed in white, with a gold ant badge on either shoulder. He propped himself upon a staff, and stood blinking and leering at me, and wagging his head like a grotesque idol.

“A stranger!” he exclaimed. “So you have come to see the goddess of the Ant Temple! Would you like to stand upon the altar platform and see her face to face? It only costs one hektone, but it is customary to offer a gratuity to the assistant priest.”

I thrust the money into the shaking hand that he stretched out to me. At that moment I did not know whether I was still free, or whether this was that peremptory summons to the Council of which David had warned me. I realized that the spies who had dogged my path were all links in some subtle scheme.

The old man preceded me into a large room on the south side of the auditorium, beyond which I saw another door. This seemed to be a robing-room for the priests, for white garments with the gold ant badge hung from the walls, which were covered with mirrors, from each of which the horrible old face grimaced at me.

“You are to go through that door,” said the old man, pointing to the far end of the room. “It is a great privilege to look upon the face of the goddess. Not everyone may do so, but you are not an ordinary man, are you?”

He shot a penetrating glance at me.

“Thus the Messiah will look upon her when he comes,” he continued. “At least, so runs the prophecy, and remember, you may be he, for it is foretold that he will come unknowing his mission. But wait!”—for I was hastening toward the door—“you must put on a priest’s robes. It is not proper for a layman to look upon the goddess.”

He indicated a white robe with the ant badge that hung on a table beside me.

“Don’t be in a hurry,” he mumbled. “It is a great pleasure to me to talk with strangers from remote countries. Where do you come from? You look like a man of the last century, come back to life. How the barbarians of that period would stare if they could see our civilization!”

“What is this Temple?” I inquired. “Do men worship an ant, and are you its priest?”

He chuckled and leered at me. “Oh, no, I am a very humble old man,” he answered. “I am only an assistant priest. Boss Lembken is the Chief Priest. And you ask about the Ant? The people worship it, but it is not known whether they see it as the symbol of labor, or whether they think it is a god. The religious ideas of the people were always a confused and chaotic jumble, even in the old days of Christianity. But the Ant is only the transition stage from God to Matter. We know there is no God, nothing but Matter, and man is born of Matter and destined to be resolved into it. But the people are still ignorant, and it keeps them calm, to have an ant to pray to. Besides, if there were not the Ant they would turn to Christianity again and set back the clock of progress.

“I remember Christianity well. In my young days it used to be a power. I used to go to church,” he cackled. “Not that I believed in God, any more than the rest. Only the aristocrats and the intellectuals did that. I didn’t believe in the Devil either, but I do now. Do you know the Devil’s name? It is human nature.”

I remained speechless beneath the spell that the wretch cast over me.

“Yes, the Devil is human nature,” he resumed. “For it would thwart progress forever, groveling before its idol of a soul. But already, when I was a young man, only the intellectuals believed in Christianity. Once it had been the masses. But Science proved that there was nothing but Matter, and the momentum of the materialistic impulse was too strong for the reviving faith. The aristocrats should have guarded their faith instead of letting the people rise to control. But they were fools. They set up in little rival bodies when Christ prayed for them to be one. They permitted divorce when He said no. They tried to compromise with Him, all except Rome and barbarous Russia, and that is why St. Peter’s still stands as a Cathedral while St. Paul’s is the Ant Temple. I remember it all.

“Christ knew. He knew they would go under if they tried to sail with the wind. When Science said there were no miracles they cut out the miracles. And when the visionary Myers made his generation think there might be miracles after all, they put some of them back again, but very cautiously. They didn’t know that the people weren’t going to follow them into rationalism and then out again. Nobody was going to believe when the leaders themselves didn’t believe.

“When He taught them how to heal the sick they preferred to mix His prescription with drugs. They couldn’t believe in one thing and they couldn’t believe in the other. He told them to leave Caesar’s things to Caesar, and they went into politics. They tried to bargain with Socialism when it became strong, but it wouldn’t have anything to do with them. Then they preached housing reform and a good living, when He praised poverty and told them to preach resignation. They couldn’t obey in anything; they thought they knew better; they tried to follow the times after they split into pieces; of course they went under.”

“Is there no Christianity anywhere?” I asked.

