Tuesday 9 January 2024

Tuesday's Serial: “Convivio” by Dante Alighieri (in Italian) - IX

 

TRATTATO QUARTO.

Canzone terza.

Le dolci rime d'amor ch'i' solia

cercar ne' miei pensieri,

convien ch'io lasci; non perch'io non speri

ad esse ritornare,

05 ma perchè li atti disdegnosi e feri

che ne la donna mia

sono appariti m'han chiusa la via

de l'usato parlare.

E poi che tempo mi par d'aspettare,

10 diporrò giù lo mio soave stile,

ch'i' ho tenuto nel trattar d'amore;

e dirò del valore,

per lo qual veramente omo è gentile,

con rima aspr'e sottile;

15 riprovando 'l giudicio falso e vile

di quei che voglion che di gentilezza

sia principio ricchezza.

E, cominciando, chiamo quel signore

ch'a la mia donna ne li occhi dimora,

20 per ch'ella di se stessa s'innamora.

 

Tale imperò che gentilezza volse,

secondo 'l suo parere,

che fosse antica possession d'avere

con reggimenti belli;

25 e altri fu di più lieve savere,

che tal detto rivolse,

e l'ultima particula ne tolse,

chè non l'avea fors'elli!

Di retro da costui van tutti quelli

30 che fan gentile per ischiatta altrui

che lungiamente in gran ricchezza è stata;

ed è tanto durata

la così falsa oppinion tra nui,

che l'uom chiama colui

35 omo gentil che può dicere: 'Io fui

nepote, o figlio, di cotal valente',

benchè sia da niente.

Ma vilissimo sembra, a chi 'l ver guata,

cui è scorto 'l cammino e poscia l'erra,

40 e tocca a tal, ch'è morto e va per terra!

 

Chi diffinisce: 'Omo è legno animato',

prima dice non vero,

e, dopo 'l falso, parla non intero;

ma più forse non vede.

45 Similemente fu chi tenne impero

in diffinire errato,

chè prima puose 'l falso e, d'altro lato,

con difetto procede;

chè le divizie, sì come si crede,

50 non posson gentilezza dar nè torre,

però che vili son da lor natura:

poi chi pinge figura,

se non può esser lei, non la può porre,

nè la diritta torre

55 fa piegar rivo che da lungi corre.

Che siano vili appare ed imperfette,

chè, quantunque collette,

non posson quietar, ma dan più cura;

onde l'animo ch'è dritto e verace

60 per lor discorrimento non si sface.

 

Nè voglion che vil uom gentil divegna,

nè di vil padre scenda

nazion che per gentil già mai s'intenda;

questo è da lor confesso:

65 onde lor ragion par che sè offenda

in tanto quanto assegna

che tempo a gentilezza si convegna,

diffinendo con esso.

Ancor, segue di ciò che innanzi ho messo,

70 che siam tutti gentili o ver villani,

o che non fosse ad uom cominciamento;

ma ciò io non consento,

ned ellino altressì, se son cristiani!

Per che a 'ntelletti sani

75 è manifesto i lor diri esser vani,

ed io così per falsi li riprovo,

e da lor mi rimovo;

e dicer voglio omai, sì com'io sento,

che cosa è gentilezza, e da che vene,

80 e dirò i segni che 'l gentile uom tene.

 

Dico ch'ogni vertù principalmente

vien da una radice:

vertute, dico, che fa l'uom felice

in sua operazione.

85 Questo è, secondo che l'Etica dice,

un abito eligente

lo qual dimora in mezzo solamente,

e tai parole pone.

Dico che nobiltate in sua ragione

90 importa sempre ben del suo subietto,

come viltate importa sempre male;

e vertute cotale

dà sempre altrui di sè buono intelletto;

per che in medesmo detto

95 convegnono ambedue, ch'en d'uno effetto.

Onde convien da l'altra vegna l'una,

o d'un terzo ciascuna;

ma se l'una val ciò che l'altra vale,

e ancor più, da lei verrà più tosto.

100 E ciò ch'io dett'ho qui sia per supposto.

 

È gentilezza dovunqu'è vertute,

ma non vertute ov'ella;

sì com'è 'l cielo dovunqu'è la stella,

ma ciò non e converso.

105 E noi in donna e in età novella

vedem questa salute,

in quanto vergognose son tenute,

ch'è da vertù diverso.

Dunque verrà, come dal nero il perso,

110 ciascheduna vertute da costei,

o vero il gener lor, ch'io misi avanti.

