Thursday, 25 March 2021

Thursday's Serial: "O Guarani" by José de Alencar (in Portuguese) - XI

 TERCEIRA PARTE: OS AIMORÉS

 

 

CAPÍTULO I: PARTIDA

Na segunda-feira, eram seis horas da manhã, quando D. Antônio de Mariz chamou seu filho.

O velho fidalgo velara uma boa parte da noite; ou escrevendo ou refletindo sobre os perigos que ameaçavam sua família.

Peri lhe havia contado todas as particularidades de seu encontro com os Aimorés; e o cavalheiro, que conhecia a ferocidade e o espírito vingativo dessa raça selvagem, esperava a cada momento ser atacado.

Por isso, de acordo com Álvaro, D. Diogo e seu escudeiro Aires Gomes, tinha tomado todas as medidas de precaução que as circunstâncias e sua longa experiência lhe aconselhavam.

Quando seu filho entrou, o velho fidalgo acabava de selar duas cartas que escrevera na véspera.

— Meu filho, disse ele com uma ligeira emoção, refleti esta noite sobre o que nos pode acontecer, e assentei que deveis partir hoje mesmo para São Sebastião.

— Não é possível, senhor!... Afastais-me de vós justamente quando correis um perigo?

— Sim! É justamente quando um grande perigo nos ameaça, que eu, chefe da casa, entendo ser do meu dever salvar o representante do meu nome e meu herdeiro legitimo, o protetor de minha família órfã.

— Confio em Deus, meu pai, que vossos receios serão infundados; mas se ele nos quiser submeter a tal provança, o único lagar que compete a vosso filho e herdeiro de vosso nome é nesta casa ameaçada, ao vosso lado, para defender-vos e partilhar a vossa sorte, qualquer que ela seja.

D. Antônio apertou seu filho ao peito.

— Eu te reconheço; tu és meu filho; é o meu sangue juvenil que gira em tuas veias, e o meu coração de moço que fala pelos teus lábios. Deixa porém que os cinqüenta anos de experiência que desde então passaram sobre minha cabeça encanecida te ensinem o que vai da mocidade à velhice, o que vai do ardente cavalheiro ao pai de uma família.

— Eu vos escuto, senhor; mas pelo amor que vos consagro poupai-me a dor e a vergonha de deixar-vos no momento em que mais precisais de um servidor fiel e dedicado.

O fidalgo prosseguiu já calmo:

— Não é uma espada, D. Diogo, que nos dará a vitória, fosse ela valente e forte como a vossa: entre quarenta combatentes que vão se medir talvez contra centenas e centenas de inimigos, um de mais ou de menos não importa ao resultado.

— Que assim seja, respondeu o cavalheiro com energia; reclamo o meu posto de honra e a minha parte do perigo; não vos ajudarei a vencer, porém morrerei junto dos meus.

— E é por esse nobre mas estéril orgulho que quereis sacrificar o único meio de salvação que talvez nos reste, se, como temo, as minhas previsões se realizarem?

— Que dizeis, senhor?

— Qualquer que seja a força e o número dos inimigos, conto que o valor português e a posição desta casa me ajudarão a resistir-lhe por algum tempo, por vinte dias, mesmo por um mês; mas por fim teremos de sucumbir.

— Então?... exclamou D. Diogo pálido.

— Então se meu filho D. Diogo, em vez de ficar nesta casa por uma obstinação imprudente, tiver ido ao Rio de Janeiro, e pedido o auxilio que fidalgos portugueses não lhe recusarão decerto, poderá voar em socorro de seu pai, e chegar com tempo para defender sua família. Então verá que esta glória de ser o salvador de sua casa vale bem a honra de um perigo inútil.

D. Diogo deitou o joelho em terra, e beijou com ternura a mão do fidalgo:

— Perdão, meu pai, por não vos ter compreendido. Eu devia adivinhar que D. Antônio de Mariz não pode querer para o filho senão o que é digno do pai.

— Vamos, D. Diogo, não há tempo a perder. Lembrai-vos que uma hora, um minuto de tardança talvez tenha de ser contado ansiosamente por aqueles que vão esperar-vos.

— Parto neste instante, disse o cavalheiro dirigindo-se à porta.

— Tomai; esta carta é para Martim de Sá, governador desta capitania; esta outra é para meu cunhado e vosso tio Crispim Tenreiro, valente fidalgo que vos poupará o trabalho de procurardes defensores para vossa família. Ide despedir-vos de vossa mãe, e vossas irmãs; eu farei tudo preparar para a partida.

O fidalgo, reprimindo a sua emoção, saiu do gabinete onde se passava esta cena, e foi ter com Álvaro que o procurava.

— Álvaro, escolhei quatro homens que acompanhem D. Diogo ao Rio de Janeiro.

— D. Diogo parte?... perguntou o moço admirado.

— Sim, depois vos direi as razões. Por agora dai-vos pressa em que tudo esteja pronto dentro de uma hora.

Álvaro dirigiu-se imediatamente ao fundo da casa onde habitavam os aventureiros.

Havia ai grande agitação; uns falavam em tom de queixa, outros murmuravam apenas palavras entrecortadas; e alguns finalmente riam e motejavam do descontentamento de seus companheiros.

Aires Gomes com todo o seu arreganho militar passeava no meio do terreiro, a mão no punho da espada, a cabeça alta e o bigode retorcido. Quando o escudeiro passava, a voz dos aventureiros descia dois tons; mas à medida que ele se afastava, cada um dava livre desabafo ao seu mau humor.

Entre os mais inquietos e turbulentos distinguiam-se três grupos presididos por personagens de nosso conhecimento: Loredano, Rui Soeiro e Bento Simões.

A causa desse descontentamento quase geral era a seguinte:

Por volta de seis horas da manhã, Rui, em virtude do emprazamento da véspera, dirigiu-se o primeiro à escada para ganhar o mato.

Chegando ao fim da esplanada admirou-se de ver aí Vasco Afonso e Martim Vaz de vigia, o que era extraordinário, pois só à noite se usava de uma tal precaução, e esta cessava apenas amanhecia.

Ainda mais admirado porém ficou quando os dois aventureiros cruzando as espadas, proferiram quase ao mesmo tempo estas palavras:

— Não se passa.

— E por que razão?

— É a ordem, respondeu Martim Vaz.

Rui empalideceu, e voltou apressadamente; a primeira idéia que lhe acudiu foi que os tinham denunciado, e cuidou em prevenir a Loredano.

Aires Gomes porém embargou-lhe o passo, e dirigiuse com ele para o terreiro: ai o digno escudeiro desempenando o corpo, e levando a mão à boca em forma de buzina, gritou.

— Olá! À frente toda a banda!

Os aventureiros chegaram-se formando um círculo ao redor de Aires Gomes; Rui já tinha tido ocasião de lançar uma palavra ao ouvido do italiano; e ambos, um pouco pálidos mas resolutos, esperavam o desfecho daquela cena.

— O Sr. D. Antônio de Mariz, disse o escudeiro, por meu intermédio vos faz saber a sua vontade: e manda que ninguém se afaste um passo da casa sem sua ordem. Quem o contrário fizer, pereça morte natural.

Um silêncio morno acolheu a enunciação desta ordem. Loredano trocou uma vista rápida com os seus dois cúmplices.

— Estais entendidos? disse Aires Gomes.

— O que nem eu, nem meus companheiros entendemos e a razão disto, retrucou o italiano avançando um passo.

— Sim; a razão? exclamou em coro a maioria dos aventureiros.

— As ordens cumprem-se, e não se discutem, respondeu o escudeiro com uma certa solenidade.

— Contudo nós... ia dizendo Loredano.

— Toca a debandar! gritou Aires Gomes. Aquele que não estiver contente, que o diga ao Sr. D. Antônio de Mariz.

E o escudeiro com uma fleuma imperturbável rompeu o circulo e começou a passear pelo terreiro olhando de traves os aventureiros e rindo à sorrelfa do seu desapontamento.

Quase todos estavam contrariados; sem falar dos conspiradores que se haviam emprazado para concertarem seu plano de campanha, os outros, cujo divertimento era caçar e bater os matos, não recebiam a ordem com prazer. Apenas alguns de gênio mais bonachão e jovial tinham tomado a coisa à boa parte, e zombavam da contrariedade que sofriam seus companheiros.

Quando Álvaro se aproximou todos os olhos se voltaram para ele, esperando a explicação do que se passava.

— Sr. cavalheiro, disse Aires Gomes, acabo de transmitir a ordem para que ninguém arrede pé da casa.

— Bem, respondeu o moço, e continuou dirigindo-se aos aventureiros: assim é preciso, meus amigos, estamos ameaçados de um ataque dos selvagens, e toda a prudência é pouca nestas ocasiões. Não é só a nossa vida que temos a defender, e essa pouco vale para cada um de nós; é sim a pessoa daquele que confia em nosso zelo e coragem, e mais ainda o sossego de uma família honrada que todos prezamos.

As nobres palavras do cavalheiro, e a afabilidade do gesto que suavizava a firmeza de sua voz, serenaram completamente os ânimos; todos os descontentes mostraram-se satisfeitos.

Apenas Loredano estava desesperado por ser obrigado a retardar a combinação do seu plano; pois era arriscado tentá-lo em casa, onde o menor gesto o podia trair.

