Thursday, 30 November 2023

Thursday's Serial: “The Dark Other” by Stanley G. Weinbaum - IV

 

10 - RESCUE FROM ABADDON

Pat slid dizzily from her perch on the table and sank heavily to a chair. The interruption of the mustached keeper of this den of contradictions struck her as extremely humorous; she giggled hysterically as her wavering gaze perceived the consternation in his sharp little face. Some forlorn shred of modesty asserted itself, and she dragged a corner of the red-checked table cloth across her knees.

"Get out!" said Nicholas Devine in that voice of rasping metal. "Get out!" he repeated in unchanging tones.

The other made no move to leave. "Yeah?" he said. "Listen, Bud—this place is respectable, see? You want to pull something like this, you go upstairs, see? And pay for your room."

"Get out!" There was no variation in the voice.

"You get out! The both of you, see?"

Nicholas Devine stepped slowly toward him; his back, as he advanced upon the bartender, was toward Pat, yet through the haze of intoxication, she had an impression of evil red eyes in a chill, impassive face. "Get out!"

The other had no stomach for such an adversary. He backed out of the door, closing it as he vanished. His voice floated in from the hall.

"I'm telling you!" he called. "Clear out!"

Nicholas Devine turned back toward the girl. He surveyed her sitting in her chair; she had dropped her chin to her hand to steady the whirling of her head.

"We'll go," he said. "Come on."

"I just want to sit here," she said. "Just let me sit here. I'm tired."

"Come on," he repeated.

"Why?" she muttered petulantly. "I'm tired."

"I want no interruptions. We'll go elsewhere."

"Must dress!" she murmured dazedly, "can't go on street without dress."

Nicholas Devine swept her frock from its place in the corner, gathered her wrap from the chair, and flung them over his arm. He grasped her wrist, tugging her to an unsteady standing position.

"Come on," he said.

"Dress!"

He snatched the red checked table cloth from its place, precipitating bottles, ash-tray, and glasses into an indiscriminate pile, and threw the stained and odorous fabric across her shoulders. She gathered it about her like a toga; it hung at most points barely below her waist, but it satisfied the urge of her muddled mind for a covering of some sort.

"We'll go through the rear," her companion said. "Into the alley. I want no trouble with that rat in the bar—yet!"

He still held Pat's wrist; she stumbled after him as he dragged her into the darkness of the hall. They moved through it blindly to a door at the far end; Nicholas swung it open upon a dim corridor flanked by buildings on either side, with a strip of star-sprinkled sky above.

Pat's legs were somehow incapable of their usual lithe grace; she failed to negotiate the single step, and crashed heavily to the concrete paving. The shock and the cooler air of the open steadied her momentarily; she felt no pain from her bruised knees, but a temporary rift in the fog that bound her mind. She gathered the red-checked cloth more closely about her shoulders as her companion, still clutching her wrist, jerked her violently to her feet.

They moved into the gulch of the alley, and here she found difficulty in following. Her tiny high-heeled pumps slipped at every step on the uneven cobbles of the paving, and the unsteady footing made her lurch and stumble until the dusty stretch of the alley was a writhing panorama of shadows and lighted windows and stars. Nicholas Devine turned an impatient glare on her, and here in the semi-darkness, his face was again the face of the red-eyed demon. She dragged him to a halt, laughing strangely.

"There it is!" she cried, pointing at him with her free hand. He turned again, staring at her with grim features.

"What?"

"There! Your face—the face of evil!" Again she laughed hysterically.

The other stepped to her side; the disturbing eyes were inches from her own. He raised his hand as she laughed, slapped her sharply, so that her head reeled. He seized her shoulders, shaking her until the checkered cloth billowed like a flag in a wind.

"Now come!" he muttered.

But the girl, laughing no longer, leaned pale and weak against a low board fence. Her limbs seemed paralyzed, and movement was quite impossible. She was conscious of neither the blow nor the shaking, but only of a devastating nausea and an all-encompassing weakness. She bent over the fence; she was violently ill.

Then the nausea had vanished, and a weariness, a strange lassitude, was all that remained. Nicholas Devine stood over her; suddenly he pressed her body to him in a convulsive embrace, so that her head dropped back, and his face loomed above her, obliterating the stars.

"Ah!" he said. He seemed about to kiss her when a sound—voices—filtered out of somewhere in the maze of dark courts and littered yards along the alley. He released her, seized her wrist, and once more she was stumbling wretchedly behind him over the uneven surface of the cobblestones.

A numbness had come over her; consciousness burned very low as she wavered doggedly along through the darkness. She perceived dimly that they were approaching the end of the alley; the brighter glow of the street loomed before them, and a passing motor car cut momentary parallel shafts of luminescence across the opening.

Nicholas Devine slowed his pace, still clutching her wrist in a cold grip; he paused, moving cautiously toward the corner of the building. He peered around the edge of the structure, surveying the now deserted street, while Pat stood dully behind him, incapable alike of thought or voluntary movement, clutching desperately at the dirty cloth that hung about her shoulders.

Her companion finished his survey; apparently satisfied that progress was safe, he dragged her after him, turning toward the corner beyond which his car was parked. The girl staggered behind him with diminishing vigor; consciousness was very nearly at the point of disappearance, and her steps were wavering unsteadily, and doggedly slow. She dragged heavily on his arm; he gave a gesture of impatience at her weakness.

"Come on!" he growled. "We're just going to the corner." His voice rose slightly in pitch, still sounding harsh as rasping metals. "There still remains the ultimate evil!" he said. "There is still a depth of beauty unplumbed, a pain whose exquisite pleasure is yet to find!"

They approached the corner; abruptly Nicholas Devine drew back as two figures came unexpectedly into view from beyond it. He turned back toward the alley-way, dragging the girl in a dizzy circle. He took a few rapid steps.

But Pat was through, exhausted. At his first step she stumbled and sprawled, dragging prone behind him. He released her hand and turned defiantly to face the approaching men, while the girl lying on the pavement struggled to a sitting posture with her back against the wall. She turned dull, indifferent eyes on the scene, then was roused to a somewhat higher pitch of interest by the sound of a familiar voice.

"There he is! I told you it was his car."

Dr. Horker! She struggled for clarity of thought; she realized dimly that she ought to feel relief, happiness—but all she could summon was a faint quickening of interest, or rather, a diminution of the lassitude that held her. She drew the rag of a table cloth about her and huddled against the wall, watching. The Doctor and some strange man, burly and massive in the darkness, dashed upon them, while Nicholas Devine waited, his red-orbed face a demoniac picture of cold contempt. Then the Doctor glanced at her huddled, bedraggled figure; she saw his face aghast, incredulous, as he perceived the condition of her clothing.

"Pat! My God, girl! What's happened? Where've you been?"

She found a hidden reserve somewhere within her. Her voice rose, shrill and hysterical.

"We've been in Hell!" she said. "You came to take me back, didn't you? Orpheus and Eurydice!" She laughed. "Dr. Orpheus Horker!"

The Doctor flashed her another incredulous glance and a grim and very terrible expression flamed in his face. He turned toward Nicholas Devine, his hands clenching, his mouth twisting without utterance, with no sound save a half-audible snarl. Then he spoke, a low, grating phrase flung at his thick-set companion.