“In your native Russia,” he jeered. “In St. Peter’s, because the Italian Province segregates the evil to keep it under observation. In Cologne, because the bishop learned the secret of the Ray. And in the defectives’ shops. They say they have the Scriptures hidden in there, but the Council has put dozens to the torture and has never found them. It is hard to clear the human mind of its inherited rubbish. After the Revolution, Christianity continued to be taught among other myths. But it aroused anti-social instincts. Christians were the enemies of human progress. They used to go into the Rest Cure Home and ask to be vivisected in place of the wretched morons there. You can’t build up a progressive civilization out of people like that. So the teaching was made a capital offense. That was after we burned the bishops.”

“What!” I cried.

“Death by burning came to us from the great trans-Atlantic democracy, you know,” he said, leering at me. “Europe had forgotten it. But we set up the stakes again. I saw Archbishop Tremont, of York, and the Roman Catholic Archbishop of Westminster burned side by side in the ruins of Westminster Hall. Then there was Bonham, of London, and Bethany, of Manchester, and Dean Cross, of Chichester; we put them in plaster of paris and unslaked lime first. The morons could have fled to Skandogermania, which was not free then. But they went, all three, into the Council Hall, and preached to the Council. That was in Boss Rose’s time. So they had to go. And they blessed us while their bones were crackling. You can’t make a progressive nation out of people like that.”

I hurried toward the door. I pushed it open, and it swung back noiselessly behind me.

Within the vastness of the Temple I heard a murmur rise, a wail of misery that made the ensuing silence more dreadful still. For here I encountered only thick gloom and emptiness, and soundless space, as though some veil of awful silence had been drawn before the tabernacle of an evil god. My knees shook as I advanced, clutching the rail beside my hand.

I found myself upon a slender bridge that seemed to span the vault. It widened in the center to a small, square, stone-paved enclosure, like a flat altar-top, surrounded by a close-wrought grille that gleamed like gold. I halted here, and, looking down, saw, far beneath, a throng whose white faces stared upward like masks. Again that chant arose, and now I heard its burden:

“We are immortal in the germ-plasm; make us immortal in the body before we die.”

Then something beneath me began to assume shape as my eyes grew used to the obscurity. It was a great ant of gold, five hundred tons of it, perhaps, erected on a great pedestal of stone; where should have been the altar of the Savior of the world, there the abominable insect crawled, with its articulated, smooth body, and one antenna upraised.

The symbol was graven clear. This was the aspiration of mankind, and to this we had come, through Science that would not look within, through a feminism that had sought new, and the progressive aims of ethical doctrinaires that had discarded the old safeguards; Christ’s light yoke of well-tried moral laws, sufficient to centuries; through all the fanatic votaries of a mechanistic creed; polygamy and mutilation, and all the shameful things from which the race had struggled through suffering upward. All the old evils which we had thought exorcised forever had crept in on us again, out of the shadows where they had lain concealed.

I stood there, sick with horror, clinging to the rail.

How far from gentle St. Francis and St. Catherine, and all the gracious spirits of the dead and derided ages, progress had moved! Were those things false and forgotten, those saintly ideals which had shone like lamps of faith through the night of the world? Was this the truth and were those nothing?

I heard a sobbing in the shadows beneath. I looked down and perceived, immediately before the Ant, an aged man prostrate. He muttered; and, though I heard no words that I could understand, I realized that, in his blind, helpless way, he was groping toward the godhead.

Then I looked up and saw something that sent the blood throbbing through my head and drew my voice from me in gasping breaths.

At the edge of the platform on which I stood, out of the gloom, loomed the round body of the second cylinder. And inside, through the face of unbroken glass, I saw the sleeping face of Esther, my love of a century ago.

The cap of the cylinder was half unscrewed.

 

CHAPTER XII - THE LORDS OF MISRULE

I saw her eyelids quiver and half unclose an instant, and, though there was no other sign of awakening upon the mask-like face of sleep, I knew she lived. The indicators upon the dials showed that five days remained before the opening of the cylinder. And, as I stared through the glass plate, so horror-struck and shaken, some power seemed to take possession of me and make me very calm. An immense elation succeeded fear and rendered it impotent. Esther was restored to me. We had not slept through that whole century not to meet at last.

How many years we two had lain side by side within our cylinders, down in the vault, I could not know. Yet there had been a sweetness behind those misty memories of my awakening as if our spirits had been in contact during those hundred years of helpless swoon.

The eyelids quivered again. But for the emaciation and the dreadful pallor I might have thought she was only lightly sleeping, and would awaken at my call. The love in my heart surged up triumphantly. For her sake I meant to play the man before the Council.

I meant to go there now. I think my instinct must have been the courage born of hopelessness, such as that which had carried the bishops to their death. For only a desperate stroke could win me Esther; and such a stroke must be made, should be made. With steady steps I returned to the priests’ room.

