Wednesday's Good Reading: "The Snow-Storm" by Ralph W. Emerson (in English).

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.

Tuesday's Serial: “Lavengro” by George Borrow (in English) - XXVI

 

Chapter 51

the one half-crown—merit in patience—cementer of friendship—dreadful perplexity—the usual guttural—armenian letters—pure helplessness

 

One morning on getting up I discovered that my whole worldly wealth was reduced to one half-crown—throughout that day I walked about in considerable distress of mind; it was now requisite that I should come to a speedy decision with respect to what I was to do; I had not many alternatives, and, before I had retired to rest on the night of the day in question, I had determined that I could do no better than accept the first proposal of the Armenian, and translate under his superintendence the Haik Esop into English.

I reflected, for I made a virtue of necessity, that, after all, such an employment would be an honest and honourable one; honest, inasmuch as by engaging in it I should do harm to nobody; honourable, inasmuch as it was a literary task, which not everyone was capable of executing. It was not everyone of the booksellers' writers of London who was competent to translate the Haik Esop. I determined to accept the offer of the Armenian.

Once or twice the thought of what I might have to undergo in the translation from certain peculiarities of the Armenian's temper almost unsettled me; but a mechanical diving of my hand into my pocket, and the feeling of the solitary half-crown, confirmed me; after all, this was a life of trial and tribulation, and I had read somewhere or other that there was much merit in patience, so I determined to hold fast in my resolution of accepting the offer of the Armenian.

But all of a sudden I remembered that the Armenian appeared to have altered his intentions towards me: he appeared no longer desirous that I should render the Haik Esop into English for the benefit of the stock-jobbers on Exchange, but rather that I should acquire the rudiments of doing business in the Armenian fashion, and accumulate a fortune, which would enable me to make a figure upon 'Change with the best of the stock-jobbers. 'Well,' thought I, withdrawing my hand from my pocket, whither it had again mechanically dived, 'after all, what would the world, what would this city, be without commerce? I believe the world, and particularly this city, would cut a very poor figure without commerce; and then there is something poetical in the idea of doing business after the Armenian fashion, dealing with dark-faced Lascars and Rabbins of the Sephardim. Yes, should the Armenian insist upon it, I will accept a seat at the desk, opposite the Moldavian clerk. I do not like the idea of cuffs similar to those the Armenian bestowed upon the Moldavian clerk; whatever merit there may be in patience, I do not think that my estimation of the merit of patience would be sufficient to induce me to remain quietly sitting under the infliction of cuffs. I think I should, in the event of his cuffing me, knock the Armenian down. Well, I think I have heard it said somewhere, that a knock-down blow is a great cementer of friendship; I think I have heard of two people being better friends than ever after the one had received from the other a knock-down blow.'

That night I dreamed I had acquired a colossal fortune, some four hundred thousand pounds, by the Armenian way of doing business, but suddenly awoke in dreadful perplexity as to how I should dispose of it.

About nine o'clock next morning I set off to the house of the Armenian; I had never called upon him so early before, and certainly never with a heart beating with so much eagerness; but the situation of my affairs had become very critical, and I thought that I ought to lose no time in informing the Armenian that I was at length perfectly willing either to translate the Haik Esop under his superintendence, or to accept a seat at the desk opposite to the Moldavian clerk, and acquire the secrets of Armenian commerce. With a quick step I entered the counting-room, where, notwithstanding the earliness of the hour, I found the clerk, busied as usual at his desk.

He had always appeared to me a singular being, this same Moldavian clerk. A person of fewer words could scarcely be conceived: provided his master were at home, he would, on my inquiring, nod his head; and, provided he were not, he would invariably reply with the monosyllable No, delivered in a strange guttural tone. On the present occasion, being full of eagerness and impatience, I was about to pass by him to the apartment above, without my usual inquiry, when he lifted his head from the ledger in which he was writing, and, laying down his pen, motioned to me with his forefinger, as if to arrest my progress; whereupon I stopped, and, with a palpitating heart, demanded whether the master of the house was at home. The Moldavian clerk replied with his usual guttural, and, opening his desk, ensconced his head therein.

'It does not much matter,' said I; 'I suppose I shall find him at home after 'Change; it does not much matter, I can return.'

I was turning away with the intention of leaving the room; at this moment, however, the head of the Moldavian clerk became visible, and I observed a letter in his hand, which he had inserted in the desk at the same time with his head; this he extended towards me, making at the same time a sidelong motion with his head, as much as to say that it contained something which interested me.

I took the letter, and the Moldavian clerk forthwith resumed his occupation. The back of the letter bore my name, written in Armenian characters; with a trembling hand I broke the seal, and, unfolding the letter, I beheld several lines also written in the letters of Mesroub, the Cadmus of the Armenians.