"Bring the car," was all he said. The man lumbered away toward the corner, and he turned again toward Nicholas Devine, who faced him impassively. Suddenly his fist shot out; he struck the youth or demon squarely between the red eyes, sending him reeling back against the building. Then the Doctor turned, bending over Pat; she felt the pressure of his arms beneath knees and shoulders. He was carrying her toward a car that drew up at the curb; he was placing her gently in the back seat. Then, without a glance at the figure still leaning against the building, he swept from the sidewalk the dark mass that was Pat's dress and her wrap, and re-entered the car beside her.

"Shall I turn him in?" asked the man in the front seat.

"We can't afford the publicity," said the Doctor, adding grimly, "I'll settle with him later."

Pat's head lurched as the car started; she was losing consciousness, and realized it vaguely, but she retained one impression as the vehicle swung into motion. She perceived that the face of the lone figure leaning against the building, a face staring at her with horror and unbelief, was no longer the visage of the demon of the evening, but that of her own Nick.

 

11 - WRECKAGE

Pat opened her eyes reluctantly, with the impression that something unpleasant awaited her return to full consciousness. Something, as yet she could not recall just what, had happened to her; she was not even sure where she was awakening.

However, her eyes surveyed her own familiar room; there opposite the bed grinned the jade Buddha on his stand on the mantel—the one that Nick had—Nick! A mass of troubled, terrible recollections thrust themselves suddenly into consciousness. She visioned a medley of disturbing pictures, as yet disconnected, unassorted, but waiting only the return of complete wakefulness. And she realized abruptly that her head ached miserably, that her mouth was parched, that twinges of pain were making themselves evident in various portions of her anatomy. She turned her head and caught a glimpse of a figure at the bed-side; her startled glance revealed Dr. Horker, sitting quietly watching her.

"Hello, Doctor," she said, wincing as her smile brought a sharp pain from her lips. "Or should I say, Good morning, Judge?"

"Pat!" he rumbled, his growling tones oddly gentle. "Little Pat! How do you feel, child?"

"Fair," she said. "Just fair. Dr. Carl, what happened to me last night? I can't seem to remember—Oh!"

A flash of recollection pierced the obscure muddle. She remembered now—not all of the events of that ghastly evening, but enough. Too much!

"Oh!" she murmured faintly. "Oh, Dr. Carl!"

"Yes," he nodded. "'Oh!'—and would you mind very much telling me what that 'Oh' of yours implies?"

"Why—". She paused shuddering, as one by one the events of that sequence of horrors reassembled themselves. "Yes, I'd mind very much," she continued. "It was nothing—" She turned to him abruptly. "Oh, it was, though, Dr. Carl! It was horrible, unspeakable, incomprehensible!—But I can't talk about it! I can't!"

"Perhaps you're right," said the Doctor mildly. "Don't you really want to discuss it?"

"I do want to," admitted the girl after a moment's reflection. "I want to—but I can't. I'm afraid to think of all of it."

"But what in Heaven's name did you do?"

"We just started out to go dancing," she said hesitatingly. "Then, on the way to town, Nick—changed. He said someone was following us."

"Some one was," said Horker. "I was, with Mueller. That Nick of yours has the Devil's own cleverness!"

"Yes," the girl echoed soberly. "The Devil's own!—Who's Mueller, Dr. Carl?"

"He's a plain-clothes man, friend of mine. I treated him once. What do you mean by changed?"

 

"His eyes," she said. "And his mouth. His eyes got reddish and terrible, and his mouth got straight and grim. And his voice turned sort of—harsh."

"Ever happen before, that you know of?"

"Once. When—" She paused.

"Yes. Last Wednesday night, when you came over to ask those questions about pure science. What happened then?"

"We went to a place to dance."

"And that's the reason, I suppose," rumbled the Doctor sardonically, "that I found you wandering about the streets in a table cloth, step-ins, and a pair of hose! That's why I found you on the verge of passing out from rotten liquor, and looking like the loser of a battle with an airplane propellor! What happened to your face?"

"My face? What's wrong with it?"

The Doctor rose from his chair and seized the hand-mirror from her dressing table.

"Look at it!" he commanded, passing her the glass.

Pat gazed incredulously at the reflection the surface presented; a dark bruise colored her cheek, her lips were swollen and discolored, and her chin bore a jagged scratch. She stared at the injuries in horror.

"Your knees are skinned, too," said Horker. "Both of them."

Pat slipped one pajamaed limb from the covers, drawing the pants-leg up for inspection. She gasped in startled fright at the great red stain on her knee.

"That's mercurochrome," said the Doctor. "I put it there."

"You put it there. How did I get home last night, Dr. Carl? How did I get to bed?"

"I'm responsible for that, too. I put you to bed." He leaned forward. "Listen, child—your mother knows nothing about this as yet. She wasn't home when I brought you in, and she's not awake yet this morning. We'll tell her you had an automobile accident; explain away those bruises.—And now, how did you get them?"

"I fell, I guess. Two or three times."

"That bruise on your cheek isn't from falling."

The girl shuddered. Now in the calm light of morning, the events of last night seemed doubly horrible; she doubted her ability to believe them, so incredible did they seem. She was at a loss to explain even her own actions, and those of Nicholas Devine were simply beyond comprehension, a chapter from some dark and blasphemous book of ancient times—the Kabbala or the Necronomicon.

"What happened, Pat?" queried the Doctor gently. "Tell me," he urged her.

"I—can't explain it," she said doubtfully. "He took me to that place, but drinking the liquor was my own fault. I did it out of spite because I saw he didn't—care for me. And then—" She fell silent.

"Yes? And then?"

"Well—he began to talk about the beauty of evil, the delights of evil, and his eyes glared at me, and—I don't understand it at all, Dr. Carl, but all of a sudden I was—yielding. Do you see?"

"I see," he said gently, soberly.

"Suddenly I seemed to comprehend what he meant—all that about the supreme pleasure of evil. And I was sort of—swept away. The dress—was his fault, but I—somehow I'd lost the power to resist. I guess I was drunk."

"And the bruises? And your cut lips?" queried the Doctor grimly.

"Yes," she said in a low voice. "He—struck me. After a while I didn't care. He could have—would have done other things, only we were interrupted, and had to leave. And that's all, Dr. Carl."

"Isn't that enough?" he groaned. "Pat, I should have killed the fiend there!"

"I'm glad you didn't."

"Do you mean to say you'd care?"

"I—don't know."

"Are you intimating that you still love him?"

"No," she said thoughtfully. "No, I don't love him, but—Dr. Carl, there's something inexplicable about this. There's something I don't understand, but I'm certain of one thing!"

"What's that?"

"That it wasn't Nick—not my Nick—who did those things to me last night. It wasn't, Dr. Carl!"

"Pat, you're being a fool!"

"I know it. But I'm sure of it, Dr. Carl. I know Nick; I loved him, and I know he couldn't have done—that. Not the same gentle Nick that I had to beg to kiss me!"

