Tuesday, 9 September 2025

Tuesday's Serial: “Scarface” by Armitage Trail (in English) - II.

 

CHAPTER III

The killing of Al Spingola created a sensation. It happened just before America entered the World War, long before gangdom had achieved anything like its present power or affluence or willingness to murder in unique fashion. Fights were plentiful, of course, and an occasional stabbing did not arouse great excitement but actual gunplay was rare. Spingola had been about the first of the city's gang leaders to enforce his power with a gun and his being "dropped off" so sudden was most disconcerting to the other leaders who had been about ready to use the same methods. But now they couldn't decide whether a gun was the best source of power or not.

The morning after the affray, Tony rose early, feeling a little rocky, and immediately induced his mother to sew the small burned hole in his coat, explaining that he had done it with a cigarette. Then he wisely decided not to wear that suit on the street again.

He went first to Klondike O'Hara's saloon. Klondike himself was behind the bar. A burly, red-faced young Irishman, he cut quite a dash in his own neighborhood as a gang leader and had been one of Spingola's most faithful enemies.

"I'm Tony Guarino," announced the boy, "from over on Taylor street."

"Yeah?"

"I s'pose you read about Al Spingola gettin' his last night."

"Yeah," assented O'Hara cautiously, chewing on a black cigar.

"Well, I know you and him were enemies so I thought if they took me up for his death you'd see that I had a good lawyer and so on."

"You? Did you get that rat—a punk like you?"

"I didn't say so," retorted Tony doggedly. "I just wanted to know if they picked me up if you'd get me a lawyer."

"Betcher life. An' from now on you're welcome around here any time. I can always use another kid with guts."

"Thanks."

From O'Hara's saloon, Tony went to see Vyvyan at her cheap little hotel. She was nervous and tearful but back of the nervousness he could detect a new attitude of overbearing hardness, and behind the tears her green eyes held a glitter that did not reassure him. He wondered if she knew how much her silence meant to him—and decided that she probably did.

"You've taken Al away from me," she sobbed. "So now you'll have to take care of me the way he did."

"Shut up!" snapped Tony. "I'm going to. Let's rent a nice little flat to-day."

Thus within the space of twenty-four hours, Tony Guarino killed his first man, joined a regular gang and took unto himself a common law wife. Events move rapidly in underworld neighborhoods.

Tony didn't intend to move away from home himself just yet; it wouldn't look right to his folks.

Again he crossed the deadline between the domains governed by the Irish and those governed by the Wops, and started for O'Hara's saloon. A heavy car drew up to the curb and stopped with a screeching of brakes.

"Hey, Kid!" shouted a raucous voice. "C'mere."

Tony's first impulse was to run, but having recognized the car as one of those from the Detective Bureau, he realized that to do so would mean being shot. So he walked over to them.

"Get in!" commanded a burly brute.

He practically dragged Tony into the tonneau and the car raced away. Arrived at the bureau, the whole party, with Tony in the center, ascended to one of the "conference rooms" on the second floor.

"I s'pose you heard about Al Spingola bein' bumped off last night," said the man who appeared to be the leader of the party.

"Yes," assented Tony, not to be outdone. "I read it in the morning paper."

The half dozen men laughed nastily.

"The hell you did!" said the first one. "You knew all about it a long time before that. Because you killed Al Spingola."

"Has the heat gone to your head?" demanded Tony coolly.

"Don't try to stall or it'll go hard with you. We know all about it. C'mon now and spill it."

"I don't know what you're talking about," retorted Tony as if greatly bored by the proceedings.

"Oh, you're goin' to be tough, eh?"

"No. Just truthful."

"Where were you last night from twelve to three o'clock?"

"Home in bed."

"Can you prove it?"

"My whole family would swear to it."

"Where'd you get that?" demanded another detective suddenly, and thrust before Tony's astonished eyes the revolver with which the Spingola killing had been committed.

The boy gulped but with a terrific effort retained his outward calm.

"I never saw it before," he retorted doggedly. He wondered just how much they did know. It looked bad. For those were the days when the police took the same interest in a gang killing as in any other murder and made just as eager and earnest an effort to solve it. Well, the only thing to do was bluff it out.

"I never saw it before," he repeated, straightening up defiantly.

The leader of the party suddenly struck him a hard back hand slap across the mouth.

"Quit stallin'," he snarled. "C'mon an' tell us the truth."