I stared at the lines, and at first could not make out a syllable of their meaning; at last, however, by continued staring, I discovered that, though the letters were Armenian, the words were English; in about ten minutes I had contrived to decipher the sense of the letter; it ran somewhat in this style:—

 

    'My dear Friend—The words which you uttered in our last conversation have made a profound impression upon me; I have thought them over day and night, and have come to the conclusion that it is my bounden duty to attack the Persians. When these lines are delivered to you, I shall be on the route to Ararat. A mercantile speculation will be to the world the ostensible motive of my journey, and it is singular enough that one which offers considerable prospect of advantage has just presented itself on the confines of Persia. Think not, however, that motives of lucre would have been sufficiently powerful to tempt me to the East at the present moment. I may speculate, it is true, but I should scarcely have undertaken the journey but for your pungent words inciting me to attack the Persians. Doubt not that I will attack them on the first opportunity. I thank you heartily for putting me in mind of my duty. I have hitherto, to use your own words, been too fond of money-getting, like all my countrymen. I am much indebted to you; farewell! and may every prosperity await you.'

 

For some time after I had deciphered the epistle, I stood as if rooted to the floor. I felt stunned—my last hope was gone; presently a feeling arose in my mind—a feeling of self-reproach. Whom had I to blame but myself for the departure of the Armenian? Would he have ever thought of attacking the Persians had I not put the idea into his head? he had told me in his epistle that he was indebted to me for the idea. But for that, he might at the present moment have been in London, increasing his fortune by his usual methods, and I might be commencing under his auspices the translation of the Haik Esop, with the promise, no doubt, of a considerable remuneration for my trouble; or I might be taking a seat opposite the Moldavian clerk, and imbibing the first rudiments of doing business after the Armenian fashion, with the comfortable hope of realising, in a short time, a fortune of three or four hundred thousand pounds; but the Armenian was now gone, and farewell to the fine hopes I had founded upon him the day before. What was I to do? I looked wildly around, till my eyes rested on the Moldavian clerk, who was writing away in his ledger with particular vehemence. Not knowing well what to do or to say, I thought I might as well ask the Moldavian clerk when the Armenian had departed, and when he thought that he would return. It is true it mattered little to me when he departed, seeing that he was gone, and it was evident that he would not be back soon; but I knew not what to do, and in pure helplessness thought I might as well ask; so I went up to the Moldavian clerk, and asked him when the Armenian had departed, and whether he had been gone two days or three. Whereupon the Moldavian clerk, looking up from his ledger, made certain signs, which I could by no means understand. I stood astonished, but, presently recovering myself, inquired when he considered it probable that the master would return, and whether he thought it would be two months or—my tongue faltered—two years; whereupon the Moldavian clerk made more signs than before, and yet more unintelligible; as I persisted, however, he flung down his pen, and, putting his thumb into his mouth, moved it rapidly, causing the nail to sound against the lower jaw; whereupon I saw that he was dumb, and hurried away, for I had always entertained a horror of dumb people, having once heard my mother say, when I was a child, that dumb people were half demoniacs, or little better.

 

 

Chapter 52

kind of stupor—peace of god—divine hand—farewell, child—the fair—the massive edifice—the battered tars—lost! lost!—good-day, gentlemen

 

Leaving the house of the Armenian, I strolled about for some time; almost mechanically my feet conducted me to London Bridge, to the booth in which stood the stall of the old apple-woman; the sound of her voice aroused me, as I sat in a kind of stupor on the stone bench beside her; she was inquiring what was the matter with me.

At first, I believe, I answered her very incoherently, for I observed alarm beginning to depict itself upon her countenance. Rousing myself, however, I in my turn put a few questions to her upon her present condition and prospects. The old woman's countenance cleared up instantly; she informed me that she had never been more comfortable in her life; that her trade, her honest trade—laying an emphasis on the word honest—had increased of late wonderfully; that her health was better, and, above all, that she felt no fear and horror 'here,' laying her hand on her breast.

On my asking her whether she still heard voices in the night, she told me that she frequently did; but that the present were mild voices, sweet voices, encouraging voices, very different from the former ones; that a voice, only the night previous, had cried out about 'the peace of God,' in particularly sweet accents; a sentence which she remembered to have read in her early youth in the primer, but which she had clean forgotten till the voice the night before brought it to her recollection.

After a pause, the old woman said to me, 'I believe, dear, that it is the blessed book you brought me which has wrought this goodly change. How glad I am now that I can read; but oh what a difference between the book you brought to me and the one you took away! I believe the one you brought is written by the finger of God, and the other by—'

'Don't abuse the book,' said I, 'it is an excellent book for those who can understand it; it was not exactly suited to you, and perhaps it had been better that you had never read it—and yet, who knows? Peradventure, if you had not read that book, you would not have been fitted for the perusal of the one which you say is written by the finger of God'; and, pressing my hand to my head, I fell into a deep fit of musing. 'What, after all,' thought I, 'if there should be more order and system in the working of the moral world than I have thought? Does there not seem in the present instance to be something like the working of a Divine hand? I could not conceive why this woman, better educated than her mother, should have been, as she certainly was, a worse character than her mother. Yet perhaps this woman may be better and happier than her mother ever was; perhaps she is so already—perhaps this world is not a wild, lying dream, as I have occasionally supposed it to be.'

But the thought of my own situation did not permit me to abandon myself much longer to these musings. I started up. 'Where are you going, child?' said the woman, anxiously. 'I scarcely know,' said I; 'anywhere.' 'Then stay here, child,' said she; 'I have much to say to you.' 'No,' said I, 'I shall be better moving about'; and I was moving away, when it suddenly occurred to me that I might never see this woman again; and turning round I offered her my hand, and bade her goodbye. 'Farewell, child,' said the old woman, 'and God bless you!' I then moved along the bridge until I reached the Southwark side, and, still holding on my course, my mind again became quickly abstracted from all surrounding objects.