"Pat," said the Doctor gently, "I'm a psychiatrist; it's my business to know all the rottenness that can hide in a human being. My office is the scene of a parade of misfits, failures, potential criminals, lunatics, and mental incompetents. It's a nasty, bitter side I see of life, but I know that side—and I tell you this fellow is dangerous!"

"Do you understand this, Dr. Carl?"

He reached over, taking her hand in his great palm with its long, curious delicate fingers. "I have my theory, Pat. The man's a sadist, a lover of cruelty, and there's enough masochism in any woman to make him terribly dangerous. I want your promise."

"About what?"

"I want you to promise never to see him again."

The girl turned serious eyes on his face; he noted with a shock of sympathy that they were filled with tears.

"You warned me I'd get burned playing with fire," she said. "You did, didn't you?"

"I'm an old fool, Honey. If I'd believed my own advice, I'd have seen that this never happened to you." He patted her hand. "Have I your promise?"

She averted her eyes. "Yes," she murmured. He winced as he perceived that the tears were on her cheeks.

"So!" he said, rising. "The patient can get out of bed when she feels like it—and don't forget that little fib we've arranged for your mother's peace of mind."

She stared up at him, still clinging to his hand.

"Dr. Carl," she said, "are you sure—quite sure—you're right about him? Couldn't there be a chance that you're mistaken—that it's something your psychiatry has overlooked or never heard of?"

"Small chance, Pat dear."

"But a chance?"

"Well, neither I nor any reputable medic claims to know everything, and the human mind's a subtle sort of thing."

 

12 - LETTER FROM LUCIFER

"I'm glad!" Pat told herself. "I'm glad it's over, and I'm glad I promised Dr. Carl—I guess I was mighty close to the brink of disaster that time."

She examined the injuries on her face, carefully powdered to conceal the worst effects from her mother. The trick had worked, too; Mrs. Lane had delivered herself of an excited lecture on the dangers of the gasoline age, and then thanked Heaven it was no worse. Well, Pat reflected, she had good old Dr. Carl to thank for the success of the subterfuge; he had broken the news very skillfully, set the stage for her appearance, and calmed her mother's apprehensions of scars. And Pat, surveying her image in the glass above her dressing-table, could see for herself the minor nature of the hurts.

"Scars—pooh!" she observed. "A bruised cheek, a split lip, a skinned chin. All I need is a black eye, and I guess I'd have had that in five minutes more, and perhaps a cauliflower ear into the bargain."

But her mood was anything but flippant; she was fighting off the time when her thoughts had of necessity to face the unpleasant, disturbing facts of the affair. She didn't want to think of the thing at all; she wanted to laugh it off and forget it, yet she knew that for an impossibility. The very desire to forget she recognized as a coward's wish, and she resented the idea that she was cowardly.

"Forget the wise-cracks," she advised her image. "Face the thing and argue it out; that's the only way to be satisfied."

She rose with a little grimace of pain at the twinge from her bruised knees, and crossed to the chaise lounge beside the far window. She settled herself in it and resumed her cogitations. She was feeling more or less herself again; the headache of the morning had nearly vanished, and aside from the various aches and a listless fagged-out sensation, she approximated her normal self. Physically, that is; the shadow of that other catastrophe, the one she hesitated to face, was another matter.

"I'm lucky to get off this easily," she assured herself, "after going on a bust like that one, like a lumberjack with his pay in his pocket." She shook her head in mournful amazement. "And I'm Patricia Lane, the girl whom Billy dubbed 'Pat the Impeccable'! Impeccable! Wandering through alleys in step-ins and a table cloth—getting beaten up in a drunken brawl—passing out on rot-gut liquor—being carried home and put to bed! Not impeccable; incapable's the word! I belong to Dr. Carl's parade of incompetents."

She continued her rueful reflections. "Well, item one is, I don't love Nick any more. I couldn't now!" she flung at the smiling green buddha on the mantel. "That's over; I've promised."

Somehow there was not satisfaction in the memory of that promise. It was logical, of course; there wasn't anything else to do now, but still—

"That wasn't Nick!" she told herself. "That wasn't my Nick. I guess Dr. Carl is right, and he's a depressed what-ever-it-was; but if he's crazy, so am I! He had me convinced last night; I understood what he meant, and I felt what he wanted me to feel. If he's crazy, I am too; a fine couple we are!"

She continued. "But it wasn't Nick! I saw his face when we drove off, and it had changed again, and that was Nick's face, not the other. And he was sorry; I could see he was sorry, and the other could never have regretted it—not ever! The other isn't—quite human, but Nick is."

She paused, considering the idea. "Of course," she resumed, "I might have imagined that change at the end. I was hazy and quavery, and it's the last thing I do remember; that must have been just before I passed out."

And then, replying to her own objection, "But I didn't imagine it! I saw it happen once before, that other night when—Well, what difference does it make, anyway? It's over, and I've given my promise."

But she was unable to dismiss the matter as easily as that. There was some uncanny, elusive element in it that fascinated her. Cruel, terrible, demoniac, he might have been; he had also been kind, lovable, and gentle. Yet Dr. Carl had told her that split personalities could contain no characteristics that were not present in the original, normal character. Was cruelty, then, a part of kindness? Was cruelty merely the lack of kindness, or, cynical thought, was kindness but the lack of cruelty? Which qualities were positive in the antagonistic phases of Nicholas Devine's individuality, and which negative? Was the gentle, lovable, but indubitably weaker character the split, and the demon of last evening his normal self? Or vice-versa? Or were both of these fragmentary entities, portions of some greater personality as yet unapparent to her?

The whole matter was a mystery; she shrugged in helpless perplexity.

"I don't think Dr. Carl knows as much about it as he says," she mused. "I don't think psychiatry or any other science knows that much about the human soul. Dr. Carl doesn't even believe in a soul; how could he know anything about it, then?" She frowned in puzzlement and gave up the attempt to solve the mystery.

The hours she had spent in her room, at her mother's insistence, began to pall; she didn't feel particularly ill—it was more of a languor, a depressed, worn-out feeling. Her mother, of course, was out somewhere; she felt a desire for human companionship, and wondered if the Doctor might by some chance drop in. It seemed improbable; he had his regular Sunday afternoon routine of golf at the Club, and it took a real catastrophe to keep him away from that. She sighed, stretched her legs, rose from her position on the chaise lounge, and wandered toward the kitchen where Magda was doubtless to be found.

It was in the dusk of the rear hall that the first sense of her loss came over her. Heretofore her renunciation of Nicholas Devine was a rational thing, a promise given but not felt; but now it was suddenly a poignant reality. Nick was gone, she realized; he was out of her world, irrevocably sundered from her. She paused at the top of the rear flight of stairs, considering the matter.

"He's gone! I won't see him ever again." The thought was appalling; she felt already a premonition of loneliness to come, of an emptiness in her world, a lack that nothing could replace.

"I shouldn't have promised Dr. Carl," she mused, knowing that even without that promise her course must still have been the same. "I shouldn't have, not until I'd talked to Nick—my own Nick."

And still, she reflected forlornly, what difference did it make? She had to give him up; she couldn't continue to see him not knowing at what instant that terrible caricature of him might appear to torment her. But he might have explained, she argued miserably, answering her own objection at once—he's said he couldn't explain, didn't understand. The thing was at an impasse.

