Tuesday, 14 January 2020

Tuesday's Serial: "Orthodoxy" by G. K. Chesterton (in English) - VI


VII - THE ETERNAL REVOLUTION
The following propositions have been urged: First, that some faith in our life is required even to improve it; second, that some dissatisfaction with things as they are is necessary even in order to be satisfied; third, that to have this necessary content and necessary discontent it is not sufficient to have the obvious equilibrium of the Stoic. For mere resignation has neither the gigantic levity of pleasure nor the superb intolerance of pain. There is a vital objection to the advice merely to grin and bear it. The objection is that if you merely bear it, you do not grin. Greek heroes do not grin: but gargoyles do—because they are Christian. And when a Christian is pleased, he is (in the most exact sense) frightfully pleased; his pleasure is frightful. Christ prophesied the whole of Gothic architecture in that hour when nervous and respectable people (such people as now object to barrel organs) objected to the shouting of the gutter-snipes of Jerusalem. He said, "If these were silent, the very stones would cry out." Under the impulse of His spirit arose like a clamorous chorus the facades of the mediaeval cathedrals, thronged with shouting faces and open mouths. The prophecy has fulfilled itself: the very stones cry out.
If these things be conceded, though only for argument, we may take up where we left it the thread of the thought of the natural man, called by the Scotch (with regrettable familiarity), "The Old Man." We can ask the next question so obviously in front of us. Some satisfaction is needed even to make things better. But what do we mean by making things better? Most modern talk on this matter is a mere argument in a circle—that circle which we have already made the symbol of madness and of mere rationalism. Evolution is only good if it produces good; good is only good if it helps evolution. The elephant stands on the tortoise, and the tortoise on the elephant.
Obviously, it will not do to take our ideal from the principle in nature; for the simple reason that (except for some human or divine theory), there is no principle in nature. For instance, the cheap anti-democrat of to-day will tell you solemnly that there is no equality in nature. He is right, but he does not see the logical addendum. There is no equality in nature; also there is no inequality in nature. Inequality, as much as equality, implies a standard of value. To read aristocracy into the anarchy of animals is just as sentimental as to read democracy into it. Both aristocracy and democracy are human ideals: the one saying that all men are valuable, the other that some men are more valuable. But nature does not say that cats are more valuable than mice; nature makes no remark on the subject. She does not even say that the cat is enviable or the mouse pitiable. We think the cat superior because we have (or most of us have) a particular philosophy to the effect that life is better than death. But if the mouse were a German pessimist mouse, he might not think that the cat had beaten him at all. He might think he had beaten the cat by getting to the grave first. Or he might feel that he had actually inflicted frightful punishment on the cat by keeping him alive. Just as a microbe might feel proud of spreading a pestilence, so the pessimistic mouse might exult to think that he was renewing in the cat the torture of conscious existence. It all depends on the philosophy of the mouse. You cannot even say that there is victory or superiority in nature unless you have some doctrine about what things are superior. You cannot even say that the cat scores unless there is a system of scoring. You cannot even say that the cat gets the best of it unless there is some best to be got.
We cannot, then, get the ideal itself from nature, and as we follow here the first and natural speculation, we will leave out (for the present) the idea of getting it from God. We must have our own vision. But the attempts of most moderns to express it are highly vague.
Some fall back simply on the clock: they talk as if mere passage through time brought some superiority; so that even a man of the first mental calibre carelessly uses the phrase that human morality is never up to date. How can anything be up to date?— a date has no character. How can one say that Christmas celebrations are not suitable to the twenty-fifth of a month? What the writer meant, of course, was that the majority is behind his favourite minority—or in front of it. Other vague modern people take refuge in material metaphors; in fact, this is the chief mark of vague modern people. Not daring to define their doctrine of what is good, they use physical figures of speech without stint or shame, and, what is worst of all, seem to think these cheap analogies are exquisitely spiritual and superior to the old morality. Thus they think it intellectual to talk about things being "high." It is at least the reverse of intellectual; it is a mere phrase from a steeple or a weathercock. "Tommy was a good boy" is a pure philosophical statement, worthy of Plato or Aquinas. "Tommy lived the higher life" is a gross metaphor from a ten-foot rule.
This, incidentally, is almost the whole weakness of Nietzsche, whom some are representing as a bold and strong thinker. No one will deny that he was a poetical and suggestive thinker; but he was quite the reverse of strong. He was not at all bold. He never put his own meaning before himself in bald abstract words: as did Aristotle and Calvin, and even Karl Marx, the hard, fearless men of thought. Nietzsche always escaped a question by a physical metaphor, like a cheery minor poet. He said, "beyond good and evil," because he had not the courage to say, "more good than good and evil," or, "more evil than good and evil." Had he faced his thought without metaphors, he would have seen that it was nonsense. So, when he describes his hero, he does not dare to say, "the purer man," or "the happier man," or "the sadder man," for all these are ideas; and ideas are alarming. He says "the upper man," or "over man," a physical metaphor from acrobats or alpine climbers. Nietzsche is truly a very timid thinker. He does not really know in the least what sort of man he wants evolution to produce. And if he does not know, certainly the ordinary evolutionists, who talk about things being "higher," do not know either.
Then again, some people fall back on sheer submission and sitting still. Nature is going to do something some day; nobody knows what, and nobody knows when. We have no reason for acting, and no reason for not acting. If anything happens it is right: if anything is prevented it was wrong. Again, some people try to anticipate nature by doing something, by doing anything. Because we may possibly grow wings they cut off their legs. Yet nature may be trying to make them centipedes for all they know.
Lastly, there is a fourth class of people who take whatever it is that they happen to want, and say that that is the ultimate aim of evolution. And these are the only sensible people. This is the only really healthy way with the word evolution, to work for what you want, and to call THAT evolution. The only intelligible sense that progress or advance can have among men, is that we have a definite vision, and that we wish to make the whole world like that vision. If you like to put it so, the essence of the doctrine is that what we have around us is the mere method and preparation for something that we have to create. This is not a world, but rather the material for a world. God has given us not so much the colours of a picture as the colours of a palette. But he has also given us a subject, a model, a fixed vision. We must be clear about what we want to paint. This adds a further principle to our previous list of principles. We have said we must be fond of this world, even in order to change it. We now add that we must be fond of another world (real or imaginary) in order to have something to change it to.
We need not debate about the mere words evolution or progress: personally I prefer to call it reform. For reform implies form. It implies that we are trying to shape the world in a particular image; to make it something that we see already in our minds. Evolution is a metaphor from mere automatic unrolling. Progress is a metaphor from merely walking along a road—very likely the wrong road. But reform is a metaphor for reasonable and determined men: it means that we see a certain thing out of shape and we mean to put it into shape. And we know what shape.
Now here comes in the whole collapse and huge blunder of our age. We have mixed up two different things, two opposite things. Progress should mean that we are always changing the world to suit the vision. Progress does mean (just now) that we are always changing the vision. It should mean that we are slow but sure in bringing justice and mercy among men: it does mean that we are very swift in doubting the desirability of justice and mercy: a wild page from any Prussian sophist makes men doubt it. Progress should mean that we are always walking towards the New Jerusalem. It does mean that the New Jerusalem is always walking away from us. We are not altering the real to suit the ideal. We are altering the ideal: it is easier.
Silly examples are always simpler; let us suppose a man wanted a particular kind of world; say, a blue world. He would have no cause to complain of the slightness or swiftness of his task; he might toil for a long time at the transformation; he could work away (in every sense) until all was blue. He could have heroic adventures; the putting of the last touches to a blue tiger. He could have fairy dreams; the dawn of a blue moon. But if he worked hard, that high-minded reformer would certainly (from his own point of view) leave the world better and bluer than he found it. If he altered a blade of grass to his favourite colour every day, he would get on slowly. But if he altered his favourite colour every day, he would not get on at all. If, after reading a fresh philosopher, he started to paint everything red or yellow, his work would be thrown away: there would be nothing to show except a few blue tigers walking about, specimens of his early bad manner. This is exactly the position of the average modern thinker. It will be said that this is avowedly a preposterous example. But it is literally the fact of recent history. The great and grave changes in our political civilization all belonged to the early nineteenth century, not to the later. They belonged to the black and white epoch when men believed fixedly in Toryism, in Protestantism, in Calvinism, in Reform, and not unfrequently in Revolution. And whatever each man believed in he hammered at steadily, without scepticism: and there was a time when the Established Church might have fallen, and the House of Lords nearly fell. It was because Radicals were wise enough to be constant and consistent; it was because Radicals were wise enough to be Conservative. But in the existing atmosphere there is not enough time and tradition in Radicalism to pull anything down. There is a great deal of truth in Lord Hugh Cecil's suggestion (made in a fine speech) that the era of change is over, and that ours is an era of conservation and repose. But probably it would pain Lord Hugh Cecil if he realized (what is certainly the case) that ours is only an age of conservation because it is an age of complete unbelief. Let beliefs fade fast and frequently, if you wish institutions to remain the same. The more the life of the mind is unhinged, the more the machinery of matter will be left to itself. The net result of all our political suggestions, Collectivism, Tolstoyanism, Neo-Feudalism, Communism, Anarchy, Scientific Bureaucracy—the plain fruit of all of them is that the Monarchy and the House of Lords will remain. The net result of all the new religions will be that the Church of England will not (for heaven knows how long) be disestablished. It was Karl Marx, Nietzsche, Tolstoy, Cunninghame Grahame, Bernard Shaw and Auberon Herbert, who between them, with bowed gigantic backs, bore up the throne of the Archbishop of Canterbury.