"Cut the rough stuff!" snapped Tony coldly but his eyes were blazing. "I've got a brother that's a cop and I know all about the way you do people. Furthermore, I got a lot of powerful friends and I'm goin' to be a 'big shot' in this town myself some day. So treat me decent an' it'll be better for all of us."

"Well, would you listen to that?" jeered one of the dicks. "Of all the big-mouthed punks I ever seen—"

"I hear you been goin' around with one of Spingola's girls," said the leader.

Tony smiled. "From all I've heard, he had so many that half the girls in town were his."

"Naw, I mean his particular steady girl—his moll. You know the one I mean—that tall, spindly-legged blonde down at the Gaiety Theatre."

"Don't know her."

"There's been talk about you an' her goin' around among the wise-guys in your neighborhood the last two, three days. Everybody's been lookin' for trouble over it. An' now Al's dead."

"Well, that don't prove nothin' against me," argued Tony. "Even if all you say was true, it would be him that had a motive for bumpin' me off. And anyway, do you think as good a gunman as Spingola would ever let a kid like me get the drop on him?"

"T'ain't likely," admitted the leader of the squad.

There was a sudden commotion outside the door and a bright-eyed, bewhiskered little man came bustling into the room.

"I have here a writ of habeas corpus for the release of Mr. Tony Guarino," he announced with dignity and flourished a document.

The detectives gasped. For a writ to be run so soon indicated that the prisoner had "connections." They had never dreamed that this kid was hooked up with the systematized elements of the underworld. But here the writ was. As they hadn't sufficient evidence to place a charge against Tony and book him, they had to honor the writ and release him.

"No hard feelings, boys," he said pleasantly as he followed the lawyer out.

 

 

CHAPTER IV

Tony found his connection with the O'Hara gang active and pleasant. At first the Irish boys were somewhat suspicious of a Wop in their midst but when it was whispered around that it was he who had shot the redoubtable Al Spingola, their hostility vanished like fog in sunshine and they welcomed him with open enthusiasm. Tony himself never mentioned the occurrence, neither denying it nor bragging about it. But day and night he was watching for a reprisal from some of Spingola's henchmen. He still had his armed bodyguard following behind every time he went outside and not even the members of his own gang knew that.

Tony's executive ability soon revealed itself and before long he was acting as O'Hara's lieutenant. He made it plain to Klondike from the first, however, that he would not take a hand in "second-story jobs," robberies, hold-ups or burglaries of any sort. And he explained his stand with his little phrase which later was to become so famous:

"I ain't riskin' a pinch for a coupla bucks."

It wasn't a matter of ethics with him; it was a matter of economics, the balancing of probable gain against probable risk and finding out whether it was worth it. Anyway, there was no fun to "rough stuff," no adventure or sportsmanship about it. Tony liked the smoother and wittier forms of larceny, those that bordered on extortion and blackmail. For instance, he could convince a small storekeeper in a few minutes that five or ten dollars a month was very cheap protection against having his store robbed or himself knocked on the head when he went home at night. And there were any amount of ignorant, fearful mothers who could be convinced readily that a quarter or half dollar per month per child was cheap insurance against having their children kidnaped and held for ransom. And once convinced, they paid their tribute regularly and unwhimperingly whenever he sent his collector around, just as they would insurance. He could think up two or three new schemes like that a day, and they always worked. As he said to O'Hara:

"What's the use of stickin' people up or bangin' 'em on the head when you can talk 'em out of it. My way's not only a lot safer but more fun."

On all sides now he was accorded the greatest respect. And he knew why; it was because the word had gone around that he was a "killer." He had killed only once, really in self-defense, and actuated largely by fear, yet he was marked as a killer and through life he would be subject to the advantages and disadvantages that went with the appellation.

His income now was running about three hundred a week—which was enormous for a gangster before Prohibition came along and made them millionaires—and with Vyvyan's help he was managing to have a nice time. He had taken a nicer flat for her by now and she had quit the show.

"I just can't bear to think of other men starin' at them pretty legs of yours, kid," he explained when insisting that she quit. "I'm makin' plenty o' dough for both of us, so throw up the job."

Being fond, like most blondes, of an easy life secured with the smallest possible expenditure of energy, she obeyed orders. Tony himself was still living at home but intended to move as soon as he could get up the necessary courage. His brother Ben, the policeman, hearing of his headquarters grilling over the Spingola killing, had given him another one at home while the rest of the family wailed in the background. But the wily Tony had been grimly silent at the right moments and suavely voluble at others, with the result that he convinced his family, just as he had the detectives, that he had nothing to do with Spingola's demise.