Però nessun si vanti

dicendo: 'Per ischiatta io son con lei',

ch'elli son quasi dei

115 quei c'han tal grazia fuor di tutti rei;

chè solo Iddio a l'anima la dona

che vede in sua persona

perfettamente star: sì ch'ad alquanti

che seme di felicità sia costa,

120 messo da Dio ne l'anima ben posta.

 

L'anima cui adorna esta bontate

non la si tiene ascosa,

chè dal principio ch'al corpo si sposa

la mostra infin la morte.

125 Ubidente, soave e vergognosa

è ne la prima etate,

e sua persona adorna di bieltate

con le sue parti accorte;

in giovinezza, temperata e forte,

130 piena d'amore e di cortese lode,

e solo in lealtà far si diletta;

è ne la sua senetta

prudente e giusta, e larghezza se n'ode,

e 'n se medesma gode

135 d'udire e ragionar de l'altrui prode;

poi ne la quarta parte de la vita

a Dio si rimarita,

contemplando la fine che l'aspetta,

e benedice li tempi passati.

140 Vedete omai quanti son l'ingannati!

 

Contra-li-erranti mia, tu te n'andrai;

e quando tu sarai

in parte dove sia la donna nostra,

non le tenere il tuo mestier coverto

145 tu le puoi dir per certo:

«Io vo parlando de l'amica vostra».

Saturday 6 January 2024

Good Reading: "The Farmer and the Snake" by Aesop (translated into English)

 

One winter a Farmer found a Snake stiff and frozen with cold. He had compassion on it, and taking it up, placed it in his bosom. The Snake was quickly revived by the warmth, and resuming its natural instincts, bit its benefactor, inflicting on him a mortal wound. "Oh," cried the Farmer with his last breath, "I am rightly served for pitying a scoundrel."

               The greatest kindness will not bind the ungrateful. 

Friday 5 January 2024

Friday's Sung Word: "Abismo de Amor" by Cândido das Neves (in Portuguese)

 Ó lua, o argênteo véu se espalma
por sobre a noite eterna
que eu tenho dentro d'alma.
Ao teu luar de prata
um beijo originou
o amor que aquela ingrata
em cinzas transformou
ao teu luar!

Às ondas, espúmeas serpentinas
às líricas ondinas
à branca espumarada
um infeliz lamenta
que amando enlouqueceu.
Ó lua prateada
esse infeliz sou eu!

Alvo sol, branca luz
que iluminaste sobre a cruz
a fronte de Jesus
vem luzir por sobre a minha dor
Ó vem ungir minh'alma a cair
neste abismo de amor

Oh! Lua, pudesse eu, qual um astro,
Na luminosa umbela
Seguir-te o elúrneo rastro
e, de saudade dela,
no espaço derramar
o pranto que entre estrelas
transforma-se ao luar.

You can listen "Abismo de Amor" sung by Vicente Celestino here.

Thursday 4 January 2024

Thursday's Serial: “The Dark Other” by Stanley G. Weinbaum - IX

24 - The Dark Other

It was early in the evening, not yet eight o'clock, when Pat saw the car of Nicholas Devine draw up before the house. She had already been watching half an hour, sitting cross-legged in the deep window seat, like her jade Buddha. That equivocal poem of his had disturbed her, lent an added strength to the moods and doubts already implanted by Magda's mystical tale, and it was with a feeling of trepidation that she watched him emerge wearily from his vehicle and stare in indecision first at her window and then at the Horker residence. The waning daylight was still sufficient to delineate his worn features; she could see them, pale, harried, but indubitably the mild features of her own Nick.

While he hesitated, she darted to the door and out upon the porch. He gave her a wan smile of greeting, advanced to the foot of the steps, and halted there.

"The Doctor's not home yet," she called to him. He stood motionless below her.

"Come up on the porch," she invited, as he made no move. She uttered the words with a curious feeling of apprehension; for even as she ached for his presence, the uncertain state of affairs was frightening. She thought fearfully that what had happened before might happen again. Still, there on the open porch, in practically full daylight, and for so brief a time—Dr. Carl would be coming very shortly, she reasoned.

"I can't," said Nick, staring wistfully at her. "You know I can't."

"Why not?"

"I promised. You remember—I promised Dr. Horker I'd not see you except in his presence."

"So you did," said Pat doubtfully. The promise offered escape from a distressing situation, she thought, and yet—somehow, seeing Nick standing pathetically there, she couldn't imagine anything harmful emanating from him. There had been many and many evenings in his company that had passed delightfully, enjoyably, safely. She felt a wave of pity for him; after all, the affliction was his, most of the suffering was his.