We may say broadly that free thought is the best of all the safeguards against freedom. Managed in a modern style the emancipation of the slave's mind is the best way of preventing the emancipation of the slave. Teach him to worry about whether he wants to be free, and he will not free himself. Again, it may be said that this instance is remote or extreme. But, again, it is exactly true of the men in the streets around us. It is true that the negro slave, being a debased barbarian, will probably have either a human affection of loyalty, or a human affection for liberty. But the man we see every day—the worker in Mr. Gradgrind's factory, the little clerk in Mr. Gradgrind's office—he is too mentally worried to believe in freedom. He is kept quiet with revolutionary literature. He is calmed and kept in his place by a constant succession of wild philosophies. He is a Marxian one day, a Nietzscheite the next day, a Superman (probably) the next day; and a slave every day. The only thing that remains after all the philosophies is the factory. The only man who gains by all the philosophies is Gradgrind. It would be worth his while to keep his commercial helotry supplied with sceptical literature. And now I come to think of it, of course, Gradgrind is famous for giving libraries. He shows his sense. All modern books are on his side. As long as the vision of heaven is always changing, the vision of earth will be exactly the same. No ideal will remain long enough to be realized, or even partly realized. The modern young man will never change his environment; for he will always change his mind.
This, therefore, is our first requirement about the ideal towards which progress is directed; it must be fixed. Whistler used to make many rapid studies of a sitter; it did not matter if he tore up twenty portraits. But it would matter if he looked up twenty times, and each time saw a new person sitting placidly for his portrait. So it does not matter (comparatively speaking) how often humanity fails to imitate its ideal; for then all its old failures are fruitful. But it does frightfully matter how often humanity changes its ideal; for then all its old failures are fruitless. The question therefore becomes this: How can we keep the artist discontented with his pictures while preventing him from being vitally discontented with his art? How can we make a man always dissatisfied with his work, yet always satisfied with working? How can we make sure that the portrait painter will throw the portrait out of window instead of taking the natural and more human course of throwing the sitter out of window?
A strict rule is not only necessary for ruling; it is also necessary for rebelling. This fixed and familiar ideal is necessary to any sort of revolution. Man will sometimes act slowly upon new ideas; but he will only act swiftly upon old ideas. If I am merely to float or fade or evolve, it may be towards something anarchic; but if I am to riot, it must be for something respectable. This is the whole weakness of certain schools of progress and moral evolution. They suggest that there has been a slow movement towards morality, with an imperceptible ethical change in every year or at every instant. There is only one great disadvantage in this theory. It talks of a slow movement towards justice; but it does not permit a swift movement. A man is not allowed to leap up and declare a certain state of things to be intrinsically intolerable. To make the matter clear, it is better to take a specific example. Certain of the idealistic vegetarians, such as Mr. Salt, say that the time has now come for eating no meat; by implication they assume that at one time it was right to eat meat, and they suggest (in words that could be quoted) that some day it may be wrong to eat milk and eggs. I do not discuss here the question of what is justice to animals. I only say that whatever is justice ought, under given conditions, to be prompt justice. If an animal is wronged, we ought to be able to rush to his rescue. But how can we rush if we are, perhaps, in advance of our time? How can we rush to catch a train which may not arrive for a few centuries? How can I denounce a man for skinning cats, if he is only now what I may possibly become in drinking a glass of milk? A splendid and insane Russian sect ran about taking all the cattle out of all the carts. How can I pluck up courage to take the horse out of my hansom-cab, when I do not know whether my evolutionary watch is only a little fast or the cabman's a little slow? Suppose I say to a sweater, "Slavery suited one stage of evolution." And suppose he answers, "And sweating suits this stage of evolution." How can I answer if there is no eternal test? If sweaters can be behind the current morality, why should not philanthropists be in front of it? What on earth is the current morality, except in its literal sense—the morality that is always running away?
Thus we may say that a permanent ideal is as necessary to the innovator as to the conservative; it is necessary whether we wish the king's orders to be promptly executed or whether we only wish the king to be promptly executed. The guillotine has many sins, but to do it justice there is nothing evolutionary about it. The favourite evolutionary argument finds its best answer in the axe. The Evolutionist says, "Where do you draw the line?" the Revolutionist answers, "I draw it HERE: exactly between your head and body." There must at any given moment be an abstract right and wrong if any blow is to be struck; there must be something eternal if there is to be anything sudden. Therefore for all intelligible human purposes, for altering things or for keeping things as they are, for founding a system for ever, as in China, or for altering it every month as in the early French Revolution, it is equally necessary that the vision should be a fixed vision. This is our first requirement.
When I had written this down, I felt once again the presence of something else in the discussion: as a man hears a church bell above the sound of the street. Something seemed to be saying, "My ideal at least is fixed; for it was fixed before the foundations of the world. My vision of perfection assuredly cannot be altered; for it is called Eden. You may alter the place to which you are going; but you cannot alter the place from which you have come. To the orthodox there must always be a case for revolution; for in the hearts of men God has been put under the feet of Satan. In the upper world hell once rebelled against heaven. But in this world heaven is rebelling against hell. For the orthodox there can always be a revolution; for a revolution is a restoration. At any instant you may strike a blow for the perfection which no man has seen since Adam. No unchanging custom, no changing evolution can make the original good any thing but good. Man may have had concubines as long as cows have had horns: still they are not a part of him if they are sinful. Men may have been under oppression ever since fish were under water; still they ought not to be, if oppression is sinful. The chain may seem as natural to the slave, or the paint to the harlot, as does the plume to the bird or the burrow to the fox; still they are not, if they are sinful. I lift my prehistoric legend to defy all your history. Your vision is not merely a fixture: it is a fact." I paused to note the new coincidence of Christianity: but I passed on.
I passed on to the next necessity of any ideal of progress. Some people (as we have said) seem to believe in an automatic and impersonal progress in the nature of things. But it is clear that no political activity can be encouraged by saying that progress is natural and inevitable; that is not a reason for being active, but rather a reason for being lazy. If we are bound to improve, we need not trouble to improve. The pure doctrine of progress is the best of all reasons for not being a progressive. But it is to none of these obvious comments that I wish primarily to call attention.
The only arresting point is this: that if we suppose improvement to be natural, it must be fairly simple. The world might conceivably be working towards one consummation, but hardly towards any particular arrangement of many qualities. To take our original simile: Nature by herself may be growing more blue; that is, a process so simple that it might be impersonal. But Nature cannot be making a careful picture made of many picked colours, unless Nature is personal. If the end of the world were mere darkness or mere light it might come as slowly and inevitably as dusk or dawn. But if the end of the world is to be a piece of elaborate and artistic chiaroscuro, then there must be design in it, either human or divine. The world, through mere time, might grow black like an old picture, or white like an old coat; but if it is turned into a particular piece of black and white art— then there is an artist.
If the distinction be not evident, I give an ordinary instance. We constantly hear a particularly cosmic creed from the modern humanitarians;
I use the word humanitarian in the ordinary sense, as meaning one who upholds the claims of all creatures against those of humanity. They suggest that through the ages we have been growing more and more humane, that is to say, that one after another, groups or sections of beings, slaves, children, women, cows, or what not, have been gradually admitted to mercy or to justice. They say that we once thought it right to eat men (we didn't); but I am not here concerned with their history, which is highly unhistorical. As a fact, anthropophagy is certainly a decadent thing, not a primitive one. It is much more likely that modern men will eat human flesh out of affectation than that primitive man ever ate it out of ignorance. I am here only following the outlines of their argument, which consists in maintaining that man has been progressively more lenient, first to citizens, then to slaves, then to animals, and then (presumably) to plants. I think it wrong to sit on a man. Soon, I shall think it wrong to sit on a horse. Eventually (I suppose) I shall think it wrong to sit on a chair. That is the drive of the argument. And for this argument it can be said that it is possible to talk of it in terms of evolution or inevitable progress. A perpetual tendency to touch fewer and fewer things might—one feels, be a mere brute unconscious tendency, like that of a species to produce fewer and fewer children. This drift may be really evolutionary, because it is stupid.
Darwinism can be used to back up two mad moralities, but it cannot be used to back up a single sane one. The kinship and competition of all living creatures can be used as a reason for being insanely cruel or insanely sentimental; but not for a healthy love of animals. On the evolutionary basis you may be inhumane, or you may be absurdly humane; but you cannot be human. That you and a tiger are one may be a reason for being tender to a tiger. Or it may be a reason for being as cruel as the tiger. It is one way to train the tiger to imitate you, it is a shorter way to imitate the tiger. But in neither case does evolution tell you how to treat a tiger reasonably, that is, to admire his stripes while avoiding his claws.
If you want to treat a tiger reasonably, you must go back to the garden of Eden. For the obstinate reminder continued to recur: only the supernatural has taken a sane view of Nature. The essence of all pantheism, evolutionism, and modern cosmic religion is really in this proposition: that Nature is our mother. Unfortunately, if you regard Nature as a mother, you discover that she is a step-mother. The main point of Christianity was this: that Nature is not our mother: Nature is our sister. We can be proud of her beauty, since we have the same father; but she has no authority over us; we have to admire, but not to imitate. This gives to the typically Christian pleasure in this earth a strange touch of lightness that is almost frivolity. Nature was a solemn mother to the worshippers of Isis and Cybele. Nature was a solemn mother to Wordsworth or to Emerson. But Nature is not solemn to Francis of Assisi or to George Herbert. To St. Francis, Nature is a sister, and even a younger sister: a little, dancing sister, to be laughed at as well as loved.
