Friday, 23 February 2018

Friday's Sung Word: “Alvorada” by Synval Silva (in Portuguese)



Vem raiando a aurora,
Vai clareando o dia, vai...
E vem o sol raiando lá no céu
Para findar nossa alegria

A cuíca lá no alto, ronca a noite inteira
Embalando aquela gente, lá do morro de Mangueira
E o samba se prolonga, até alta madrugada
Mas o dia vem raiando, vai cessando a batucada

P'rá gozar a mocidade, fiz um samba no terreiro
E tinha gente da Favela, de Mangueira e do Salgueiro
E até mesmo da cidade, tinha gente que é "dotô"
E que sambavam de verdade, p'rá mostrar o seu "valô".


You can listen “Alvorada” sung by  Carmen Miranda here.
 

You can listen “Alvorada” sung by  Luiz Armando Queiroz here.


Thursday, 22 February 2018

Thursday's Serial: "The Golden Age" by Keneth Grahame (in English) - XI



THE SECRET DRAWER

It must surely have served as a boudoir for the ladies of old time, this little used, rarely entered chamber where the neglected old bureau stood. There was something very feminine in the faint hues of its faded brocades, in the rose and blue of such bits of china as yet remained, and in the delicate old-world fragrance of pot-pourri from the great bowl—blue and white, with funny holes in its cover—that stood on the bureau’s flat top. Modern aunts disdained this out-of-the-way, back-water, upstairs room, preferring to do their accounts and grapple with their correspondence in some central position more in the whirl of things, whence one eye could be kept on the carriage drive, while the other was alert for malingering servants and marauding children. Those aunts of a former generation—I sometimes felt—would have suited our habits better. But even by us children, to whom few places were private or reserved, the room was visited but rarely. To be sure, there was nothing particular in it that we coveted or required,—only a few spindle-legged gilt-backed chairs; an old harp, on which, so the legend ran, Aunt Eliza herself used once to play, in years remote, unchronicled; a corner-cupboard with a few pieces of china; and the old bureau. But one other thing the room possessed, peculiar to itself; a certain sense of privacy,—a power of making the intruder feel that he WAS intruding,—perhaps even a faculty of hinting that some one might have been sitting on those chairs, writing at the bureau, or fingering the china, just a second before one entered.
                No such violent word as “haunted” could possibly apply to this pleasant old-fashioned chamber, which indeed we all rather liked; but there was no doubt it was reserved and stand-offish, keeping itself to itself.
                Uncle Thomas was the first to draw my attention to the possibilities of the old bureau. He was pottering about the house one afternoon, having ordered me to keep at his heels for company,—he was a man who hated to be left one minute alone,—when his eye fell on it. “H’m! Sheraton!” he remarked. (He had a smattering of most things, this uncle, especially the vocabularies.) Then he let down the flap, and examined the empty pigeon-holes and dusty panelling. “Fine bit of inlay,” he went on: “good work, all of it. I know the sort. There’s a secret drawer in there somewhere.” Then, as I breathlessly drew near, he suddenly exclaimed: “By Jove, I do want to smoke!” and wheeling round he abruptly fled for the garden, leaving me with the cup dashed from my lips. What a strange thing, I mused, was this smoking, that takes a man suddenly, be he in the court, the camp, or the grove, grips him like an Afreet, and whirls him off to do its imperious behests! Would it be even so with myself, I wondered, in those unknown grown-up years to come?
                But I had no time to waste in vain speculations. My whole being was still vibrating to those magic syllables, “secret drawer;” and that particular chord had been touched that never fails to thrill responsive to such words as CAVE, TRAP-DOOR, SLIDING-PANEL, BULLION, INGOTS, or SPANISH DOLLARS. For, besides its own special bliss, who ever heard of a secret drawer with nothing in it? And oh, I did want money so badly! I mentally ran over the list of demands which were pressing me the most imperiously.
                First, there was the pipe I wanted to give George Jannaway. George, who was Martha’s young man, was a shepherd, and a great ally of mine; and the last fair he was at, when he bought his sweetheart fairings, as a right-minded shepherd should, he had purchased a lovely snake expressly for me; one of the wooden sort, with joints, waggling deliciously in the hand; with yellow spots on a green ground, sticky and strong-smelling, as a fresh-painted snake ought to be; and with a red-flannel tongue, pasted cunningly into its jaws. I loved it much, and took it to bed with me every night, till what time its spinal cord was loosed and it fell apart, and went the way of all mortal joys. I thought it so nice of George to think of me at the fair, and that’s why I wanted to give him a pipe. When the young year was chill and lambing-time was on, George inhabited a little wooden house on wheels, far out on the wintry downs, and saw no faces but such as were sheepish and woolly and mute; ant when he and Martha were married, she was going to carry his dinner out to him every day, two miles; and after it, perhaps he would smoke my pipe. It seemed an idyllic sort of existence, for both the parties concerned; but a pipe of quality, a pipe fitted to be part of a life such as this, could not be procured (so Martha informed me) for a less sum than eighteen pence. And meantime—!
                Then there was the fourpence I owed Edward; not that he was bothering me for it, but I knew he was in need of it himself, to pay back Selina, who wanted it to make up a sum of two shillings, to buy Harold an ironclad for his approaching birthday,—H. M. S. Majestic, now lying uselessly careened in the toyshop window, just when her country had such sore need of her.