"We needn't take it so literally," she said almost reluctantly. "He'll be home very soon now."

"I know," said Nick soberly, "but it was a promise, and besides, I'm afraid."

"Never mind, Honey," she said, after a momentary hesitation. "Come up and sit here on the steps, then—here beside me. We can talk just as well as there on the settee."

He climbed the steps and seated himself, watching Pat with longing eyes. He made no move to touch her, nor did she suggest a kiss.

"I read your poem, Honey," she said finally. "It worried me."

"I'm sorry, Pat. I couldn't sleep. I kept wandering around the house, and at last I wrote it and took it out and mailed it. It was a vent, a relief from the things I'd been thinking."

"What things, Honey?"

"A way, mostly," he answered gloomily, "of removing myself from your life. A permanent way."

"Nick!"

"I didn't, as you see, Pat. I was too cowardly, I suppose. Or perhaps it was because of this forlorn hope of ours. There's always hope, Pat; even the condemned man with his foot on the step to the gallows feels it."

"Nick dear!" she cried, her voice quavering in pity. "Nick, you mustn't think of those things! It might weaken you—make it easier for him!"

"It can't. If it frightens him, I'm glad."

"Honey," she said soothingly, "we'll give Dr. Carl a chance. Promise me you'll let him try, won't you?"

"Of course I will. Is there anything I'd refuse to promise you, Pat? Even," he added bitterly, "when reason tells me it's a futile promise."

"Don't say it!" she urged fiercely. "We've got to help him. We've got to believe—There he comes!" she finished with sudden relief.

The Doctor's car turned up the driveway beyond his residence. Pat saw his face regarding them as he disappeared behind the building.

"Come on, Honey," she said. "Let's get at the business."

They moved slowly over to the Doctor's door, waiting there until his ponderous footsteps sounded. A light flashed in the hall, and his broad shadow filled the door for a moment before it opened.

"Come in," he rumbled jovially. "Fine evening we're spoiling, isn't it?"

"It could be," said Pat as they followed him into the library, "only it'll probably rain some more."

"Hah!" snorted the Doctor, frowning at the mention of rain. "The course was soft. Couldn't get any distance, and it added six strokes to my score. At least six!"

Pat chuckled commiseratingly. "You ought to lay out a course in Greenland," she suggested. "They say anyone can drive a ball a quarter of a mile on smooth ice."

"Humph!" The Doctor waved toward a great, low chair. "Suppose you sit over there, young man, and we'll get about our business. And don't look so woe-begone about it."

Nick settled himself nervously in the designated chair; the Doctor seated himself at a little distance to the side, and Pat sat tensely in her usual place beside the hearth. She waited in strained impatience for the black magic of psychoanalysis to commence.

"Now," said Horker, "I want you to keep quiet, Pat—if possible. And you, young man, are to relax, compose yourself, get yourself into as passive a state as possible. Do you understand?"

"Yes, sir," The youth leaned back in the great chair, closing his eyes.

"So! Now, think back to your childhood, your earliest memories. Let your thoughts wander at random, and speak whatever comes to your mind."

Nick sat a moment in silence. "That's hard to do, sir," he said finally.

"Yes. It will take practice, weeks of it, perhaps. You'll have to acquire the knack of it, but to do that, we'll have to start."

"Yes, sir." He sat with closed eyes. "My mother," he murmured, "was kind. I remember her a little, just a little. She was very gentle, not apt to blame me. She could understand. Made excuses to my father. He was hard, not cruel—strict. Couldn't understand. Blamed me when I wasn't to blame. Other did it. I wasn't mischievous, but got the blame. Couldn't explain, he wouldn't believe me." He paused uncertainly.

"Go on," said Horker quietly, while Pat strained her ears to listen.

"Mrs. Stevens," he continued. "Governess after Mother died. Strict like Father, got punished when I wasn't to blame. Just as bad after Father died. Always blamed. Couldn't explain, nobody believed me. Other threw cat in window, I had to go to bed. Put salt in bird seed, broke leg of chair to make it fall. Punished—I couldn't explain." His voice droned into silence; he opened his eyes. "That all," he said nervously.

"Good enough for the first time," said the Doctor briskly. "Wait a few weeks; we'll have your life's history out of you. It takes practice."

"Is that all?" queried Pat in astonishment.

"All for the first time. Later we'll let him talk half an hour at a stretch, but it takes practice, as I've mentioned. You run along home now," he said to Nick.

"But it's early!" objected Pat.

"Early or not," said the Doctor, "I'm tired, and you two aren't to see each other except here. You remember that."