She shook her shining black head despondently, and descended the dusky well of the stairs to the kitchen. Magda was there clattering among her pots and pans; Pat entered quietly and perched on the high stool by the long table. Old Magda, who had warmed her babyhood milk and measured out her formula, gave her a single glance and continued her work.

"Sorry about the accident, I was," she said without looking up.

"Thanks," responded the girl. "I'm all right again."

"You don't look it."

"I feel all right."

She watched the mysterious, alchemistic mixing of a pastry, and thought of the vast array of them that had come from Magda's hands. As far back as she could remember she had perched on this stool observing the same mystic culinary rites.

Suddenly another memory rose out of the grave of forgetfulness and went gibbering across her world. She remembered the stories Magda used to tell her, frightening stories of witchcraft and the evil eye, tales out of an older region and a more credulous age.

"Magda," she asked, "did you ever see a devil?"

"Not I, but I've talked with them that had."

"Didn't you ever see one?"

"No." The woman slid a pan into the oven. "I saw a man once, when I was a tot, possessed by a devil."

"You did? How did he look?"

"He screamed terrible, then he said queer things. Then he fell down and foam came out of his mouth."

"Like a fit?"

"The Priest, he said it was a devil. He came and prayed over him, and after a while he was real quiet, and then he was all right."

"Possessed by a devil," said Pat thoughtfully. "What happened to him?"

"Dunno."

"What queer things did he say?"

"Wicked things, the Priest said. I couldn't tell! I was a tot."

"Possessed by a devil!" Pat repeated musingly. She sat immersed in thoughts on the high stool while Magda clattered busily about. The woman paused finally, turning her face to the girl.

"What you so quiet about, Miss Pat?"

"I was just thinking."

"You get your letter?"

"Letter? What letter? Today's Sunday."

"Special delivery. The girl, she put it in the hall."

"I didn't know anything about it. Who'd write me a special?"

She slipped off the high stool and proceeded to the front hall. The letter was there, solitary on the salver that always held the mail. She picked it up, examining the envelope in sudden startled amazement and more than a trace of illogical exultation.

For the letter, post-marked that same morning, was addressed in the irregular script of Nicholas Devine!

 

13 - INDECISION

Pat turned the envelope dubiously in her hands, while a maze of chaotic thoughts assailed her. She felt almost a sensation of guilt as if she were in some manner violating the promise given to Dr. Horker; she felt a tinge of indignation that Nicholas Devine should dare communicate with her at all, and she felt too that queer exultation, an inexplicable pleasure, a feeling of secret triumph. She slipped the letter in the pocket of her robe and padded quietly up the stairs to her own room.

Strangely, her loneliness had vanished. The great house, empty now save for herself and Magda in the distant kitchen, was no longer a place of solitude; the discovery of the letter, whatever its contents, had changed the deserted rooms into chambers teeming with her own excitements, trepidations, doubts, and hopes. Even hopes, she admitted to herself, though hopes of what nature she was quite unable to say. What could Nick write that had the power to change things? Apologies? Pleas? Promises? None of these could alter the naked, horrible facts of the predicament.

Nevertheless, she was almost a-tremble with expectation as she skipped hastily into her own room, carefully closed the door, and settled herself by the west windows. She drew the letter from her pocket, and then, with a tightening of her throat, tore open the envelope, slipping out the several pages of scrawled paper. Avidly she began to read.

    "I don't know whether you'll ever see this"—the missive began without salutation—"and I'll not blame you, Pat dear, if you do return it unopened. There's nothing you can do that wouldn't be justified, nor can you think worse of me than I do of myself. And that's a statement so meaningless that even as I wrote it, I could anticipate its effect on you.

    "Pat—How am I going to convince you that I'm sincere? Will you believe me when I write that I love you? Can you believe that I love you tenderly, worshipfully—reverently?

    "You can't; I know you can't after that catastrophe of last night. But it's true, Pat, though the logic of a Spinoza might fail to convince you of it.

    "I don't know how to write you this. I don't know whether you want to hear what I could say, but I know that I must try to say it. Not apologies, Pat—I shouldn't dare approach you for so poor a reason as that—but a sort of explanation. You more than any one in the world are entitled to that explanation, if you want to hear it.

    "I can't write it to you, Pat; it's something I can only make you believe by telling you—something dark and rather terrible. But please, Dear, believe that I mean you no harm, and that I plan no subterfuge, when I suggest that you see me. It will be, I think, for the last time.

    "Tonight, and tomorrow night, and as many nights to follow as I can, I'll sit on a bench in the park near the place where I kissed you that first time. There will be people passing there, and cars driving by; you need fear nothing from me. I choose the place to bridle my own actions, Pat; nothing can happen while we sit there in the view of the world.

    "To write you more than this is futile. If you come, I'll be there; if you don't, I'll understand.

    "I love you."

The letter was signed merely "Nick." She stared at the signature with feelings so confused that she forebore any attempt to analyze them.

"But I can't go," she mused soberly. "I've promised Dr. Carl. Or at least, I can't go without telling him."

That last thought, she realized, was a concession. Heretofore she hadn't let herself consider the possibility of seeing Nicholas Devine again, and now suddenly she was weakening, arguing with herself about the ethics of seeing him. She shook her head decisively.

"Won't do, Patricia Lane!" she told herself. "Next thing, you'll be slipping away without a word to anybody, and coming home with two black eyes and a broken nose. Won't do at all!"

She dropped her eyes to the letter. "Explanations," she reflected. "I guess Dr. Carl would give up a hole-in-one to hear that explanation. And I'd give more than that." She shook her head regretfully. "Nothing to do about it, though. I promised."

The sun was slanting through the west windows; she sat watching the shadows lengthen in the room, and tried to turn her thoughts into more profitable channels. This was the first Sunday in many months that she had spent alone in the house; it was a custom for herself and her mother to spend the afternoon at the club. The evening too, as a rule; there was invariably bridge for Mrs. Lane, and Pat was always the center of a circle of the younger members. She wondered dreamily what the crowd thought of her non-appearance, reflecting that her mother had doubtless enlarged on Dr. Carl's story of an accident. Dr. Carl wouldn't say much, simply that he'd ordered her to stay at home. But sooner or later, Nick would hear the accident story; she wondered what he'd think of it.

She caught herself up sharply. "My ideas wander in circles," she thought petulantly. "No matter where I start, they curve around back to Nick. It won't do; I've got to stop it."

Nearly time for the evening meal, she mused, watching the sun as it dropped behind Dr. Horker's house. She didn't feel much like eating; there was still a remnant of the exhausted, dragged-out sensation, though the headache that had accompanied her awakening this morning had disappeared.

"I know what the morning after feels like, anyway," she reflected with a wry little smile. "Everybody ought to experience it once, I suppose. I wonder how Nick—"

She broke off abruptly, with a shrug of disgust. She slipped the letter back into its envelope, rose and deposited it in the drawer of the night-table. She glanced at the clock ticking on its shiny top.

"Six o'clock," she murmured. Nick would be sitting in the park in another two hours or so. She had a twinge of sympathy at the thought of his lone vigil; she could visualize the harried expression on his face when the hours passed without her arrival.