This, however, is hardly our main point at present; I have admitted it only in order to show how constantly, and as it were accidentally, the key would fit the smallest doors. Our main point is here, that if there be a mere trend of impersonal improvement in Nature, it must presumably be a simple trend towards some simple triumph. One can imagine that some automatic tendency in biology might work for giving us longer and longer noses. But the question is, do we want to have longer and longer noses? I fancy not; I believe that we most of us want to say to our noses, "thus far, and no farther; and here shall thy proud point be stayed:" we require a nose of such length as may ensure an interesting face. But we cannot imagine a mere biological trend towards producing interesting faces; because an interesting face is one particular arrangement of eyes, nose, and mouth, in a most complex relation to each other. Proportion cannot be a drift: it is either an accident or a design. So with the ideal of human morality and its relation to the humanitarians and the anti-humanitarians. It is conceivable that we are going more and more to keep our hands off things: not to drive horses; not to pick flowers. We may eventually be bound not to disturb a man's mind even by argument; not to disturb the sleep of birds even by coughing. The ultimate apotheosis would appear to be that of a man sitting quite still, nor daring to stir for fear of disturbing a fly, nor to eat for fear of incommoding a microbe. To so crude a consummation as that we might perhaps unconsciously drift. But do we want so crude a consummation? Similarly, we might unconsciously evolve along the opposite or Nietzschian line of development—superman crushing superman in one tower of tyrants until the universe is smashed up for fun. But do we want the universe smashed up for fun? Is it not quite clear that what we really hope for is one particular management and proposition of these two things; a certain amount of restraint and respect, a certain amount of energy and mastery? If our life is ever really as beautiful as a fairy-tale, we shall have to remember that all the beauty of a fairy-tale lies in this: that the prince has a wonder which just stops short of being fear. If he is afraid of the giant, there is an end of him; but also if he is not astonished at the giant, there is an end of the fairy-tale. The whole point depends upon his being at once humble enough to wonder, and haughty enough to defy. So our attitude to the giant of the world must not merely be increasing delicacy or increasing contempt: it must be one particular proportion of the two—which is exactly right. We must have in us enough reverence for all things outside us to make us tread fearfully on the grass. We must also have enough disdain for all things outside us, to make us, on due occasion, spit at the stars. Yet these two things (if we are to be good or happy) must be combined, not in any combination, but in one particular combination. The perfect happiness of men on the earth (if it ever comes) will not be a flat and solid thing, like the satisfaction of animals. It will be an exact and perilous balance; like that of a desperate romance. Man must have just enough faith in himself to have adventures, and just enough doubt of himself to enjoy them.
This, then, is our second requirement for the ideal of progress. First, it must be fixed; second, it must be composite. It must not (if it is to satisfy our souls) be the mere victory of some one thing swallowing up everything else, love or pride or peace or adventure; it must be a definite picture composed of these elements in their best proportion and relation. I am not concerned at this moment to deny that some such good culmination may be, by the constitution of things, reserved for the human race. I only point out that if this composite happiness is fixed for us it must be fixed by some mind; for only a mind can place the exact proportions of a composite happiness. If the beatification of the world is a mere work of nature, then it must be as simple as the freezing of the world, or the burning up of the world. But if the beatification of the world is not a work of nature but a work of art, then it involves an artist. And here again my contemplation was cloven by the ancient voice which said, "I could have told you all this a long time ago. If there is any certain progress it can only be my kind of progress, the progress towards a complete city of virtues and dominations where righteousness and peace contrive to kiss each other. An impersonal force might be leading you to a wilderness of perfect flatness or a peak of perfect height. But only a personal God can possibly be leading you (if, indeed, you are being led) to a city with just streets and architectural proportions, a city in which each of you can contribute exactly the right amount of your own colour to the many coloured coat of Joseph."
Twice again, therefore, Christianity had come in with the exact answer that I required. I had said, "The ideal must be fixed," and the Church had answered, "Mine is literally fixed, for it existed before anything else." I said secondly, "It must be artistically combined, like a picture"; and the Church answered, "Mine is quite literally a picture, for I know who painted it." Then I went on to the third thing, which, as it seemed to me, was needed for an Utopia or goal of progress. And of all the three it is infinitely the hardest to express. Perhaps it might be put thus: that we need watchfulness even in Utopia, lest we fall from Utopia as we fell from Eden.
We have remarked that one reason offered for being a progressive is that things naturally tend to grow better. But the only real reason for being a progressive is that things naturally tend to grow worse. The corruption in things is not only the best argument for being progressive; it is also the only argument against being conservative. The conservative theory would really be quite sweeping and unanswerable if it were not for this one fact. But all conservatism is based upon the idea that if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of change. If you leave a white post alone it will soon be a black post. If you particularly want it to be white you must be always painting it again; that is, you must be always having a revolution. Briefly, if you want the old white post you must have a new white post. But this which is true even of inanimate things is in a quite special and terrible sense true of all human things. An almost unnatural vigilance is really required of the citizen because of the horrible rapidity with which human institutions grow old. It is the custom in passing romance and journalism to talk of men suffering under old tyrannies. But, as a fact, men have almost always suffered under new tyrannies; under tyrannies that had been public liberties hardly twenty years before. Thus England went mad with joy over the patriotic monarchy of Elizabeth; and then (almost immediately afterwards) went mad with rage in the trap of the tyranny of Charles the First. So, again, in France the monarchy became intolerable, not just after it had been tolerated, but just after it had been adored. The son of Louis the well-beloved was Louis the guillotined. So in the same way in England in the nineteenth century the Radical manufacturer was entirely trusted as a mere tribune of the people, until suddenly we heard the cry of the Socialist that he was a tyrant eating the people like bread. So again, we have almost up to the last instant trusted the newspapers as organs of public opinion. Just recently some of us have seen (not slowly, but with a start) that they are obviously nothing of the kind. They are, by the nature of the case, the hobbies of a few rich men. We have not any need to rebel against antiquity; we have to rebel against novelty. It is the new rulers, the capitalist or the editor, who really hold up the modern world. There is no fear that a modern king will attempt to override the constitution; it is more likely that he will ignore the constitution and work behind its back; he will take no advantage of his kingly power; it is more likely that he will take advantage of his kingly powerlessness, of the fact that he is free from criticism and publicity. For the king is the most private person of our time. It will not be necessary for any one to fight again against the proposal of a censorship of the press. We do not need a censorship of the press. We have a censorship by the press.
This startling swiftness with which popular systems turn oppressive is the third fact for which we shall ask our perfect theory of progress to allow. It must always be on the look out for every privilege being abused, for every working right becoming a wrong. In this matter I am entirely on the side of the revolutionists. They are really right to be always suspecting human institutions; they are right not to put their trust in princes nor in any child of man. The chieftain chosen to be the friend of the people becomes the enemy of the people; the newspaper started to tell the truth now exists to prevent the truth being told. Here, I say, I felt that I was really at last on the side of the revolutionary. And then I caught my breath again: for I remembered that I was once again on the side of the orthodox.
Christianity spoke again and said: "I have always maintained that men were naturally backsliders; that human virtue tended of its own nature to rust or to rot; I have always said that human beings as such go wrong, especially happy human beings, especially proud and prosperous human beings. This eternal revolution, this suspicion sustained through centuries, you (being a vague modern) call the doctrine of progress. If you were a philosopher you would call it, as I do, the doctrine of original sin. You may call it the cosmic advance as much as you like; I call it what it is—the Fall."
I have spoken of orthodoxy coming in like a sword; here I confess it came in like a battle-axe. For really (when I came to think of it) Christianity is the only thing left that has any real right to question the power of the well-nurtured or the well-bred. I have listened often enough to Socialists, or even to democrats, saying that the physical conditions of the poor must of necessity make them mentally and morally degraded. I have listened to scientific men (and there are still scientific men not opposed to democracy) saying that if we give the poor healthier conditions vice and wrong will disappear. I have listened to them with a horrible attention, with a hideous fascination. For it was like watching a man energetically sawing from the tree the branch he is sitting on. If these happy democrats could prove their case, they would strike democracy dead. If the poor are thus utterly demoralized, it may or may not be practical to raise them. But it is certainly quite practical to disfranchise them. If the man with a bad bedroom cannot give a good vote, then the first and swiftest deduction is that he shall give no vote. The governing class may not unreasonably say: "It may take us some time to reform his bedroom. But if he is the brute you say, it will take him very little time to ruin our country. Therefore we will take your hint and not give him the chance." It fills me with horrible amusement to observe the way in which the earnest Socialist industriously lays the foundation of all aristocracy, expatiating blandly upon the evident unfitness of the poor to rule. It is like listening to somebody at an evening party apologising for entering without evening dress, and explaining that he had recently been intoxicated, had a personal habit of taking off his clothes in the street, and had, moreover, only just changed from prison uniform. At any moment, one feels, the host might say that really, if it was as bad as that, he need not come in at all. So it is when the ordinary Socialist, with a beaming face, proves that the poor, after their smashing experiences, cannot be really trustworthy. At any moment the rich may say, "Very well, then, we won't trust them," and bang the door in his face. On the basis of Mr. Blatchford's view of heredity and environment, the case for the aristocracy is quite overwhelming. If clean homes and clean air make clean souls, why not give the power (for the present at any rate) to those who undoubtedly have the clean air? If better conditions will make the poor more fit to govern themselves, why should not better conditions already make the rich more fit to govern them? On the ordinary environment argument the matter is fairly manifest. The comfortable class must be merely our vanguard in Utopia.