Nick rose from his seat in the depths of the great chair. "Thank you, sir," he said. "I don't know why, but I feel easier in your presence. The—the struggle disappears while I'm here."

"Well," said Horker with a smile, "I like patients with confidence in me. Good night."

At the door Nick paused, turning wistful eyes on Pat. "Good night," he said, leaning to give her a light kiss. A rush of some emotion twisted his features; he stared strangely at the girl. "I'd better go," he said abruptly, and vanished through the door.

"Well?" said Pat questioningly, turning to the Doctor. "Did you learn anything from that?"

"Not much," the other admitted, yawning. "However, the results bear out my theory."

"How?"

"Did you notice how he harped on the undeserved punishment theme? He was punished for another's mischief?"

"Yes. What of that?"

"Well, picture him as a timid, sensitive child, rather afraid of being punished. Afraid, say, of being locked up in a dark closet. Now, when he inadvertently commits a mischief, as all children do, he tries desperately to divert the blame from himself. But there's no one else to blame! So what does he do?"

"What?"

"He invents this other, the mischievous one, and blames him. And now the other has grown to the proportions of a delusion, haunting him, driving him to commit acts apart from his normal inclinations. Understand? Because I'm off to bed whether you do or not."

"I understand all right," murmured Pat uncertainly as she moved to the door. "But somehow, it doesn't sound reasonable."

"It will," said the Doctor. "Good night."

Pat wandered slowly down the steps and through the break in the hedge, musing over Doctor Horker's expression of opinion. Then, according to him, the devil was nothing more than an invention of Nick's mind, the trick of a cowardly child to evade just punishment. She shook her head; it didn't sound like Nick at all. For all his gentleness and sensitivity, he wasn't the one to hide behind a fabrication. He wasn't a coward; she was certain of that. And she was as sure as she could ever be that he hated, feared, loathed this personality that afflicted him; he couldn't have created it.

She sighed, mounted the steps, and fumbled for her key. The sound of a movement behind her brought a faint gasp of astonishment. She turned to see a figure materializing from the shadows of the porch. The light from the hall fell across its features, and she drew back as she recognized Nicholas Devine—not the being she had just kissed good night, but in the guise of her tormentor, the red-eyed demon!

 

25 - The Demon Lover

Pat drew back, leaning against the door, and her key tinkled on the concrete of the porch. She was startled, shocked, but not as completely terrified as she might have expected. After all, she thought rapidly, they were standing in full view of a public street, and Dr. Carl's residence was but a few feet distant. She could summon his help by screaming.

"Well!" she exclaimed, eyeing the figure inimically. "Your appearances and disappearances are beginning to remind me of the Cheshire Cat."

"Except for the grin," said the other in his cold tones.

"What do you want?" snapped Pat.

"You know what I want."

"You'll not get it," said the girl angrily. "You—you're doomed to extinction, anyway! Go away!"

"Suppose," said the other with a strange, cold, twisted smile, "it were he that's doomed to extinction—what then?"

"It isn't!" cried Pat. "It isn't!" she repeated, while a quiver of uncertainty shook her. "He's the stronger," she said defiantly.

"Then where is he now?"

"Dr. Carl will help us!"

"Doctor!" sneered the other. "He and his clever theory! Am I an illusion?" he queried sardonically, thrusting his red-glinting eyes toward her. "Am I the product of his puerile, vacillating nature? Bah! I gave you the clue, and your Doctor hasn't the intelligence to follow it!"

"Go away!" murmured Pat faintly. The approach of his face had unnerved her, and she felt terror beginning to stir within her. "Go away!" she said again. "Why do you have to torment me? Any one would serve your purpose—any woman!"

"You have an aesthetic appeal, as I've told you before," replied the other in that toneless voice of his. "There is a pleasure in the defacement of black hair and pale skin, and your body is seductive, most seductive. Another might afford me less enjoyment, and besides, you hate me. Don't you hate me?" He peered evilly at her.

"Oh, God—yes!" The girl was shuddering.

"Say it, then! Say you hate me!"

"I hate you!" the girl cried vehemently. "Will you go away now?"

"With you!"

"I'll scream if you come any closer. You don't dare touch me; I'll call Dr. Horker."

"You'll only damage him—your lover."

"Then I'll do it! He'll understand."

"Yes," said the other reflectively. "He's fool enough to forgive you. He'll forgive you anything—the weakling!"

"Go away! Get away from here!"

The other stared at her out of blood-shot eyes. "Very well," he said in his flat tones. "This time the victory is yours."