Tony went to Vyvyan's flat shortly before seven one Saturday night, feeling in rather high spirits.

"Well, kid, what do you want to do to-night?" he asked.

"Let's go to Colosimo's."

"Naw, I don't like that joint. Let's go out to one of those nice North Side places."

"No, I want to go to Colosimo's." Her lower lip puckered threateningly.

"Naw, I don't like that joint, I said."

"Why not?"

"A lot of the old Spingola mob do their stepping out there on Saturday night."

"Afraid?" she sneered. She seemed to be in a nasty humor to-night.

"No!" he snapped. "But I never liked the idea of bein' shot in the back."

"Oh, all right, if that's the way you feel about it. How about Ike Bloom's?"

"Well, it ain't very far from Colosimo's, but it has a lot nicer people. All right, we'll go there if you wanta."

Tony kept most of his wardrobe at the flat. He bathed and shaved now, and dressed carefully in a well-tailored, nicely-pressed tuxedo. But when he stepped out into the living-room, there was a revolver in a shoulder holster hanging in his left arm pit, and a tiny blue steel automatic fitted snugly into his right vest pocket.

Vyvyan was quite stunning in a flashing green evening gown and a soft white cloak. They made a handsome couple as they descended to the street and entered the waiting limousine. It belonged to Tony; he had made good his promise of having a car better than his brother's and of getting it as easily.

At Ike Bloom's enormous and beautiful cabaret on Twenty-second street, they took a table at the edge of the balcony, a point of vantage from which they could see everything without being at all conspicuous themselves. And they were around at one end of the horseshoe-shaped café, so that Tony might have his back to the wall and therefore enjoy the evening more.

They had a splendid dinner, with excellent champagne, saw the sparkling if somewhat naked revue, then relaxed—smoking, drinking, chatting—until the evening's gayety began shortly after eleven. Tony scrutinized carefully the other guests as they entered. But by twelve-thirty, when the place was practically filled, he hadn't seen an enemy, nor even any one of whom he was suspicious. So he consented to dance with Vyvyan.

They took advantage of almost every dance after that, drinking and nibbling at various inconsequential but expensive items of food between times. And every hour a new revue was presented.

During the presentation of one of these shows, while a huge woman with a nice voice and too many diamonds, crooned something about lovin' in the moonlight, Tony suddenly sat straight up, his gaze riveted to a woman straight across from him at the other end of the balcony. She was a brunette, a stunning brunette, obviously young, and dressed in a gorgeous white evening gown. The bulky young man with her looked like a prizefighter.

"What a dame!" breathed Tony in admiration.

"Where?" snapped Vyvyan.

"That brunette over there in white."

Vyvyan looked, anxiously and with narrowed gaze. Then she glanced back at Tony.

"I can't imagine what you see in her," she snapped scornfully.

"Jealous?"

"Of that? I should say not. And that bum with her looks like a burglar."

"Maybe he is," assented Tony imperturbably. "There's worse professions. But she's a stunner. I wonder who she is."

"Some common hussy, I'll bet."

"Well, I'll bet she ain't," snapped Tony, and beckoned the waiter over. "Say, do you know who that dame is—the good-lookin' brunette in white over there?"

The waiter looked, then smiled.

"That's Miss Jane Conley," he answered.

"Never heard that name before," muttered Tony.

"Perhaps you've heard of her under her other name," suggested the waiter. "She's known mostly as 'The Gun Girl,' "

"My God!" gasped Tony. "Is she the gun girl?"

"Yes, sir. Though we like to keep it quiet because we don't want any trouble here."

"No, of course not," agreed Tony dryly.

"Who's the gun girl?" demanded Vyvyan snappishly when the waiter had gone.

"Well, kid, I'll wise you up a little on underworld stuff, though God knows that ain't the only thing you're dumb in. A really good gunman is usually pretty well known, not only to other crooks but to the cops. Whenever they see him on the street, they stop him and frisk him, to see if he's up to something. He can't go two blocks in any direction without bein' stopped and frisked by somebody—either dicks or harness bulls. So he has to have somebody else—usually a good-lookin' well-dressed girl that nobody would suspect—carry his gat for him and trail him till he's ready to use it. Then she hurries up, slips it to him and strolls slowly down the block. He pulls off his job and runs down the street, slippin' her the gat as he goes past. Immediately she disappears—street car, taxi, or afoot, any way—but without lookin' like she's in a hurry. So if he should git pinched, they can't find anything on him. See?"