The dotard was waiting for me, and he came forward, smiling and blinking into my face, searing my soul with eyes as hard as agates.

“I am going to the Council,” I said quietly.

He looked at me in terror. He seized me by the arm.

“No, no, no!” he exclaimed. “You are to go to your friends. The Council is not in session.”

“It is in session. I have been held for it.”

“You don’t understand. That is the Provincial Council. This is a matter for the Federal Council, and Sanson is not your friend. Don’t you understand now? Sanson is working on the problem of immortality and doesn’t suspect. Boss Lembken is your friend. Don’t you know he is your friend?”

“No,” I answered contemptuously.

The old man clutched me in extreme agitation.

“If you are headstrong you will go to ruin,” he cried. “Boss Lembken is your friend. He sent for you. Not Sanson. Boss Lembken discovered who you were while Sanson was dreaming over his victims. If Sanson knew he would get you into his power and overthrow the priesthood. He means to destroy the Ant and have no god. He is going to mate the goddess when she awakens—”

He saw me start and clench my fists, and a deep-drawn “Ah!” of relief came from his lips. For I had betrayed my identity beyond all doubt; and it was to make sure of this that I had been sent into the Temple. I could see it all now.

“Now listen to me,” he said, coming near and thrusting his repulsive old face into mine. “Boss Lembken wants you. He wants to help you and give you power. But he was not sure of you; and so he had to use craft and caution. When the Messiah comes Lembken will overthrow Sanson and make the world free again. It was Lembken who sent for you.”

He was becoming incoherent with fright at my obduracy.

“The People’s House is above the Temple,” he continued. “Boss Lembken lives there. He has a beautiful palace. You will be happy there. And Sanson has no palace and no delights. He wants nothing except to vivisect the morons. So you will not want to go to Sanson. He can offer you nothing. We must be cautious, and if he is in the Council Hall we must wait till he has gone, for he controls the Guard, and if he saw you he would have you seized. That is why I gave you a priest’s robes—because Sanson dares not stop the priests, who are under Lembken. Come with me, then.”

I accompanied him out into the gallery above the auditorium, in which the orators were still declaiming to a lessening crowd. Sanson or Lembken, it mattered little to me. I felt enmeshed in some plot whose meaning was incomprehensible. But I meant to win Esther. I walked like a somnambulist, feeling that the dream might dissolve at any moment. A shaft from the western sun struck blood-red on a window. A pigeon that had perched among the columns fluttered to the ground. Above me I saw tier upon tier of galleries.

We ascended the marble stairway, the guards making no attempt to stop us, nor were we challenged. I noticed that they were armed with Ray rods, similar to those that I had seen in the cellar; and they raised them in salutation as we passed.

We ascended flight after flight, and always the guards posted at the top of each saluted us and stepped aside. We passed across a little covered bridge and presently entered a small rotunda, in which a dozen guards were seated, sipping coffee and chatting in low tones. Behind them was an immensely high door marked in large letters

 

COUNCIL HALL

 

To the right and left of it were smaller doors.

We entered the door on the right, and the priest, stopping, whispered to me:

“You must make no sound. If Sanson is in Council he must not discover us.”

I found myself in a small room, with the inevitable door at the farther end. Upon one side were two apertures in the wall, disclosed by sliding panels that moved noiselessly—spy-holes, each as large as the bottom of a teacup. The priest stooped before one and I looked through the other.

The immense Council Hall was dim, and it took a few moments for my eyes to grow accustomed to the obscurity. Then I saw at the distant end a raised platform, on which stood two high chairs, like thrones.

There were three men upon this platform, one occupying each chair, and the third standing.

One was unmistakably Lembken, the obese old boss of the Federation. He wore a trailing gown of white, with a short mull cape about his shoulders, and there were golden ants—as I discovered afterward—stamped all over the fabric. He was lying rather than standing, and his feet rested upon a stool. He was smiling in evil fashion, and he was stout to the verge of disease. I could not see his face distinctly.

Upon the second throne sat a man with a fanatic’s face and a square beard of black that swept his breast. He had a large ant badge on either shoulder of his white gown, and on one finger was an immensely heavy ring of gold that projected beyond the knuckles. This was the Deputy Chief Priest.