At length I found myself in a street or road, with terraces on either side, and seemingly of interminable length, leading, as it would appear, to the south-east. I was walking at a great rate—there were likewise a great number of people, also walking at a great rate; also carts and carriages driving at a great rate; and all—men, carts, and carriages—going in the selfsame direction, namely to the south-east. I stopped for a moment and deliberated whether or not I should proceed. What business had I in that direction? I could not say that I had any particular business in that direction, but what could I do were I to turn back? only walk about well-known streets; and, if I must walk, why not continue in the direction in which I was to see whither the road and its terraces led? I was here in a terra incognito, and an unknown place had always some interest for me; moreover, I had a desire to know whither all this crowd was going, and for what purpose. I thought they could not be going far, as crowds seldom go far, especially at such a rate; so I walked on more lustily than before, passing group after group of the crowd, and almost vying in speed with some of the carriages, especially the hackney-coaches; and, by dint of walking at this rate, the terraces and houses becoming somewhat less frequent as I advanced, I reached in about three-quarters of an hour a kind of low dingy town, in the neighbourhood of the river; the streets were swarming with people, and I concluded, from the number of wild-beast shows, caravans, gingerbread stalls, and the like, that a fair was being held. Now, as I had always been partial to fairs, I felt glad that I had fallen in with the crowd which had conducted me to the present one, and, casting away as much as I was able all gloomy thoughts, I did my best to enter into the diversions of the fair; staring at the wonderful representations of animals on canvas hung up before the shows of wild beasts, which, by the bye, are frequently found much more worthy of admiration than the real beasts themselves; listening to the jokes of the merry-andrews from the platforms in front of the temporary theatres, or admiring the splendid tinsel dresses of the performers who thronged the stages in the intervals of the entertainments; and in this manner, occasionally gazing and occasionally listening I passed through the town till I came in front of a large edifice looking full upon the majestic bosom of the Thames.

It was a massive stone edifice, built in an antique style, and black with age, with a broad esplanade between it and the river, on which, mixed with a few people from the fair, I observed moving about a great many individuals in quaint dresses of blue, with strange three-cornered hats on their heads; most of them were mutilated; this had a wooden leg—this wanted an arm; some had but one eye; and as I gazed upon the edifice, and the singular-looking individuals who moved before it, I guessed where I was. 'I am at ---' said I; 'these individuals are battered tars of Old England, and this edifice, once the favourite abode of Glorious Elizabeth, is the refuge which a grateful country has allotted to them. Here they can rest their weary bodies; at their ease talk over the actions in which they have been injured; and, with the tear of enthusiasm flowing from their eyes, boast how they have trod the deck of fame with Rodney, or Nelson, or others whose names stand emblazoned in the naval annals of their country.'

Turning to the right, I entered a park or wood consisting of enormous trees, occupying the foot, sides, and top of a hill which rose behind the town; there were multitudes of people among the trees, diverting themselves in various ways. Coming to the top of the hill, I was presently stopped by a lofty wall, along which I walked, till, coming to a small gate, I passed through, and found myself on an extensive green plain, on one side bounded in part by the wall of the park, and on the others, in the distance, by extensive ranges of houses; to the south-east was a lofty eminence, partially clothed with wood. The plain exhibited an animated scene, a kind of continuation of the fair below; there were multitudes of people upon it, many tents, and shows; there was also horse-racing, and much noise and shouting, the sun shining brightly overhead. After gazing at the horse-racing for a little time, feeling myself somewhat tired, I went up to one of the tents, and laid myself down on the grass. There was much noise in the tent. 'Who will stand me?' said a voice with a slight tendency to lisp. 'Will you, my lord?' 'Yes,' said another voice. Then there was a sound as of a piece of money banging on a table. 'Lost! lost! lost!' cried several voices; and then the banging down of the money, and the 'lost! lost! lost!' were frequently repeated; at last the second voice exclaimed, 'I will try no more; you have cheated me.' 'Never cheated any one in my life, my lord—all fair—all chance. Them that finds, wins—them that can't finds, loses. Any one else try? Who'll try? Will you, my lord?' and then it appeared that some other lord tried, for I heard more money flung down. Then again the cry of 'lost! lost!'—then again the sound of money, and so on. Once or twice, but not more, I heard 'Won! won!' but the predominant cry was 'Lost! lost!' At last there was a considerable hubbub, and the words 'Cheat!' 'Rogue!' and 'You filched away the pea!' were used freely by more voices than one, to which the voice with the tendency to lisp replied, 'Never filched a pea in my life; would scorn it. Always glad when folks wins; but, as those here don't appear to be civil, nor to wish to play any more, I shall take myself off with my table; so, good-day, gentlemen.'

 

Monday's Illustrated Word: untitled by Carl Burgos (in English)

 art by Carl Burgos - Target Comics vol.1 #1 (1) - Novelty, Feb 1940.

Saturday's Good Reading: “The Fighting Cocks and the Eagle” by Aesop (translated into English).