                And then there was that boy in the village who had caught a young squirrel, and I had never yet possessed one, and he wanted a shilling for it, but I knew that for ninepence in cash—but what was the good of these sorry, threadbare reflections? I had wants enough to exhaust any possible find of bullion, even if it amounted to half a sovereign. My only hope now lay in the magic drawer, and here I was standing and letting the precious minutes slip by. Whether “findings” of this sort could, morally speaking, be considered “keepings,” was a point that did not occur to me.
                The room was very still as I approached the bureau,—possessed, it seemed to be, by a sort of hush of expectation. The faint odour of orris-root that floated forth as I let down the flap, seemed to identify itself with the yellows and browns of the old wood, till hue and scent were of one quality and interchangeable.
                Even so, ere this, the pot-pourri had mixed itself with the tints of the old brocade, and brocade and pot-pourri had long been one.
                With expectant fingers I explored the empty pigeon-holes and sounded the depths of the softly-sliding drawers. No books that I knew of gave any general recipe for a quest like this; but the glory, should I succeed unaided, would be all the greater.
                To him who is destined to arrive, the fates never fail to afford, on the way, their small encouragements; in less than two minutes, I had come across a rusty button-hook. This was truly magnificent. In the nursery there existed, indeed, a general button-hook, common to either sex; but none of us possessed a private and special button-hook, to lend or refuse as suited the high humour of the moment. I pocketed the treasure carefully and proceeded. At the back of another drawer, three old foreign stamps told me I was surely on the highroad to fortune.
                Following on these bracing incentives, came a dull blank period of unrewarded search. In vain I removed all the drawers and felt over every inch of the smooth surfaces, from front to back. Never a knob, spring or projection met the thrilling finger-tips; unyielding the old bureau stood, stoutly guarding its secret, if secret it really had. I began to grow weary and disheartened. This was not the first time that Uncle Thomas had proved shallow, uninformed, a guide into blind alleys where the echoes mocked you. Was it any good persisting longer? Was anything any good whatever? In my mind I began to review past disappointments, and life seemed one long record of failure and of non-arrival. Disillusioned and depressed, I left my work and went to the window. The light was ebbing from the room, and outside seemed to be collecting itself on the horizon for its concentrated effort of sunset. Far down the garden, Uncle Thomas was holding Edward in the air reversed, and smacking him. Edward, gurgling hysterically, was striking blind fists in the direction where he judged his uncle’s stomach should rightly be; the contents of his pockets—a motley show—were strewing the lawn. Somehow, though I had been put through a similar performance an hour or two ago, myself, it all seemed very far away and cut off from me.
                Westwards the clouds were massing themselves in a low violet bank; below them, to north and south, as far round as eye could reach, a narrow streak of gold ran out and stretched away, straight along the horizon. Somewhere very far off, a horn was being blown, clear and thin; it sounded like the golden streak grown audible, while the gold seemed the visible sound. It pricked my ebbing courage, this blended strain of music and colour, and I turned for a last effort; and Fortune thereupon, as if half-ashamed of the unworthy game she had been playing with me, relented, opening her clenched fist. Hardly had I put my hand once more to the obdurate wood, when with a sort of small sigh, almost a sob—as it were—of relief, the secret drawer sprang open.
                I drew it out and carried it to the window, to examine it in the failing light. Too hopeless had I gradually grown, in my dispiriting search, to expect very much; and yet at a glance I saw that my basket of glass lay in fragments at my feet. No ingots or dollars were here, to crown me the little Monte Cristo of a week. Outside, the distant horn had ceased its gnat-song, the gold was paling to primrose, and everything was lonely and still. Within, my confident little castles were tumbling down like card-houses, leaving me stripped of estate, both real and personal, and dominated by the depressing reaction.
                And yet,—as I looked again at the small collection that lay within that drawer of disillusions, some warmth crept back to my heart as I recognised that a kindred spirit to my own had been at the making of it. Two tarnished gilt buttons,—naval, apparently,—a portrait of a monarch unknown to me, cut from some antique print and deftly coloured by hand in just my own bold style of brush-work,—some foreign copper coins, thicker and clumsier of make than those I hoarded myself,—and a list of birds’ eggs, with names of the places where they had been found. Also, a ferret’s muzzle, and a twist of tarry string, still faintly aromatic. It was a real boy’s hoard, then, that I had happened upon. He too had found out the secret drawer, this happy starred young person; and here he had stowed away his treasures, one by one, and had cherished them secretly awhile; and then—what? Well, one would never know now the reason why these priceless possessions still lay here unreclaimed; but across the void stretch of years I seemed to touch hands a moment with my little comrade of seasons long since dead.
                I restored the drawer, with its contents, to the trusty bureau, and heard the spring click with a certain satisfaction. Some other boy, perhaps, would some day release that spring again. I trusted he would be equally appreciative. As I opened the door to go, I could hear from the nursery at the end of the passage shouts and yells, telling that the hunt was up. Bears, apparently, or bandits, were on the evening bill of fare, judging by the character of the noises. In another minute I would be in the thick of it, in all the warmth and light and laughter. And yet—what a long way off it all seemed, both in space and time, to me yet lingering on the threshold of that old-world chamber!