"I don't see anything so grand in that."

"You don't, eh? Well, let me tell you, there's nothin' scarcer than a good gun girl. It takes brains and a lot of guts. That girl across there—if that waiter didn't lie to me—is the most famous of all of 'em. She's known as The Gun Girl. I've heard about her for a couple years but I didn't even know what her name was. She started out in New York, workin' with Leech Benson. When he finally got sent up she switched over to Lefty Kelly and when he got killed she come out here to work for Ace Darby. I guess she's still workin' for him. I wonder if that's him with her now."

"No, it isn't."

"How do you know?"

"Because I met him one time—at a party."

They went down to dance again. The Gun Girl and her escort also were dancing. And the fascinated Tony, finding the girl even more beautiful and charming at close range, kept his glance on her so much that it was some time before he realized that a man was trying to flirt with Vyvyan. A large, bulky man dressed in a gray business suit that fitted him none too well, a man who looked old enough to know better. He was dancing with a tiny blonde that he folded up in his arms like a child would a doll. Evidently he had a weakness for blondes. But he was no gentleman. He was obviously drunk and making a show of himself.

He waved at Vyvyan and winked portentously as the two couples came near each other for an instant. Tony's swarthy complexion began turning a sort of deep purple. The next time the two couples converged, the man spoke:

"Hello, cutie!" he exclaimed with a grin. "How about the next dance?"

Tony released his partner, snatched the little blonde out of the big man's arms and clouted the man solidly on the jaw, a blow so hard that it not only knocked the man down but slid him ten feet along the dance floor.

"Come on, kid, let's get out of this," snapped Tony and grabbed Vyvyan's wrist.

There was a small, seldom-used stairway that led up almost directly to their table. They hurried up and Tony beckoned frantically to the waiter.

"That was a grand sock you gave him, sir," smiled the waiter as he quickely added up the check. "And he sure had it comin' to him. But there's sure to be an awful row when he comes to. You know who he is, don't you?"

"No."

"Captain Flanagan."

"Oh, my God!"

Tony glanced at the check, then threw down a fifty dollar bill and rushed Vyvyan out of the place.

"Who's Captain Flanagan?" asked the girl as they raced away.

"Chief of Detectives, and supposed to be the hardest-boiled man on the force."

"Do you suppose you'll have any trouble over this?"

"Well, it won't do me any good," retorted Tony grimly.

Four blocks away he slowed down to allow his rear guard to catch up to within half a block. Then when he saw the other car's headlights reflected in his side mirror he increased his speed again.

They drew up in front of Vyvyan's flat and she climbed out quickly. Then a car rushed past, spouting fire and bullets, and whizzed away into the night. Vyvyan screamed and turned back.

"Tony!" she called. "Are you hurt?"

He crawled up from the floor where he cautiously had thrown himself the moment he heard the highpitched song of the other machine's racing motor.

"No they didn't touch me!" he growled. "But it wasn't their fault. Lucky you were out of the car because there wouldn'ta been room for two on the floor. . . . Say, you got out in an awful hurry. Did you know anything about the arrangements for this little party?"

"Why, Tony, how can you say such a thing?"

"A man can say a lot of things when somebody's just tried to kill him."

Saturday, 6 September 2025

Saturda's Good REading: " Who Killed Cock Robin?" (in English)

 

                   Who killed Cock Robin?

                    I, said the Sparrow,

                    With my bow and arrow,

                    I kill'd Cock Robin.

 

                    Who saw him die?

                    I, said the Fly,

                    With my little eye,

                    I saw him die.

 

                    Who caught his blood?

                    I, said the Fish,

                    With my little dish,

                    I caught his blood.

 

                    Who'll make his shroud?

                    I, said the Beetle,

                    With my thread and needle,

                    I'll make his shroud.

 

                    Who'll dig his grave?

                    I, said the Owl,

                    With my spade and trowel,

                    I'll dig his grave.

 

                    Who'll bear the pall?

                    We, said the Wren,

                    Both the Cock and the Hen,

                    We'll bear the pall.

 

                    Who'll carry him to the grave?

                    I, said the Kite,

                    If it's not in the night,

                    I'll carry him to the grave.

 

                    Who'll be the Parson?