 

Two game cocks were fiercely fighting for the mastery of the farmyard. One at last put the other to flight. The vanquished Cock skulked away and hid himself in a quiet corner, while the conqueror, flying up to a high wall, flapped his wings and crowed exultingly with all his might. An Eagle sailing through the air pounced upon him and carried him off in his talons. The vanquished Cock immediately came out of his corner, and ruled henceforth with undisputed mastery. 

                                                               Pride goes before destruction.

Friday's Sung Word: "Iaiá, Ioiô" by Josué de Barros (in Portuguese).

Ioiô, Iaiá
Me dá licença pra brincá no carnavá
Iaiá, Ioiô
Você não vai mas dexa eu ir
Eu vô

Nunca vi festa tão boa (Iaiá, Ioiô)
Carnavá é memo tudo (Iaiá, Ioiô)
São três dias de alegria (Iaiá, Ioiô)
Isso faz ficá maluco (Iaiá, Ioiô)

Você diz que vai s'imbora (Iaiá, Ioiô)
Não me importa, não faz mal (Iaiá, Ioiô)
Eu só quero que tu voltes (Iaiá, Ioiô)
Só depois do carnavá (Iaiá, Ioiô)

Você diz que me despeja (Iaiá, Ioiô)
Eu só to querendo ver (Iaiá, Ioiô)
Depois não pegue a chorá (Iaiá, Ioiô)
Quando tu te arrependê (Iaiá, Ioiô)

Quando nóis dois se encontrô (Iaiá, Ioiô)
Nóis pegamo a se gostá (Iaiá, Ioiô)
Tu me disse umas coisinha (Iaiá, Ioiô)
Eu nem quero me alembrá (Iaiá, Ioiô) 

 

You can listen "Iaiá, Ioiô" sung by Carmen Miranda here.

Thursday Serial: “The Human Chord” by Algernon Blackwood (in English) - III

 

Chapter 3

 

I

In his bedroom, though excitement banished sleep in spite of the lateness of the hour, he was too exhausted to make any effective attempt to reduce the confusion of his mind to order. For the first time in his life the diary-page for the day remained blank. For a long time he sat before it with his pencil--then sighed and put it away. A volume he might have written, but not a page, much less a line or two. And though it was but eight hours since he had made the acquaintance of the Rev. Philip Skale, it seemed to him more like eight days.

Moreover, all that he had heard and seen, fantastic and strained as he felt it to be, possibly even the product of religious mania, was nevertheless profoundly disquieting, for mixed up with it somewhere or other was--truth. Mr. Skale had made a discovery--a giant one; it was not all merely talk and hypnotism, the glamour of words. His great Experiment would prove to be real and terrible. He had discovered certain uses of sound, occult yet scientific, and if he, Spinrobin, elected to stay on, he would be obliged to play his part in the denouement. And this thought from the very beginning appalled while it fascinated him. It filled him with a kind of horrible amazement. For the object the clergyman sought, though not yet disclosed, already cast its monstrous shadow across his path. He somehow discerned that it would deal directly with knowledge the saner judgment of a commonplace world had always deemed undesirable, unlawful, unsafe, dangerous to the souls that dared attempt it, failure involving a pitiless and terrible Nemesis.

He lay in bed watching the play of the firelight upon the high ceiling, and thinking in confused fashion of the huge clergyman with his thundering voice, his great lambent eyes and his seductive gentleness; of his singular speculations and his hints, half menacing, half splendid, of things to come. Then he thought of the housekeeper with her deafness and her withered arm, and that white peace about her face; and, lastly, of Miriam, soft, pale beneath her dark skin, her gem-like eyes ever finding his own, and of the intimate personal relations so swiftly established between them....

It was, indeed, a singular household thus buried away in the heart of these lonely mountains. The stately old mansion was just the right setting for--for--

Unbidden into his mind a queer, new thought shot suddenly, interrupting the flow of ideas. He never understood how or whence it came, but with the picture of all the empty rooms in the corridor about him, he received the sharp unwelcome impression that when Mr. Skale described the house as empty it was really nothing of the sort. Utterly unannounced, the uneasy conviction took possession of him that the building was actually--populated. It was an extraordinary idea to have. There was absolutely nothing in the way of evidence to support it. And with it flashed across his memory echoes of that unusual catechism he had been subjected to--in particular the questions whether he believed in spirits,--"other life," as Skale termed it. Sinister suspicions flashed through his imagination as he lay there listening to the ashes dropping in the grate and watching the shadows cloak the room. Was it possible that there were occupants of these rooms that the man had somehow evoked from the interstellar spaces and crystallized by means of sound into form and shape--created?

Something freezing swept into him from a region far beyond the world. He shivered. These cold terrors that grip the soul suddenly without apparent cause, whence do they come? Why, out of these rather extravagant and baseless speculations, should have emerged this sense of throttling dread that appalled him? And why, once again, should he have felt convinced that the ultimate nature of the clergyman's great experiment was impious, fraught with a kind of heavenly danger, "unpermissible?"

Spinrobin, lying there shivering in his big bed, could not guess. He only knew that by way of relief his mind instinctively sought out Miriam, and so found peace. Curled up in a ball between the sheets his body presently slept, while his mind, intensely active, traveled off into that vast inner prairie of his childhood days and called her name aloud. And presumably she came to him at once, for his sleep was undisturbed and his dreams uncommonly sweet, and he woke thoroughly refreshed eight hours later, to find Mrs. Mawle standing beside his bed with thin bread and butter and a cup of steaming tea.