“EXIT TYRANNUS”

The eventful day had arrived at last, the day which, when first named, had seemed—like all golden dates that promise anything definite—so immeasurably remote. When it was first announced, a fortnight before, that Miss Smedley was really going, the resultant ecstasies had occupied a full week, during which we blindly revelled in the contemplation and discussion of her past tyrannies, crimes, malignities; in recalling to each other this or that insult, dishonour, or physical assault, sullenly endured at a time when deliverance was not even a small star on the horizon; and in mapping out the golden days to come, with special new troubles of their own, no doubt, since this is but a work-a-day world, but at least free from one familiar scourge. The time that remained had been taken up by the planning of practical expressions of the popular sentiment. Under Edward’s masterly direction, arrangements had been made for a flag to be run up over the hen-house at the very moment when the fly, with Miss Smedley’s boxes on top and the grim oppressor herself inside, began to move off down the drive. Three brass cannons, set on the brow of the sunk-fence, were to proclaim our deathless sentiments in the ears of the retreating foe: the dogs were to wear ribbons, and later—but this depended on our powers of evasiveness and dissimulation—there might be a small bonfire, with a cracker or two, if the public funds could bear the unwonted strain.
                I was awakened by Harold digging me in the ribs, and “She’s going to-day!” was the morning hymn that scattered the clouds of sleep.
                Strange to say, it was with no corresponding jubilation of spirits that I slowly realised the momentous fact. Indeed, as I dressed, a dull disagreeable feeling that I could not define grew within me—something like a physical bruise. Harold was evidently feeling it too, for after repeating “She’s going to-day!” in a tone more befitting the Litany, he looked hard in my face for direction as to how the situation was to be taken. But I crossly bade him look sharp and say his prayers and not bother me. What could this gloom portend, that on a day of days like the present seemed to hang my heavens with black?
                Down at last and out in the sun, we found Edward before us, swinging on a gate, and chanting a farm-yard ditty in which all the beasts appear in due order, jargoning in their several tongues, and every verse begins with the couplet—

            “Now, my lads, come with me,
             Out in the morning early!”

                The fateful exodus of the day had evidently slipped his memory entirely. I touched him on the shoulder. “She’s going to-day!” I said. Edward’s carol subsided like a water-tap turned off. “So she is!” he replied, and got down at once off the gate: and we returned to the house without another word.
                At breakfast Miss Smedley behaved in a most mean and uncalled-for manner. The right divine of governesses to govern wrong includes no right to cry. In thus usurping the prerogative of their victims, they ignore the rules of the ring, and hit below the belt. Charlotte was crying, of course; but that counted for nothing. Charlotte even cried when the pigs’ noses were ringed in due season; thereby evoking the cheery contempt of the operators, who asserted they liked it, and doubtless knew. But when the cloud-compeller, her bolts laid aside, resorted to tears, mutinous humanity had a right to feel aggrieved, and placed in a false and difficult position. What would the Romans have done, supposing Hannibal had cried? History has not even considered the possibility. Rules and precedents should be strictly observed on both sides; when they are violated, the other party is justified in feeling injured.
                There were no lessons that morning, naturally—another grievance!
                The fitness of things required that we should have struggled to the last in a confused medley of moods and tenses, and parted for ever, flushed with hatred, over the dismembered corpse of the multiplication table. But this thing was not to be; and I was free to stroll by myself through the garden, and combat, as best I might, this growing feeling of depression. It was a wrong system altogether, I thought, this going of people one had got used to. Things ought always to continue as they had been. Change there must be, of course; pigs, for instance, came and went with disturbing frequency—