Álvaro trocou poucas palavras com Aires Gomes, e voltou-se para os aventureiros:

— D. Antônio de Mariz precisa de quatro homens dedicados para acompanharem seu filho D. Diogo à cidade de São Sebastião. É uma missão perigosa; quatro homens nestes desertos marcham de perigo em perigo. Quem de vós se oferece para desempenhá-la?

Vinte homens se adiantaram; o cavalheiro escolheu três entre eles.

— Vós sereis o quarto, Loredano.

O italiano que se tinha escondido entre os seus companheiros, ficou como fulminado por estas palavras; sair naquela ocasião da casa era perder para sempre a sua mais ardente esperança; durante a ausência tudo podia se descobrir.

— Pesa-me ser obrigado a negar-me ao serviço que exigis de mim; mas sinto-me doente, e sem forças para uma viagem.

O cavalheiro sorriu.

— Não há enfermidade que prive um homem de cumprir o seu dever; sobretudo quando é um homem valente e leal como vós, Loredano.

Depois abaixou a voz para não ser ouvido pelos outros aventureiros:

— Se não partis, sereis arcabuzado em uma hora. Esqueceis que tenho a vossa vida em minha mão e vos faço esmola mandando-vos sair desta casa?

O italiano compreendeu que não tinha remédio senão partir; bastava que o moço o acusasse de ter atirado sobre ele, bastava a palavra de Álvaro para fazê-lo condenar pelo chefe e pelos seus próprios companheiros.

— Aviai-vos, disse o cavalheiro aos quatro aventureiros escolhidos por ele; partis em meia hora.

Álvaro retirou-se.

Loredano ficou um momento abatido pela fatalidade que pesava sobre ele; mas a pouco e pouco foi recobrando a calma, animando-se; por fim sorriu. Para que sorrisse era necessário que alguma inspiração infernal tivesse subido do centro da terra a essa inteligência votada ao crime. Fez um aceno a Rui Soeiro, e os dois encaminharam-se para um cubículo que o italiano ocupava no fim da esplanada. Aí conversaram algum tempo, rapidamente e em voz baixa.

Foram interrompidos por Aires Gomes, que bateu com a espada na porta:

— Eh! lá! Loredano. A cavalo, homem; e boa viagem.

O italiano abriu a porta, e ia sair; mas voltou-se para dizer a Rui Soeiro:

— Olhai os homens da guarda; é o principal.

— Ide tranqüilo.

Alguns minutos depois, D. Diogo com o coração cerrado e as lágrimas nos olhos, apertava nos braços sua mãe querida, Cecília que ele adorava, e Isabel que já amava também como irmã.

Depois desprendendo-se com um esforço, encaminhou-se apressadamente para a escada e desceu ao vale; ai recebeu a bênção de seu pai e abraçando a Álvaro saltou na sela do cavalo, que Aires Gomes tinha pela rédea.

A pequena cavalgata partiu; com pouco sumia-se na volta do caminho.

 

 

CAPÍTULO II: PREPARATIVOS

Ao tempo que D. Antônio de Mariz e seu filho conversaram no gabinete, Peri examinava as suas armas, carregava as pistolas que sua senhora lhe havia dado na véspera, e saia da cabana.

A fisionomia do selvagem tinha uma expressão de energia e ardimento, que revelava resolução violenta, talvez desesperada.

O que ia fazer, nem ele mesmo sabia. Certo de que o italiano e seus companheiros se reuniriam naquela manhã, contava, antes que a reunião se efetuasse, ter mudado inteiramente a face das coisas.

Só tinha uma vida, como dissera; mas essa com a sua agilidade e a sua força e coragem valia por muitas; tranqüilo sobre o futuro pela promessa de Álvaro, não lhe importava o número dos inimigos: podia morrer, mas esperava deixar pouco ou talvez nada que fazer ao cavalheiro.

Saindo de sua cabana, Peri entrou no jardim: Cecília estava sentada num tapete de peles sobre a relva, e amimava ao seio a sua rolinha predileta, oferecendo os lábios de carmim às carícias que a ave lhe fazia com o bico delicado.

A menina estava pensativa; doce melancolia desvanecia a vivacidade natural de seu semblante.

— Tu estás agastada com Peri, senhora?

— Não, respondeu a menina fitando nele os grandes olhos azuis. Não quiseste fazer o que eu pedi; tua senhora ficou triste.

Ela dizia a verdade com a ingênua franqueza da inocência. Na véspera, quando se tinha recolhido enfadada pela recusa de Peri, ficara contrariada.

Educada no fervor religioso de sua mãe, embora sem os prejuízos que a razão de D. Antônio corrigira no espírito de sua filha, Cecília tinha a fé cristã em toda a pureza e santidade. Por isso se afligia com a idéia de que Peri, a quem votava uma amizade profunda, não salvasse a sua alma, e não conhecesse o Deus bom e compassivo a quem ela dirigia suas preces.

Conhecia que a razão, por que sua mãe e os outros desprezavam o índio, era o seu gentilismo; e a menina no seu reconhecimento queria elevar o amigo e torná-lo digno da estima de todos.

Eis a razão por que ficara triste; era a gratidão por Peri, que defendera sua vida de tantos perigos, e a quem ela queria retribuir salvando a sua alma.

Nesta disposição de espírito, seus olhos caíram sobre a guitarra espanhola que estava em cima da cômoda e veio-lhe vontade de cantar. É coisa singular como a melancolia inspira! Seja por uma necessidade de expansão, seja porque a música e a poesia suavizem a dor, toda a criatura triste acha no canto um supremo consolo.

A menina tirou ligeiros prelúdios do instrumento enquanto repassava na memória as letras de alguns solaus e cantigas que sua mãe lhe havia ensinado. A que lhe acudiu mais naturalmente foi a xácara que ouvimos: havia nessa composição uns longes, um quer que seja que ela não sabia explicar, mas ia com seus pensamentos.

Quando acabou de cantar levantou-se, apanhou a flor de Peri que tinha atirado ao chão, deitou-a nos cabelos, e fazendo a sua oração da noite, adormeceu tranqüilamente. O último pensamento que rogou a sua fronte alva foi um voto de gratidão pelo amigo que lhe salvara a vida naquela manhã. Depois um sorriso adejou sobre seu rosto gracioso, como se a alma durante o sono dos olhos viesse brincar nos lábios entreabertos.

O índio, ouvindo as palavras que acabava de proferir Cecília, sentiu que pela primeira vez tinha causado uma mágoa real a sua senhora.

— Tu não entendeste Peri, senhora; Peri te pediu que o deixasses na vida em que nasceu, porque precisa desta vida para servir-te.

— Como?... Não te entendo!

— Peri, selvagem, é o primeiro dos seus; só tem uma lei, uma religião, é sua senhora; Peri, cristão, será o último dos teus; será um escravo, e não poderá defender-te.

— Um escravo!... Não! Serás um amigo. Eu te juro! exclamou a menina com vivacidade.

O índio sorriu:

— Se Peri fosse cristão, e um homem quisesse te ofender, ele não poderia matá-lo, porque o teu Deus manda que um homem não mate outro. Peri selvagem não respeita ninguém; quem ofende sua senhora é seu inimigo, e, morre!

Cecília, pálida de emoção, olhou o índio, admirada não tanto da sublime dedicação, como do raciocínio; ela ignorava a conversa que o índio tivera na véspera com o cavalheiro.

— Peri te desobedeceu por ti somente; quando já não correres perigo, ele virá ajoelhar a teus pés, e beijar a cruz que tu lhe deste. Não fica zangada!

— Meu Deus!... murmurou Cecília pondo os olhos no céu. É possível que uma dedicação tamanha não seja inspirada por vossa santa religião!...

A alegria serena e doce de sua alma irradiava na fisionomia encantadora:

— Eu sabia que tu não me negarias o que te pedi; assim não exijo mais; espero. Lembra-te somente que no dia em que tu fores cristão, tua senhora te estimará ainda mais.

— Não ficas triste?

— Não; agora estou satisfeita, contente, muito contente! — Peri quer pedir-te uma coisa.

— Dize, o que é?

— Peri quer que tu risques um papel para ele.

— Riscar um papel?...

— Como este que teu pai deu hoje a Peri.

— Ah! queres que eu escreva?

— Sim.

— O quê?

— Peri vai dizer.

— Espera.

Ligeira e graciosa, a menina correu à banquinha, e tomando uma folha de papel e uma pena fez sinal a Peri que se aproximasse.

Não devia ela satisfazer os desejos do índio, como este satisfazia às suas menores fantasias?

— Vamos: fala que eu escrevo.

— Peri a Álvaro, disse o índio.

— É uma carta ao Sr. Álvaro? perguntou a menina corando.

— Sim; é para ele.

— Que vais tu dizer-lhe?

— Escreve.

A menina traçou a primeira linha, e depois por pedido de Peri, o nome de Loredano e dos seus dois cúmplices.

— Agora, disse o índio, fecha.

Cecília selou a carta.

— Entrega à tarde; antes não.

— Mas que quer isto dizer? perguntou Cecília sem compreender.

— Ele te dirá.

— Não, que eu...

A menina balbuciou, corando, estas palavras; ia dizer que não falaria ao cavalheiro e arrependeu-se; não queria revelar a Peri o que se tinha passado. Sabia que se o índio suspeitasse a cena da véspera, odiaria Isabel e Álvaro, só por lhe terem causado um pesar involuntário.

Enquanto Cecília confusa procurava disfarçar o enleio, Peri fitava nela o seu olhar brilhante; mal pensava a menina que aquele olhar era o adeus extremo que o índio lhe dizia.