 

II

For the rest, the new secretary fell quickly and easily into the routine of this odd little household, for he had great powers of adaptability. At first the promise of excitement faded. The mornings were spent in the study of Hebrew, Mr. Skale taking great pains to instruct him in the vibratory pronunciation (for so he termed it) of certain words, and especially of the divine, or angelic, names. The correct utterance, involving a kind of prolonged and sonorous vibration of the vowels, appeared to be of supreme importance. He further taught him curious correspondences between Sound and Number, and the attribution to these again of certain colors. The vibrations of sound and light, as air and ether, had intrinsic importance, it seemed, in the uttering of certain names; all of which, however, Spinrobin learnt by rote, making neither head nor tail of it.

That there were definite results, though, he could not deny--psychic results; for a name uttered correctly produced one effect, and uttered wrongly produced another ... just as a wrong note in a chord afflicts the hearer whereas the right one blesses....

The afternoons, wet or fine, they went for long walks together about the desolate hills, Miriam sometimes accompanying them. Their talk and laughter echoed all over the mountains, but there was no one to hear them, the nearest village being several miles away and the railway station--nothing but a railway station. The isolation was severe; there were no callers but the bi-weekly provision carts; letters had to be fetched and newspapers were neglected.

Arrayed in fluffy tweeds, with baggy knickerbockers and heavily-nailed boots, he trotted beside his giant companion over the moors, somewhat like a child who expected its hand to be taken over difficult places. His confidence had been completely won. The sense of shyness left him. He felt that he already stood to the visionary clergyman in a relationship that was more than secretarial. He still panted, but with enthusiasm instead of with regret. In the background loomed always the dim sense of the Discovery and Experiment approaching inevitably, just as in childhood the idea of Heaven and Hell had stood waiting to catch him--real only when he thought carefully about them. Skale was just the kind of man, he felt, who would make a discovery, so simple that the rest of the world had overlooked it, so tremendous that it struck at the roots of human knowledge. He had the simple originality of genius, and a good deal of its inspirational quality as well.

Before ten days had passed he was following him about like a dog, hanging upon his lightest word. New currents ran through him mentally and spiritually as the fires of Mr. Skale's vivid personality quickened his own, and the impetus of his inner life lifted him with its more violent momentum. The world of an ordinary man is so circumscribed, so conventionally molded, that he can scarcely conceive of things that may dwell normally in the mind of an extraordinary man. Adumbrations of these, however, may throw their shadow across his field of vision. Spinrobin was ordinary in most ways, while Mr. Skale was un-ordinary in nearly all; and thus, living together in this intimate solitude, the secretary got peeps into his companion's region that gradually convinced him. With cleaned nerves and vision he began to think in ways and terms that were new to him. Skale, like some big figure in story or legend, moved forward into his life and waved a wand. His own smaller personality began to expand; thoughts entered unannounced that hitherto had not even knocked at the door, and the frontiers of his mind first wavered, then unfolded to admit them.

The clergyman's world, whether he himself were mad or sane, was a real world, alive, vibrating, shortly to produce practical results. Spinrobin would have staked his very life upon it....

And, meanwhile, he made love openly--under any other conditions, outrageously--to Miriam, whose figure of soft beauty moving silently about the house helped to redeem it. She rendered him quiet little services of her own accord that pleased him immensely, for occasionally he detected her delicate perfume about his room, and he was sure it was not Mrs. Mawle who put the fresh heather in the glass jars upon his table, or arranged his papers with such neat precision on the desk.

Her delicate, shining little face with its wreath of dark hair, went with him everywhere, hauntingly, possessingly; and when he kissed her, as he did now every morning and every evening under Mr. Skale's very eyes, it was like plunging his lips into a bed of wild flowers that no artificial process had ever touched. Something in him sang when she was near. She had, too, what he used to call as a boy "night eyes"--changing after dusk into such shadowy depths that to look at them was to look beyond and through them. The sight could never rest only upon their surface. Through her eyes, then, stretched all the delight of that old immense play-ground ... where names clothed, described, and summoned living realities.

His attitude towards her was odd yet comprehensible; for though his desire was unquestionably great, it was not particularly active, probably because he knew that he held her and that no aggressive effort was necessary. Secure in the feeling that she belonged to him, and he to her, he also found that he had little enough to say to her, never anything to ask. She knew and understood it all beforehand; expression was uncalled for. As well might the brimming kettle sing to the water "I contain you," or the water reply "I fill you!"

Only this was not the simile he used. In his own thoughts from the very beginning he had used the analogy of sound--of the chord. As well might one note feel called upon to cry to another in the same chord, "Hark! I'm sounding with you!" as that Spinrobin should say to Miriam, "My heart responds and sings to yours."

After a period of separation, however, he became charged with things he wanted to say to her, all of which vanished utterly the moment they came together. Words instantly then became unnecessary, foolish. He heard that faint internal singing, and his own resonant response; and they merely stayed there side by side, completely happy, everything told without speech. This sense of blissful union enwrapped his soul. In the language of his boyhood he had found her name; he knew her; she was his.