Standing between the two in the shadows, lolling back half-insolently against Boss Lembken’s chair, to whisper in his ear, and again turning to the priest, was Sanson. I could not mistake the whitening hair brushed back, the gestures of intense pride and power, though I could hardly see the face. He wore a tight tunic of white, without a badge, and he bore himself with a complete absence of self-consciousness. There was not a trace of pose in the completeness of that manifested personality, with its alert poise, cat-like and tense, as if each nerve and sinew had been disciplined to serve the master-soul within.

As I watched I heard a strident, metallic voice call in loud tones:

“Wait till the Goddess awakens and the Messiah comes! He’ll make an end of Sanson and his cruelties, and give us freedom again!”

Now I perceived that behind Sanson and between the two thrones stood a telephone funnel, attached to some mechanism. It was from this that the voice had issued. It was followed by the clacking sound of a riband of paper being run off a reel. Sanson stepped back, picked up the riband, and ran it through his fingers, glancing at it indifferently.

“The speaker lives in District 9, Block 47, but we do not yet know his name. A trapper is watching,” said the voice in the funnel.

A bell rang, the door on the left of the Council Hall was opened by a guard, and a girl of about eighteen entered. She was robed in white and on her shoulder was the sign of a palm tree. She stood before Boss Lembken’s throne with downcast face and clasped hands, trembling violently.

“They sent for me,” she said in a low voice.

I saw the smile deepen on Lembken’s face. He sat leering at her; then he shifted each foot down from the stool and gathered himself, puffing, upon his feet. He put his hand under her chin and raised it, looking into her face. The girl twisted herself away, screamed and began running toward the door.

“Let me go home! Please—please!” she cried.

The guard at the door placed one hand over her mouth and dragged her, struggling, through a small door behind the funnel, which I had not seen.

I clenched my fists; only the thought of Esther held me where I was.

“Ascribe the heretics,” said Lembken to the deputy priest, and puffed out behind the guard.

Sanson stepped backward and touched the funnel mechanism, which instantly began to scream.

“Heresy in the paper shops!” it howled. “Examine District 5. They say there is a God. Weed out the morons there!”

The writing mechanism began to clack again. I saw the paper riband coil like a snake along the floor between the thrones. Sanson stopped the machine, which was beginning to screech once more. He moved to the vacant throne and sat down.

Again the bell tinkled, and there came in a man of about thirty years, in blue, leading a little boy by the hand. He looked about him in bewilderment, and then, seeing the priest, flung himself on his knees and pressed his lips to the hem of his robe.

“It is not true that I am a heretic, as they say,” he babbled. “I believe in Science Supreme, and Force and Matter, coexistent and consubstantial, according to the Vienna Creed, and in the Boss, the Keeper of Knowledge. That man dies as the beast dies. And that we are immortal in the germ-plasm, through our descendants. I believe in Darwin, Hæckel, and Wells, who brought us to enlightenment—”

“That boy is a moron!” screamed Sanson, interrupting the man’s parrot-rote by leaping from his chair.

He dragged the child from the father, switched on the solar light, and set him down, peering into his face. He took the child’s head between his hands and scanned it. His expression was transformed; he looked like a madman. And then I realized that the man was really mad; a madman ruled the world, as in the time of Caligula.

The father crept humbly toward Sanson; he was shaking pitiably.

“He is a Grade 2 defective,” he whispered. “You don’t take Grade 2 from the parents. He is Grade 2—the doctors said so—” He repeated this over and over, standing with hands clasped and staring eyes.

“I say he is a moron!” Sanson shouted. “The doctors are fools. He is a brach. Look at that index and that angle! Look at the cranium, asymmetrical here—and here! The fingers flex too far apart, a proof of deficiency. The ears project at different angles, my eighth stigma of degeneracy. He is a moron of the third grade, and must go to the Vivi—”

With an unhuman scream the father leaped at Sanson and flung him to the ground, snatched up the boy in his arms and began running toward the door. From his throne the priest looked on impassively; it was no business of his. The guard appeared.

But before the man reached the guard at the door Sanson had leaped to his feet and pulled a Ray rod from his tunic. He pointed it. I heard the catch click. A stream of blinding, purple-white light flashed forth. I heard the carpet rip as if a sword had slashed it. A chip of wood flew high into the air. On the floor lay two charred, unrecognizable bodies.

I confess my only impulse then was of fear. How could I confront that devil, or Lembken, in his hell, when for Esther’s sake I must be cautious and wise? I plunged toward the farther door. The priest caught at me, but I shook him off and flung him, stunned, to the floor. I opened the door and rushed through.

I was amazed to find myself upon a long, slender bridge that spanned the central court of the vast structure. I stopped, bewildered, not knowing where to turn, and the whole scene burned itself upon my brain in an instant.