Is there any answer to the proposition that those who have had the best opportunities will probably be our best guides? Is there any answer to the argument that those who have breathed clean air had better decide for those who have breathed foul? As far as I know, there is only one answer, and that answer is Christianity. Only the Christian Church can offer any rational objection to a complete confidence in the rich. For she has maintained from the beginning that the danger was not in man's environment, but in man. Further, she has maintained that if we come to talk of a dangerous environment, the most dangerous environment of all is the commodious environment. I know that the most modern manufacture has been really occupied in trying to produce an abnormally large needle. I know that the most recent biologists have been chiefly anxious to discover a very small camel. But if we diminish the camel to his smallest, or open the eye of the needle to its largest—if, in short, we assume the words of Christ to have meant the very least that they could mean, His words must at the very least mean this— that rich men are not very likely to be morally trustworthy. Christianity even when watered down is hot enough to boil all modern society to rags. The mere minimum of the Church would be a deadly ultimatum to the world. For the whole modern world is absolutely based on the assumption, not that the rich are necessary (which is tenable), but that the rich are trustworthy, which (for a Christian) is not tenable. You will hear everlastingly, in all discussions about newspapers, companies, aristocracies, or party politics, this argument that the rich man cannot be bribed. The fact is, of course, that the rich man is bribed; he has been bribed already. That is why he is a rich man. The whole case for Christianity is that a man who is dependent upon the luxuries of this life is a corrupt man, spiritually corrupt, politically corrupt, financially corrupt. There is one thing that Christ and all the Christian saints have said with a sort of savage monotony. They have said simply that to be rich is to be in peculiar danger of moral wreck. It is not demonstrably un-Christian to kill the rich as violators of definable justice. It is not demonstrably un-Christian to crown the rich as convenient rulers of society. It is not certainly un-Christian to rebel against the rich or to submit to the rich. But it is quite certainly un-Christian to trust the rich, to regard the rich as more morally safe than the poor. A Christian may consistently say, "I respect that man's rank, although he takes bribes." But a Christian cannot say, as all modern men are saying at lunch and breakfast, "a man of that rank would not take bribes." For it is a part of Christian dogma that any man in any rank may take bribes. It is a part of Christian dogma; it also happens by a curious coincidence that it is a part of obvious human history. When people say that a man "in that position" would be incorruptible, there is no need to bring Christianity into the discussion. Was Lord Bacon a bootblack? Was the Duke of Marlborough a crossing sweeper? In the best Utopia, I must be prepared for the moral fall of any man in any position at any moment; especially for my fall from my position at this moment.
Much vague and sentimental journalism has been poured out to the effect that Christianity is akin to democracy, and most of it is scarcely strong or clear enough to refute the fact that the two things have often quarrelled. The real ground upon which Christianity and democracy are one is very much deeper. The one specially and peculiarly un-Christian idea is the idea of Carlyle— the idea that the man should rule who feels that he can rule. Whatever else is Christian, this is heathen. If our faith comments on government at all, its comment must be this—that the man should rule who does NOT think that he can rule. Carlyle's hero may say, "I will be king"; but the Christian saint must say "Nolo episcopari." If the great paradox of Christianity means anything, it means this— that we must take the crown in our hands, and go hunting in dry places and dark corners of the earth until we find the one man who feels himself unfit to wear it. Carlyle was quite wrong; we have not got to crown the exceptional man who knows he can rule. Rather we must crown the much more exceptional man who knows he can't.
Now, this is one of the two or three vital defences of working democracy. The mere machinery of voting is not democracy, though at present it is not easy to effect any simpler democratic method. But even the machinery of voting is profoundly Christian in this practical sense—that it is an attempt to get at the opinion of those who would be too modest to offer it. It is a mystical adventure; it is specially trusting those who do not trust themselves. That enigma is strictly peculiar to Christendom. There is nothing really humble about the abnegation of the Buddhist; the mild Hindoo is mild, but he is not meek. But there is something psychologically Christian about the idea of seeking for the opinion of the obscure rather than taking the obvious course of accepting the opinion of the prominent. To say that voting is particularly Christian may seem somewhat curious. To say that canvassing is Christian may seem quite crazy. But canvassing is very Christian in its primary idea. It is encouraging the humble; it is saying to the modest man, "Friend, go up higher." Or if there is some slight defect in canvassing, that is in its perfect and rounded piety, it is only because it may possibly neglect to encourage the modesty of the canvasser.
Aristocracy is not an institution: aristocracy is a sin; generally a very venial one. It is merely the drift or slide of men into a sort of natural pomposity and praise of the powerful, which is the most easy and obvious affair in the world.
It is one of the hundred answers to the fugitive perversion of modern "force" that the promptest and boldest agencies are also the most fragile or full of sensibility. The swiftest things are the softest things. A bird is active, because a bird is soft. A stone is helpless, because a stone is hard. The stone must by its own nature go downwards, because hardness is weakness. The bird can of its nature go upwards, because fragility is force. In perfect force there is a kind of frivolity, an airiness that can maintain itself in the air. Modern investigators of miraculous history have solemnly admitted that a characteristic of the great saints is their power of "levitation." They might go further; a characteristic of the great saints is their power of levity. Angels can fly because they can take themselves lightly. This has been always the instinct of Christendom, and especially the instinct of Christian art. Remember how Fra Angelico represented all his angels, not only as birds, but almost as butterflies. Remember how the most earnest mediaeval art was full of light and fluttering draperies, of quick and capering feet. It was the one thing that the modern Pre-raphaelites could not imitate in the real Pre-raphaelites. Burne-Jones could never recover the deep levity of the Middle Ages. In the old Christian pictures the sky over every figure is like a blue or gold parachute. Every figure seems ready to fly up and float about in the heavens. The tattered cloak of the beggar will bear him up like the rayed plumes of the angels. But the kings in their heavy gold and the proud in their robes of purple will all of their nature sink downwards, for pride cannot rise to levity or levitation. Pride is the downward drag of all things into an easy solemnity. One "settles down" into a sort of selfish seriousness; but one has to rise to a gay self-forgetfulness. A man "falls" into a brown study; he reaches up at a blue sky. Seriousness is not a virtue. It would be a heresy, but a much more sensible heresy, to say that seriousness is a vice. It is really a natural trend or lapse into taking one's self gravely, because it is the easiest thing to do. It is much easier to write a good TIMES leading article than a good joke in PUNCH. For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.
Now, it is the peculiar honour of Europe since it has been Christian that while it has had aristocracy it has always at the back of its heart treated aristocracy as a weakness—generally as a weakness that must be allowed for. If any one wishes to appreciate this point, let him go outside Christianity into some other philosophical atmosphere. Let him, for instance, compare the classes of Europe with the castes of India. There aristocracy is far more awful, because it is far more intellectual. It is seriously felt that the scale of classes is a scale of spiritual values; that the baker is better than the butcher in an invisible and sacred sense. But no Christianity, not even the most ignorant or perverse, ever suggested that a baronet was better than a butcher in that sacred sense. No Christianity, however ignorant or extravagant, ever suggested that a duke would not be damned. In pagan society there may have been (I do not know) some such serious division between the free man and the slave. But in Christian society we have always thought the gentleman a sort of joke, though I admit that in some great crusades and councils he earned the right to be called a practical joke. But we in Europe never really and at the root of our souls took aristocracy seriously. It is only an occasional non-European alien (such as Dr. Oscar Levy, the only intelligent Nietzscheite) who can even manage for a moment to take aristocracy seriously. It may be a mere patriotic bias, though I do not think so, but it seems to me that the English aristocracy is not only the type, but is the crown and flower of all actual aristocracies; it has all the oligarchical virtues as well as all the defects. It is casual, it is kind, it is courageous in obvious matters; but it has one great merit that overlaps even these. The great and very obvious merit of the English aristocracy is that nobody could possibly take it seriously.
In short, I had spelled out slowly, as usual, the need for an equal law in Utopia; and, as usual, I found that Christianity had been there before me. The whole history of my Utopia has the same amusing sadness. I was always rushing out of my architectural study with plans for a new turret only to find it sitting up there in the sunlight, shining, and a thousand years old. For me, in the ancient and partly in the modern sense, God answered the prayer, "Prevent us, O Lord, in all our doings." Without vanity, I really think there was a moment when I could have invented the marriage vow (as an institution) out of my own head; but I discovered, with a sigh, that it had been invented already. But, since it would be too long a business to show how, fact by fact and inch by inch, my own conception of Utopia was only answered in the New Jerusalem, I will take this one case of the matter of marriage as indicating the converging drift, I may say the converging crash of all the rest.
When the ordinary opponents of Socialism talk about impossibilities and alterations in human nature they always miss an important distinction. In modern ideal conceptions of society there are some desires that are possibly not attainable: but there are some desires that are not desirable. That all men should live in equally beautiful houses is a dream that may or may not be attained. But that all men should live in the same beautiful house is not a dream at all; it is a nightmare. That a man should love all old women is an ideal that may not be attainable. But that a man should regard all old women exactly as he regards his mother is not only an unattainable ideal, but an ideal which ought not to be attained. I do not know if the reader agrees with me in these examples; but I will add the example which has always affected me most. I could never conceive or tolerate any Utopia which did not leave to me the liberty for which I chiefly care, the liberty to bind myself. Complete anarchy would not merely make it impossible to have any discipline or fidelity; it would also make it impossible to have any fun. To take an obvious instance, it would not be worth while to bet if a bet were not binding. The dissolution of all contracts would not only ruin morality but spoil sport. Now betting and such sports are only the stunted and twisted shapes of the original instinct of man for adventure and romance, of which much has been said in these pages. And the perils, rewards, punishments, and fulfilments of an adventure must be real, or the adventure is only a shifting and heartless nightmare. If I bet I must be made to pay, or there is no poetry in betting. If I challenge I must be made to fight, or there is no poetry in challenging. If I vow to be faithful I must be cursed when I am unfaithful, or there is no fun in vowing. You could not even make a fairy tale from the experiences of a man who, when he was swallowed by a whale, might find himself at the top of the Eiffel Tower, or when he was turned into a frog might begin to behave like a flamingo. For the purpose even of the wildest romance results must be real; results must be irrevocable. Christian marriage is the great example of a real and irrevocable result; and that is why it is the chief subject and centre of all our romantic writing. And this is my last instance of the things that I should ask, and ask imperatively, of any social paradise; I should ask to be kept to my bargain, to have my oaths and engagements taken seriously; I should ask Utopia to avenge my honour on myself.
All my modern Utopian friends look at each other rather doubtfully, for their ultimate hope is the dissolution of all special ties. But again I seem to hear, like a kind of echo, an answer from beyond the world. "You will have real obligations, and therefore real adventures when you get to my Utopia. But the hardest obligation and the steepest adventure is to get there."