He backed slowly toward the steps. Pat watched him as he moved, feeling a surge of profound relief. As his shadow shifted, her key gleamed silver at her feet, and she stooped to retrieve it.

There was a rush of motion as her eyes left the form of her antagonist. A hand was clamped violently over her mouth, an arm passed with steel-like rigidity about her body. Nicholas Devine was dragging her toward the steps; she was half-way down before she recovered her wits enough to struggle.

She writhed and twisted in his grasp. She drove her elbow into his body with all her power, and kicked with the strength of desperation at his legs. She bit into the palm across her mouth—and suddenly, with a subdued grunt of pain, he released her so abruptly that her own struggles sent her spinning blindly into the bushes of the hedge.

She turned gasping, unable for the moment to summon sufficient breath to scream. The other stood facing her with his eyes gleaming terribly into her own; then they ranged slowly from her diminutive feet to the rumpled ebony of her hair that she was brushing back with her hands from her pallid, frightened face.

"Obstinate," he observed, rubbing his injured palm.

"Obstinate and unbroken—but worth the trouble. Well worth it!" He reached out a swift hand, seizing her wrist as she backed against the bushes.

Pat twisted around, gazing frantically at Doctor Horker's house, where a light had only now flashed on in the upper windows. Her breath flowed back into her lungs with a strengthening rush.

"Dr. Carl!" she screamed. "Dr. Carl! Help me!"

The other spun her violently about. She had a momentary glimpse of a horribly evil countenance, then he drew back his arm and shot a clenched fist to her chin.

The world reeled into a blaze of spinning lights that faded quickly to darkness. She felt her knees buckling beneath her, and realized that she was crumpling forward toward the figure before her. Then for a moment she was aware of nothing.

She didn't quite lose consciousness, or at least for no more than a moment. She was suddenly aware that she was gazing down at a moving pavement, at her own arms dangling helplessly toward it. She perceived that she was lying limply across Nicholas Devine's shoulder with his arms clenched about her knees. And then, still unable to make the slightest resistance, she was bundled roughly into the seat of his coupe; he was beside her, and the car was purring into motion.

She summoned what remained of her strength. She drew herself erect, fumbling at the handle of the door with a frantic idea of casting herself out of the car to the street. The creature beside her jerked her violently back; as she reeled into the seat, he struck her again with the side of his fist. It was a random blow, delivered with scarcely a glance at her; it caught her on the forehead, snapping her head with an audible thump against the wall of the vehicle. She swayed for a moment with closing eyes, then collapsed limply against him, this time in complete unconsciousness.

That lapse too must have been brief. She opened dazed eyes on a vista of moving street lights; they were still in the car, passing now along some unrecognized thoroughfare lined with dark old homes. She lay for some moments uncomprehending; she was completely unaware of her situation.

It dawned on her slowly. She moaned, struggled away from the shoulder against which she had been leaning, and huddled miserably in the far corner of the seat. Nicholas Devine gave her a single glance with his unpleasant eyes, and turned them again on the street.

The girl was helpless, unable to put forth the strength even for another attempt to open the door. She was still only half aware of her position, and realized only that something appalling was occurring to her. She lay in passive misery against the cushions of the seat as the other turned suddenly up a dark driveway and into the open door of a small garage. He snapped off the engine, extinguished the headlights, and left them in a horrible, smothering, silent darkness.

She heard him open the door on his side; after an apparently interminable interval, she heard the creak of the hinges on her own side. She huddled terrified, voiceless, and immobile.

He reached in, fumbling against her in the darkness. He found her arm, and dragged her from the car. Again, as on that other occasion, she found herself reeling helplessly behind him through the dark as he tugged at her wrist. He paused at a door in the building adjacent to the garage, searching in his pocket with his free hand.

"I won't go in there!" she muttered dazedly. The other made no reply, but inserted a key in the lock, turned it, and swung open the door.

He stepped through it, dragging her after him. With a sudden access of desperate strength, she caught the frame of the door, jerked violently on her prisoned wrist, and was unexpectedly free. She reeled away, turned toward the street, and took a few faltering steps down the driveway.

Almost instantly her tormentor was upon her, and his hand closed again on her arm. Pat had no further strength; she sank to the pavement and crouched there, disregarding the insistent tugging on her arm.

"Come on," he growled. "You only delay the inevitable. Must I drag you?"

She made no reply. He tugged violently at her wrist, dragging her a few inches along the pavement. Then he stooped over her, raised her in his arms, and bore her toward the dark opening of the door. He crowded her roughly through it, disregarding the painful bumping of her shoulders and knees. She heard the slam of the door as he kicked it closed, and she realized that they were mounting a flight of stairs, moving somewhere into the oppressive threatening darkness.