Mas para isto fora preciso que adivinhasse o plano desesperado que ele havia concebido de exterminar naquele dia todos os inimigos da casa.

D. Diogo entrou nesse momento no quarto de sua irmã: vinha despedir-se dela.

Quanto a Peri, deixando Cecília, dirigiu-se à escada e achou os mesmos vigias, que depois embargaram a passagem de Rui Soeiro.

— Não se passa, disseram os aventureiros cruzando as espadas.

O índio levantou os ombros desdenhosamente; e antes que as sentinelas voltassem a si da surpresa, tinha mergulhado sob as espadas e descido a escada. Então ganhou a mata, examinou de novo as suas armas e esperou; já estava cansado quando viu passar a pequena cavalgata.

Peri não compreendeu o que sucedia; mas conheceu que o seu plano tinha abortado.

Foi ter com Álvaro.

O cavalheiro explicou-lhe como se aproveitara da ida de D. Diogo ao Rio de Janeiro para expulsar o italiano sem rumor e sem escândalo. Então o índio por sua vez contou ao moço o que tinha ouvido na touça de cardos; o projeto que formara de matar os três aventureiros naquela manhã; e finalmente a carta que lhe escrevera por intermédio de Cecília, para, no caso de sucumbir ele, saber o cavalheiro quem eram os inimigos.

Álvaro duvidava ainda acreditar em tanta perfídia do italiano.

— Agora, concluiu Peri, é preciso que os dois também saiam; se ficarem, o outro pode voltar.

— Não se animará! disse o cavalheiro.

— Peri não se engana! Manda sair os dois.

— Fica descansado. Falarei com D. Antônio de Mariz.

O resto do dia passou tranqüilamente; mas a tristeza tinha entrado nessa casa ainda na véspera tão alegre e feliz; a partida de D. Diogo, o temor vago que produz o perigo quando se aproxima, e o receio de um ataque dos selvagens, preocupavam os moradores do Paquequer.

Os aventureiros dirigidos por D. Antônio, executavam trabalhos de defesa tornando ainda mais inacessível o rochedo em que estava situada a casa.

Uns construíam paliçadas em roda da esplanada: outros arrastavam para a frente da casa uma colubrina que o fidalgo por excesso de cautela mandara vir de São Sebastião havia dois anos. Toda a casa enfim apresentava um aspecto marcial, que indicava as vésperas de um combate; D. Antônio preparava-se para receber dignamente o inimigo.

Apenas em toda esta casa uma pessoa se conservava alheia ao que passava: era Isabel, que só pensava no seu amor.

Depois de sua confissão, arrancada violentamente ao seu coração por uma força irresistível, por um impulso que ela não sabia explicar, a pobre menina quando se vira só, no seu quarto, à noite, quase morreu de vergonha.

Lembrava-se de suas palavras, e perguntava a si mesma como tivera a coragem de dizer aquilo, que antes nem mesmo os seus olhos se animavam a exprimir silenciosamente. Parecia-lhe que era impossível tornar a ver Álvaro sem que cada um dos olhares do moço queimasse as suas faces e a obrigasse a esconder o rosto de pejo.

Entretanto nem por isso seu amor era menos ardente; ao contrário agora é que a paixão, por muito tempo reprimida, se exacerbava com as lutas e contrariedades.

As poucas palavras doces que o moço lhe dirigia, a pressão das mãos, e o aperto rápido sobre o coração de Álvaro num momento de alucinação, passavam e repassavam na sua memória a todo o momento.

Seu espírito, como uma borboleta em torno da flor, esvoaçava constantemente em torno das reminiscências ainda vivas, como para libar todo o mel que encerravam aquelas sensações, as primeiras de seu infeliz amor.

Nesse mesmo dia de segunda-feira, à tarde, Álvaro encontrou-se um momento com Isabel na esplanada. Ambos ficaram mudos, e coraram. Álvaro ia retirar-se.

— Sr. Álvaro... balbuciou a moça trêmula.

— Que quereis de mim, D. Isabel? perguntou o moço perturbado.

— Esqueci-me o restituir-vos ontem o que não me pertence.

— E ainda esse malfadado bracelete?

— Sim, respondeu a moça docemente, é este malfadado bracelete: Cecília teima que

é ele vosso.

— Se meu é, vos peço que o aceiteis.

— Não, Sr. Álvaro, não tenho direito.

— Uma irmã não tem direito de aceitar a prenda que lhe oferece seu irmão?

— Tendes razão, respondeu a moça suspirando, eu o guardarei como lembrança vossa; não será adorno para mim, senão relíquia.

O moço não respondeu; retirou-se para cortar a conversa.

Desde a véspera Álvaro não podia eximir-se à impressão poderosa que causara nele a paixão de Isabel; era preciso que não fosse homem para não se sentir profundamente comovido pelo amor ardente de uma mulher bela, e pelas palavras de fogo que corriam dos lábios de Isabel impregnadas de perfume e sentimento.

Mas a razão direita do cavalheiro recalcava essa impressão no fundo do coração; ele não se pertencia; tinha aceitado o legado de D. Antônio de Mariz e jurado dar a sua mão a Cecília.

Embora não esperasse mais realizar o seu sonho dourado, entendia que estava vigorosamente obrigado a sujeitar-se a vontade do fidalgo, a proteger sua filha, a dedicar-lhe sua existência. Quando Cecília o repelisse abertamente, e D. Antônio o desobrigasse de sua promessa, então seu coração seria livre, se não estivesse morto pelo desengano.

O único fato notável que se deu nesse dia foi a chegada de seis aventureiros das vizinhanças, que prevenidos por D. Diogo vinham oferecer seus serviços a D. Antônio.

Chegaram ao lusco-fusco; à frente deles vinha o nosso conhecido mestre Nunes, que um ano antes dera hospitalidade no seu pouso a Frei Ângelo di Luca.

 

 

CAPÍTULO III: VERME E FLOR

Eram onze horas da noite.

O silêncio reinava na habitação e seus arredores; tudo estava tranqüilo e sereno. Algumas estrelas brilhavam no céu; os sopros escassos da viração sussurravam na folhagem.

Os dois homens de vigia, apoiados ao arcabuz e reclinados sobre o alcantil, sondavam a sombra espessa que se estendia pela aba do rochedo.

O vulto majestoso de D. Antônio de Mariz passou lentamente pela esplanada, e desapareceu no canto da casa. O fidalgo fazia sua ronda noturna, como um general na véspera de uma batalha.

Passados alguns momentos ouviu-se cantar uma coruja no vale, junto da escada de pedra; um dos vigias abaixou-se, e tomando dois pequenos seixos deixou-os cair um depois do outro.

O som fraco que produziu a queda das pedras sobre o arvoredo da várzea foi quase imperceptível; seria difícil distingui-lo do rumor do vento nas folhas.

Um instante depois um vulto subiu ligeiramente a escada, e reuniu-se aos dois homens que faziam a guarda noturna::

— Tudo está pronto?

— Só esperamos por vós.

— Vamos! Não há tempo a perder.

Trocadas estas palavras rapidamente entre o que chegava e um dos vigias, os três encaminharam-se com todas as precauções para a alpendrada em que habitava a banda dos aventureiros.

Aí, como no resto da casa, tudo estava calmo e tranqüilo; apenas via-se luzir na soleira da porta do aposento de Aires Gomes a claridade de uma luz.

Um dos três chegou-se à entrada do alpendre, e esgueirando-se pela parede perdeu-se na escuridão que havia no interior.

Os outros dois se dirigiam ao fim da casa, e ai ocultos pela sombra e pelo ângulo que formava um largo pilar do edifício, começaram um diálogo breve e rápido.

— Quantos são? perguntou o homem que chegara.

— Vinte ao todo.

— Restam-nos?

— Dezenove.

— Bem. A senha?.

— Prata.

— E o fogo?

— Pronto.

— Aonde?

— Nos quatro cantos.

— Quantos sobram?

— Dois apenas.

— Seremos nós.

— Precisais de mim?

— Sim.

Houve uma pequena pausa, em que um dos aventureiros parecia refletir profundamente enquanto o outro esperava; por fim o primeiro ergueu a cabeça:

— Rui, vós me sois dedicado?

— Dei-vos a prova.

— Preciso de um amigo fiel.

— Contai comigo.

— Obrigado.

O desconhecido apertou a mão de seu companheiro.

— Sabeis que amo uma mulher?

— Vós mo dissestes.

— Sabeis que é mais por essa mulher do que por este tesouro fabuloso que concebi esse plano horrível?

— Não; não o sabia.

— Pois é a verdade; pouco me importa a riqueza; sede meu amigo; servi-me lealmente, e tereis a maior parte do meu tesouro.

— Falei; que quereis que eu faça?

— Um juramento; mas um juramento sagrado, terrível.

— Qual? Dizei!

— Hoje essa mulher me pertencerá; entretanto se por qualquer acaso eu vier a morrer, quero que...

O desconhecido hesitou.

— Quero que nenhum homem possa amá-la, que nenhum homem possa gozar a felicidade suprema que ela pode dar.

— Mas como?

— Matando-a!

Rui sentiu um calafrio.

— Matando-a, para que a mesma cova receba nossos dois corpos; não sei por quê, mas parece-me que ainda cadáver, o contato dessa mulher deve ser para mim um gozo imenso.

— Loredano!... exclamou seu companheiro horrorizado.