Saturday, 11 January 2020

Good Readings: "The Haunted Palace" by Edgar Allan Poe (in English)

In the greenest of our valleys
⁠   By good angels tenanted,
Once a fair and stately palace—
   ⁠Radiant palace—reared its head.
In the monarch Thought's dominion—
   ⁠It stood there!
Never seraph spread a pinion
   ⁠Over fabric half so fair!

Banners yellow, glorious, golden,
   ⁠On its roof did float and flow,
(This—all this—was in the olden
   ⁠Time long ago,)
And every gentle air that dallied,
   ⁠In that sweet day,
Along the ramparts plumed and pallid,
   ⁠A wingéd odour went away.

Wanderers in that happy valley,
Through two luminous windows, saw
Spirits moving musically,
To a lute's well-tunéd law,
Round about a throne where, sitting
(Porphyrogene!)
In state his glory well befitting,
The ruler of the realm was seen.

And all with pearl and ruby glowing
   ⁠Was the fair palace door,
Through which came flowing, flowing, flowing,
   ⁠And sparkling evermore,
A troop of Echoes, whose sweet duty
   ⁠Was but to sing,
In voices of surpassing beauty,
   ⁠The wit and wisdom of their king.

But evil things, in robes of sorrow,
   ⁠Assailed the monarch's high estate.
(Ah, let us mourn!—for never morrow
   ⁠Shall dawn upon him desolate!)
And round about his home the glory
   ⁠That blushed and bloomed,
Is but a dim-remembered story
   ⁠Of the old time entombed.

And travellers, now, within that valley,
⁠   Through the red-litten windows see
Vast forms, that move fantastically
   ⁠To a discordant melody,
While, like a ghastly rapid river,
   ⁠Through the pale door
A hideous throng rush out forever
   ⁠And laugh—but smile no more.

Friday, 10 January 2020

Friday's Sung Word: "Raios de Um Olhar" by Lamartine Babo and Lírio Panicalli (in Portuguese)

Raios de um olhar sublime, encantador
Encontrei nas telas do meu sofrimento
Raios de um olhar banhados em esplendor
A voz que brilhava no meu pensamento

Era o luar com meu penar
E clareava o meu destino
Luzes afim era o porvir,
A estrada sob o ser tão pequenino

Quem vive a gostar e o raio a me olhar
Encontrava bem a calma sofrer hoje o prazer
Comovida em sonho encarei
Vi choro a cair e rir que chorar
Venha sorrir vivia feliz no raio de olhar
Tão jovem ao Deus do céu pra ser feliz



You can hear "Raios de Um Olhar" sung by Vicente Celestino here.

Thursday, 9 January 2020

Thursday's Serial: "Memórias de um Sargento de Milícias" by Manuel Antônio de Almeida (in Portuguese) - VII


VII - Remédio aos males
O pobre rapaz saíra, como dissemos, pela porta fora, e caminhando apressadamente olhava de vez em quando para trás, pois julgava ver ainda enristado contra si o espadim com que o pai o ameaçara, que parecia com ele querer acabar a obra que com um pontapé começara. Andou a bom andar por largo tempo, e foi dar consigo lá para as bandas dos Cajueiros: cansado, ofegante, sentou-se sobre umas pedras, e quem o visse com ar tristonho e pensativo julgaria talvez que ele cismava na sua posição e no caminho que havia tomar. Pois enganava-se redondamente quem tal julgasse: pensava em coisa muito mais agradável; pensava em Luisinha. Pensando nela não podia, é verdade, abster-se de ver surgir diante dos olhos o terrível José Manuel; e isto explicava certos movimentos de impaciência que de vez em quando se lhe podiam observar. Tinha gasto largo tempo nesta meditação, quando foi repentinamente acordado por umas poucas de gargalhadas partidas detrás de umas moitas vizinhas. Estremeceu da cabeça aos pés; pareceu-lhe que lhe tinham lido os pensamentos que lhe passavam pela mente e que se riam dele. Voltou-se, nada viu; guiado por um rumor que ouvia, começou a procurar, e sem grande trabalho viu, atrás de umas moitas um pouco altas, uns poucos de rapazes e raparigas, que, assentados em uma esteira entre os restos de um jantar, debruçavam-se curiosos sobre dois parceiros que, com um baralho de cartas amarrotado e sujo, desencabeçavam uma intrincada partida de bisca! As gargalhadas que ouvira há pouco tinham sido a conseqüência de um capote que um deles acabava de levar. À vista daqueles restos de um jantar, que, se não parecia ter sido abundante, fez-lhe lembrar que saíra de casa na ocasião de pôr-se a mesa, deu-lhe então o estômago umas formidáveis badaladas. Tentou entretanto voltar, porque não se queria meter em festa alheia, quando, levantando um dos jogadores a cabeça, conheceu nele um seu antigo camarada, o menino que fora sacristão da Sé. Ainda que apesar disso se quisesse retirar, já era tarde, porque com o movimento que fizera, o jogador, dando com ele, o havia também conhecido.
— Olá Leonardo! por que carga d’água vieste parar a estas alturas? Pensei que te tinha já o diabo lambido os ossos, pois depois daquele maldito dia em que nos vimos em pancas por causa do mestre-de-cerimônias, nunca mais te pus a vista em cima.
Leonardo chegou-se ao rancho, e trocados os cumprimentos com o seu antigo camarada foi convidado a servir-se de alguma coisa do que ainda havia. Quis fazer cerimônia, mas não estava em circunstâncias disso: uma das moças serviu-o, e enquanto continuava a bisca, comeu ele a barrete fora.
— Escorropicha essa garrafa que ai resta, disse-lhe o amigo, e vê se o vinho tem o mesmo gosto daquele que em outro tempo escorropichávamos juntos das galhetas da Sé, com desespero de meu pai e furor do mestre-de-cerimônias .
Quando Leonardo acabou de comer, acabaram também os dois parceiros de jogar; chamou então o amigo à parte, e perguntou-lhe:
— Então que gente é esta com que te achas aqui de súcia?
— É minha gente.
— Tua gente?
— Sim, pois não vês aquela moça morena que ali está?
— Sim, e então?
— Ora!...
— Pois tu casaste?
— Não... mas que tem isso?
— Ah!... estás de moça!
— E tu?
— Eu... ora nem te digo... morreu meu padrinho.
— Sim, ouvi dizer.
— Fui para casa de meu pai... e de repente, hoje mesmo, brigo lá com a cuja dele; ele corre de espada atrás de mim, e eu safo-me. Parei ali adiante, e as gargalhadas que vocês aqui davam...
— Sei do resto... E agora tu não tens para onde ir?
— Homem, eu ia ver...
— Ver o quê?
— Ver por aí...
— Por aí, por onde?
— Nem mesmo eu Sei...
E desataram os dois a rir. Quando temos apenas 18 a 20 anos sobre os ombros, o que é um peso ainda muito leve, desprezamos o passado, rimo-nos do presente, entregamo-nos descuidados a essa confiança cega no dia de amanhã, que é o melhor apanágio da mocidade.
— Sabes que mais? continuou o amigo do Leonardo, vem conosco, e não te hás de arrepender.
— Mas com vocês, para onde?
— Para onde? Sem dúvida algum partido melhor tens a escolher? queres fazer cerimônias?
Começava a cair a noite.
— Vamos levantar a súcia, minha gente, disse um dos convivas.
— Sim, vamos.
— Nada, inda não: Vidinha vai cantar uma modinha.
— Sim, sim, uma modinha primeiro; aquela: Se os meus suspiros pudessem.
— Não, essa não, cante antes aquela: Quando as glórias que eu gozei.
— Vamos lá, decidam, respondeu uma voz de moça aflautada e lânguida.
Vidinha era uma mulatinha de 18 a 20 anos, de altura regular, ombros largos, peito alteado, cintura fina e pés pequeninos; tinha os olhos muito pretos e muito vivos, os lábios grossos e úmidos, os dentes alvíssimos, a fala era um pouco descansada, doce e afinada.
Cada frase que proferia era interrompida com uma risada prolongada e sonora, e com um certo caído de cabeça para trás, talvez gracioso se não tivesse muito de afetado.
Assentou-se finalmente que ela cantaria a modinha: Se os meus suspiros pudessem.
Tomou Vidinha uma viola, e cantou acompanhando-se em uma toada insípida hoje, porém de grande aceitação naquele tempo, o seguinte:

    Se os meus suspiros pudessem
    Aos teus ouvidos chegar,
    Verias que uma paixão
    Tem poder de assassinar.
    Não são de zelos
    Os meus queixumes,
    Nem de ciúme
    Abrasador;
    São das saudades
    Que me atormentam
    Na dura ausência
    De meu amor.

O Leonardo, que talvez hereditariamente tinha queda para aquelas coisas, ouviu boquiaberto a modinha, e tal impressão lhe causou, que depois disso nunca mais tirou os olhos de cima da cantora. A modinha foi aplaudida como cumpria. Levantaram-se então, arrumaram tudo o que tinham levado em cestos, e puseram-se a caminho, acompanhando o Leonardo o farrancho.

VIII - Novos amores     
Chegaram todos depois de longo caminhar, e quando já brilhava nos céus um desses luares magníficos que só fazem no Rio de Janeiro, a uma casa da rua da Vala. Naqueles tempos uma noite de luar era muito aproveitada, ninguém ficava em casa; os que não saíam a passeio sentavam-se em esteiras às portas, e ali passavam longas horas em descantes, em ceias, em conversas, muitos dormiam a noite inteira ao relento.
Como os nossos conhecidos já tinham dado um grande passeio, adotaram o expediente das esteiras à porta, e continuaram assim pela noite em diante a súcia em que haviam gasto o dia, pois aquilo que Leonardo vira nos Cajueiros, e em que também tomara parte, era o final de uma patuscada que havia começado ao amanhecer, de uma dessas romarias consagradas ao prazer, que eram então tão comuns e tão estimadas.
Agora devemos dar ao leitor conhecimento da nova gente, no meio da qual se acha o nosso Leonardo. Se nos pudéssemos socorrer aqui do amigo José Manuel, sem dúvida nos desfolharia ele toda a árvore genealógica dessa família a quem o amigo do Leonardo chamava a sua gente: porém contentem-se os leitores com o presente sem indagar o passado. Saibam pois que a família era composta de duas irmãs, ambas viúvas, ou que pelo menos diziam sê-lo, uma com três filhos e outra com três filhas; passando qualquer das duas dos seus quarenta e tantos; ambas gordas e excessivamente parecidas. Os três filhos da primeira eram três formidáveis rapagões de 20 anos para cima, empregados todos no Trem; as três filhas da segunda eram três raparigas desempenadas, orçando pela mesma idade dos primos, e bonitas cada uma no seu gênero. Uma delas já os leitores conhecem; é Vidinha, a cantora de modinhas; era solteira como uma de suas irmãs; a última era também solteira, porém não como estas duas. O amigo do Leonardo que explique o que isso quer dizer, e explicando dará também a conhecer o que era ele próprio na família. Os mais que se achavam presentes eram pela maior parte vizinhos que se reuniam para aquelas súcias, que eram tradicionais na família.
Quando chegaram à casa, o amigo do Leonardo tomou as duas velhas de parte, e começou a conversar com elas, sem dúvida a respeito do Leonardo, pois que o olhavam todos três durante a conversa; e mesmo quem tivesse o ouvido atilado teria escutado às velhas estas palavras:
— Coitado do moço!...
— Ora vejam que pai de más entranhas!...
Outro qualquer que tivesse mais idade, ou antes, falando claro, mais juízo e outra educação, envergonhar-se-ia talvez muito de achar-se na posição em que se achava o Leonardo, porém ele nem nisso pensava, e o que é mais, nem mais pensava naquilo que até então lhe não saía da cabeça, isto é, em Luisinha de um lado e José Manuel do outro: agora não via senão os olhos negros e brilhantes, e os alvos dentes de Vidinha; não ouvia senão o eco da modinha que ela cantara. Estava pois embebido num êxtase contemplativo.
No mais pensaria quando lhe restasse tempo.
Mal se haviam todos sentado em uma larga esteira junto à soleira da porta sobre a calçada, o Leonardo propôs logo que se cantasse uma nova modinha.
— Qual... respondeu Vidinha acompanhando este qual da sua costumada risada; estou já tão cansada... que nem posso!
— Ora... ora... disseram umas poucas de vozes. Além do costume das risadas tinha Vidinha um outro, e era o de começar sempre tudo que tinha a dizer por um qual muito acentuado; respondeu ainda portanto:
— Qual... pois se eu também já cantei tudo que sabia. Qual, meu Deus! nem eu posso mais!
— Ainda não cantou a minha favorita, disse um dos presentes.
— Nem a minha, disse outro.
— Eu também, acrescentou outro, ainda não lhe pedi aquela cá do peito.
— Qual, meu Deus! onde é que isto vai parar!
— Ora, mana, não se faça de boa.
— Ai, criatura, disse uma das velhas, quereis que vos reze um responso para cantardes uma modinha?
Leonardo, vendo sua causa advogada por tantas vozes, conservou-se calado. Tentados mais alguns meios, e feitas mais algumas negaças, Vidinha decidiu-se, e tomando a viola cantou, segundo a indicação de uma das velhas, o seguinte:

    Duros ferros me prenderam
    No momento de te ver;
    Agora quero quebrá-los,
    É tarde não pode ser.

Este último passo acabou de desorientar completamente o Leonardo: ainda bem não tinham expirado as últimas notas do canto, e já, passando-lhe rápido pela mente um turbilhão de idéias, admirava-se ele de como é que havia podido inclinar-se por um só instante a Luisinha, menina sensaborona e esquisita, quando haviam no mundo mulheres como Vidinha.
Decididamente estava apaixonado por esta última.
O leitor não se deve admirar disto, pois não temos cessado de repetir-lhe que o Leonardo herdara de seu pai aquela grande cópia de fluido amoroso que era a sua principal característica. Com esta herança parece porém que tinha ele tido também uma outra, e era a de lhe sobrevir sempre uma contrariedade em casos semelhantes. José Manuel fora a primeira; vejamos agora qual era, ou antes quem era a segunda.
Se o leitor pensou no que há pouco dissemos, isto é, que naquela família haviam três primos e três primas, e se agora acrescentarmos que moravam todos juntos, deve ter cismado alguma coisa a respeito. Três primos e três primas, morando na mesma casa, todos moços... não há nada mais natural; um primo para cada prima, e está tudo arranjado. Cumpre porém ainda observar que o amigo do Leonardo tomara conta de uma das primas, e que deste modo vinha a haver três primos para duas primas, isto é, o excesso de um primo. À vista disto o negócio já se torna mais complicado. Pois para encurtar razão, saiba-se que haviam dois primos pretendentes a uma só prima, e essa era Vidinha, a mais bonita de todas; saiba-se mais que um era atendido e outro desprezado: logo, o amigo Leonardo terá desta vez de lutar com duas contrariedades em vez de uma.
Mas por ora de nada sabia ele, e entregava-se tranqüilo às suas emoções sem se lembrar do que qualquer se lembraria, que entre primos e primas há Assim um certo direito mútuo em negócio de amor, que muito prejudica a qualquer pretendente externo.
Gastaram grande parte da noite ali sentados, e trataram de recolher-se já muito tarde.
O amigo do Leonardo, a quem daqui em diante trataremos pelo seu próprio nome de Tomás com o apelido-da Sé-ambos herdados de seu pai, declarou que o seu amigo ficava ali por aquela noite, por já ser muito tarde; quis assim poupar-lhe um vexame, e mostrou nisto ser bom amigo.
Agora que o nosso Leonardo está instalado em quartel seguro, vamos ocupar-nos de alguma coisa de importante que havíamos deixado suspensa.