Yet sometimes they did talk; and their conversations, in any other setting but this amazing one provided by the wizardry of Skale's enthusiasm, must have seemed exquisitely ludicrous. In the room, often with the clergyman a few feet away, reading by the fire, they would sit in the window niche, gazing into one another's eyes, perhaps even holding hands. Then, after a long interval of silence Mr. Skale would hear Spinrobin's thin accents:

"You brilliant little sound! I hear you everywhere within me, chanting a song of life!"

And Miriam's reply, thrilled and gentle:

"I'm but your perfect echo! My whole life sings with yours!"

Whereupon, kissing softly, they would separate, and Mr. Skale would cover them mentally with his blessing.

Sometimes, too, he would send for the housekeeper and, with the aid of the violin, would lead the four voices, his own bass included, through the changes of various chords, for the vibratory utterance of certain names; and the beauty of these sounds, singing the "divine names," would make the secretary swell to twice his normal value and importance (thus he puts it), as the forces awakened by the music poured and surged into the atmosphere about them. Whereupon the clergyman would explain with burning words that many a symphony of Beethoven's, a sonata of Schumann's, or a suite of Tschaikovsky's were the Names, peaceful, romantic or melancholy, of great spiritual Potencies, heard partially by these masters in their moments of inspirational ecstasy. The powers of these Beings were just as characteristic, their existence just as real, as the simpler names of the Hebrew angels, and their psychic influence upon the soul that heard them uttered just as sure and individual.

"For the power of music, my dear Spinrobin, has never yet by science or philosophy been adequately explained, and never can be until the occult nature of sound, and its correlations with color, form, and number is once again understood. 'Rhythm is the first law of the physical creation,' says one, 'and music is a breaking into sound of the fundamental rhythm of universal being.' 'Rhythm and harmony,' declares Plato, 'find their way into the secret places of the soul.' 'It is the manifestation,' whispers the deaf Beethoven, 'of the inner essential nature of all that is,' or in the hint of Leibnitz, 'it is a calculation which the soul makes unconsciously in secret.' It is 'love in search of a name,' sang George Eliot, nearer in her intuition to the truth than all the philosophers, since love is the dynamic of pure spirit. But I," he continued after a pause for breath, and smiling amid the glow of his great enthusiasm, "go beyond and behind them all into the very heart of the secret; for you shall learn that to know the sounds of the Great Names and to utter their music correctly shall merge yourself into the heart of their deific natures and make you 'as the gods themselves...!'"

And Spinrobin, as he listened, noticed that a slight trembling ran across the fabric of his normal world, as though it were about to vanish and give place to another--a new world of divine things made utterly simple. For many things that Skale said in this easy natural way, he felt, were in the nature of clues and passwords, whose effect he carefully noted upon his secretary, being intended to urge him, with a certain violence even, into the desired region. Skale was testing him all the time.

 

III

And it was about this time, more than half way through the trial month, that the clergyman took Spinrobin, now become far more than merely secretary, into his fuller confidence. In a series of singular conversations, which the bewildered little fellow has reported to the best of his ability, he explained to him something of the science of true names. And to prove it he made two singular experiments: first he uttered the true name of Mrs. Mawle, secondly of Spinrobin himself, with results that shall presently be told.

These things it was necessary for him to know and understand before they made the great Experiment. Otherwise, if unprepared, he might witness results that would involve the loss of self-control and the failure, therefore, of the experiment--a disaster too formidable to contemplate.

By way of leading up to this, however, he gave him some account first of the original discovery. Spinrobin asked few questions, made few comments; he took notes, however, of all he heard and at night wrote them up as best he could in his diary. At times the clergyman rose and interrupted the strange recital by moving about the room with his soft and giant stride, talking even while his back was turned; and at times the astonished secretary wrote so furiously that he broke his pencil with a snap, and Mr. Skale had to wait while he sharpened it again. His inner excitement was so great that he almost felt he emitted sparks.

The clue, it appears, came to the clergyman by mere chance, though he admits his belief that the habits of asceticism and meditation he had practiced for years may have made him in some way receptive to the vision, for as a vision, it seems, the thing first presented itself--a vision made possible by a moment of very rapid hypnosis.

An Anglican priest at the time, in charge of a small Norfolk parish, he was a great believer in the value of ceremonial--in the use, that is, of color, odor and sound to induce mental states of worship and adoration--more especially, however, of sound as uttered by the voice, the human voice being unique among instruments in that it combined the characteristics of all other sounds. Intoning, therefore, was to him a matter of psychic importance, and it was one summer evening, intoning, in the chancel, that he noticed suddenly certain very curious results. The faces of two individuals in the congregation underwent a charming and singular change, a change which he would not describe more particularly at the moment, since Spinrobin should presently witness it for himself.

It all happened in a flash--in less than a second, and it is probable, he holds, that his own voice induced an instant of swift and passing hypnosis upon himself; for as he stood there at the lectern there came upon him a moment of keen interior lucidity in which he realized beyond doubt or question what had happened. The use of voice, bell, or gong, has long been known as a means of inducing the hypnotic state, and during this almost instantaneous trance of his there came a sudden revelation of the magical possibilities of sound-vibration. By some chance rhythm of his intoning voice he had hit upon the exact pitch, quality and accent which constituted the "Note" of more than one member of the congregation before him. Those particular individuals, without being aware of the fact, had at once responded, automatically and inevitably. For a second he had heard, he knew, their true names! He had unwittingly "called" them.