Then they were moving along a level floor, and her arm was bruised against another door. There was a moment of stillness, and then she was released, dropped indifferently to the surface of a bed or couch. A moment later a light flashed on.

The girl was conscious at first only of the gaze of the red eyes. They held her own in a fascinating, unbreakable, trance-like spell. Then, in a wave of dizziness, she closed her own eyes.

"Where are we?" she murmured. "In Hell?"

"You should call it Heaven," came the sardonic voice. "It's the home of your sweetheart. His home—and mine!"

 

26 - The Depths

"Heaven and Hell always were the same place," said Nicholas Devine, his red eyes glaring down at the girl. "We'll demonstrate the fact."

Pat shifted wearily, and sat erect, passing her hand dazedly across her face. She brushed the tangled strands of black hair from before her eyes, and stared dully at the room in which she found herself.

It had some of the aspects of a study, and some of a laboratory, or perhaps a doctor's office. There was a case of dusty books on the wall opposite, and another crystal-fronted cabinet containing glassware, bottles, little round boxes suggestive of drugs or pharmaceuticals. There was a paper-littered table too; she gave a convulsive shudder at the sight of a bald, varnished death's head, its lower jar articulated, that reposed on a pile of papers and grinned at her.

"Where—" she began faintly.

"This was the room of your sweetheart's father," said the other. "His and my mutual father. He was an experimenter, a researcher, and so, in another sense, am I!" He leered evilly at her. "He used this chamber to further his experiments, and I for mine—the carrying on of a noble family tradition!"

The girl scarcely heard his words; the expressionless tone carried no meaning to the chaos which was her mind. She felt only an inchoate horror and a vague but all-encompassing fear, and her head was aching from the blows he had dealt her.

"What do you want?" she asked dully.

"Why, there is an unfinished experiment. You must remember our interrupted proceedings of a week ago! Have you already forgotten the early steps of our experiment in evil?"

Pat cringed at the cold, sardonic tones of the other. "Let me go," she whimpered. "Please!" she appealed. "Let me go!"

"In due time," he responded. "You lack gratitude," he continued. "Last time, out of the kindness that is my soul, I permitted you to dull your senses with alcohol, but you failed, apparently, to appreciate my indulgence. But this time"—His eyes lit up queerly—"this time you approach the consummation of our experiment with undimmed mind!"

He approached her. She drew her knees up, huddling back on the couch, and summoned the final vestiges of her strength.

"I'll kick you!" she muttered desperately. "Keep back from me!"

He paused just beyond her reach. "I had hoped," he said ironically, "if not for your cooperation, at least for no further active resistance. It's quite useless; I told you days ago that this time would come."

He advanced cautiously; Pat thrust out her foot, driving it with all her power. Instantly he drew back, catching her ankle in his hand. He jerked her leg sharply upwards, and she was precipitated violently to the couch. Again he advanced.

The girl writhed away from him. She slipped from the foot of the couch and darted in a circle around him, turning in an attempt to gain the room's single exit—the door by which they had entered. He moved quickly to intercept her; he closed the door as she backed despairingly away, retreating to the far end of the room. Once more he faced her, his malicious eyes gleaming, and moved deliberately toward her.

She drew back until the table halted her; she pressed herself against it as if to force her way still further. The other moved at unaltered pace. Suddenly her hand pressed over some smooth, round, hard object; she grasped it and flung the grinning skull at the more terrible face that approached her. He dodged; there was a crash of glass as the gruesome missile shattered the pane of the cabinet of drugs. And inexorably, Nicholas Devine approached once more.

She moved along the edge of the table, squeezed herself between it and the wall. Behind her was one of the room's two windows, curtainless, with drawn shades. She found the cord, jerked it, and let the blind coil upward with an abrupt snap.

"I'll throw myself through the window!" she announced with a sort of desperate calm. "Don't dare move a step closer!"

The demon paused once more in his deliberate advance. "You will, of course," he said as if considering. "Given the opportunity. Your body torn and broken, spotted with blood—that might be a pleasure second only to that I plan."

"You'll suffer for it!" said the girl hysterically. "I'll be glad to do it, knowing you'll suffer!"

"Not I—your sweetheart."

"I don't care! I can't stand it!"

The other smiled his demoniac smile, and resumed his advance. She watched him in terror that had now reached the ultimate degree; her mind could bear no more. She turned suddenly, raised her arm, and beat her fist against the pane of the window.