IX - José Manuel triunfa        
A comadre correra toda a cidade, e em parte alguma encontrara o Leonardo; enquanto cansava-se assim a procurá-lo, estava ele tranqüilo e descansado mirando-se nos olhos de Vidinha, regalando-se a ouvir modinhas, como sabem os leitores, sem se lembrar do que ia pelo mundo.
A pobre mulher, depois de muito cansada, foi ter à casa de D. Maria. Era já noite fechada.
Quando ela entrava saía o mestre-de-reza que acabava de dar a sua lição às crias de casa. A comadre há algum tempo que andava desconfiada do mestre-de-reza; combinando o que por aí se dizia do seu crédito com certas coisas que tivera ocasião de presenciar, estava quase a concluir que era ele emissário de José Manuel junto à corte de D. Maria. Não gostou portanto do encontro, e doeu-lhe o cabelo vê-lo sair àquela hora, pois que de ordinário as lições não se demoravam até tão tarde; e para metê-lo à bulha disse-lhe:
— A lição hoje foi comprida, devoto... as raparigas parece que gostam mais? da lambetice do que da reza.
— Não, respondeu o velho com sua voz fanhosa, elas não vão mal, empacam em alguns lugares, mas sempre vão indo; bem sabe também que sempre trago comigo o santo remédio.
E afagou o cabo da palmatória com que sempre andava armado.
— Ah! então esteve o devoto de conversa; gosta também de dar à língua...
— Não desgosto; mas também não digo senão aquilo que sei, isto é, aquilo que ouço; os outros gastam o seu tempo a ver e a ouvir; eu, como não posso senão ouvir, emprego a falar o que os mais empregam a ver; falo, e falo muito; mas que quer se me sobra tempo para isso; e demais, bem sabe que não é trabalho que canse. Meus pais eram Algarves, e eu não quero desmentir a minha paternidade.
— Então já sei que hoje desenterraram-se mortos e enterraram-se vivos; pois eu não posso fazer outro tanto, porque vou aqui muito e muito zangada de minha vida. Se o devoto, como é homem que muito gira por toda esta cidade, souber por aí notícias de meu afilhado Leonardo, queira vir dar-me parte, pois saiu-nos ele hoje de casa lá por causa de umas histórias, e não sei por onde andará dando com os ossos.
— Ora, isto fica por minha conta; não há nada mais fácil do que dar com ele.
E aqui terminou esta conversa que tinha lugar na porta da rua, e com a qual não ficara a comadre muito contente. D. Maria, que ouvira tudo, veio ao encontro da comadre, e foi-lhe logo dizendo antes de lhe dar tempo de tirar a mantilha:
— Então já o rapaz não está em casa? Senhora, aquilo é gênio, nasceu com ele, e com ele há de ir à sepultura. Bem me diziam o que ele era, e apesar do seu ar sonso nunca lhe fiz fé.
— Adeus que me está a senhora a pôr culpas em quem não as tem; o rapaz desta vez tem toda a razão...
— Ora, histórias da vida; isso diz você porque o estima como se fosse sua mãe; mas vá com esta que eu lhe digo: os rapazes de agora andam de cabeça levantada... Mas o defunto padrinho-Deus lhe fale n’alma,-foi o próprio que teve culpa de tudo isso com aquelas fumaças de Coimbra que lhe meteu na cabeça...
— Mas, senhora de Deus, se o bruto do pai até chegou a corrê-lo de espada na mão...
— Que tal não faria ele! mas que tinha isso? o pai não o havia esquartejar... por certo, que eu bem lhe conheço o gênio; aquilo era raiva, e havia de passar; devia ele sujeitar-se... sempre é seu pai.
— Com a Virgem Santa! pois se tudo isso foi por uma coisa de nada, por causa de uma almofada de renda... Isto é coisa em que se creia?!... E agora para onde é que há de ir aquele coitado?...
— Há de estar por aí metido em algum fado de ciganos; não se lembra do que ele fez quando o padrinho era vivo?
— Ora, criançadas... para que falar nisso?
Este diálogo ia continuando interminável sobre o mesmo assunto, quando D. Maria, mudando repentinamente de conversa, disse à comadre:
— Ora é verdade, sente-se para cá que temos contas que ajustar...
— Contas!...
— E muito compridas, começo por dizer, acrescentou D. Maria, que não parecia estar nesta ocasião de muito bom humor; começo por dizer-lhe mesmo na bochecha que quando for à confissão este ano trate de desobrigar-se de um grande pecado que cometeu.
— E eu que já não tenho poucos: mas então o que é?
— É um aleive, senhora, um aleive muito grande que levantou a pessoa que tal não merecia.
A comadre não precisou de mais nada para conhecer onde é que tudo aquilo ia parar; o aleive mais moderno de que a acusava a sua consciência bem sabia ela qual era. Começou a ver tudo claro como o dia; viu José Manuel justificado completamente aos olhos de D. Maria a respeito da história do roubo da moça no Oratório de Pedra, e viu também como medianeiro dessa justificação o cego mestre-de-reza. Ficou pois visivelmente incomodada; volvia-se de um para outro lado, como se estivesse cheia de espinhos a banquinha em que estava sentada, e teve um forte acesso de tosse quando D. Maria acabou de pronunciar aquelas últimas palavras.
— Tudo quanto me disse a respeito de José Manuel naquela história do roubo da moça, continuou D. Maria fazendo-se vermelha, o que era nela mau sinal, é falso, e muito falso. Sei isto de parte muito certa...
Novo acesso de tosse acometeu a comadre.
— Pois olhe, prosseguiu D. Maria, tinha eu dado todo o crédito, tanto que havia rompido por um excesso com o pobre do homem, mas não caio noutra; esta me serviu de emenda.
A comadre viu que o vento se lhe ia tornando absolutamente contrário; compreendeu que D. Maria estava muito bem informada, e que inútil seria qualquer sustentação que pretendesse fazer de tudo quanto havia avançado; isso só serviria para agravar-lhe a posição.
Forjou pois repentinamente um novo plano e disse:
— Não me dá nada de novo, senhora; sei muito bem de tudo; o homem está nesse negócio como Pilatos no Credo.
— Mas lembre-se que me havia dito que tinha visto com seus próprios olhos.
— Ah! senhora, era o diabo por ele; nunca vi coisa assim tão parecida. Outro dia porém soube de tudo, e agora estou arrependida.
— Mandei por isso chamar o pobre homem, continuou D. Maria, que de ofendido que estava com o modo por que eu o tratava custou muito a vir, e abri-me aqui com ele. E uma coisa lhe digo, é que a comadre não está bem no negócio; ele expôs-me certas coisas... a que eu enfim não quis dar crédito.
— Pois então a senhora disse-lhe que eu é que...
— Não fui eu quem lhe disse; ele já o sabia, e não era possível negar-lho. Foi então que ele me quis abrir os olhos sobre outros pontos...
A comadre, que via todo o caldo entornado naqueles outros pontos, tratava de desviar a conversação, fazendo que não dera atenção a essas últimas palavras.
— Mas então, perguntou, por quem foi que soube como tinha sido o negócio? quero ver se combina cá com o que sei.
— Ainda há pouco acabou de sair daqui quem me pôs o negócio todo em pratos limpos.
— Ah! disse a comadre.
E mordeu os beiços, fazendo um gesto que queria dizer: "nunca me enganei!"
D. Maria prosseguiu contando à comadre que tendo falado em semelhante negócio ao mestre-de-reza, ele lhe havia negado tudo quanto esta lhe dissera a respeito de José Manuel; que muito tempo lutara com o velho para que lhe dissesse o que sabia a respeito e em que fundava a denegação que fazia; que finalmente, depois de grande resistência, tinha-lhe ele trazido à casa, mesmo no dia antecedente, o pai da moça, que tudo confessara, declarando até o nome da pessoa com quem se achava sua filha, que ele já conhecia, e com quem tinha feito as pazes.
— É exatamente o que eu sabia, disse a comadre no fim da narração; foi tudo assim mesmo. Veja, senhora, a que está sujeita a gente nesta vida: a levantar falsos aos mais.
Agora informemos ao leitor que tudo que se acabava de passar tinha sido com efeito obra do mestre-de-reza. Pouco a pouco se tinha instruído do que se passava em casa de D. Maria a respeito do seu cliente José Manuel; tinha conseguido saber quem havia armado a intriga; indagou também o que se passava em casa de Leonardo-Pataca; e como lá se falava um pouco alto a respeito das pretensões de Leonardo, combinando umas coisas com outras, chegaram à conclusão certíssima daquilo que com efeito se passara.
D. Maria pareceu dar crédito ao arrependimento da comadre, e começou-lhe a aplacar o humor um pouco desabrido em que se achava.
Voltaram à questão da saída do Leonardo de casa, e desta vez já D. Maria não se mostrou tão inflexível para com o rapaz. Entretanto à comadre não lhe saíram da cabeça aquelas palavras de D. Maria: "abriu-me os olhos sobre outros pontos"; e depois que viu D. Maria mais apaziguada, tentou chamar de novo a conversa para esse ponto, e como que pedir explicações. Ela previa a significação daquelas palavras, sem dúvida nenhuma que se referiam às suas pretensões ou às de seu afilhado sobre Luisinha, porém queria saber as cores com que esse negócio tinha sido pintado a D. Maria por José Manuel.
Isso foi-lhe porém fatal, porque soube (o que lhe não foi nada agradável) que o negócio estava muito mal parado a respeito do seu afilhado, e pelo contrário muito adiantado a favor do seu adversário. D. Maria, depois de declarar que José Manuel se tinha queixado da comadre, atribuindo-lhe tudo que se havia passado, que não era mais do que uma intriga urdida com o fim de o apartar de sua casa, porque tinham sobre ele caído suspeitas, que confessava justas, acrescentou finalmente que José Manuel, completamente justificado, graças à intervenção do mestre-de-reza, acabara por lhe dar a entender alguma coisa a respeito de Luisinha, o que D. Maria confessou não lhe ter sido totalmente desagradável, porque enfim, segundo alegava, José Manuel era um homem sisudo e de juízo, tinha corrido mundo, e não era nenhuma criançola (esta palavra doeu à comadre) que não fosse capaz de tratar bem de uma moça. A comadre descoroçoou completamente com estas últimas declarações; porém o que fazer na ocasião? Ela mesma tinha há pouco confessado o risco em que se está a cada momento de ser injusto com o próximo, e não podia sem risco aventurar, pelo menos naquela ocasião, alguma coisa contra José Manuel, tanto mais que tão mal se havia saído da primeira intriga que armara. Contentou-se pois com repetir uma observação que D. Maria mesma lhe havia feito há pouco tempo, e disse, referindo-se a Luisinha:
— Gente, pois aquela criança já está para essas!...
— Sim, respondeu D. Maria, está ainda verdezinha, mas também isso não é sangria desatada.
A comadre respirou, pois viu que ainda havia tempo a ganhar.