Spinrobin's heart leaped with excitement as he listened, for this idea of "Naming True" carried him back to the haunted days of his childhood clairvoyance when he had known Winky.

"I don't quite understand, Mr. Skale," he put in, desirous to hear a more detailed explanation.

"But presently you shall," was all the clergyman vouchsafed.

The clue thus provided by chance he had followed up, but by methods hard to describe apparently. A corner of the veil, momentarily lifted, had betrayed the value that lies in the repetition of certain sounds--the rhythmic reiteration of syllables--in a word, of chanting or incantation. By diving down into his subconscious region, already prepared by long spiritual training, he gradually succeeded in drawing out further details piece by piece, and finally by infinite practice and prayer welding them together into an intelligible system. The science of true-naming slowly, with the efforts of years, revealed itself. His mind slipped past the deceit of mere sensible appearances. Clair-audiently he heard the true inner names of things and persons....

Mr. Skale rose from his chair. With thumbs in the armholes of his waistcoat and fingers drumming loudly on his breast he stood over the secretary, who continued making frantic notes.

"That chance discovery, then, made during a moment's inner vision," he continued with a grave excitement, "gave me the key to a whole world of new knowledge, and since then I have made incredible developments. Listen closely, Mr. Spinrobin, while I explain. And take in what you can."

The secretary laid down his pencil and notebook. He sat forward in an attitude of intense eagerness upon the edge of his chair. He was trembling. This strange modern confirmation of his early Heaven of wonder before the senses had thickened and concealed it, laid bare again his earliest world of far-off pristine glory.

"The ordinary name of a person, understand then, is merely a sound attached to their physical appearance at birth by the parents--a meaningless sound. It is not their true name. That, however, exists behind it in the spiritual world, and is the accurate description of the soul. It is the sound you express visibly before me. The Word is the Life."

Spinrobin surreptitiously picked up his pencil; but the clergyman spied the movement. "Never mind the notes," he said; "listen closely to me." Spinrobin obeyed meekly.

"Your ordinary outer name, however," continued Mr. Skale, speaking with profound conviction, "may be made a conductor to your true, inner one. The connection between the two by a series of subtle interior links forms gradually with the years. For even the ordinary name, if you reflect a moment, becomes in time a sound of singular authority--inwoven with the finest threads of your psychical being, so that in a sense you become it. To hear it suddenly called aloud in the night--in a room full of people, in the street unexpectedly--is to know a shock, however small, of increased vitality. It touches the imagination. It calls upon the soul built up around it."

He paused a moment. His voice boomed musically about the room, even after he ceased speaking. Bewildered, wondering, delighted, Spinrobin drank in every word. How well he knew it all.

"Now," resumed the clergyman, lowering his tone unconsciously, "the first part of my discovery lies in this: that I have learned to pronounce the ordinary names of things and people in such a way as to lead me to their true, inner ones--"

"But," interrupted Spinrobin irrepressibly, "how in the name of--?"

"Hush!" cried Skale quickly. "Never again call upon a mighty name--in vain. It is dangerous. Concentrate your mind upon what I now tell you, and you shall understand a part, at least, of my discovery. As I was saying, I have learned how to find the true name by means of the false; and understand, if you can, that to pronounce a true name correctly means to participate in its very life, to vibrate with its essential nature, to learn the ultimate secret of its inmost being. For our true names are the sounds originally uttered by the 'Word' of God when He created us, or 'called' us into Being out of the void of infinite silence, and to repeat them correctly means literally--to--speak--with--His--Voice. It is to speak the truth." The clergyman dropped his tone to an awed whisper. "Words are the veils of Being; to speak them truly is to lift a corner of the veil."

"What a glory! What a thing!" exclaimed the other under his breath, trying to keep his mind steady, but losing control of language in the attempt. The great sentences seemed to change the little room into a temple where sacred things were about to reveal themselves. Spinrobin now understood in a measure why Mr. Skale's utterance of his own name and that of Miriam had sounded grand. Behind each he had touched the true name and made it echo.

The clergyman's voice brought his thoughts back from distances in that inner prairie of his youth where they had lost themselves.

"For all of us," he was repeating with rapt expression in his shining eyes, "are Sounds in the mighty music the universe sings to God, whose Voice it was that first produced us, and of whose awful resonance we are echoes therefore in harmony or disharmony." A look of power passed into his great visage. Spinrobin's imagination, in spite of the efforts that he made, fluttered with broken wings behind the swift words. A flash of the former terror stirred in the depths of him. The man was at the heels of knowledge it is not safe for humanity to seek....