With the surprising resistance glass sometimes displays, it shook at her blow but did not shatter. She drew back for a second attempt, and her upraised arm was caught in a rigid grip, and she was dragged backward to the center of the room, thrown heavily to the floor. She sat dazedly looking up at the form standing over her.

"Must I render you helpless again?" queried the flat voice of the other. "Are you not yet broken, convinced of the uselessness of this struggle?"

She made no answer, staring dully at his immobile features.

"Are you going to fight me further?" As she was still silent, he repeated, "Are you?"

She shook her head vaguely. "No," she muttered. She had reached the point of utter indifference; nothing at all was important enough now to struggle for.

"Stand up!" ordered the being above her.

She pulled herself wearily to her feet, leaning against the wall. She closed her eyes for a moment, then opened them dully as the other moved.

"What—are you—are you going to do?" she murmured.

"First," said the demon coldly, "I shall disrobe you somewhat more completely than on our other occasion. Thereafter we will proceed to the consummation of our experiment."

She watched him indifferently, uncomprehendingly, as he crooked a thin finger in the neck of her frock. She felt the pressure as he pulled, heard the rip of the fabric, and the pop of buttons, but she was conscious of no particular sensation as the garment cascaded into a black and red pool at her feet. She stood passive as he hooked his finger in the strap of her vest, and that too joined the little mound of cloth. She shivered slightly as she stood bared to the waist, but gave no other sign.

Again the thin hand moved toward her; from somewhere in her tormented spirit a final shred of resistance arose, and she pushed the questing member feebly to one side. She heard a low, sardonic laugh from her oppressor.

"Look at me!" he commanded.

She raised her eyes wearily; she drew her arm about her in a forlorn gesture of concealment. Her eyes met the strange orbs of the other, and a faint thrill of horror stirred; other than this, she felt nothing. Then his eyes were approaching her; she was conscious of the illusion that they were expanding, filling all the space in front of her. Their weird glow filled the world, dominated everything.

"Will you yield?" he queried.

The eyes commanded. "Yes," she said dully.

She felt his hands icy cold on her bare shoulders. They traveled like a shudder about her body, and suddenly she was pressed close to him.

"Are you mine?" he demanded. For the first time there was a tinge of expression in the toneless voice, a trace of eagerness. She made no answer; her eyes, held by his, stared like the eyes of a person in a trance, unwinking, fascinated.

"Are you mine?" he repeated, his breath hissing on her cheek.

"Yes." She heard her own voice in automatic reply to his question.

"Mine—for the delights of evil?"

"Yours!" she murmured. The eyes had blotted out everything.

"And do you hate me?"

"No."

The arms about her tightened into crushing bands. The pressure stopped her breath; her very bones seemed to give under their fierce compression.

"Do you hate me?" he muttered.

"Yes!" she gasped. "Yes! I hate you!"

"Ah!" He twisted his hand in her black hair, wrenching it roughly back. "Are you ready now for the consummation? To look upon the face of evil?"

She made no reply. Her eyes, as glassy as those of a sleep-walker, stared into his.

"Are you ready?"

"Yes," she said.

He pressed his mouth to hers. The fierceness of the kiss bruised her lips, the pull of his hand in her hair was a searing pain, the pressure of his arm about her body was a suffocation. Yet—somehow—there was again the dawning of that unholy pleasure—the same degraded delight that had risen in her on that other occasion, in the room of the red-checked table cloth. Through some hellish alchemy, the leaden pain was transmuting itself into the garish gold of a horrible, abnormal pleasure. She found her crushed lips attempting a feeble, painful response.

At her movement, she felt herself swung abruptly from her feet. With his lips still crushing hers, he raised her in his arms; she felt herself borne across the room. He paused; there was a sudden release, and she crashed to the hard surface of the couch, whose rough covering scratched the bare flesh of her back. Nicholas Devine bent over her; she saw his hand stretch toward her single remaining garment. And again, from somewhere in her harassed soul, a spark of resistance flashed.

"Nick!" she moaned. "Oh, Nick! Help me!"

"Call him!" said the other, a sneer on his face. "Call him! He hears; it adds to his torment!"

She covered her eyes with her hands. She felt his hand slip coldly between her skin and the elastic about her waist.

"Nick!" she moaned again. "Nick! Oh, my God! Nick!"