— Sois meu amigo e sereis meu herdeiro! disse o italiano agarrando-lhe convulsivamente no braço. É a minha condição; se recusais, outro aceitará o tesouro que rejeitais!

O aventureiro estava em lata com dois sentimentos opostos; mas a ambição violenta, cega, esvairada, abafou o grito fraco da consciência.

— Jurais? perguntou Loredano.

— Juro!... respondeu Rui com a voz estrangulada.

— Avante então!

Loredano abriu a porta do seu cubículo, e voltou algum tempo depois trazendo uma tábua longa e estreita que colocou sobre o despenhadeiro como uma espécie de ponte suspensa.

— Ides segurar esta tábua, Rui. Entrego em vossas mãos a minha vida, e nisto dou-vos a maior prova de confiança. Basta que deixeis esta prancha mover-se para que eu me precipite sobre os rochedos.

O italiano achava-se então no mesmo lugar que na noite da chegada, algumas braças distante da janela de Cecília, onde não podia chegar por causa do ângulo que formavam o rochedo e o edifício.

A tábua foi colocada na direção da janela; a primeira vez tinha-lhe bastado o seu punhal; agora também necessitava de um apoio seguro, e do livre movimento de seus braços. Rui colocou-se sobre a ponta da tábua, e segurando-se a um frechal do alpendre manteve imóvel sobre o precipício essa ponte pênsil em que o italiano ia arriscar-se.

Quanto a este, sem hesitar, tirou as suas armas para ficar mais leve, descalçou-se, segurou a longa faca entre os dentes, e pôs o pé sobre a prancha.

— Esperar-me-eis do outro lado, disse o italiano.

— Sim, respondeu Rui com voz trêmula.

A razão por que a voz de Rui tremia, era um pensamento diabólico que começava a fermentar no seu espírito. Lembrou-lhe que tinha na mão Loredano e o seu segredo; que para ver-se livre de um e senhor do outro, bastava afastar o pé e deixar a tábua inclinar sobre o abismo.

Entretanto hesitava; não que o remorso antecipado lhe exprobrasse o crime que ia cometer; já tinha-se afundado muito no vício e na depravação para recuar. Mas o italiano exercia sobre os seus cúmplices tal prestigio e influência tão poderosa, que Rui não podia mesmo nesse momento esquivar-se a ela.

Loredano estava suspenso sobre o abismo pela sua mão; podia salvá-lo ou precipitá-lo no despenhadeiro; e contudo dessa posição ainda ele impunha respeito ao aventureiro.

Rui tinha medo: não compreendia o motivo desse terror irresistível; mas o sentia como uma obsessão e um pesadelo.

No entanto a imagem da riqueza esplêndida, brilhante, radiando galas e luzimentos, passava diante de seus olhos e o deslumbrada; um pouco de coragem, e seria o único senhor do tesouro fabuloso, cujo era o italiano depositário do segredo.

Mas coragem é o que lhe faltava; por duas ou três vezes o aventureiro teve um ímpeto de suspender-se ao frechal, e deixar a tábua rolar no abismo; não passou de um desejo.

Venceu afinal a tentação.

Teve um momento de desvario: os joelhos acurvaram-se; a tábua sofreu uma oscilação tão forte, que Rui admirou-se de como o italiano se tinha podia suster.

Então o medo desapareceu; foi substituído por uma espécie de raiva e frenesi que se apoderou do aventureiro; o primeiro esforço lhe dera a ousadia, como a vista do sangue excita a fera.

Um segundo abalo mais forte agitou a tábua, que oscilou à borda do rochedo; porém não se ouviu o baque de um corpo; não se ouviu mais que o choque da madeira sobre a pedra. Rui, desesperado, ia soltar a prancha, quando chegou-lhe ao ouvido, abafada e sumida, a voz do italiano, que apenas se percebia no silêncio profundo da noite.

— Estais cansado, Rui?... Podeis tirar a tábua; não preciso mais dela.

O aventureiro ficou espavorido; decididamente esse homem era um espírito infernal que planava sobre o abismo, e escarnecia do perigo; um ente superior a quem a morte não podia tocar.

Ele ignorava que Loredano, com a sua previdência ordinária, quando entrara no seu cubículo para tirar a prancha, tivera o cuidado de passar por um caibro do alpendre, que era de telha-vã, a ponta de uma longa corda, que caiu sobre a parte de fora da parede uma braça distante da janela de Cecília.

Assim, apenas deu o primeiro passo sobre a ponte improvisada, o italiano não se descuidou de estender o braço e agarrar a ponta da corda, que logo atou à cintura; então se o apoio lhe faltasse, ficaria suspenso no ar, e, embora com mais dificuldade, realizaria o seu intento.

Foi por isso que os dois abalos produzidos pelo seu cúmplice não tiveram o resultado que ele esperava; logo do primeiro, Loredano adivinhou o que se passava na alma de Rui; mas não querendo dar-lhe a perceber que conhecia a sua traição, serviu-se de um meio indireto para dizer-lhe que estava em segurança, e que era inútil a tentativa de precipitá-lo.

A tábua não fez mais um só movimento; conservou-se imóvel como se estivera solidamente pregada ao rochedo.

Loredano adiantou-se, tocou a janela da moça, e com a ponta da faca conseguiu levantar a aldraba; as gelosias abrindo-se afastaram as cortinas de cassa que vendavam o asilo do pudor e da inocência.

Cecília dormia envolta nas alvas roupas do seu leito; sua cabecinha loura aparecia entre as rendas finíssimas sobre as quais se desenrolavam os lindos anéis dourados de seus cabelos. O doce amortecimento de um sono calmo e sereno vendava seu rosto gracioso, como a sombra esvaecida que desmaia o semblante das virgens de Murilo; seu sorriso era apenas enlevo.

O talho de sua anágua abrindo-se deixava entrever um colo de linhas puras, mais alvo do que a cambraia; e com a ondulação que a respiração branda imprimia ao seu peito, desenhavam-se sob a lençaria diáfana os seios mimosos.

Tudo isto ressaltava como um quadro dentre as ondas de uma colcha de damasco azul que nas suas largas dobras moldava sobre a alvura transparente do linho os contornos harmoniosos e puros.

Havia porém nessa beleza adormecida uma expressão indefinível, um quer que seja de tão casto e inocente, que envolvia essa menina no seu sono tranqüilo e parecia afugentar dela um pensamento profano.

Chegando-se à beira daquele leito, um homem ajoelharia antes como ao pé de uma santa, do que se animaria a tocar na ponta dessas roupagens brancas que protegiam a inocência.

Loredano aproximou-se, tremendo, pálido e ofegante; toda a força de sua vigorosa organização, toda a sua vontade poderosa e irresistível, estava ai vencida, subjugada, diante de uma menina adormecida. O que sentiu quando seu olhar ardente caiu sobre o leito, é difícil dizer, é talvez mesmo difícil de compreender. Foi a um tempo suprema ventura e horrível suplício.

A paixão brutal o devorava escaldando-lhe o sangue nas veias e fazendo saltar-lhe o coração; entretanto o aspecto dessa menina que não tinha para sua defesa senão a sua castidade, o encadeava.

Sentia que o fogo queimava-lhe o seio; sentia que seus lábios tinham sede de prazer; e a mão gelada e inerte, não se podia erguer, e o corpo estava paralisado; apenas o olhar cintilava e as narinas dilatadas aspiravam as emanações voluptuosas de que estava impregnada a sua atmosfera.

E a menina sorria no seu plácido sono enleando-se talvez nalgum sonho gracioso, nalgum dos sonhos azuis que Deus esparge como folhas de rosas sobre o leito das virgens.

Era o anjo em face do demônio; era a mulher em face da serpente; a virtude em face do vício.

O italiano fez um esforço supremo, e passando a mão pelos olhos como para arrancar uma visão importuna, encaminhou-se a um bufete e acendeu uma vela de cera cor-de-rosa.

O aposento, até então esclarecido apenas por uma lamparina colocada sobre uma cantoneira, iluminou-se; e a imagem graciosa de Cecília apareceu cercada de uma auréola.

Sentindo a impressão da luz sobre os olhos, a menina fez um movimento, e voltando um pouco o rosto para o lado oposto continuou o sono, que nem fora interrompido.

Loredano passou entre o leito e a parede, e pôde então admirá-la em toda a sua beleza; não se lembrava de nada mais, esquecera o mundo e seu tesouro: nem pensava no rapto que ia praticar.

A rolinha que dormia sobre a cômoda no seu ninho de algodão ergueu-se e agitou as asas; o italiano, despertado por este rumor, conheceu que já era tarde e que não tinha tempo a perder.

Wednesday, 24 March 2021

Good Reading: "The Crow and the Raven" by Aesop (translated into Eglish)

A Crow was jealous of the Raven, because he was considered a bird of good omen and always attracted the attention of men, who noted by his flight the good or evil course of future events.  Seeing some travelers approaching, the Crow flew up into a tree, and perching herself on one of the branches, cawed as loudly as she could.  The travelers turned towards the sound and wondered what it foreboded, when one of them said to his companion, "Let us proceed on our journey, my friend, for it is only the caw of a crow, and her cry, you know, is no omen." 

                 Those who assume a character which does not belong to them, only make themselves ridiculous. 