X - O Agregado       
Passaram-se assim algumas semanas: Leonardo, depois de acabadas todas as cerimônias, foi declarado agregado à casa de Tomás da Sé, e aí continuou convenientemente arranjado. Ninguém se admire da facilidade com que se faziam semelhantes coisas; no tempo em que se passavam os fatos que vamos narrando nada havia mais comum do que ter cada casa um, dois e às vezes mais agregados.
Em certas casas os agregados eram muito úteis, porque a família tirava grande proveito de seus serviços, e já tivemos ocasião de dar exemplo disso quando contamos a história do finado padrinho de Leonardo; outras vezes porém, e estas eram em maior número, o agregado, refinado vadio, era uma verdadeira parasita que se prendia à árvore familiar, que lhe participava da seiva sem ajudá-la a dar os frutos, e o que é mais ainda, chegava mesmo a dar cabo dela. E o caso é que, apesar de tudo, se na primeira hipótese o esmagavam com o peso de mil exigências, se lhe batiam a cada passo com os favores na cara, se o filho mais velho da casa, por exemplo, o tomava por seu divertimento, e à menor e mais justa queixa saltavam-lhe os pais em cima tomando o partido de seu filho, no segundo aturavam quanto desconcerto havia com paciência de mártir, o agregado tornava-se quase rei em casa, punha, dispunha, castigava os escravos, ralhava com os filhos, intervinha enfim nos mais particulares negócios.
Em qual dos dois casos estava ou viria estar em breve o nosso amigo Leonardo? O leitor que o decida pelo que se vai passar.
Principiemos por declarar que as duas velhas irmãs tinham concedido desde o primeiro momento uma decidida simpatia por ele, e era esse o único ponto por onde o podemos julgar um pouco feliz: se a cada passo encontrava contrariedades e antipatias, também lhe não faltavam por contrabalanço simpatias e favores. Isto já era meio caminho andado para qualquer projeto que ele formasse, qualquer intenção que tivesse ou desejo que se lhe despertasse. Mas note-se que para não falhar a lei das compensações, que pesava constantemente sobre ele, logo o projeto, a intenção e desejo que teve sucedeu ser a respeito de uma coisa que já tinha despertado igual projeto, intenção e desejo em duas outras pessoas, o que equivale a dizer-se, como já o fizemos, que tinha ele de lutar com duas dificuldades.
Vidinha era uma rapariga que tinha tanto de bonita como de movediça e leve: um soprozinho, por brando que fosse, a fazia voar, outro de igual natureza a fazia revoar, e voava e revoava na direção de quantos sopros por ela passassem; isto quer dizer, em linguagem chã e despida dos trejeitos da retórica, que ela era uma formidável namoradeira, como hoje se diz, para não dizer lambeta, como se dizia naquele tempo. Portanto não foram de modo algum mal recebidas as primeiras finezas do Leonardo, que desta vez se tornou muito mais desembaraçado, quer porque já o negócio com Luisinha o tivesse desasnado, quer porque agora fosse a paixão mais forte, embora esta última hipótese vá de encontro à opinião dos ultra-românticos, que põem todos os bofes pela boca, pelo tal-primeiro amor:-no exemplo que nos dá o Leonardo aprendam o quanto ele tem de duradouro. Se um dos primos de Vidinha, que dissemos ser o atendido naquela ocasião, teve motivo para levantar-se contra o Leonardo como seu rival, o outro primo, que dissemos ser o desatendido, teve dobrada razão para isso, porque além do irmão apresentava-se o Leonardo como segundo concorrente, e o furor de quem se defende contra dois é, ou deve ser sem dúvida, muito maior do que o de quem se defende contra um. Declarou-se portanto, desde que começaram a aparecer os sintomas do quer que fosse entre Vidinha e o nosso hóspede, guerra de dois contra um, ou de um contra dois. A princípio, foi ela surda e muda; era guerra de olhares, de gestos, de desfeitas, de más caras, de maus modos de uns para com os outros; depois, seguindo o adiantamento do Leonardo, passou a ditérios, a chasques, a remoques. Um dia finalmente desandou em descompostura cerrada, em ameaças do tamanho da torre de Babel, e foi causa disto ter um dos primos pilhado o feliz Leonardo em flagrante gozo de uma primícia amorosa, um abraço que no quintal trocava ele com Vidinha.
— Aí está, minha tia, dissera enfurecido o rapaz dirigindo-se à mãe de Vidinha; ai está o lucro que se tira de meter-se para dentro de casa um par de pernas que não pertence à família...
— Onde é, onde é que está pegando fogo? disse a velha em tom de escárnio, supondo ser alguma asneira do rapaz, que era em tudo muito exagerado.
— Fogo, replicou este; se ali pegar fogo não haverá água que o apague... e olhe o que lhe digo, se não está pegando fogo... está-se ajuntando lenha para isso.
Vidinha, que vinha chegando nessa ocasião, tomou a palavra e falou durante meia hora sem interrupção, soltando contra os dois primos (pois que o outro já tinha também intervindo) uma tremenda catilinária em que a palavra-qual-foi repetida enorme número de vezes. Leonardo teve também de defender-se, e falou pelos cotovelos. As duas velhas acompanharam aos quatro seguidas das outras duas moças, que metiam também de vez em quando a sua colherada.
Seria inútil a tentativa de querermos repetir as palavras textuais de cada um dos faladores; isso seria coisa pouco mais ou menos semelhante a querer contar-se numa tempestade os pingos de chuva que caem. Só quem já teve ocasião de assistir pode bem avaliar o que era e talvez ainda é uma dessas brigas no interior de uma família. Todos falam a um tempo, esforçando-se cada um por falar mais alto do que todos os outros; ninguém parece atender às desculpas que se apresentam, nem às recriminações que se fazem, e entretanto de minuto em minuto cada qual tomando mais calor, se julga dobradamente ofendido; as juras se cruzam, as ameaças se chocam; não fica no dicionário termozinho de escolha que não saia à frente; umas questões trazem outras, estas ainda outras; recorre-se às ofensas passadas, presentes e futuras para fazer-se carga aos adversários. Tudo enfim se diz, e nada se consegue; a briga dura muitas horas, ao termo das quais os contendores, fatigatis sed non saciatis, abandonam o campo, ficando mais encarniçados uns contra os outros do que o estavam a princípio. E se por acaso, tocando já em retirada, algum ousa ainda soltar uma derradeira imprecação, pega de novo a coisa, e dura ainda bom pedaço. As mais das vezes fica tudo em palavras.
Desta vez porém não sucedeu assim: um dos primos, que era esquentadete, avançou para o Leonardo depois de lhe ter mandado, como batedor, uma grande injúria, e deu-lhe dois safanões, agarrando-o pela gola da camisa. Leonardo, que neste mundo só tinha medo do pai, reagiu contra o agressor; as duas velhas e Vidinha, tentando apartá-los, não faziam mais do que romper-lhes a roupa e aumentar-lhes a raiva; as demais pessoas ocupavam-se em bater nas paredes e chamar os vizinhos. Lutaram os dois por algum tempo sem que disso resultasse acidente grave para nenhum deles, e afinal apartaram-se. Leonardo, apenas se viu livre do seu adversário, foi querendo pôr-se no andar da rua: pesava sobre o infeliz desde criança uma espécie de sina de Judeu Errante. As velhas, que em todo o barulho tinham tomado o partido dele, não consentiram porém nisso; alegaram que estavam em sua casa, e podiam mandar como quisessem. Leonardo insistiu apesar disso e apesar dos rogos de Vidinha; porém no momento em que tentava abrir a porta da rua, entrou por ela a comadre.
— Ora graças que o encontro, senhor doido de pedras...
O Leonardo recuou dois passos: naquele momento, assim como lhe aconteceu desde que saiu de casa de seu pai, nem lhe passava pela idéia que tivesse no mundo uma madrinha, um pai, ou qualquer parente que fosse. Houve em todos um movimento de admiração e curiosidade, pois ninguém na casa conhecia a comadre.
Tantas coisas havia feito a boa mulher, que afinal soubera do ninho a que se acolhera o afilhado, e imediatamente para lá se dirigira. Tendo entrado e dito aquelas primeiras palavras, queria logo depois seguir com uma grande exortação ao sobrinho, quando, tendo visto as duas velhas, assentou que era melhor dirigir-se a elas em primeiro lugar. Com efeito dirigiu-se, e entraram as três em conferência.