"Can't be helped," she told herself. "He's no right to ask for anything of me after last night. He knows that; he said so in his letter."

She suppressed an impulse to re-read that letter, and trotted deliberately out of the room and down the stairs. Magda had set the table in the breakfast room; it was far cozier than the great dining room, especially without her mother's company. And the maid was away; the breakfast room simplified serving, as well.

She tried valorously to eat what Magda supplied, but the food failed to tempt her. It wasn't so much her physical condition, either; it was—She clenched her jaws firmly; was the memory of Nicholas Devine to haunt her forever?

"Pat Lane," she said in admonition, "you're a crack-brained fool! Just because a man kicks you all over the place is no reason to let him become an obsession."

She drank her coffee, feeling the sting of its heat on her injured lips. She left the table, tramped firmly to her room, and began defiantly to read. The effort was useless; half a dozen times she forced her attention to the page only to find herself staring vaguely into space a moment or two later. She closed the book finally with an irritable bang, and vented her restlessness in pacing back and forth.

"This house is unbearable!" she snapped. "I'm not going to stay shut up here like a jail-bird in solitary confinement. A walk in the open is what I need, and that's what I'll have."

She glanced at the clock; seven-thirty. She tore off her robe pettishly, flung out of her pajamas, and began to dress with angry determination. She refused to think of a lonely figure that might even now be sitting disconsolately on a bench in the near-by park.

She disguised her bruised cheek as best she could, dabbed a little powder on the abrasion on her chin, and tramped militantly down the stairs. She caught up her wrap, still lying where the Doctor had tossed it last night, and moved toward the door, opening it and nearly colliding with the massive figure of Dr. Horker!

"Well!" boomed the Doctor as she started back in surprise. "You're pretty spry for a patient. Think you were going out?"

"Yes," said Pat defiantly.

"Not tonight, child! I left the Club early to take a look at you."

"I am perfectly all right. I want to go for a walk."

"No walk. Doctor's orders."

"I'm of legal age!" she snapped. "I want to go for a walk. Do I go?"

"You do not." The Doctor placed his great form squarely in the doorway. "Not unless you can lick me, my girl, and I'm pretty tough. I put you to bed last night, and I can do as much tonight. Shall I?"

Pat backed into the hall. "You don't have to," she said sullenly. "I'm going there myself." She flung her wrap angrily to a chair and stalked up the stairs.

"Good night, spit-fire," he called after her. "I'll read down here until your mother comes home."

The girl stormed into her room in anger that she knew to be illogical.

"I won't be watched like a problem child!" she told herself viciously. "I know damn well what he thought—and I wasn't going to meet Nick! I wasn't at all!"

She calmed suddenly, sat on the edge of her bed and kicked off her pumps. It had occurred to her that Nick had written his intention to wait for her in the park tomorrow night as well, and Dr. Horker's interference had confirmed her in a determination to meet him.

Wednesday, 29 November 2023

Good Reading: "Guy" by Ralph W. Emerson (in English)

 

Mortal mixed of middle clay,

Attempered to the night and day,

Interchangeable with things,

Needs no amulets nor rings.

Guy possessed the talisman

That all things from him began;

And as, of old, Polycrates

Chained the sunshine and the breeze,

So did Guy betimes discover

Fortune was his guard and lover;

In strange junctures, felt, with awe,

His own symmetry with law;

That no mixture could withstand

The virtue of his lucky hand.

He gold or jewel could not lose,

Nor not receive his ample dues.

Fearless Guy had never foes,

He did their weapons decompose.

Aimed at him, the blushing blade

Healed as fast the wounds it made.

If on the foeman fell his gaze,

Him it would straightway blind or craze,

In the street, if he turned round,

His eye the eye 't was seeking found.

It seemed his Genius discreet

Worked on the Maker's own receipt,

And made each tide and element

Stewards of stipend and of rent;

So that the common waters fell

As costly wine into his well.

He had so sped his wise affairs

That he caught Nature in his snares.

Early or late, the falling rain

Arrived in time to swell his grain;

Stream could not so perversely wind

But corn of Guy's was there to grind:

The siroc found it on its way,

To speed his sails, to dry his hay;

And the world's sun seemed to rise

To drudge all day for Guy the wise.

In his rich nurseries, timely skill

Strong crab with nobler blood did fill;

The zephyr in his garden rolled

From plum-trees vegetable gold;

And all the hours of the year

With their own harvest honored were.

There was no frost but welcome came,

Nor freshet, nor midsummer flame.

Belonged to wind and world the toil

And venture, and to Guy the oil.

Tuesday, 28 November 2023

Tuesday's Serial: “Convivio” by Dante Alighieri (in Italian) - III

 

TRATTATO SECONDO.

Canzone prima.

Voi che 'ntendendo il terzo ciel movete,

udite il ragionar ch'è nel mio core,

ch'io nol so dire altrui, sì mi par novo.

El ciel che segue lo vostro valore,

05 gentili creature che voi sete,

mi tragge ne lo stato ov'io mi trovo.

Onde 'l parlar de la vita ch'io provo,

par che si drizzi degnamente a vui:

però vi priego che lo mi 'ntendiate.

10 Io vi dirò del cor la novitate,

come l'anima trista piange in lui,

e come un spirto contra lei favella,

che vien pe' raggi de la vostra stella.

 

Suol esser vita de lo cor dolente

15 un soave penser, che se ne gia

molte fiate a' pie' del nostro Sire,

ove una donna gloriar vedia,

di cui parlava me sì dolcemente

che l'anima dicea: «Io men vo' gire».

20 Or apparisce chi lo fa fuggire

e segnoreggia me di tal virtute,

che 'l cor ne trema che di fuori appare.

Questi mi face una donna guardare,

e dice: «Chi veder vuol la salute,

25 faccia che li occhi d'esta donna miri,

sed e' non teme angoscia di sospiri».

 

Trova contraro tal che lo distrugge

l'umil pensero, che parlar mi sole

d'un'angela che 'n cielo è coronata.

30 L'anima piange, sì ancor len dole,

e dice: «Oh lassa a me, come si fugge

questo piatoso che m'ha consolata!»

De li occhi miei dice questa affannata:

«Qual ora fu che tal donna li vide!

35 e perchè non credeano a me di lei?

Io dicea: 'Ben ne li occhi di costei

de' star colui che le mie pari ancide!'

E non mi valse ch'io ne fossi accorta

che non mirasser tal, ch'io ne son morta».

 

40 «Tu non se' morta, ma se' ismarrita,

anima nostra, che sì ti lamenti»

dice uno spiritel d'amor gentile;

«chè quella bella donna che tu senti,

ha transmutata in tanto la tua vita,

45 che n'hai paura, sì se' fatta vile!

Mira quant'ell'è pietosa e umile,

saggia e cortese ne la sua grandezza,

e pensa di chiamarla donna, omai!

Chè se tu non t'inganni, tu vedrai

50 di sì alti miracoli adornezza,

che tu dirai: 'Amor, segnor verace,

ecco l'ancella tua; fa che ti piace'.»

 

Canzone, io credo che saranno radi

color che tua ragione intendan bene,

55 tanto la parli faticosa e forte.