The immense mass was divided into four separate buildings. The Council Hall, from which I had emerged, was on the southern side, and, looking beyond it, I saw the Thames, winding like a silver riband into the distance. Facing me was the north wing, by which I had entered, containing the Vivisection Bureau and other halls of nameless horrors, with Sanson’s quarters. On my left hand the Temple towered high over me. Above my head I saw the outlines of the noble dome, and the palm trees behind their crystal walls. A blood-red creeper trailed down through a chink in the wall.

Upon my right was a massive fortress that I had not hitherto perceived, floating above which was a whole fleet of airships, evidently the same that I had seen when I flew into London. There must have been more than a hundred of them, ranging from tiny scoutplanes to huge monsters with glow shields about them, projecting conical machines like those that studded the top of the enclosing wall, but smaller. On their prows were great jaws of steel, in some cases closed, in others distended, fifteen feet of projecting jaw and mandible, capable, as it looked, of crushing steel plate like eggshells.

The bridge on which I stood ran from the Council Hall to the wing where Sanson dwelled. A bridge from the Temple building ran straight to the fortress of the airships at right angles to this, the two thus crossing, forming a little enclosed space in the center. At various spots, bridges from the enclosing fortress crossed the court and entered the pile of buildings. And the whole concept was so beautiful that even then I stopped to gaze.

But I did not know whither to turn. In front of me, where the bridge entered Sanson’s wing, a guard stood watching me. As I approached the central place where the two bridges met he raised his Ray rod with a threatening gesture.

I turned to the right. Here, where the bridge from the Temple entered the fort of the airships, I saw an airscout in blue, with the white swan on his breast, watching me. Again I stopped. My mind was awhirl with the horrors that I had seen; I could not think! I did not know what to do. All exit seemed barred to me except that whereby I had come.

Beneath me lay the court, a broad expanse of white, inlaid with geometrical figures of green grass. On it crawled tiny figures in blue. I was halfway between the court below and the Temple dome above; yet everything was so still that the voices below came up to me.

A group had gathered, chattering excitedly, about something that lay hard by the Temple entrance. As they moved this way and that I saw that it had been a woman. She had been young; her garments had been white; there was a gold palm on a torn-off fragment that a gust of wind drove up toward me. I caught at it, but it went sailing past and fluttered down in the central court between the buildings.

I saw the spectators look up toward the aerial gardens. The blood-red creeping vine now swung from an open crystal door. That paradise of tropic beauty, those flame-colored flowers were such as blossom in hell.

The crystal door above me clashed to and reopened as the wind caught it. It seemed to clang rhythmically, like a clear tocsin, high up beneath the dome, a bell of doom to warn the blood-stained city. Again it sounded like a workman’s hammer; and the silence that covered everything made the sounds more ominous and dread, as if Fate were hammering out the minutes remaining before she slashed her thread.

An old man pushed his way through the gathering crowd. He peered into the white face, and wrung his hands, and wept, and his voice rose in a high, penetrating wail.

“It’ll all be ended,” I heard him cry. “I can’t work now. I can’t make up my time. I’ve spent my credit margin. I’m old and outed and done with. I’ll have to go to the Comfortable Bedroom.”

It was the old man whom I had seen earlier that day. The crowd jeered and pressed forward, those who were behind craning their necks and rising on their toes to see the joint spectacle of death and grief. The old man shook his gnarled fist at his dead daughter.

“You’ve killed me,” he sobbed in rage. “Why couldn’t you have stayed up there till Sanson has made us all immortal? I’m going to the Comfortable Bedroom now, and my body will die like a beast’s, and I’ll be ended.”

And he broke into atrocious curses, while the crowd screamed with delight and mocked his passion.

The little gate on the inner side of the fort opened, and a troop of the Guard emerged, carrying a stretcher. At the sight of them the mob scuttled away. The guards picked up the body and carried it within the gate. One began scattering sand.

Out of the crowd leaped an old man with flowing hair and beard. He stood out in the court and shook his fist toward the Temple dome.

“Woe to you, accursed city!” he screamed. “Woe to you in the day of judgment! Woe to your whites and harlots when the judgment comes!”

The crystal door banged and clashed open. A woman in white put out her hand and closed it. A latch-click pricked the air. The sun gilded the dome and turned it to a ball of fire. Down in the court the madman cried unceasingly.

“Woe to you, accursed city!” he screamed. “Woe to you in the day of judgment! Woe to your whites and harlots when the judgment comes!”