Tuesday, 23 March 2021

Tuesday's Serial: “In Ghostly Japan” by Lafcadio Hearn (in English) - III

A PASSIONAL KARMA

One of the never-failing attractions of the Tōkyō stage is the performance, by the famous Kikugorō and his company, of the Botan-Dōrō, or “Peony-Lantern.” This weird play, of which the scenes are laid in the middle of the last century, is the dramatization of a romance by the novelist Encho, written in colloquial Japanese, and purely Japanese in local color, though inspired by a Chinese tale. I went to see the play; and Kikugorō made me familiar with a new variety of the pleasure of fear. “Why not give English readers the ghostly part of the story?”—asked a friend who guides me betimes through the mazes of Eastern philosophy. “It would serve to explain some popular ideas of the supernatural which Western people know very little about. And I could help you with the translation.”

I gladly accepted the suggestion; and we composed the following summary of the more extraordinary portion of Enchō’s romance. Here and there we found it necessary to condense the original narrative; and we tried to keep close to the text only in the conversational passages,—some of which happen to possess a particular quality of psychological interest.

 

—This is the story of the Ghosts in the Romance of the Peony-Lantern:—

I

There once lived in the district of Ushigomé, in Yedo, a hatamoto[1] called Iijima Heizayémon, whose only daughter, Tsuyu, was beautiful as her name, which signifies “Morning Dew.” Iijima took a second wife when his daughter was about sixteen; and, finding that O-Tsuyu could not be happy with her mother-in-law, he had a pretty villa built for the girl at Yanagijima, as a separate residence, and gave her an excellent maidservant, called O-Yoné, to wait upon her.

O-Tsuyu lived happily enough in her new home until one day when the family physician, Yamamoto Shijō, paid her a visit in company with a young samurai named Hagiwara Shinzaburō, who resided in the Nedzu quarter. Shinzaburō was an unusually handsome lad, and very gentle; and the two young people fell in love with each other at sight. Even before the brief visit was over, they contrived,—unheard by the old doctor,—to pledge themselves to each other for life. And, at parting, O-Tsuyu whispered to the youth,—“Remember! If you do not come to see me again, I shall certainly die!”

Shinzaburō never forgot those words; and he was only too eager to see more of O-Tsuyu. But etiquette forbade him to make the visit alone: he was obliged to wait for some other chance to accompany the doctor, who had promised to take him to the villa a second time. Unfortunately the old man did not keep this promise. He had perceived the sudden affection of O-Tsuyu; and he feared that her father would hold him responsible for any serious results. Iijima Heizayémon had a reputation for cutting off heads. And the more Shijō thought about the possible consequences of his introduction of Shinzaburō at the Iijima villa, the more he became afraid. Therefore he purposely abstained from calling upon his young friend.

Months passed; and O-Tsuyu, little imagining the true cause of Shinzaburō’s neglect, believed that her love had been scorned. Then she pined away, and died. Soon afterwards, the faithful servant O-Yoné also died, through grief at the loss of her mistress; and the two were buried side by side in the cemetery of Shin-Banzui-In,—a temple which still stands in the neighborhood of Dango-Zaka, where the famous chrysanthemum-shows are yearly held.

 

[1] The hatamoto were samurai forming the special military force of the Shōgun. The name literally signifies “Banner-Supporters.” These were the highest class of samurai,—not only as the immediate vassals of the Shōgun, but as a military aristocracy.

 

II

Shinzaburō knew nothing of what had happened; but his disappointment and his anxiety had resulted in a prolonged illness. He was slowly recovering, but still very weak, when he unexpectedly received another visit from Yamamoto Shijō. The old man made a number of plausible excuses for his apparent neglect. Shinzaburō said to him:—“I have been sick ever since the beginning of spring;—even now I cannot eat anything…. Was it not rather unkind of you never to call? I thought that we were to make another visit together to the house of the Lady Iijima; and I wanted to take to her some little present as a return for our kind reception. Of course I could not go by myself.”

Shijō gravely responded,—“I am very sorry to tell you that the young lady is dead!”

“Dead!” repeated Shinzaburō, turning white,—“did you say that she is dead?”

The doctor remained silent for a moment, as if collecting himself: then he resumed, in the quick light tone of a man resolved not to take trouble seriously:—

“My great mistake was in having introduced you to her; for it seems that she fell in love with you at once. I am afraid that you must have said something to encourage this affection—when you were in that little room together. At all events, I saw how she felt towards you; and then I became uneasy,—fearing that her father might come to hear of the matter, and lay the whole blame upon me. So—to be quite frank with you,—I decided that it would be better not to call upon you; and I purposely stayed away for a long time. But, only a few days ago, happening to visit Iijima’s house, I heard, to my great surprise, that his daughter had died, and that her servant O-Yoné had also died. Then, remembering all that had taken place, I knew that the young lady must have died of love for you…. [Laughing] Ah, you are really a sinful fellow! Yes, you are! [Laughing] Isn’t it a sin to have been born so handsome that the girls die for love of you?[2] [Seriously] Well, we must leave the dead to the dead. It is no use to talk further about the matter;—all that you now can do for her is to repeat the Nembutsu[3]…. Good-bye.”

And the old man retired hastily,—anxious to avoid further converse about the painful event for which he felt himself to have been unwittingly responsible.

 

[2] Perhaps this conversation may seem strange to the Western reader; but it is true to life. The whole of the scene is characteristically Japanese.

[3] The invocation Namu Amida Butsu! (“Hail to the Buddha Amitâbha!”),—repeated, as a prayer, for the sake of the dead.

 

III

Shinzaburō long remained stupefied with grief by the news of O-Tsuyu’s death. But as soon as he found himself again able to think clearly, he inscribed the dead girl’s name upon a mortuary tablet, and placed the tablet in the Buddhist shrine of his house, and set offerings before it, and recited prayers. Every day thereafter he presented offerings, and repeated the Nembutsu; and the memory of O-Tsuyu was never absent from his thought.

Nothing occurred to change the monotony of his solitude before the time of the Bon,—the great Festival of the Dead,—which begins upon the thirteenth day of the seventh month. Then he decorated his house, and prepared everything for the festival;—hanging out the lanterns that guide the returning spirits, and setting the food of ghosts on the shōryōdana, or Shelf of Souls. And on the first evening of the Bon, after sun-down, he kindled a small lamp before the tablet of O-Tsuyu, and lighted the lanterns.

The night was clear, with a great moon,—and windless, and very warm. Shinzaburō sought the coolness of his veranda. Clad only in a light summer-robe, he sat there thinking, dreaming, sorrowing;—sometimes fanning himself; sometimes making a little smoke to drive the mosquitoes away. Everything was quiet. It was a lonesome neighborhood, and there were few passers-by. He could hear only the soft rushing of a neighboring stream, and the shrilling of night-insects.

But all at once this stillness was broken by a sound of women’s geta[4] approaching—kara-kon, kara-kon;—and the sound drew nearer and nearer, quickly, till it reached the live-hedge surrounding the garden. Then Shinzaburö, feeling curious, stood on tiptoe, so as to look over the hedge; and he saw two women passing. One, who was carrying a beautiful lantern decorated with peony-flowers,[5] appeared to be a servant;—the other was a slender girl of about seventeen, wearing a long-sleeved robe embroidered with designs of autumn-blossoms. Almost at the same instant both women turned their faces toward Shinzaburō;—and to his utter astonishment, he recognized O-Tsuyu and her servant O-Yoné.

They stopped immediately; and the girl cried out,—“Oh, how strange!… Hagiwara Sama!”

Shinzaburō simultaneously called to the maid:—“O-Yoné! Ah, you are O-Yoné!—I remember you very well.”

“Hagiwara Sama!” exclaimed O-Yoné in a tone of supreme amazement. “Never could I have believed it possible!… Sir, we were told that you had died.”

“How extraordinary!” cried Shinzaburō. “Why, I was told that both of you were dead!”

“Ah, what a hateful story!” returned O-Yoné. “Why repeat such unlucky words?… Who told you?”

“Please to come in,” said Shinzaburō;—“here we can talk better. The garden-gate is open.”

So they entered, and exchanged greeting; and when Shinzaburō had made them comfortable, he said:—

“I trust that you will pardon my discourtesy in not having called upon you for so long a time. But Shijō, the doctor, about a month ago, told me that you had both died.”

“So it was he who told you?” exclaimed O-Yoné. “It was very wicked of him to say such a thing. Well, it was also Shijō who told us that you were dead. I think that he wanted to deceive you,—which was not a difficult thing to do, because you are so confiding and trustful. Possibly my mistress betrayed her liking for you in some words which found their way to her father’s ears; and, in that case, O-Kuni—the new wife—might have planned to make the doctor tell you that we were dead, so as to bring about a separation. Anyhow, when my mistress heard that you had died, she wanted to cut off her hair immediately, and to become a nun. But I was able to prevent her from cutting off her hair; and I persuaded her at last to become a nun only in her heart. Afterwards her father wished her to marry a certain young man; and she refused. Then there was a great deal of trouble,—chiefly caused by O-Kuni;—and we went away from the villa, and found a very small house in Yanaka-no-Sasaki. There we are now just barely able to live, by doing a little private work…. My mistress has been constantly repeating the Nembutsu for your sake. To-day, being the first day of the Bon, we went to visit the temples; and we were on our way home—thus late—when this strange meeting happened.”

“Oh, how extraordinary!” cried Shinzaburō. “Can it be true?-or is it only a dream? Here I, too, have been constantly reciting the Nembutsu before a tablet with her name upon it! Look!” And he showed them O-Tsuyu’s tablet in its place upon the Shelf of Souls.