Onde, se per ventura elli addivene

che tu dinanzi da persone vadi

che non ti paian d'essa bene accorte,

allor ti priego che ti riconforte,

60 dicendo lor, diletta mia novella:

«Ponete mente almen com'io son bella!»

 

Capitolo I.

1. Poi che proemialmente ragionando, me ministro, è lo mio pane ne lo precedente trattato con sufficienza preparato, lo tempo chiama e domanda la mia nave uscir di porto; per che, dirizzato l'artimone de la ragione a l'òra del mio desiderio, entro in pelago con isperanza di dolce cammino e di salutevole porto e laudabile ne la fine de la mia cena. Ma però che più profittabile sia questo mio cibo, prima che vegna la prima vivanda voglio mostrare come mangiare si dee.

2. Dico che, sì come nel primo capitolo è narrato, questa sposizione conviene essere litterale e allegorica. E a ciò dare a intendere, si vuol sapere che le scritture si possono intendere e deonsi esponere massimamente per quattro sensi. 3. L'uno si chiama litterale, [e questo è quello che non si stende più oltre che la lettera de le parole fittizie, sì come sono le favole de li poeti. L'altro si chiama allegorico,] e questo è quello che si nasconde sotto 'l manto di queste favole, ed è una veritade ascosa sotto bella menzogna: sì come quando dice Ovidio che Orfeo facea con la cetera mansuete le fiere, e li arbori e le pietre a sè muovere; che vuol dire che lo savio uomo con lo strumento de la sua voce fa[r]ia mansuescere e umiliare li crudeli cuori, e fa[r]ia muovere a la sua volontade coloro che non hanno vita di scienza e d'arte: e coloro che non hanno vita ragionevole alcuna sono quasi come pietre. 4. E perchè questo nascondimento fosse trovato per li savi, nel penultimo trattato si mosterrà. Veramente li teologi questo senso prendono altrimenti che li poeti; ma però che mia intenzione è qui lo modo de li poeti seguitare, prendo lo senso allegorico secondo che per li poeti è usato.

5. Lo terzo senso si chiama morale, e questo è quello che li lettori deono intentamente andare appostando per le scritture, ad utilitade di loro e di loro discenti: sì come appostare si può ne lo Evangelio, quando Cristo salio lo monte per transfigurarsi, che de li dodici Apostoli menò seco li tre; in che moralmente si può intendere che a le secretissime cose noi dovemo avere poca compagnia.

6. Lo quarto senso si chiama anagogico, cioè sovrasenso; e questo è quando spiritualmente si spone una scrittura, la quale ancora [sia vera] eziandio nel senso litterale, per le cose significate significa de le superne cose de l'etternal gloria sì, come vedere si può in quello canto del Profeta che dice che, ne l'uscita del popolo d'Israel d'Egitto, Giudea è fatta santa e libera. 7. Chè avvegna essere vera secondo la lettera sia manifesto, non meno è vero quello che spiritualmente s'intende, cioè che ne l'uscita de l'anima dal peccato, essa sia fatta santa e libera in sua potestate. 8. E in dimostrar questo, sempre lo litterale dee andare innanzi, sì come quello ne la cui sentenza li altri sono inchiusi, e sanza lo quale sarebbe impossibile ed inrazionale intendere a li altri, e massimamente a lo allegorico. 9. È impossibile, però che in ciascuna cosa che ha dentro e di fuori, è impossibile venire al dentro se prima non si viene al di fuori: onde, con ciò sia cosa che ne le scritture [la litterale sentenza] sia sempre lo di fuori, impossibile è venire a l'altre, massimamente a l'allegorica, sanza prima venire a la litterale. 10. Ancora, è impossibile però che in ciascuna cosa, naturale ed artificiale, è impossibile procedere a la forma, sanza prima essere disposto lo subietto sopra che la forma dee stare: sì come impossibile la forma de l'oro è venire, se la materia, cioè lo suo subietto, non è digesta e apparecchiata; e la forma de l'arca venire, se la materia, cioè lo legno, non è prima disposta e apparecchiata. 11. Onde con ciò sia cosa che la litterale sentenza sempre sia subietto e materia de l'altre, massimamente de l'allegorica, impossibile è prima venire a la conoscenza de l'altre che a la sua. 12. Ancora, è impossibile però che in ciascuna cosa, naturale ed artificiale, è impossibile procedere, se prima non è fatto lo fondamento, sì come ne la casa e sì come ne lo studiare: onde, con ciò sia cosa che 'l dimostrare sia edificazione di scienza, e la litterale dimostrazione sia fondamento de l'altre, massimamente de l'allegorica, impossibile è a l'altre venire prima che a quella.

13. Ancora, posto che possibile fosse, sarebbe inrazionale, cioè fuori d'ordine, e però con molta fatica e con molto errore si procederebbe. Onde, sì come dice lo Filosofo nel primo de la Fisica, la natura vuole che ordinatamente si proceda ne la nostra conoscenza, cioè procedendo da quello che conoscemo meglio in quello che conoscemo non così bene: dico che la natura vuole, in quanto questa via di conoscere è in noi naturalmente innata. 14. E però se li altri sensi dal litterale sono meno intesi - che sono, sì come manifestamente pare -, inrazionabile sarebbe procedere ad essi dimostrare, se prima lo litterale non fosse dimostrato. 15. Io adunque, per queste ragioni, tuttavia sopra ciascuna canzone ragionerò prima la litterale sentenza, e appresso di quella ragionerò la sua allegoria, cioè la nascosa veritade; e talvolta de li altri sensi toccherò incidentemente, come a luogo e a tempo si converrà.

 

Capitolo II.

1. Cominciando adunque, dico che la stella di Venere due fiate rivolta era in quello suo cerchio che la fa parere serotina e matutina, secondo diversi tempi, appresso lo trapassamento di quella Beatrice beata che vive in cielo con li angeli e in terra con la mia anima, quando quella gentile donna, cui feci menzione ne la fine de la Vita Nuova, parve primamente, accompagnata d'Amore, a li occhi miei e prese luogo alcuno ne la mia mente. 2. E sì come è ragionato per me ne lo allegato libello, più da sua gentilezza che da mia elezione venne ch'io ad essere suo consentisse; chè passionata di tanta misericordia si dimostrava sopra la mia vedovata vita, che li spiriti de li occhi miei a lei si fero massimamente amici. E così fatti, dentro [me] lei poi fero tale, che lo mio beneplacito fu contento a disposarsi a quella imagine. 3. Ma però che non subitamente nasce amore e fassi grande e viene perfetto, ma vuole tempo alcuno e nutrimento di pensieri, massimamente là dove sono pensieri contrari che lo 'mpediscano, convenne, prima che questo nuovo amore fosse perfetto, molta battaglia intra lo pensiero del suo nutrimento e quello che li era contraro, lo quale per quella gloriosa Beatrice tenea ancora la rocca de la mia mente. 4. Però che l'uno era soccorso de la parte [de la vista] dinanzi continuamente, e l'altro de la parte de la memoria di dietro. E lo soccorso dinanzi ciascuno die crescea, che far non potea l'altro, con[tr]o quello, chè impediva in alcuno modo a dare indietro il volto; per che a me parve sì mirabile, e anche duro a sofferire, che io nol potei sostenere. 5. E quasi esclamando, e per iscusare me de la v[a]ri[e]tade ne la quale parea me avere manco di fortezza, dirizzai la voce mia in quella parte onde procedeva la vittoria del nuovo pensiero, ch'era virtuosissimo sì come vertù celestiale; e cominciai a dire: Voi che 'ntendendo il terzo ciel movete.