                    I, said the Rook,

                    With my little book,

                    I'll be the Parson.

 

                    Who'll sing a Psalm?

                    I, said the Thrush,

                    As he sat in the bush,

                    I'll sing a Psalm?

 

                    Who'll be the Clerk?

                    I, said the Lark,

                    If it's not in the dark,

                    I'll be the Clerk.

 

                    Who'll be chief mourner?

                    I, said the Dove,

                    Because I mourned for my love,

                    I'll be chief mourner.

 

                    Who'll carry the link?

                    I, said the Linnet,

                    I'll fetch it in a minute,

                    I'll carry the link.

 

                    Who'll toll the bell?

                    I, said the Bull,

                    Because I can pull,

                    I'll toll the bell.

 

                    All the birds in the air

                    Fell to sighing and sobbing

                    When they heard the bell

                    For poor Cock Robin.

 

                    While the cruel Cock Sparrow,

                    The cause of their grief,

                    Was hung on a gibbet

                    Next day, like a thief.

Friday, 5 September 2025

Friday's Sung Word: "Eu Já Vi Tudo" by Peterpan and Amadeu Veloso (in Portuguese)

Eu já vi tudo
Tu queres me contrariar
Este prazer eu não te dou
Não dou, não dou
Nem hei de dar
Se não gostas do samba
Por favor, outro amor vai procurar

Queres que eu deixe de sambar
Mas isto não pode ser
Nasci e me criei no samba
E no samba eu hei de morrer
Meu amor, não pode ser!

 

You can listen "Eu Já Vi Tudo" sung by Marlene and Emilinha Borba with Orquestra Tabajara de Severino Araújo here

Thursday, 4 September 2025

Thursday's Serial: “The Centaur” by Algernon Blackwood (in English) - XIII

 

CHAPTER XXX

"The poets are thus liberating gods. The ancient British bards had for the title of their order, 'Those who are free throughout the world.' They are free, and they make free. An imaginative book renders us much more service at first, by stimulating us through its tropes, than afterward, when we arrive at the precise sense of the author. I think nothing is of any value in books, excepting the transcendental and extraordinary. If a man is inflamed and carried away by his thought, to that degree that he forgets the authors and the public, and heeds only this one dream, which holds him like an insanity, let me read his paper, and you may have all the arguments and histories and criticism."

--EMERSON

 

To criticize, deny, perhaps to sneer, is no very difficult or uncommon function of the mind, and the story as I first heard him tell it, lying there in the grass beyond the Serpentine that summer evening, roused in me, I must confess, all of these very ordinary faculties. Yet, as I listened to his voice that mingled with the rustle of the poplars overhead, and watched his eager face and gestures, it came to me dimly that a man's mistakes may be due to his attempting bigger things than his little critic ever dreamed perhaps. And gradually I shared the vision that this unrhyming poet by my side had somehow lived out in action.

Inner experience for him was ever the reality--not the mere forms or deeds that clothe it in partial physical expression.

There was no question, of course, that he had actually met this big, inarticulate Russian on the steamer; that Stahl's part in the account was unvarnished; that the boy had fallen on the deck from heart disease; and that, after an interval, chance had brought O'Malley and the father together again in this valley of the Central Caucasus. All that was as literal as the superstitious terror of the Georgian peasant. Further, that the Russian possessed precisely those qualities of powerful sympathy with the other's hidden longings which the subtle-minded Celt had been so quick to appropriate--this, too, was literal enough. Here, doubtless, was the springboard whence he leaped into the stream of this quasi-spiritual adventure with an eagerness of fine, whole-hearted belief which must make this dull world a very wonderful place indeed to those who know it; for it is the visioned faculty of correlating the commonest event with the procession of august Powers that pass ever to and fro behind life's swaying curtain, and of divining in the most ordinary of yellow buttercups the golden fires of a dropped star.

Again, for Terence O'Malley there seemed no definite line that marked off one state of consciousness from another, just as there seems no given instant when a man passes actually from sleep to waking, from pleasure to pain, from joy to grief. There is, indeed, no fixed threshold between the states of normal and abnormal consciousness. In this stranger he imagined a sense of companionship that by some magic of alchemy transformed his deep loneliness into joy, and satisfied his passionate yearnings by bringing their subjective fulfillment within range. To have found acceptance in his sight was thus a revolutionary fact in his existence. While a part of my mind may have labeled it all as creative imagination, another part recognized it as plainly true--because his being lived it out without the least denial.