“We are more than grateful for your kind remembrance,” returned O-Yoné, smiling…. “Now as for my mistress,”—she continued, turning towards O-Tsuyu, who had all the while remained demure and silent, half-hiding her face with her sleeve,—“as for my mistress, she actually says that she would not mind being disowned by her father for the time of seven existences,[6] or even being killed by him, for your sake! Come! will you not allow her to stay here to-night?”

Shinzaburō turned pale for joy. He answered in a voice trembling with emotion:—

“Please remain; but do not speak loud—because there is a troublesome fellow living close by,—a ninsomi[7] called Hakuōdō Yusai, who tells peoples fortunes by looking at their faces. He is inclined to be curious; and it is better that he should not know.”

The two women remained that night in the house of the young samurai, and returned to their own home a little before daybreak. And after that night they came every nighht for seven nights,—whether the weather were foul or fair,—always at the same hour. And Shinzaburō became more and more attached to the girl; and the twain were fettered, each to each, by that bond of illusion which is stronger than bands of iron.

 

[4] Komageta in the original. The geta is a wooden sandal, or clog, of which there are many varieties,—some decidedly elegant. The komageta, or “pony-geta” is so-called because of the sonorous hoof-like echo which it makes on hard ground.

[5] The sort of lantern here referred to is no longer made; and its shape can best be understood by a glance at the picture accompanying this story. It was totally unlike the modern domestic band-lantern, painted with the owner’s crest; but it was not altogether unlike some forms of lanterns still manufactured for the Festival of the Dead, and called Bon-dōrō. The flowers ornamenting it were not painted: they were artificial flowers of crêpe-silk, and were attached to the top of the lantern.

[6] “For the time of seven existences,”—that is to say, for the time of seven successive lives. In Japanese drama and romance it is not uncommon to represent a father as disowning his child “for the time of seven lives.” Such a disowning is called shichi-shō madé no mandō, a disinheritance for seven lives,—signifying that in six future lives after the present the erring son or daughter will continue to feel the parental displeasure.

[7] The profession is not yet extinct. The ninsomi uses a kind of magnifying glass (or magnifying-mirror sometimes), called tengankyō or ninsomégané.

 

IV

Now there was a man called Tomozō, who lived in a small cottage adjoining Shinzaburō’s residence, Tomozō and his wife O-Miné were both employed by Shinzaburō as servants. Both seemed to be devoted to their young master; and by his help they were able to live in comparative comfort.

One night, at a very late hour, Tomozō heard the voice of a woman in his master’s apartment; and this made him uneasy. He feared that Shinzaburō, being very gentle and affectionate, might be made the dupe of some cunning wanton,—in which event the domestics would be the first to suffer. He therefore resolved to watch; and on the following night he stole on tiptoe to Shinzaburō’s dwelling, and looked through a chink in one of the sliding shutters. By the glow of a night-lantern within the sleeping-room, he was able to perceive that his master and a strange woman were talking together under the mosquito-net. At first he could not see the woman distinctly. Her back was turned to him;—he only observed that she was very slim, and that she appeared to be very young,—judging from the fashion of her dress and hair.[8] Putting his ear to the chink, he could hear the conversation plainly. The woman said:—

“And if I should be disowned by my father, would you then let me come and live with you?”

Shinzaburō answered:—

“Most assuredly I would—nay, I should be glad of the chance. But there is no reason to fear that you will ever be disowned by your father; for you are his only daughter, and he loves you very much. What I do fear is that some day we shall be cruelly separated.”

She responded softly:—

“Never, never could I even think of accepting any other man for my husband. Even if our secret were to become known, and my father were to kill me for what I have done, still—after death itself—I could never cease to think of you. And I am now quite sure that you yourself would not be able to live very long without me.”… Then clinging closely to him, with her lips at his neck, she caressed him; and he returned her caresses.

Tomozō wondered as he listened,—because the language of the woman was not the language of a common woman, but the language of a lady of rank.[9] Then he determined at all hazards to get one glimpse of her face; and he crept round the house, backwards and forwards, peering through every crack and chink. And at last he was able to see;—but therewith an icy trembling seized him; and the hair of his head stood up.

For the face was the face of a woman long dead,—and the fingers caressing were fingers of naked bone,—and of the body below the waist there was not anything: it melted off into thinnest trailing shadow. Where the eyes of the lover deluded saw youth and grace and beauty, there appeared to the eyes of the watcher horror only, and the emptiness of death. Simultaneously another woman’s figure, and a weirder, rose up from within the chamber, and swiftly made toward the watcher, as if discerning his presence. Then, in uttermost terror, he fled to the dwelling of Hakuōdō Yusai, and, knocking frantically at the doors, succeeded in arousing him.

 

[8] The color and form of the dress, and the style of wearing the hair, are by Japanese custom regulated according to the age of the woman.

[9] The forms of speech used by the samurai, and other superior classes, differed considerably from those of the popular idiom; but these differences could not be effectively rendered into English.

 

V

Hakuōdō Yusai, the ninsomi, was a very old man; but in his time he had travelled much, and he had heard and seen so many things that he could not be easily surprised. Yet the story of the terrified Tomozō both alarmed and amazed him. He had read in ancient Chinese books of love between the living and the dead; but he had never believed it possible. Now, however, he felt convinced that the statement of Tomozō was not a falsehood, and that something very strange was really going on in the house of Hagiwara. Should the truth prove to be what Tomozō imagined, then the young samurai was a doomed man.

“If the woman be a ghost,”—said Yusai to the frightened servant, “—if the woman be a ghost, your master must die very soon,—unless something extraordinary can be done to save him. And if the woman be a ghost, the signs of death will appear upon his face. For the spirit of the living is yōki, and pure;—the spirit of the dead is inki, and unclean: the one is Positive, the other Negative. He whose bride is a ghost cannot live. Even though in his blood there existed the force of a life of one hundred years, that force must quickly perish…. Still, I shall do all that I can to save Hagiwara Sama. And in the meantime, Tomozō, say nothing to any other person,—not even to your wife,—about this matter. At sunrise I shall call upon your master.”

 

VI

When questioned next morning by Yusai, Shinzaburō at first attempted to deny that any women had been visiting the house; but finding this artless policy of no avail, and perceiving that the old man’s purpose was altogether unselfish, he was finally persuaded to acknowledge what had really occurred, and to give his reasons for wishing to keep the matter a secret. As for the lady Iijima, he intended, he said, to make her his wife as soon as possible.

“Oh, madness!” cried Yusai,—losing all patience in the intensity of his alarm. “Know, sir, that the people who have been coming here, night after night, are dead! Some frightful delusion is upon you!… Why, the simple fact that you long supposed O-Tsuyu to be dead, and repeated the Nembutsu for her, and made offerings before her tablet, is itself the proof!… The lips of the dead have touched you!—the hands of the dead have caressed you!… Even at this moment I see in your face the signs of death—and you will not believe!… Listen to me now, sir,—I beg of you,—if you wish to save yourself: otherwise you have less than twenty days to live. They told you—those people—that they were residing in the district of Shitaya, in Yanaka-no-Sasaki. Did you ever visit them at that place? No!—of course you did not! Then go to-day,—as soon as you can,—to Yanaka-no-Sasaki, and try to find their home!…”

And having uttered this counsel with the most vehement earnestness, Hakuōdō Yusai abruptly took his departure.

Shinzaburō, startled though not convinced, resolved after a moment’s reflection to follow the advice of the ninsomi, and to go to Shitaya. It was yet early in the morning when he reached the quarter of Yanaka-no-Sasaki, and began his search for the dwelling of O-Tsuyu. He went through every street and side-street, read all the names inscribed at the various entrances, and made inquiries whenever an opportunity presented itself. But he could not find anything resembling the little house mentioned by O-Yoné; and none of the people whom he questioned knew of any house in the quarter inhabited by two single women. Feeling at last certain that further research would be useless, he turned homeward by the shortest way, which happened to lead through the grounds of the temple Shin-Banzui-In.

Suddenly his attention was attracted by two new tombs, placed side by side, at the rear of the temple. One was a common tomb, such as might have been erected for a person of humble rank: the other was a large and handsome monument; and hanging before it was a beautiful peony-lantern, which had probably been left there at the time of the Festival of the Dead. Shinzaburō remembered that the peony-lantern carried by O-Yoné was exactly similar; and the coincidence impressed him as strange. He looked again at the tombs; but the tombs explained nothing. Neither bore any personal name,—only the Buddhist kaimyō, or posthumous appellation. Then he determined to seek information at the temple. An acolyte stated, in reply to his questions, that the large tomb had been recently erected for the daughter of Iijima Heizayémon, the hatamoto of Ushigomé; and that the small tomb next to it was that of her servant O-Yoné, who had died of grief soon after the young lady’s funeral.

Immediately to Shinzaburö’s memory there recurred, with another and sinister meaning, the words of O-Yoné:—“We went away, and found a very small house in Yanaka-no-Sasaki. There we are now just barely able to live—by doing a little private work….” Here was indeed the very small house,—and in Yanaka-no-Sasaki. But the little private work…?

Terror-stricken, the samurai hastened with all speed to the house of Yusai, and begged for his counsel and assistance. But Yusai declared himself unable to be of any aid in such a case. All that he could do was to send Shinzaburō to the high-priest Ryōseki, of Shin-Banzui-In, with a letter praying for immediate religious help.