Wednesday 3 January 2024

Good Reading: "Chávez, Lula e Gurdjieff" by Olavo de Carvalho (in Portuguese)

 

Na opinião do sr. Hugo Chávez, que com leves diferenças de nuance é a mesma do nosso governo e da nossa mídia, as Farc, que assaltam, seqüestram e matam a granel, não são uma organização terrorista de maneira alguma; terrorista é a TFP, que nunca matou um mosquito nem sugeriu o roubo de uma azeitona.

Quando lhes digo que o traço essencial e permanente da mentalidade revolucionária é a inversão psicótica, não estou brincando, nem exagerando, nem fazendo figura de retórica: estou apontando um dos fatos mais bem documentados da história cultural dos últimos séculos – um fato que pode ser verificado tanto nas estruturas gerais do pensamento revolucionário quanto nas atitudes práticas e até nos detalhes de linguagem de seus representantes mais notórios.

Quando o sr. Luís Inácio Lula da Silva se recusa a dizer uma palavrinha em favor de um preso político cubano em greve de fome, alegando escrúpulos de interferir nos assuntos internos de uma nação estrangeira, ao mesmo tempo que ajuda a reintroduzir no território hondurenho um presidente banido e se gaba de ter metido gostosamente o bedelho do Foro de São Paulo nos plebiscitos venezuelanos, ele ultrapassa os limites da mentira política normal, que no mínimo respeita um pouco o senso do verossímil: ele entra com as quatro patas no campo da inversão psicótica, chocando a platéia ao ponto de idiotizá-la, dessensibilizando-a para o absurdo do que está ouvindo.

Embora esse modo de falar possa se consolidar como vício ao ponto de seu próprio usuário se tornar insensível à maldade que pratica quando o emprega, na verdade ele se originou como uma técnica psicológica muito bem elaborada. Denomino-a “impressão paradoxal”, embora na bibliografia seja citada também com outros nomes, como “dissonância cognitiva” ou “psicose informática”. Georges Ivanovitch Gurdjieff, o maior gênio do charlatanismo esotérico, usava esse tipo de discurso para estontear seus discípulos e reduzi-los a uma obediência canina. Por exemplo, ele mobilizava todo o arsenal lógico do materialismo científico para persuadi-los de que eram apenas máquinas, de que não tinham alma nenhuma, e em seguida afirmava, com a maior seriedade, que poderiam adquirir uma alma… mediante uma certa quantia em dinheiro.

O sujeito que ouvia uma coisa dessas caía imediatamente numa zona nebulosa entre a piada e a realidade, sem saber como reagir ante a impressão paradoxal. Reaplicada a técnica um certo número de vezes, o infeliz perdia todo interesse em compreender racionalmente a situação e daí por diante se deixava conduzir pelo mestre como uma vaca puxada pela argola do nariz.

Quando Gurdjieff introduziu essa técnica no Ocidente, talvez nem ele próprio imaginasse a velocidade com que ela se disseminaria entre os políticos e os intelectuais ativistas, como um instrumento perfeito para tornar as massas incapazes de diferenciar entre a percepção humana normal e a inversão psicótica.

Adolf Hitler, que consta ter recebido a influência de um discípulo de Gurdjieff (Klaus Haushoffer), criou uma técnica oratória inteiramente baseada na impressão páradoxal, articulando o grotesco e o temível de modo que a platéia sentisse ao mesmo tempo o desejo de rir dele e o medo de ser punida por isso. Que fazer então, senão jogar fora o próprio cérebro e trocá-lo por uma recompensadora aceitação passiva do que desse e viesse? (Mutatis mutandis, foi por esse mesmo artifício que o sr. Lula transmutou, no coração do seu público, a piedade em admiração fingida, e a admiração fingida em bajulação compulsiva.)

Os comunistas deram um uso muito mais amplo a essa técnica, extorquindo do seu público a aprovação a crimes hediondos em nome dos sentimentos mais altos e sublimes, forçando a elasticidade moral até o último limite do humanamente suportável. A contradição internalizada acumulava-se no inconsciente até o ponto em que as vítimas estourariam se não descarregassem seus sentimentos de culpa sobre algum bode expiatório, acusando-o de toda sorte de delitos imaginários. Daí a facilidade com que o público – não só o exército dos militantes, mas a vasta massa dos intoxicados pela “onipresença invisível” da cultura revolucionária – perde todo senso de verossimilhança e acaba aceitando como razoável a conversa idiota de que a TFP é uma organização de alta periculosidade ou de que o sr. Alejandro Peña Esclusa, malgrado seu diploma de engenheiro, guardava em casa, ao lado do quarto onde dormiam suas três filhas pequenas, explosivos suficientes para fazer seu prédio voar em cacos.

20 de julho de 2010.