        “Fired their ringing shot and passed,
         Hotly charged and sank at last,”—

but Nature had ordered it so, and in requital had provided for rapid successors. Did you come to love a pig, and he was taken from you, grief was quickly assuaged in the delight of selection from the new litter. But now, when it was no question of a peerless pig, but only of a governess, Nature seemed helpless, and the future held no litter of oblivion. Things might be better, or they might be worse, but they would never be the same; and the innate conservatism of youth asks neither poverty nor riches, but only immunity from change.
                Edward slouched up alongside of me presently, with a hang-dog look on him, as if he had been caught stealing jam. “What a lark it’ll be when she’s really gone!” he observed, with a swagger obviously assumed.
                “Grand fun!” I replied, dolorously; and conversation flagged.
                We reached the hen-house, and contemplated the banner of freedom lying ready to flaunt the breezes at the supreme moment.
                “Shall you run it up,” I asked, “when the fly starts, or—or wait a little till it’s out of sight?”
                Edward gazed around him dubiously. “We’re going to have some rain, I think,” he said; “and—and it’s a new flag. It would be a pity to spoil it. P’raps I won’t run it up at all.”
                Harold came round the corner like a bison pursued by Indians. “I’ve polished up the cannons,” he cried, “and they look grand! Mayn’t I load ‘em now?”
                “You leave ‘em alone,” said Edward, severely, “or you’ll be blowing yourself up” (consideration for others was not usually Edward’s strong point). “Don’t touch the gunpowder till you’re told, or you’ll get your head smacked.”
                Harold fell behind, limp, squashed, obedient. “She wants me to write to her,” he began, presently. “Says she doesn’t mind the spelling, it I’ll only write. Fancy her saying that!”
                “Oh, shut up, will you?” said Edward, savagely; and once more we were silent, with only our thoughts for sorry company.
                “Let’s go off to the copse,” I suggested timidly, feeling that something had to be done to relieve the tension, “and cut more new bows and arrows.”
                “She gave me a knife my last birthday,” said Edward, moodily, never budging. “It wasn’t much of a knife—but I wish I hadn’t lost it.”
                “When my legs used to ache,” I said, “she sat up half the night, rubbing stuff on them. I forgot all about that till this morning.”
                “There’s the fly!” cried Harold suddenly. “I can hear it scrunching on the gravel.”
                Then for the first time we turned and stared one another in the face.
                The fly and its contents had finally disappeared through the gate: the rumble of its wheels had died away; and no flag floated defiantly in the sun, no cannons proclaimed the passing of a dynasty. From out the frosted cake of our existence Fate had cut an irreplaceable segment; turn which way we would, the void was present. We sneaked off in different directions, mutually undesirous of company; and it seemed borne in upon me that I ought to go and dig my garden right over, from end to end. It didn’t actually want digging; on the other hand, no amount of digging could affect it, for good or for evil; so I worked steadily, strenuously, under the hot sun, stifling thought in action. At the end of an hour or so, I was joined by Edward.
                “I’ve been chopping up wood,” he explained, in a guilty sort of way, though nobody had called on him to account for his doings.
                “What for?” I inquired, stupidly. “There’s piles and piles of it chopped up already.”
                “I know,” said Edward; “but there’s no harm in having a bit over. You never can tell what may happen. But what have you been doing all this digging for?”
                “You said it was going to rain,” I explained, hastily; “so I thought I’d get the digging done before it came. Good gardeners always tell you that’s the right thing to do.”
                “It did look like rain at one time,” Edward admitted; “but it’s passed off now. Very queer weather we’re having. I suppose that’s why I’ve felt so funny all day.”
                “Yes, I suppose it’s the weather,” I replied. “I’ve been feeling funny too.”
                The weather had nothing to do with it, as we well knew. But we would both have died rather than have admitted the real reason.
               

Wednesday, 21 February 2018

Good Readings: "The Festival" by Letitia Elizabeth Landon (in English)



The young and the lovely are gathered:
    Who shall talk of our wearisome life,
And dwell upon weeds and on weeping—
    The struggle, the sorrow, the strife?
The hours of our being are coloured,
    And many are coloured with rose;
Though on some be a sign and a shadow,
    I list not to speak now of those.