 

VII

The high-priest Ryōseki was a learned and a holy man. By spiritual vision he was able to know the secret of any sorrow, and the nature of the karma that had caused it. He heard unmoved the story of Shinzaburō, and said to him:—

“A very great danger now threatens you, because of an error committed in one of your former states of existence. The karma that binds you to the dead is very strong; but if I tried to explain its character, you would not be able to understand. I shall therefore tell you only this,—that the dead person has no desire to injure you out of hate, feels no enmity towards you: she is influenced, on the contrary, by the most passionate affection for you. Probably the girl has been in love with you from a time long preceding your present life,—from a time of not less than three or four past existences; and it would seem that, although necessarily changing her form and condition at each succeeding birth, she has not been able to cease from following after you. Therefore it will not be an easy thing to escape from her influence…. But now I am going to lend you this powerful mamori.[10] It is a pure gold image of that Buddha called the Sea-Sounding Tathâgata—Kai-On-Nyōrai,—because his preaching of the Law sounds through the world like the sound of the sea. And this little image is especially a shiryō-yoké,[11]—which protects the living from the dead. This you must wear, in its covering, next to your body,—under the girdle…. Besides, I shall presently perform in the temple, a segaki-service[12] for the repose of the troubled spirit…. And here is a holy sutra, called Ubō-Darani-Kyō, or “Treasure-Raining Sûtra”[13] you must be careful to recite it every night in your house—without fail…. Furthermore I shall give you this package of o-fuda;[14]—you must paste one of them over every opening of your house,—no matter how small. If you do this, the power of the holy texts will prevent the dead from entering. But—whatever may happen—do not fail to recite the sutra.”

Shinzaburō humbly thanked the high-priest; and then, taking with him the image, the sutra, and the bundle of sacred texts, he made all haste to reach his home before the hour of sunset.

 

[10] The Japanese word mamori has significations at least as numerous as those attaching to our own term “amulet.” It would be impossible, in a mere footnote, even to suggest the variety of Japanese religious objects to which the name is given. In this instance, the mamori is a very small image, probably enclosed in a miniature shrine of lacquer-work or metal, over which a silk cover is drawn. Such little images were often worn by samurai on the person. I was recently shown a miniature figure of Kwannon, in an iron case, which had been carried by an officer through the Satsuma war. He observed, with good reason, that it had probably saved his life; for it had stopped a bullet of which the dent was plainly visible.

[11] From shiryō, a ghost, and yokeru, to exclude. The Japanese have, two kinds of ghosts proper in their folk-lore: the spirits of the dead, shiryō; and the spirits of the living, ikiryō. A house or a person may be haunted by an ikiryō as well as by a shiryō.

[12] A special service,—accompanying offerings of food, etc., to those dead having no living relatives or friends to care for them,—is thus termed. In this case, however, the service would be of a particular and exceptional kind.

[13] The name would be more correctly written Ubō-Darani-Kyō. It is the Japanese pronunciation of the title of a very short sutra translated out of Sanscrit into Chinese by the Indian priest Amoghavajra, probably during the eighth century. The Chinese text contains transliterations of some mysterious Sanscrit words,—apparently talismanic words,—like those to be seen in Kern’s translation of the Saddharma-Pundarîka, ch. xxvi.

[14] O-fuda is the general name given to religious texts used as charms or talismans. They are sometimes stamped or burned upon wood, but more commonly written or printed upon narrow strips of paper. O-fuda are pasted above house-entrances, on the walls of rooms, upon tablets placed in household shrines, etc., etc. Some kinds are worn about the person;—others are made into pellets, and swallowed as spiritual medicine. The text of the larger o-fuda is often accompanied by curious pictures or symbolic illustrations.

 

VIII

With Yusai’s advice and help, Shinzaburō was able before dark to fix the holy texts over all the apertures of his dwelling. Then the ninsomi returned to his own house,—leaving the youth alone.

Night came, warm and clear. Shinzaburō made fast the doors, bound the precious amulet about his waist, entered his mosquito-net, and by the glow of a night-lantern began to recite the Ubō-Darani-Kyō. For a long time he chanted the words, comprehending little of their meaning;—then he tried to obtain some rest. But his mind was still too much disturbed by the strange events of the day. Midnight passed; and no sleep came to him. At last he heard the boom of the great temple-bell of Dentsu-In announcing the eighth hour.[15]

It ceased; and Shinzaburō suddenly heard the sound of geta approaching from the old direction,—but this time more slowly: karan-koron, karan-koron! At once a cold sweat broke over his forehead. Opening the sutra hastily, with trembling hand, he began again to recite it aloud. The steps came nearer and nearer,—reached the live hedge,—stopped! Then, strange to say, Shinzaburō felt unable to remain under his mosquito-net: something stronger even than his fear impelled him to look; and, instead of continuing to recite the Ubō-Darani-Kyō, he foolishly approached the shutters, and through a chink peered out into the night. Before the house he saw O-Tsuyu standing, and O-Yoné with the peony-lantern; and both of them were gazing at the Buddhist texts pasted above the entrance. Never before—not even in what time she lived—had O-Tsuyu appeared so beautiful; and Shinzaburō felt his heart drawn towards her with a power almost resistless. But the terror of death and the terror of the unknown restrained; and there went on within him such a struggle between his love and his fear that he became as one suffering in the body the pains of the Shō-netsu hell.[16]

Presently he heard the voice of the maid-servant, saying:—

“My dear mistress, there is no way to enter. The heart of Hagiwara Sama must have changed. For the promise that he made last night has been broken; and the doors have been made fast to keep us out…. We cannot go in to-night…. It will be wiser for you to make up your mind not to think any more about him, because his feeling towards you has certainly changed. It is evident that he does not want to see you. So it will be better not to give yourself any more trouble for the sake of a man whose heart is so unkind.”

But the girl answered, weeping:—

“Oh, to think that this could happen after the pledges which we made to each other!… Often I was told that the heart of a man changes as quickly as the sky of autumn;—yet surely the heart of Hagiwara Sama cannot be so cruel that he should really intend to exclude me in this way!… Dear Yone, please find some means of taking me to him…. Unless you do, I will never, never go home again.”

Thus she continued to plead, veiling her face with her long sleeves,—and very beautiful she looked, and very touching; but the fear of death was strong upon her lover.

O-Yoné at last made answer,—“My dear young lady, why will you trouble your mind about a man who seems to be so cruel?… Well, let us see if there be no way to enter at the back of the house: come with me!”

And taking O-Tsuyu by the hand, she led her away toward the rear of the dwelling; and there the two disappeared as suddenly as the light disappears when the flame of a lamp is blown out.

 

[15] According to the old Japanese way of counting time, this yatsudoki or eighth hour was the same as our two o’clock in the morning. Each Japanese hour was equal to two European hours, so that there were only six hours instead of our twelve; and these six hours were counted backwards in the order,—9, 8, 7, 6, 5, 4. Thus the ninth hour corresponded to our midday, or midnight; half-past nine to our one o’clock; eight to our two o’clock. Two o’clock in the morning, also called “the Hour of the Ox,” was the Japanese hour of ghosts and goblins.

[16] En-netsu or Shō-netsu (Sanscrit “Tapana”) is the sixth of the Eight Hot Hells of Japanese Buddhism. One day of life in this hell is equal in duration to thousands (some say millions) of human years.

 

IX

Night after night the shadows came at the Hour of the Ox; and nightly Shinzaburō heard the weeping of O-Tsuyu. Yet he believed himself saved,—little imagining that his doom had already been decided by the character of his dependents.

Tomozō had promised Yusai never to speak to any other person—not even to O-Miné—of the strange events that were taking place. But Tomozō was not long suffered by the haunters to rest in peace. Night after night O-Yoné entered into his dwelling, and roused him from his sleep, and asked him to remove the o-fuda placed over one very small window at the back of his master’s house. And Tomozō, out of fear, as often promised her to take away the o-fuda before the next sundown; but never by day could he make up his mind to remove it,—believing that evil was intended to Shinzaburō. At last, in a night of storm, O-Yoné startled him from slumber with a cry of reproach, and stooped above his pillow, and said to him: “Have a care how you trifle with us! If, by to-morrow night, you do not take away that text, you shall learn how I can hate!” And she made her face so frightful as she spoke that Tomozō nearly died of terror.

O-Miné, the wife of Tomozō, had never till then known of these visits: even to her husband they had seemed like bad dreams. But on this particular night it chanced that, waking suddenly, she heard the voice of a woman talking to Tomozō. Almost in the same moment the talk-ing ceased; and when O-Miné looked about her, she saw, by the light of the night-lamp, only her husband,—shuddering and white with fear. The stranger was gone; the doors were fast: it seemed impossible that anybody could have entered. Nevertheless the jealousy of the wife had been aroused; and she began to chide and to question Tomozō in such a manner that he thought himself obliged to betray the secret, and to explain the terrible dilemma in which he had been placed.

Then the passion of O-Miné yielded to wonder and alarm; but she was a subtle woman, and she devised immediately a plan to save her husband by the sacrifice of her master. And she gave Tomozō a cunning counsel,—telling him to make conditions with the dead.

They came again on the following night at the Hour of the Ox; and O-Miné hid herself on hearing the sound of their coming,—karan-koron, karan-koron! But Tomozō went out to meet them in the dark, and even found courage to say to them what his wife had told him to say:—

“It is true that I deserve your blame;—but I had no wish to cause you anger. The reason that the o-fuda has not been taken away is that my wife and I are able to live only by the help of Hagiwara Sama, and that we cannot expose him to any danger without bringing misfortune upon ourselves. But if we could obtain the sum of a hundred ryō in gold, we should be able to please you, because we should then need no help from anybody. Therefore if you will give us a hundred ryō, I can take the o-fuda away without being afraid of losing our only means of support.”