"Yes," he continued, directing his gaze again upon the other, "that is a part of my discovery, though only a part, mind. By repeating your outer name in a certain way until it disappears in the mind, I can arrive at the real name within. And to utter it is to call upon the secret soul--to summon it from its lair. 'I have redeemed thee; I have called thee by name.' You remember the texts? 'I know thee by name,' said Jehovah to the great Hebrew magician, 'and thou art mine.' By certain rhythms and vibratory modulations of the voice it is possible to produce harmonics of sound which awaken the inner name into life--and then to spell it out. Note well, to spell it,--spell--incantation--the magical use of sound--the meaning of the Word of Power, used with such terrific effect in the old forgotten Hebrew magic. Utter correctly the names of their Forces, or Angels, I am teaching you daily now," he went on reverently, with glowing eyes and intense conviction; "pronounce them with full vibratory power that awakens all their harmonics, and you awaken also their counterpart in yourself; you summon their strength or characteristic quality to your aid; you introduce their powers actively into your own psychical being. Had Jacob succeeded in discovering the 'Name' of that 'Angel' with whom he wrestled, he would have become one with its superior power and have thus conquered it. Only, he asked instead of commanded, and he found it not..."

"Magnificent! Splendid!" cried Spinrobin, starting from his chair, seizing with his imagination potently stirred, this possibility of developing character and rousing the forces of the soul.

"We shall yet call upon the Names, and see," replied Skale, placing a great hand upon his companion's shoulder, "not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical element in music. For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all the faiths of the world are at the heels of that thought. Provided you have faith you can--move mountains! You can call upon the very gods!"

"A most wonderful idea, Mr. Skale," faltered the other breathlessly, "quite wonderful!" The huge sentences deafened him a little with their mental thunder.

"And utterly simple," was the reply, "for all truth is simple."

He paced the floor like a great caged animal. He went down and leaned against the dark bookcase, with his legs wide apart, and hands in his coat pockets. "To name truly, you see, is to evoke, to create!" he roared from the end of the room. "To utter as it should be uttered any one of the Ten Words, or Creative Powers of the Deity in the old Hebrew system, is to become master of the 'world' to which it corresponds. For these names are still in living contact with the realities behind. It means to vibrate with the powers that called the universe into being and--into form."

A sort of shadowy majesty draped his huge figure, Spinrobin thought, as he stood in semi-darkness at the end of the room and thundered forth these extraordinary sentences with a conviction that, for the moment at least, swept away all doubt in the mind of his listener. Dreadful ideas, huge-footed and threatening, rushed to and fro in the secretary's mind. He was torn away from all known anchorage, staggered, dizzy and dismayed; yet at the same time, owing to his adventure-loving temperament, a prey to some secret and delightful exaltation of the spirit. He was out of his depth in great waters....

Then, quite suddenly, Mr. Skale came swiftly over to his side and whispered in accents that were soothing in comparison:

"And think for a moment how beautiful, the huge Words by which God called into being the worlds, and sent the perfect, rounded bodies of the spheres spinning and singing, blazing their eternal trails of glory through the void! How sweet the whisper that crystallized in flowers! How tender the note that fashioned the eyes and face, say, of Miriam...."

At the name of Miriam he felt caught up and glorified, in some delightful and inexplicable way that brought with it--peace. The power of all these strange and glowing thoughts poured their full tide into his own rather arid and thirsty world, frightening him with their terrific force. But the mere utterance of that delightful name--in the way Skale uttered it--brought confidence and peace.

"... Could we but hear them!" Skale continued, half to himself, half to his probationer; "for the sad thing is that today the world has ears yet cannot hear. As light is distorted by passing through a gross atmosphere, so sound reaches us but indistinctly now, and few true names can bring their wondrous messages of power correctly. Men, coarsening with the materialism of the ages, have grown thick and gross with the luxury of inventions and the diseases of modern life that develop intellect at the expense of soul. They have lost the old inner hearing of divine sound, and but one here and there can still catch the faint, far-off and ineffable music."

He lifted his eyes, and his voice became low and even gentle as the glowing words fell from his heart of longing.

"None hear now the morning stars when they sing together to the sun; none know the chanting of the spheres! The ears of the world are stopped with lust, and the old divine science of true-naming seems lost forever amid the crash of engines and the noisy thunder of machinery!... Only among flowers and certain gems are the accurate old true names still to be found!... But we are on the track, my dear Spinrobin, we are on the ancient trail to Power."

The clergyman closed his eyes and clasped his hands, lifting his face upwards with a rapt expression while he murmured under his breath the description of the Rider on the White Horse from the Book of the Revelations, as though it held some inner meaning that his heart knew yet dared not divulge: "And he had a Name written, that no man knew but he himself. And he was clothed in a vesture dipped in blood: and his Name is called The Word of God ... and he hath on his vesture and on his thigh a name written,--'King of Kings and Lord of Lords....'"

And for an instant Spinrobin, listening to the rolling sound but not to the actual words, fancied that a faintly colored atmosphere of deep scarlet accompanied the vibrations of his resonant whisper and produced in the depths of his mind this momentary effect of colored audition.

It was all very strange and puzzling. He tried, however, to keep an open mind and struggle as best he might with these big swells that rolled into his little pool of life and threatened to merge it in a vaster tide than he had yet dreamed of. Knowing how limited is the world which the senses report, he saw nothing too inconceivable in the idea that certain persons might possess a peculiar inner structure of the spirit by which supersensuous things can be perceived. And what more likely than that a man of Mr. Skale's unusual caliber should belong to them? Indeed, that the clergyman possessed certain practical powers of an extraordinary description he was as certain as that the house was not empty as he had at first supposed. Of neither had he proof as yet; but proof was not long in forthcoming.