Through the crimson blind steals forth the splendour
    Of lamps, like large pearls which some fay
Has swelled with her breath till their lustre,
    If more soft, is as bright as of day.
Beneath the verandah are flowers—
    Camellias like ivory wrought
With the grace of a young Grecian sculptor,
    Who traced what some Oread brought;

And roses—the prodigal summer
    Has lavished upon them its bloom,—
O never the East with its spices
    Made altar so rich of perfume!
The bright crowd is mingling together—
    How gay is the music they bring!
The delicate laugh and the whisper—
    The steps that re-echo the string.

The harp to the flute is replying—
    'Tis the song of a far-distant land;
But never, in vineyard or valley,
    Assembled a lovelier band.
Come thou, with thy glad golden ringlets,
    Like rain which is lit by the sun—
With eyes, the bright spirit's bright mirrors—
    Whose cheek and the rose-bud are one.


While he of the lute and the laurel
    For thee has forgotten the throng,
And builds on thy fairy-like beauty
    A future of sigh and of song.
Ay, listen, but as unto music
    The wild wind is bearing away,
As sweet as the sea-shells at evening,
    But far too unearthly to stay.

For the love-dream that haunts the young poet
    Is coloured too much by his mind—
A fabric of fancy and falsehood,
    But never for lasting designed.
For he lives but in beauty—his visions
    Inspire with their passion his strain;
And the spirit so quick at impression
    Was never meant long to retain.

But another is passing before me—
    Oh, pause, let me gaze on thy brow;
I've seen thee, fair lady, thrice lovely,
    But never so lovely as now.
Thou art changed since those earlier numbers,
    When thou wert a vision to me;
And copies from some fairest picture,
    My heroines were painted from thee.

Thy cheek with its sunset of crimson,
    Like a rose crushed on ivory, bears
Its sunny smile still, but a softness
    Is now in the radiance it wears.
A halo of love is around thee,
    It is as if nature had willed
That thy happiness should be affection,
    And thy destiny now is fulfilled.


Be thou happy—a thousand times happy!
    If the gentle, the good, and the kind,
Could make of themselves an existence,
    How blessed a fate thou wouldst find!
For never their elements blended
    In a nature more lovely than thine;
And thy beauty is but a reflection
    Of what thine own heart is the shrine.

Farewell! I shall make thee no longer
    My sweet summer queen of romance;
No more will my princes pay homage,
    My knights for thy smile break the lance.
Confess they were exquisite lovers,
    The fictions that knelt at thy throne;
But the graceful, the gallant, the noble,
    What fancy could equal thine own?

Farewell! and henceforth I enshrine thee
    Mid the earlier dreams that have past
O'er my lute, like the fairies by moonlight,
    To leave it more lonely at last.
Alas! it is sad to remember
    The once gentle music now mute;
For many a chord hath time stolen
    Alike from my heart and my lute.

Ah, most of their memories are shadows,
    Flung down from the brightness of yore;
There are feelings for ever departed,
    And hopes that are treasures no more.
But thou livest only in music—
    A broken but beautiful spell;
'Tis as well, for my song has grown colder—
    Sweet lady, for ever farewell!


'Tis midnight—but think not of slumber,
    There are dreams enow floating around;
But ah, our soft dreams while thus waking
    Are aye the most dangerous found.
Like the note of a lute was that whisper—
    Fair girl, do not raise those dark eyes;
Love only could breathe such a murmur,
    And what will Love bring thee but sighs?

And thou, thou pale dreamer, whose forehead
    Is flushed with the circle's light praise,
O let it not dwell on thy spirit—
    How vain are the hopes it will raise!
The praise of the crowd and the careless,
    Just caught by a chance and a name,
O take it as pleasant and passing,
    But never mistake it for fame!

Look for fame from the toil of thy midnight,
    When thy rapt spirit eagle-like springs;
But for the glad, the gay, and the social,
    Take only the butterfly's wings.
The flowers around us are fading—
    Meet comrades for revels are they;
And the lamps overhead are decaying—
    How cold seems the coming of day!

There, fling off the wreath and the sandal,
    And bid the dark curtains round close;
For your cheek from the morning's tired slumber
    Must win its sweet exile the rose.
What, weary and saddened! this evening
    Is an earnest what all pleasures seem—
A few eager hours' enjoyment—
    A toil, a regret, and a dream!
⁠L. E. L.