6. A lo 'ntendimento de la quale canzone bene imprendere, conviene prima conoscere le sue parti, sì che leggiero sarà poi lo suo intendimento a vedere. Acciò che più non sia mestiere di predicere queste parole per le sposizioni de l'altre, dico che questo ordine, che in questo trattato si prenderà, tenere intendo per tutti li altri.

7. Adunque dico che la canzone proposta è contenuta da tre parti principali. La prima è lo primo verso di quella: ne la quale s'inducono a udire ciò che dire intendo certe Intelligenze, o vero per più usato modo volemo dire Angeli, le quali sono a la revoluzione del cielo di Venere, sì come movitori di quello. 8. La seconda è li tre versi che appresso del primo sono: ne la quale si manifesta quel che dentro spiritualmente si sentiva intra' diversi pensieri. 9. La terza è lo quinto e l'ultimo verso: ne la quale sì vuole l'uomo parlare a l'opera medesima, quasi a confortare quella. E queste tutte e tre parti, per ordine sono, come è detto di sopra, a dimostrare.

 

Capitolo III.

1. A più latinamente vedere la sentenza litterale, a la quale ora s'intende, de la prima parte sopra divisa, è da sapere chi e quanti sono costoro che son chiamati a l'audienza mia, e quale è questo terzo cielo lo quale dico loro muovere: e prima dirò del cielo, poi dirò di loro a cu' io parlo. 2. E avvegna che quelle cose, per rispetto de la veritade, assai poco sapere si possano, quel cotanto che l'umana ragione ne vede ha più dilettazione che 'l molto e 'l certo de le cose de le quali si giudica [secondo lo senso], secondo la sentenza del Filosofo in quello de li Animali.

3. Dico adunque, che del numero de li cieli e del sito diversamente è sentito da molti, avvegna che la veritade a l'ultimo sia trovata. Aristotile credette, seguitando solamente l'antica grossezza de li astrologi, che fossero pure otto cieli, de li quali lo estremo, e che contenesse tutto, fosse quello dove le stelle fisse sono, cioè la spera ottava; e che di fuori da esso non fosse altro alcuno. 4. Ancora credette che lo cielo del Sole fosse immediato con quello de la Luna, cioè secondo a noi. E questa sua sentenza così erronea può vedere chi vuole nel secondo De Celo et Mundo, ch'è nel secondo de' libri naturali. Veramente elli di ciò si scusa nel duodecimo de la Metafisica, dove mostra bene sè avere seguito pur l'altrui sentenza là dove d'astrologia li convenne parlare.

5. Tolomeo poi, accorgendosi che l'ottava spera si movea per più movimenti, veggendo lo cerchio suo partire da lo diritto cerchio, che volge tutto da oriente in occidente, costretto da li principii di filosofia, che di necessitade vuole uno primo mobile semplicissimo, puose un altro cielo essere fuori de lo Stellato, lo quale facesse questa revoluzione da oriente in occidente: la quale dico che si compie quasi in ventiquattro ore, [cioè in ventitrè ore] e quattordici parti de le quindici d'un'altra, grossamente assegnando. 6. Sì che secondo lui, secondo quello che si tiene in astrologia ed in filosofia poi che quelli movimenti furon veduti, sono nove cieli mobili; lo sito de li quali è manifesto e diterminato, secondo che per un'arte che si chiama perspettiva, e [per] arismetrica e geometria, sensibilmente e ragionevolmente è veduto, e per altre esperienze sensibili: sì come ne lo eclipsi del sole appare sensibilmente la luna essere sotto lo sole, e sì come per testimonianza d'Aristotile, che vide con li occhi (secondo che dice nel secondo De Celo et Mundo) la luna, essendo nuova, entrare sotto a Marte da la parte non lucente, e Marte stare celato tanto che rapparve da l'altra parte lucente de la luna, ch'era verso occidente.

[iv]. 7. Ed è l'ordine del sito questo, che lo primo che numerano è quello dove è la Luna; lo secondo è quello dov'è Mercurio; lo terzo è quello dov'è Venere; lo quarto è quello dove è lo Sole; lo quinto è quello di Marte; lo sesto è quello di Giove; lo settimo è quello di Saturno; l'ottavo è quello de le Stelle; lo nono è quello che non è sensibile se non per questo movimento che è detto di sopra; lo quale chiamano molti Cristallino, cioè diafano, o vero tutto trasparente. 8. Veramente, fuori di tutti questi, li cattolici pongono lo cielo Empireo, che è a dire cielo di fiamma o vero luminoso; e pongono esso essere immobile per avere in sè, secondo ciascuna parte, ciò che la sua materia vuole. 9. E questo è cagione al Primo Mobile per avere velocissimo movimento; chè per lo ferventissimo appetito ch'è in ciascuna parte di quello nono cielo, che è immediato a quello, d'essere congiunta con ciascuna parte di quello divinissimo ciel quieto, in quello si rivolve con tanto desiderio, che la sua velocitade è quasi incomprensibile. 10. E quieto e pacifico è lo luogo di quella somma Deitade che sola [sè] compiutamente vede. Questo loco è di spiriti beati, secondo che la Santa Chiesa vuole, che non può dire menzogna; e Aristotile pare ciò sentire, a chi bene lo 'ntende, nel primo De Celo et Mundo. 11. Questo è lo soprano edificio del mondo, nel quale tutto lo mondo s'inchiude, e di fuori dal quale nulla è; ed esso non è in luogo ma formato fu solo ne la prima Mente, la quale li Greci dicono Protonoè. Questa è quella magnificenza de la quale parlò il Salmista quando dice a Dio: «Levata è la magnificenza tua sopra li cieli». 12. E così ricogliendo ciò che ragionato è, pare che diece cieli siano, de li quali quello di Venere sia lo terzo, del quale si fa menzione in quella parte che mostrare intendo.

13. Ed è da sapere che ciascuno cielo di sotto al Cristallino ha due poli fermi, quanto a sè; e lo nono li ha fermi e fissi, e non mutabili secondo alcuno respetto. E ciascuno, sì lo nono come li altri, hanno un cerchio, che si può chiamare equatore del suo cielo proprio; lo quale igualmente in ciascuna parte de la sua revoluzione è rimoto da l'uno polo e da l'altro, come può sensibilmente vedere chi volge un pomo, o altra cosa ritonda. E questo cerchio ha più rattezza nel muovere che alcuna parte del suo cielo, in ciascuno cielo, come può vedere chi bene considera. 14. E ciascuna parte, quant'ella più è presso ad esso, tanto più rattamente si muove; quanto più n'è remota e più presso al polo, più è tarda, però che la sua revoluzione è minore, e conviene essere in uno medesimo tempo, di necessitade, con la maggiore. 15. Dico ancora, che quanto lo cielo più è presso al cerchio equatore tanto è più nobile per comparazione a li suoi [poli], però che ha più movimento e più attualitade e più vita e più forma, e più tocca di quello che è sopra sè, e per consequente più è virtuoso. Onde le stelle del Cielo Stellato sono più piene di vertù tra loro quanto più sono presso a questo cerchio.