He, at any rate, was not inventing; nor ever knew an instant's doubt. He simply told me what had happened. The discrepancies--the omissions in his written account especially--were simply due, I feel, to the fact that his skill in words was not equal to the depth and brilliance of the emotions that he experienced. But the fact remains: he did experience them. His fairy tale convinced.

His faith had made him whole--one with the Earth. The sense of disunion between his outer and his inner self was gone.

And now, as these two began their journey together into the wilder region of these stupendous mountains, O'Malley says he realized clearly that the change he had dreaded as an "inner catastrophe" simply would mean the complete and final transfer of his consciousness from the "without" to the "within." It would involve the loss only of what constituted him a person among the external activities of the world today. He would lose his life to find it. The deeper self thus quickened by the stranger must finally assert its authority over the rest. To join these Urwelt beings and share their eternal life of beauty close to the Earth herself, he must shift the center. Only thus could he enter the state before the "Fall"--that ancient Garden of the World-Soul, walled-in so close behind his daily life--and know deliverance from the discontent of modern conditions that so distressed him.

To do this temporarily, perhaps, had long been possible to him--in dream, in reverie, in those imaginative trances when he almost seemed to leave his body altogether; but to achieve it permanently was something more than any such passing disablement of the normal self. It involved, he now saw clearly, that which he had already witnessed in the boy: the final release of his Double in so-called death.

Thus, as they made their way northwards, nominally toward the mighty Elbruz and the borders of Swanetia, the Irishman knew in his heart that they in reality came nearer to the Garden long desired, and to those lofty Gates of horn and ivory that hitherto he had never found--because he feared to let himself go. Often he had camped beneath the walls, had smelt the flowers, heard the songs, and even caught glimpses of the life that moved so gorgeously within. But the Gates themselves had never shone for him, even against the sky of dream, because his vision had been clouded by alarm. They swung, it had seemed to him before, in only one direction--for those who enter: he had always hesitated, lost his way, returned.... And many, like him, make the same mistake. Once in, there need be no return, for in reality the walls spread outwards and--enclose the entire world.

Civilization and Humanity, the man of smaller vision had called out to him as passwords to safety. Simplicity and Love, he now discovered, were the truer clues. His big friend in silence taught him. Now he knew.

For in that little hamlet their meeting had taken place--in silence. No actual speech had passed. "You go--so?" the Russian conveyed by a look and by a movement of his whole figure, indicating the direction; and to the Irishman's assenting inclination of the head he made an answering gesture that merely signified compliance with a plan already known to both. "We go, together then." And, there and then, they started, side by side.

The suddenness of this concerted departure only seemed strange afterwards when O'Malley looked back upon it, for at the time it seemed as inevitable as being obliged to swim once the dive is taken. He stood upon a pinnacle whence lesser details were invisible; he knew a kind of exaltation--of loftier vision. Small facts that ordinarily might fill the day with trouble sank below the horizon then. He did not even notice that they went without food, horse, or blankets. It was reckless, unrestrained, and utterly unhindered, this free setting-forth together. Thus might he have gone upon a journey with the wind, the sunshine, or the rain. Departure with a thought, a dream, a fancy could not have been less unhampered.

The only detail of his outer world that lingered--and that, already sinking out of sight like a stone into deep water--was the image of the running peasant. For a moment he recalled the picture. He saw the man in the act of stooping after the fallen bashlik. He saw him seize it, lift it to his head again. But the picture was small--already very far away. Before the bashlik actually reached the head, the detail dipped into mist and vanished....

 

 

CHAPTER XXXI

It was spring--and the flutes of Pan played everywhere. The radiance of the world's first morning shone undimmed. Life flowed and sang and danced, abundant and untamed. It bathed the mountains and that sky of stainless blue. It bathed him too. Dipped, washed, and shining in it, he walked the Earth as she lay radiant in her early youth. The crystal presence of her everlasting Spring flew laughing through a world of light and flowers--flowers that none could ever pluck to die, light that could never fade to darkness within walls and roofs.

All day they wound easily, as though on winged feet, through the steep belt of box and beech woods, and in sparkling brilliant heat across open spaces where the azaleas shone; a cooling wind, fresh as the dawn, seemed ever to urge them forwards. The country, for all its huge scale and wildness, was park-like; the giant, bushy trees wore an air of being tended by the big winds that ran with rustling music among their waving foliage. Between the rhododendrons were avenues of turf, broad-gladed pathways, yet older than the moon, from which a thousand gardeners of wind and dew had gone but a moment before to care for others further on. Over all brimmed up some primal, old-world beauty of a simple life--some immemorial soft glory of the dawn.