When he had uttered these words, O-Yoné and O-Tsuyu looked at each other in silence for a moment. Then O-Yoné said:—

“Mistress, I told you that it was not right to trouble this man, —as we have no just cause of ill will against him. But it is certainly useless to fret yourself about Hagiwara Sama, because his heart has changed towards you. Now once again, my dear young lady, let me beg you not to think any more about him!”

But O-Tsuyu, weeping, made answer:—

“Dear Yone, whatever may happen, I cannot possibly keep myself from thinking about him! You know that you can get a hundred ryō to have the o-fuda taken off…. Only once more, I pray, dear Yone!—only once more bring me face to face with Hagiwara Sama,—I beseech you!” And hiding her face with her sleeve, she thus continued to plead.

“Oh! why will you ask me to do these things?” responded O-Yoné. “You know very well that I have no money. But since you will persist in this whim of yours, in spite of all that I can say, I suppose that I must try to find the money somehow, and to bring it here to-morrow night….” Then, turning to the faithless Tomozō, she said:—“Tomozō, I must tell you that Hagiwara Sama now wears upon his body a mamori called by the name of Kai-On-Nyōrai, and that so long as he wears it we cannot approach him. So you will have to get that mamori away from him, by some means or other, as well as to remove the o-fuda.”

Tomozō feebly made answer:—

“That also I can do, if you will promise to bring me the hundred ryō.”

“Well, mistress,” said O-Yoné, “you will wait,—will you not,—until to-morrow night?”

“Oh, dear Yoné!” sobbed the other,—“have we to go back to-night again without seeing Hagiwara Sama? Ah! it is cruel!”

And the shadow of the mistress, weeping, was led away by the shadow of the maid.

 

X

Another day went, and another night came, and the dead came with it. But this time no lamentation was heard without the house of Hagiwara; for the faithless servant found his reward at the Hour of the Ox, and removed the o-fuda. Moreover he had been able, while his master was at the bath, to steal from its case the golden mamori, and to substitute for it an image of copper; and he had buried the Kai-On-Nyōrai in a desolate field. So the visitants found nothing to oppose their entering. Veiling their faces with their sleeves they rose and passed, like a streaming of vapor, into the little window from over which the holy text had been torn away. But what happened thereafter within the house Tomozō never knew.

The sun was high before he ventured again to approach his master’s dwelling, and to knock upon the sliding-doors. For the first time in years he obtained no response; and the silence made him afraid. Repeatedly he called, and received no answer. Then, aided by O-Miné, he succeeded in effecting an entrance and making his way alone to the sleeping-room, where he called again in vain. He rolled back the rumbling shutters to admit the light; but still within the house there was no stir. At last he dared to lift a corner of the mosquito-net. But no sooner had he looked beneath than he fled from the house, with a cry of horror.

Shinzaburō was dead—hideously dead;—and his face was the face of a man who had died in the uttermost agony of fear;—and lying beside him in the bed were the bones of a woman! And the bones of the arms, and the bones of the hands, clung fast about his neck.

 

XI

Hakuōdō Yusai, the fortune-teller, went to view the corpse at the prayer of the faithless Tomozō. The old man was terrified and astonished at the spectacle, but looked about him with a keen eye. He soon perceived that the o-fuda had been taken from the little window at the back of the house; and on searching the body of Shinzaburō, he discovered that the golden mamori had been taken from its wrapping, and a copper image of Fudō put in place of it. He suspected Tomozō of the theft; but the whole occurrence was so very extraordinary that he thought it prudent to consult with the priest Ryōseki before taking further action. Therefore, after having made a careful examination of the premises, he betook himself to the temple Shin-Banzui-In, as quickly as his aged limbs could bear him.

Ryōseki, without waiting to hear the purpose of the old man’s visit, at once invited him into a private apartment.

“You know that you are always welcome here,” said Ryōseki. “Please seat yourself at ease…. Well, I am sorry to tell you that Hagiwara Sama is dead.”

Yusai wonderingly exclaimed:—“Yes, he is dead;—but how did you learn of it?”

The priest responded:—

“Hagiwara Sama was suffering from the results of an evil karma; and his attendant was a bad man. What happened to Hagiwara Sama was unavoidable;—his destiny had been determined from a time long before his last birth. It will be better for you not to let your mind be troubled by this event.”

Yusai said:—

“I have heard that a priest of pure life may gain power to see into the future for a hundred years; but truly this is the first time in my existence that I have had proof of such power…. Still, there is another matter about which I am very anxious….”

“You mean,” interrupted Ryōseki, “the stealing of the holy mamori, the Kai-On-Nyōrai. But you must not give yourself any concern about that. The image has been buried in a field; and it will be found there and returned to me during the eighth month of the coming year. So please do not be anxious about it.”

More and more amazed, the old ninsomi ventured to observe:—

“I have studied the In-Yō,[17] and the science of divination; and I make my living by telling peoples’ fortunes;—but I cannot possibly understand how you know these things.”

Ryōseki answered gravely:—

“Never mind how I happen to know them…. I now want to speak to you about Hagiwara’s funeral. The House of Hagiwara has its own family-cemetery, of course; but to bury him there would not be proper. He must be buried beside O-Tsuyu, the Lady Iijima; for his karma-relation to her was a very deep one. And it is but right that you should erect a tomb for him at your own cost, because you have been indebted to him for many favors.”

Thus it came to pass that Shinzaburō was buried beside O-Tsuyu, in the cemetery of Shin-Banzui-In, in Yanaka-no-Sasaki.

—Here ends the story of the Ghosts in the Romance of the Peony-Lantern.—

My friend asked me whether the story had interested me; and I answered by telling him that I wanted to go to the cemetery of Shin-Banzui-In,—so as to realize more definitely the local color of the author’s studies.

“I shall go with you at once,” he said. “But what did you think of the personages?”

“To Western thinking,” I made answer, “Shinzaburō is a despicable creature. I have been mentally comparing him with the true lovers of our old ballad-literature. They were only too glad to follow a dead sweetheart into the grave; and nevertheless, being Christians, they believed that they had only one human life to enjoy in this world. But Shinzaburō was a Buddhist,—with a million lives behind him and a million lives before him; and he was too selfish to give up even one miserable existence for the sake of the girl that came back to him from the dead. Then he was even more cowardly than selfish. Although a samurai by birth and training, he had to beg a priest to save him from ghosts. In every way he proved himself contemptible; and O-Tsuyu did quite right in choking him to death.”

“From the Japanese point of view, likewise,” my friend responded, “Shinzaburō is rather contemptible. But the use of this weak character helped the author to develop incidents that could not otherwise, perhaps, have been so effectively managed. To my thinking, the only attractive character in the story is that of O-Yoné: type of the old-time loyal and loving servant,—intelligent, shrewd, full of resource,—faithful not only unto death, but beyond death…. Well, let us go to Shin-Banzui-In.”

We found the temple uninteresting, and the cemetery an abomination of desolation. Spaces once occupied by graves had been turned into potato-patches. Between were tombs leaning at all angles out of the perpendicular, tablets made illegible by scurf, empty pedestals, shattered water-tanks, and statues of Buddhas without heads or hands. Recent rains had soaked the black soil,—leaving here and there small pools of slime about which swarms of tiny frogs were hopping. Everything—excepting the potato-patches—seemed to have been neglected for years. In a shed just within the gate, we observed a woman cooking; and my companion presumed to ask her if she knew anything about the tombs described in the Romance of the Peony-Lantern.

“Ah! the tombs of O-Tsuyu and O-Yoné?” she responded, smiling;—“you will find them near the end of the first row at the back of the temple—next to the statue of Jizo.”

Surprises of this kind I had met with elsewhere in Japan.

We picked our way between the rain-pools and between the green ridges of young potatoes,—whose roots were doubtless feeding on the sub-stance of many another O-Tsuyu and O-Yoné;—and we reached at last two lichen-eaten tombs of which the inscriptions seemed almost obliterated. Beside the larger tomb was a statue of Jizo, with a broken nose.

“The characters are not easy to make out,” said my friend—“but wait!”…. He drew from his sleeve a sheet of soft white paper, laid it over the inscription, and began to rub the paper with a lump of clay. As he did so, the characters appeared in white on the blackened surface.

“Eleventh day, third month—Rat, Elder Brother, Fire—Sixth year of Horéki [A. D. 1756].’… This would seem to be the grave of some innkeeper of Nedzu, named Kichibei. Let us see what is on the other monument.”

With a fresh sheet of paper he presently brought out the text of a kaimyō, and read,—

“En-myō-In, Hō-yō-I-tei-ken-shi, Hō-ni’:—‘Nun-of-the-Law, Illustrious, Pure-of-heart-and-will, Famed-in-the-Law,—inhabiting the Mansion-of-the-Preaching-of-Wonder.’…. The grave of some Buddhist nun.”

“What utter humbug!” I exclaimed. “That woman was only making fun of us.”

“Now,” my friend protested, “you are unjust to the woman! You came here because you wanted a sensation; and she tried her very best to please you. You did not suppose that ghost-story was true, did you?”

 

[17] The Male and Female principles of the universe, the Active and Passive forces of Nature. Yusai refers here to the old Chinese nature-philosophy,—better known to Western readers by the name FENG-SHUI.