16. E in sul dosso di questo cerchio, nel cielo di Venere, del quale al presente si tratta, è una speretta che per se medesima in esso cielo si volge; lo cerchio de la quale li astrologi chiamano epiciclo. E sì come la grande spera due poli volge, così questa picciola, e così ha questa picciola lo cerchio equatore, e così è più nobile quanto è più presso di quello; e in su l'arco, o vero dosso, di questo cerchio è fissa la lucentissima stella di Venere. 17. E avvegna che detto sia essere diece cieli secondo la stretta veritade, questo numero non li comprende tutti; chè questo di cui è fatta menzione, cioè l'epiciclo nel quale è fissa la stella, è uno cielo per sè, o vero spera, e non ha una essenza con quello che 'l porta, avvegna che più sia connaturato ad esso che li altri; e con esso è chiamato uno cielo, e dinominasi l'uno e l'altro da la stella. 18. Come li altri cieli e l'altre stelle siano, non è al presente da trattare: basti ciò che detto è de la veritade del terzo cielo, del quale al presente intendo e del quale compiutamente è mostrato quello che al presente n'è mestiere.

 

Capitolo IV [v].

1. Poi ch'è mostrato nel precedente capitolo quale è questo terzo cielo e come in se medesimo è disposto, resta di dimostrare chi sono questi che 'l muovono. 2. È adunque da sapere primamente che li movitori di quelli sono sustanze separate da materia, cioè intelligenze, le quali la volgare gente chiamano Angeli. E di queste creature, sì come de li cieli, diversi diversamente hanno sentito, avvegna che la veritade sia trovata. 3. Furono certi filosofi, de' quali pare essere Aristotile ne la sua Metafisica (avvegna che nel primo di Cielo incidentemente paia sentire altrimenti), che credettero solamente essere tante queste, quante circulazioni fossero ne li cieli, e non più, dicendo che l'altre sarebbero state etternalmente indarno, sanza operazione; ch'era impossibile, con ciò sia cosa che loro essere sia loro operazione. 4. Altri furono, sì come Plato, uomo eccellentissimo, che puosero non solamente tante Intelligenze quanti sono li movimenti del cielo, ma eziandio quante sono le spezie de le cose (cioè le maniere de le cose): sì come è una spezie tutti li uomini, e un'altra tutto l'oro, e un'altra tutte le larghezze, e così di tutte. 5. E volsero che sì come le Intelligenze de li cieli sono generatrici di quelli, ciascuna del suo, così queste fossero generatrici de l'altre cose ed essempli, ciascuna de la sua spezie; e chiamale Plato 'idee', che tanto è a dire quanto forme e nature universali. 6. Li gentili le chiamano Dei e Dee, avvegna che non così filosoficamente intendessero quelle come Plato, e adoravano le loro imagini, e faceano loro grandissimi templi: sì come a Giuno, la quale dissero dea di potenza; sì come a Pallade o vero Minerva, la quale dissero dea di sapienza; sì come a Vulcano, lo quale dissero dio del fuoco, ed a Cerere, la quale dissero dea de la biada. 7. Le quali cose e oppinioni manifesta la testimonianza de' poeti, che ritraggono in parte alcuna lo modo de' gentili e ne li sacrifici e ne la loro fede; e anco si manifesta in molti nomi antichi rimasi o per nomi o per sopranomi a lochi e antichi edifici, come può bene ritrovare chi vuole.

8. E avvegna che per ragione umana queste oppinioni di sopra fossero fornite, e per esperienza non lieve, la veritade ancora per loro veduta non fue e per difetto di ragione e per difetto d'ammaestramento; chè pur per ragione veder si può in molto maggiore numero esser le creature sopra dette, che non sono li effetti che [da] li uomini si possono intendere. 9. E l'una ragione è questa. Nessuno dubita, nè filosofo nè gentile nè giudeo nè cristiano nè alcuna setta, ch'elle non siano piene di tutta beatitudine, o tutte o la maggior parte, e che quelle beate non siano in perfettissimo stato. 10. Onde, con ciò sia cosa che quella che è qui l'umana natura non pur una beatitudine abbia, ma due, sì com'è quella de la vita civile, e quella de la contemplativa, inrazionale sarebbe se noi vedemo quelle avere la beatitudine de la vita attiva, cioè civile, nel governare del mondo, e non avessero quella de la contemplativa, la quale è più eccellente e più divina. 11. E con ciò sia cosa che quella che ha la beatitudine del governare non possa l'altra avere, perchè lo 'ntelletto loro è uno e perpetuo, conviene essere altre fuori di questo ministerio che solamente vivano speculando. 12. E perchè questa vita è più divina, e quanto la cosa è più divina è più di Dio simigliante, manifesto è che questa vita è da Dio più amata; e se ella è più amata, più le è la sua beatanza stata larga; e se più l'è stata larga, più viventi le ha dato che a l'altrui. Per che si conchiude che troppo maggior numero sia quello di quelle creature che li effetti non dimostrano. 13. E non è contra quello che par dire Aristotile nel decimo de l'Etica, che a le sustanze separate convegna pure la speculativa vita. Come pure la speculativa convegna loro, pure a la speculazione di certe segue la circulazione del cielo, che è del mondo governo; lo quale è quasi una ordinata civilitade, intesa ne la speculazione de li motori.

14. L'altra ragione sì è che nullo effetto è maggiore de la cagione, poi che la cagione non può dare quello che non ha; ond'è, con ciò sia cosa che lo divino intelletto sia cagione di tutto, massimamente de lo 'ntelletto umano, che lo umano quello non soperchia, ma da esso è improporzionalmente soperchiato. 15. Dunque se noi, per le ragioni di sopra e per molt'altre, intendiamo Iddio aver potuto fare innumerabili quasi creature spirituali, manifesto è lui questo avere fatto maggiore numero. Altre ragioni si possono vedere assai, ma queste bastino al presente.

16. Nè si meravigli alcuno se queste e altre ragioni di ciò avere potemo, non sono del tutto dimostrate; che però medesimamente dovemo ammirare loro eccellenza - la quale soverchia gli occhi de la mente umana, sì come dice lo Filosofo nel secondo de la Metafisica -, e affermar loro essere. 17. Poi che non avendo di loro alcuno senso (dal quale comincia la nostra conoscenza), pure risplende nel nostro intelletto alcuno lume de la vivacissima loro essenza, in quanto vedemo le sopra dette ragioni, e molt'altre; sì come afferma chi ha li occhi chiusi l'aere essere luminoso, per un poco di splendore, o vero raggio, c[om]e passa per le pupille del vispistrello: chè non altrimenti sono chiusi li nostri occhi intellettuali, mentre che l'anima è legata e incarcerata per li organi del nostro corpo.