Closer and closer, deeper and deeper, ever swifter, ever more direct, O'Malley passed down toward the heart of his mother's being. Along the tenderest pathways of his inner being, so wee, so soft, so simple that for most men they lie ignored or overgrown, he slipped with joy a little nearer--one stage perhaps--toward Reality.

 

Pan "blew in power" across these Caucasian heights and valleys.

Sweet, sweet, sweet, O Pan!: Piercing sweet by the river!

Blinding sweet, O great god Pan!

The sun on the hill forgot to die,

And the lilies revived, and the dragon-fly

Came back to dream on the river

 

In front his big leader, no longer blundering clumsily as on that toy steamer with the awkward and lesser motion known to men, pressed forward with a kind of giant sure supremacy along paths he knew, or rather over a trackless, pathless world which the great planet had charted lovingly for his splendid feet. That wind, blowing from the depths of valleys left long since behind, accompanied them wisely. They heard, not the faint horns of Elfland faintly blowing, but the blasts of the Urwelt trumpets growing out of the still distance, nearer, ever nearer. For leagues below the beech woods poured over the enormous slopes in a sea of soft green foam, and through the meadow spaces they saw the sweet nakedness of running water, and listened to its song. At noon they rested in the greater heat, sleeping beneath the shadow of big rocks; and sometimes traveled late into the night, when the stars guided them and they knew the pointing of the winds. The very moonlight then, that washed this lonely world with silver, sheeting the heights of snow beyond, was friendly, half divine ... and it seemed to O'Malley that while they slept they were watched and cared for--as though Others who awaited had already come halfway out to meet them.

And ever, more and more, the passion of his happiness increased; he knew himself complete, fulfilled, made whole. It was as though his Self were passing outwards into hundreds of thousands, and becoming countless as the sand. He was everywhere; in everything; shining, singing, dancing.... With the ancient woods he breathed; slipped with the streams down the still darkened valleys; called from each towering summit to the Sun; and flew with all the winds across the immense, untrodden slopes. About him lay this whole spread being of the flowered Caucasus, huge and quiet, drinking in the sunshine at its leisure. But it lay also within himself, for his expanding consciousness included and contained it. Through it--this early potent Mood of Nature--he passed toward the Soul of the Earth within, even as a child, caught by a mood of winning tenderness in its mother, passes closer to the heart that gave it birth. Some central love enwrapped him. He knew the surrounding power of everlasting arms.

 

 

CHAPTER XXXII

"Inward, ay, deeper far than love or scorn,: Deeper than bloom of virtue, stain of sin,

Rend thou the veil and pass alone within,

Stand naked there and know thyself forlorn.

 

Nay! in what world, then, spirit, vast thou born?

Or to what World-Soul art thou entered in?

Feel the Self fade, feel the great life begin.

With Love re-rising in the cosmic morn.

The Inward ardor yearns to the inmost goal;

The endless goal is one with the endless way;

From every gulf the tides of Being roll,

From every zenith burns the indwelling day,

And life in Life has drowned thee and soul in Soul;

 

And these are God and thou thyself art they."

 

--F.W.H. MYERS. From "A Cosmic Outlook"

 

The account of what followed simply swept me into fairyland, yet a Fairyland that is true because it lives in every imaginative heart that does not dream itself shut off from the Universe in some wee compartment all alone.

If O'Malley's written account, and especially his tumbled notebooks, left me bewildered and confused, the fragments that he told me brought this sense of an immense, sweet picture that actually existed. I caught small scenes of it, set in some wild high light. Their very incoherence conveyed the gorgeous splendor of the whole better than any neat ordered sequence could possibly have done.

Climax, in the story-book meaning, there was none. The thing flowed round and round forever. A sense of something eternal wrapped me as I listened; for his imagination set the whole adventure out of time and space, and I caught myself dreaming too. "A thousand years in His sight"--I understood the old words as refreshingly new--might be a day. Thus felt that monk, perhaps, for whose heart a hundred years had passed while he listened to the singing of a little bird.

My practical questions--it was only at the beginning that I was dull enough to ask them--he did not satisfy, because he could not. There was never the least suggestion of the artist's mere invention.

"You really felt the Earth about and in you," I had asked, "much as one feels the presence of a friend and living person?"

"Drowned in her, yes, as in the thoughts and atmosphere of some one awfully loved." His voice a little trembled as he said it.

"So speech unnecessary?"

"Impossible--fatal," was the laconic, comprehensive reply, "limiting: destructive even."

That, at least, I grasped: the pitifulness of words before that love by which self goes wholly lost in the being of another, adrift yet cared for, gathered all wonderfully in.

"And your Russian friend--your leader?" I ventured, haltingly.

His reply was curiously illuminating:--

"Like some great guiding Thought within her mind--some flaming motif--interpreting her love and splendor--leading me straight."

"As you felt at Marseilles, a clue--a vital clue?" For I remembered the singular phrase he had used in the notebook.

"Not a bad word," he laughed; "certainly, as far as it goes, not a wrong one. For he--it--was at the same time within myself. We merged, as our life grew and spread. We swept things along with us from the banks. We were in flood together," he cried. "We drew the landscape with us!"

The last words baffled me; I found no immediate response. He pushed away the plates on the table before us, where we had been lunching in the back room of a dingy Soho restaurant. We now had the place to ourselves. He drew his chair a little nearer.

"Don't ye see--our journey also was within," he added abruptly.

The pale London sunlight came through the window across chimneys, dreary roofs, courtyards. Yet where it touched his face it seemed at once to shine. His voice was warm and eager. I caught from him, as it were, both heat and light.

"You moved actually, though, over country--?"

"While at the same time we moved within, advanced, sank deeper," he returned; "call it what you will. Our condition moved. There was this correspondence between the two. Over her face we walked, yet into her as well. We 'traveled' with One greater than ourselves, both caught and merged in her, in utter sympathy with one another as with herself..."

This stopped me dead. I could not pretend more than a vague sympathetic understanding with such descriptions of a mystical experience. Nor, it was clear, did he expect it of me. Even his own heart was troubled, and he knew he spoke of things that only few may deal with sanely, still fewer hear with patience.

But, oh, that little room in Greek Street smelt of forests, dew, and dawn as he told it,--that dear wayward Child of Earth! For "his voice fell, like music that makes giddy the dim brain, faint with intoxication of keen joy." I watched those delicate hands he spread about him through the air; the tender, sensitive lips, the light blue eyes that glowed. I noted the real strength in the face,--a sort of nobility it was--his shabby suit of grey, his tie never caught properly in the collar, the frayed cuffs, and the enormous boots he wore even in London--"policeman boots" as we used to call them with a laugh.

So vivid was the picture that he painted! Almost, it seemed, I knew myself the pulse of that eternal Spring beneath our feet, beating in vain against the suffocating weight of London's bricks and pavements laid by civilization--the Earth's delight striving to push outwards into visible form as flowers. She flashed some scrap of meaning thus into me, though blunted on the way, I fear, and crudely paraphrased.

Yes, as he talked across the airless gloom of that little back room, in some small way I caught the splendor of his vision. Behind the words, I caught it here and there. My own wee world extended. My being stretched to understand him and to net in fugitive fragments the scenes of wonder that he knew complete.

Perhaps his larger consciousness fringed my own to "bruise" it, as he claimed the Earth had done to him, so that I glimpsed in tinier measure an experience that in himself blazed whole and thundering. It was, I must admit, exalting and invigorating, if a little breathless; and the return to streets and omnibuses painful--a descent to ugliness and disappointment. For things I can hardly understand now, even in my own descriptions of them, seemed at the time quite clear--or clear-ish at any rate. Whereas normally I could never have compassed them at all.

It taught me: that, at least, I know. In some spiritual way I quickened to the view that all great teaching really comes in some such curious fashion--via a temporary stretching or extension of the "heart" to receive it. The little normal self is pushed aside to make room, even to the point of loss, in order to contain it. Later, the consciousness contracts again. But it has expanded--and there has been growth. Was this, I wondered, perhaps what mystics speak of when they say the personal life must slip aside, be trampled on, submerged, before there can be room for the divine Presences...?

At any rate, as he talked there over coffee that grew cold and cigarette smoke that made the air yet thicker than it naturally was, his words conveyed with almost grandeur of conviction this reality of a profound inner experience. I shared in some faint way its truth and beauty, so that when I saw it in his written form I marveled to find the thing so thin and cold and dwindled. The key his personal presence supplied, of guidance and interpretation, of course was gone.